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External Audio and CV Inputs

 

-You are responsible for setting the correct level into the audio 
  inputs as there is no trim available. If you match the level of 
  the factory Programs, you’re in the ballpark. A direct output  
  from a CD player’s line out will require attenuation. Note that 
  there are Schmitt Triggers on the Voice 15 and Voice 16 audio 
  inputs that are scanned by the microprocessor and then appear 
  in the modulation Source list about three-quarters of the way  
  down as EXT TRIGGER1 and 2. These are useful as triggers for 
  the Envelopes, as evinced by factory Program User 124,  
  “AudInV16->EnvWah”. Set the level of your audio source so that 
  it regularly fires the Envelope and you’re set to send it into any 
  of the audio inputs.  
-The Voice 15 and Voice 16 inputs are of course separate and can  
  be used in any Programs desired. To process in stereo, two  
  Programs must be created using each input, selected in Mix mode  
  and set to the same MIDI channel to be played simultaneously 
  from the keyboard, and also panned hard left and right.  
-Selecting the V15 and V16 audio inputs automatically turns off 
  the oscillator audio to allow concentration on the input signals. 
  The V1-16 input blends the external audio input along with the 
  oscillator signals for each voice. Factory Programs User Bank 
  numbers 120 through 123 inclusive take advantage of this path. 
  Be sure to play across the keyboard as the filters are set to track 
  the keyboard, in the same manner as with the factory Program 
  045, Resonatorr. Hold several notes across the keyboard and then 
  hit the sustain pedal. Now use the wheels and ribbon to alter the 
  overall filter frequencies and hear up to 16 resonant filter pairs 
  sweep across their entire spectrum.  
-The Voice 1->16 audio inputs have no trigger associated with them, 
  so if you want to trigger sections of the synth from the audio level 
  of the 1-16 input, you’ll have to use a “y” cord or other method to 
  simultaneously feed into the 1-16 input and one of the other  
  external audio in jacks and utilize it’s associated Schmitt Trigger. 
-Moog once produced (and Modusonics.com still produce) a “String 
  Filter Synthesis” unit; a number of bandpass filters tuned to specific  
  frequencies with specific resonance amounts will imply the  
  resonant characteristics of a violin and other stringed instruments. 
  As the A6 provides 32 dynamic, resonant filters, all you’ll need is 
  a Google search for “Violin Body Modification” and you’re on the 
  way. This should also be useful for both open and closed-pipe  
  resonant synthesis.  
   
  You should allocate 16 Program locations for this task and use the 
  ALL external audio input. Set each pair of filters as indicated and 
  create a Mix to sum the results. Use the Distortion and DIGFX to  
  taste if desired. Modulate all of it with the ribbon…  

Содержание ANDROMEDA A6

Страница 1: ...rs etc PROGRAM MODE FRONT PANEL MODULES Defining each section of the front panel and some tips on using each Keyboard performance parameters LFOs Sample and Hold Process Audio Rate FM Oscillators and...

Страница 2: ...faster envelope response times than previous versions but at the cost of a bit of zipper noise in the parameters VCAs and with large pitch modulations On the Filt VCA chip this allows for faster ampli...

Страница 3: ...nd followthe prompts This will clear the tuning tables and the ribbon calibration as well you should Autotune after a Soft Reset the instrument should be warmed up already If this doesn t work try pow...

Страница 4: ...ght of the Display are useful in a number of ways You will notice that most parameters have fractional values meaning that they have much greater resolution than 1 127 or so The keys can be used to ze...

Страница 5: ...place of the hardware required on other analog synthesizers which require occasional calibration and over time possible replacement After the above tune the unit again after about five minutes All sho...

Страница 6: ...with a Trigger Page LFOs S H Envelopes Seq Arp etc can either be caused to advance a single increment begin running or reset LFO Phase whenever the selected Source any Source whether it s a Clock or n...

Страница 7: ...s In this case the LFO to Oscillator pitch routing s overall amount has the Mod Wheel assigned to control it Any controller Envelope LFO velocity etc may be assigned Sample and Hold A module that memo...

Страница 8: ...nd the output VCAs The Fastest setting will allow for sharper percussion sounds especially the type produced by analog drum machines and popularized by Kraftwerk etc I ve noted in creating a Minimoog...

Страница 9: ...oice and uses the summed outputs of the Oscillators Suboctaves as the inputs the Analog Noise or External Inputs and a modest Filter Feedback which basically squares signals up it doesn t punch like t...

Страница 10: ...1 s LP and HP outputs are again live on the Post Filter Mix module in parallel to the output of Filter 2 4 The output of the Pre Filter Mix module is sent into Filter 1 only Nothing is fed into the in...

Страница 11: ...remain active even if you set them to their minimum setting This of course allows you to use the controls as if it were a typical analog hardware Envelope which is especially comfortable if you enjoy...

Страница 12: ...will occur from none once to 240 times before it stops looping Beyond 240 are the Sustain and Infinite settings In Sustain it will loop as long as a note is held Available Types are Forward Backward...

Страница 13: ...y sending each Individual Output to an external mixer and panning them individually The signals will be output depending upon the Keyboard Mode assignment From the A6 manual Page 59 LOWEST This will a...

Страница 14: ...ogram if you are on a page that is directly related to the Program if you see Mix level parameters in the display and press Store you will see a prompt relating to Storing the Mix You may solo a Mix C...

Страница 15: ...Bank numbers 120 through 123 inclusive take advantage of this path Be sure to play across the keyboard as the filters are set to track the keyboard in the same manner as with the factory Program 045...

Страница 16: ...e input amount to best function with your external gear To set up continuous Oscillator modulation Press the OSC button in the External Inputs section Select a Mod in the target oscillator and select...

Страница 17: ...each note but the phase will be free running If VOXTRG ON TRIG and TRIG ON and Freerun OFF then the Clock will start upon the first received Trigger from the Mod Add Freerun and the LFO will start cl...

Страница 18: ...an Envelope simply set the Source to that LFO in the Trig and ReTrig pages and set the Level and Polarity the same on each page or differently Note Only one Trigger Mode is allowed it is global for T...

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