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1    VCF Resonance :

2    Vary Control :

This control fades from LOW PASS response (fully counter clockwise) to NOTCH response  

(control at 12 o’clock) and through to HIGH PASS response (fully clockwise). The resulting 

filtering is routed to the VAR position of the VCF MODE switch (5). 

In VARY mode the LP setting is 12dB slope, the NOTCH is 6dB slope and the HP 12dB slope                        

Manually sets the amount of Resonance (feedback) through the filter core. When a patch 

cable is inserted into the RES CV jack (8) then this control acts as an attenuator for the 

incoming RES CV level.

3    Freq CV Level :

This control is an attenuverter, which determines how much of the regular (or inverted) 

Frequency CV signal patched to the FCV jack (10) is passed to the filter core to control the 

cutoff frequency.

With this control at (approximately) centre position non of the Frequency CV signal will 

be passed, however as this control is rotated clockwise then increasing amounts of FCV 

signal will be passed to the filter core. Rotating the control anticlockwise from centre has 

a similar effect, however the FCV signal is inverted.  

For example, lets say that a +5V voltage is patched to the FCV Input jack (10). With this 

control central then zero volts will be applied as a cutoff voltage, but when rotated fully 

clo5V will then be passed to the filter as a cutoff voltage, thus “opening” the filter. 

If the control is rotated fully anticlockwise then -5V will be applied to the filter as a cutoff 

voltage, thus “closing” the filter.

4    VCF Frequency:

Manually sets the cutoff of the filter.  Any external control voltages introduced from the 

FCV Control, 1V/Oct and D-FCV Mix control are summed with this control setting, so in 

this case it acts as a +/- offset control.

5    VCF MODE Switch : This selects the filter type that is routed to the OUT jack (7) and to the central mixing bus.

6    INPUT Level :

This is an attenuator that determines how much of the signal from the Input jack (11) is 

passed to the filter input. 

It also includes an overdrive function; if a regular Eurorack level audio signal (10V p/p) is 

fed to the Input (11), then full signal level and unity gain corresponds to a setting of 

around 8 on this control, and if it is rotated further clockwise then the output level will 

still rise, but the filter core is driven into distortion and an “overdriven” sound is created.

7    OUTPUT :

8    VCF RES CV :

Patch a voltage or signal (modulation from an LFO or audio rate) to this input to exter-

nally control the filter Resonance. The amount of this signal passed to the filter core is 

determined by the setting of the VCF RESONANCE control (1), which acts an an attenuator 

when a patch cable is inserted into this jack socket.

The accepted signal range for this input is 0 to +5V. Negative signals will be ignored and 

positive signals higher than +5V will be capped to +5V. Maximum permissible voltage to 

this input is +/-12V.                       

Filter output. This is downstream of the VCF mode switch, so the filter type determined by 

the MODE switch (LP, BP, HP or Vary) is routed to this jack. Please note that this output is 

available simultaneously with other output jacks (12, 13 & 14). For example, if the MODE 

switch is set to  LP then this output will be low pass, however a low pass output will still 

also be available from the LP OUT jack (12)

Note: This is the only way to get a Vary output from the front panel, as Vary does not have a 

dedicated front panel output jack. 

 

Description of individual filter controls

VCF1 and VCF 2 are identical and independent, these labels apply to both.

Содержание Gemini 2412

Страница 1: ...ix of VCF1 OUT 1 against VCF2 OUT 2 is controlled by the setting of the Audio Mix control with the output routed to the D OUT jack Dual Parallel INVERTED Mode this is the same as Dual mode however the...

Страница 2: ...Cascade switch This connection is made using the internal switch on the IN 2 jack socket and is connected if no jack socket is connected but if a patch cable is insered into IN 2 then this connection...

Страница 3: ...ance VCF 2 Frequency Vary 2 Control VCF 2 Mode Freq CV 2 Level INPUT 2 Level VCF 2 Output VCF 2 RES CV 1V Oct Input VCF 2 FCV IN VCF 2 Input VCF 2 LP Out VCF 2 BP Out VCF 2 HP Out 6 7 5 4 3 14 13 12 1...

Страница 4: ...with this control setting so in this case it acts as a offset control 5 VCF MODE Switch This selects the filter type that is routed to the OUT jack 7 and to the central mixing bus 6 INPUT Level This i...

Страница 5: ...rates from a VCO The accepted signal range is 5V to 5V Any voltages higher or lower than this will be capped to 5 or 5V Maximum permissible voltage to this input is 12V 13 BP Output This is the Band...

Страница 6: ...cted in Dual Parallel or Cascade Series DUAL VCF 1 input is normalised to VCF 2 input so that the same signal is presented to both filters and the AUDIO MIX control 15 cross fades between the outputs...

Страница 7: ...re the two VCF s are mixed together This is the only output that combines the mix of VCF 1 and VCF 2 so to use the DUAL CASCADED and DUAL INVERTED modes this jack must be used as the output All of the...

Страница 8: ...f oscillation jumpers There are a few points to note about self oscillation mode 1 Because we have to force the circuitry into self oscillation the resulting signal level is quite high around 19V p p...

Страница 9: ...ale buffer can be a useful addition if the self oscillation mode is used often and accurate 1V Octave scaling is required it allows scaling to be adjusted from the front panel without having to remove...

Страница 10: ...of the Envelope CV so it will close down rather than open up the filter cutoff point The bass voice is fed to Gemini VCF 2 from the lower VCO This time on the Gemini we are using the OUT 2 jack and th...

Страница 11: ...F 1 and VCF 2 are set to Band Pass and have quite a large amount of resonance added we get some classic vowel sounds and sweeping between the filters gives interesting tonal variation Try different se...

Страница 12: ...D FCV Mix control at mid point so that the D FVC control signal is being sent equally to VCF 1 and VCF 2 We have also included a variant on this patch lower picture which shows the inverse output from...

Страница 13: ...lockwise from zero to 10 fades between single 12dB LP configuration VCF 1 only and 24dB configuration VCF 1 and VCF 2 cascaded in series You will not that the 24dB setting sounds duller and less brigh...

Страница 14: ...ired panning range We have also shown a dual envelope generator to control the cutoff of each filter individually obviously this is optional and and is shown as one of many modulation possibilities Pl...

Страница 15: ...lly a Linear or Hybrid suppy Also there are a few Eurorack modules which are badly behaved and can introduce noise back onto onto the Eurorack power rails too the way to find these is to disconnect al...

Страница 16: ...s then test tracking again E Scale 2 This trimmer adjusts the 1V Octave tracking of VCF 2 Turning it anti clockwise reduces shortens the scaling and turning clockwise increases scaling Note For use by...

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