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middle frequencies react are possible.
OUTPUT VOLUME –
this quite simply controls the
output of the preamp, giving you the required sound level
and balance that you require.
ACTIVE SWITCH –
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and turns the HT supply on or off to the valve preamp
circuit.
MAINS POWER SWITCH –
this is self explanatory
in that it turns the mains power supply coming into the
DPSOL¿HURIIRURQ
Rear Panel
TUNER OUT & MUTE FOOTSWITCH –
as stated
earlier regarding the Tuner Mute front panel switch, your
tuning device can be connected here and, if required,
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plugged in to facilitate remote operation.
SERIES EFFECTS LOOP –
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and Return jack sockets, Level switch and Route switch.
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feed the input of your remote effects system, whilst the
Return socket connects the output of your effects back
into the amplifier circuit. Please remember that the loop
is of the “series” type, so that the entire signal is sent and
returned back to the amplifier. The Level switch has Low
and High settings, the setting of this will be determined
by the performance quality of your effects system. Low
LVQRPLQDOO\DORRSOHYHORIG%9DQG+LJKLVQRPLQDOO\
0dbV. Experiment with the Level switch to see what suits
your system best.
Effects Loops in general are designed to work with rack
W\SHSURFHVVRUVUDWKHUWKDQÀRRUVWRPSER[HV7KHUHDVRQ
for this is that most floor pedals do not have enough
headroom to let the signal pass through without causing
the signal to distort unduly. Also loops are designed for
unity-gain systems (i.e. what goes in, comes back out at
WKHVDPHDPRXQWRIJDLQDQGVLJQDOOHYHODQGDUHEHVW
suited for time based processors like chorusing and delays,
JUDSKLF(4DQGVWXGLRW\SHFRPSUHVVRUV'H¿QLWHO\GRQRW
SXWJDLQW\SHSHGDOVGLVWRUWLRQRYHUGULYHHWFLQWKHORRS
– it really will not sound good, and be very, very noisy! If
you have a good floor type processor, then by all means
experiment for your time delay type effects – use the low
level – it may work, it may not!
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circuit if not being used, which is best practise if not using
the effects loop.
LINE OUT –
the Line Out jack is fed post preamp and
post FX Loop. It is an unbalanced signal for connection into
RWKHUSRZHUDPSOL¿HUVDQGDOVRIRUFRQQHFWLRQWRD',ER[
for feeding into a PA system/recording system, etc. The
ground switch will either connect the output jack’s ground
GLUHFWO\WRWKH$%+EDVVDPS¶VVLJQDOJURXQGRULIUHTXLUHG
to defeat ground loops, will lift the ground via a ground lift
network.
LOUDSPEAKER OUTPUTS –
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FRPELQHG6SHDNRQ-DFNFRQQHFWRUVZLUHGLQSDUDOOHO
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not connect to any speaker system whose total impedance
is less than 4 ohms!
7KHPDWFKLQJ$OELRQEDVVORXGVSHDNHUFDELQHWV%/6
%/6%/6DUHDOORKPFDELQHWVWKHUHE\DOORZLQJ
the use of up to 2 cabinets at any time.
7KH$%+&[´FRPERLVILWWHGZLWKWZRRKP
ORXGVSHDNHUVLQSDUDOOHOIRURKPRSHUDWLRQ,WLVDOVR¿WWHG
ZLWKD+)KRUQV\VWHPDVPHQWLRQHGHDUOLHU,WGRHVQRW
KDYHDQ\¿WWHGH[WHUQDOORXGVSHDNHUFRQQHFWRUVEHFDXVHLW
is designed to deliver the maximum power into its internal
VSHDNHUV\VWHP7KHRQO\H[FHSWLRQLVWKH6XE:RRIHU
output connector mounted on the rear of the cabinet.
This is an 8 ohm only output and is fed via a passive
SERIES EFFECTS LOOP
LEVEL
RETURN
SEND
BYPASS
LOOP
ROUTE
LOW
HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS - INTERNAL LOUDSPEAKER = 16ohms
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 35 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
35 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
8ohm
16ohm
HT FUSE
MAINS INPUT
T315mAL 250V
T1.6AL 250V
WARNING! USE CORRECT FUSE ONLY
POWER
MUTE
100%
PHASE
+
ACTIVE
33%
PHASE
-
MAINS
ON
POWER OUTPUT
MASTER
REVERB
OUTPUT
MIX
F'BK
POWER AMP RESPONSE
DEEP
EDGE
MIX LOWER
1
2
3
4
6
7
8
9
MIX HIGHER
0
1
2
3
4
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
0
1
2
3
4
5
6
7
8
9
10
VOLUME
TREBLE
MIDDLE
BASS
DRIVE
GAIN
TIGHT
SMOOTH
SHIFT
TIGHT
LOOSE
INPUT
CHANNEL A - PRE EQ
CHANNEL B - POST EQ
A-B
MIX
PRESS BOTH
FOR REMOTE
OPERATION
0
1
2
3
4
5
6
7
8
9
10
5
5
A-B/MIX
BALANCE
SERIES EFFECTS LOOP
LEVEL
RETURN
SEND
BYPASS
LOOP
ROUTE
LOW
HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER AND MATCHING
OUTPUT IMPEDANCE TO SPEAKER IMPEDANCE.
16ohm OUT = 1 x 16ohm LS, 8ohm OUT = 1 x 8ohm OR 2 x 16ohm LS
OUTPUT = 100 Watts RMS into 8 or 16 ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
100 WATT TWIN CHANNEL VALVE GUITAR AMPLIFIER
FOOTSWITCH
CONNECTOR
OUTPUT BIAS ADJUST SYSTEM
WARNING! DO NOT REMOVE COVER
8ohm
16ohm
HT FUSE
MAINS INPUT
T1AL 250V
T2.5AL 250V
WARNING! USE CORRECT FUSE ONLY
CAUTION! NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED TECHNICIAN
SERIES EFFECTS LOOP
LEVEL
RETURN
SEND
BYPASS
LOOP
ROUTE
LOW
HIGH
LOUDSPEAKER OUTPUT SOCKETS
PARALLEL CONNECTED SOCKETS
WARNING! DO NOT USE WITHOUT CONNECTING
LOUDSPEAKER LOAD TO AMPLIFIER
OUTPUT = 200 Watts RMS into 8ohms - 300 Watts RMS into 4ohms
DO NOT CONNECT ANY UNBALANCED GROUND CONNECTED EQUIPMENT
TO THE OUTPUT OF THIS AMPLIFIER. USE UN-GROUNDED DIFFERENTIAL
MODE ONLY. IF IN DOUBT REFER TO USER MANUAL
MAINS INPUT T3.15AL 250V
WARNING! USE CORRECT FUSE ONLY
TUNER
FOOTSWITCH
MUTE
OUT
LINE OUT
GROUND
CONNECT
ISOLATE
300Watt TUBE PRE/BIPOLAR POWER BASS AMPLFIER
WARNING! DO NOT USE LOAD OF LESS THAN 4ohm IMPEDANCE
OPERATING MANUAL AND USER GUIDE
5
&
ABH300H.indd 9
2011-5-5 18:34:32
Содержание ABH200C
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