13
2 Using Your Microphone
2.4.5 Guitar
Amplifier
Refer to fig. 10.
2.4.6 Bass
Amplifier
Refer to fig. 11.
2.4.7 Kick Drum
Refer to fig. 12.
2.4.8 Toms,
Snare,
Percussions
Refer to figs. 13
and 14.
2.4.9 Mounting
the D 22 on a
Drum
Refer to fig. 15.
Microphone: D 22
Working distance:
0 to 2 inches. Aim the micro-
phone at a point between the center and the
perimeter of (one of) the speaker diaphragm(s).
Microphone: D 11
Working distance
Bass amp with single speaker: 2 inches. Aim the
microphone at a point between the center and
the perimeter of the speaker diaphragm.
Bass amp with woofer and tweeter: 4 to 6 inches.
Aim the microphone at a point halfway
between the woofer and tweeter.
Microphone: D 11
Working distance:
Aim the microphone at the
point where the beater hits the skin.
The sound will be the drier and harder, the
closer the microphone sits to the head. Work-
ing distances around 1 inch provide the
famous “click”.
If you prefer a rounder sound aim the micro-
phone at a point between the center and the
perimeter of the head.
Microphones: D 22
, D 77 S
Working distance: 1/2 to 1 1/2 inches away from
the top skin.
1. Screw the supplied H 440 bracket to the stand
adapter on the microphone using the captive
knurled-head screw on the H 440 bracket.
2. Engage the top groove of the H 440 bracket in
the top hoop from above.
3. Engage the lower arm of the H 440 bracket in
the underside of the top hoop.
ENGLISH
