AJH Synth FINALISER REQ Скачать руководство пользователя страница 5

10

10

10

0

0

0

0

4

0

2

3

3

In this patch we are using the Finaliser R-EQ in Stereo In / Stereo out mode.

We have two independent synth voices, both voices are patched into the Gemini 2412 Dual VCF, however it is being used as 

two independent VCF’s here. We have a bass patch (from Out 2 of the Gemini) which is patched to the L/Mono input of the 

Finaliser R-EQ, so full EQ is possible - and here we have both the equaliser and enhancer switched into circuit, and have set up 

a small amount of boost to the Low and Low Mid parametric equalisers.  The Enhancer has a small amout of Low 

enhancement and a larger amount of High enhancement, to bring up the harmonic content of the bass patch.  The EQ and 

ENH on/off switches are very useful here, as can be used as bypass switches so that we can quicly a/b compare the equalised 

against bypassed sounds to make sure that we are actually improving the sound!  

The Equalisation and Enhancement only processes signals to the L/Mono input, which in this case is the Bass voice, the Lead 

voice is fed into the Right input, which means that it is routed directly to the stereo reverb. Internally the output of the 

Equaliser and Enhancer is fed to the Left input of the Reverb, so in this example we have EQ and Enhancement on the Bass 

voice only, and Stereo Reverb on both the Lead and Bass voices. The Reverb amount is set with the Reverb control, 

alternatively  the Reverb wet / drt mix can be automated by patching a positive control voltage to the REV-CV input. 

If the Finaliser becomes overloaded because of the addition of high levels of EQ or Enhancement then the red Peak LED will 

illuminate, and beyond this point distortion may occur - this can be countered by reducing the signal level to the input of the 

Finaliser R-EQ, in this case by reducing either the Audio 1 or Master control levels on the MiniMod VCA

Note:  The numbers used to illustrate control knob positions do not relate to the markings on the module itself, but are simply a scale from zero to 10 with 5 
being the control centre position. For attenuverters the control positions are  -10 to +10, with zero being centre position for the control knob.

  

FINALISER R-EQ - PATCHING EXAMPLES

Two voices patched in Stereo in / Stereo out Mode

10

10

Pitch CV 1

LEFT OUT

RIGHT OUT

Pitch CV 2

10

0

0

0

0

RM

7

5

5

6

6

0

0

3

3

1

0

4

5

8

8

2

4

5

+4

+6

5

2

2

  8’

0

0

VAR

0

0

0

0

0

0

0

Gate 2

Finaliser R-EQ  in Stereo In / Stereo out Mode

  32’

0

0

0

0

0

0

  8’

0

0

0

0

0

Gate 1

Off

On

On

2k

Содержание FINALISER REQ

Страница 1: ...y analogue circuit too with low and high treatment bands which change the phase and amplitude relationships of the sound to add punch and harmonics and really bring the sound to life in the mix The Reverb engine is based on 20 year old DSP technology harking back to the reverb units which were used extensively on many synth and EDM tracks a couple of decades ago It includes eight different effects...

Страница 2: ...ic frequency range the LOW Enhancement can add extra punch to the bottom end without muddying up the midrange and adding HIGH Enhancement adds extra sparkle and prescence to the mix 3 High quality Stereo Reverb with eight preset reverb models We have selected eight old school style stereo reverbs that sound great with synthesiser patches with an quick and easy eight way selector switch and Wet Dry...

Страница 3: ... The boost cut range is approx 25dB 5 LOW GAIN This control sets the boost or cut level for the LOW range parametric equaliser The boost cut range is approx 25dB 6 ENH ON Enhancer bypass switch the Left Audio signal is routed through the Enhancer when this switch is down with switch up the Enhancer is bypassed 7 EQ ON EQ bypass switch the Left Audio signal is routed through the EQ signal processor...

Страница 4: ...ted all positions are a varying mix of wet and dry signals 13 ENH HIGH Controls the amount of high end ENHANCED signal that is is mixed with the dry signal The control range is quite large and at high settings it can easily overload the Reverb section which will be indicated by the PEAK LED 16 illuminating in this case the input signal level to the L MONO IN should be reduced until the PEAK LED is...

Страница 5: ...e output of the Equaliser and Enhancer is fed to the Left input of the Reverb so in this example we have EQ and Enhancement on the Bass voice only and Stereo Reverb on both the Lead and Bass voices The Reverb amount is set with the Reverb control alternatively the Reverb wet drt mix can be automated by patching a positive control voltage to the REV CV input If the Finaliser becomes overloaded beca...

Страница 6: ...Input of the Sonic XV Diode Ladder filter We are using 2 x DH ADSR Envelopes in regular ADSR Mode one to control the filter and the second controlling the VCA output against time If the Finaliser becomes overloaded because of the addition of high levels of EQ or Enhancement then the red Peak LED will illuminate and beyond this point distortion may occur this can be countered by reducing the signal...

Страница 7: ... in Power consumption Positive rail 105 mA Negative rail 55mA L MONO Input RIGHT Input Expected signal level 10V p p centred around 0V Audio signals only DC signals are ignored Nominally 10V p p noise 25mV REV CV The accepted signal range is 0V to 5V Any voltages higher or lower than this will be capped to 0V or 5V so negative voltages are ignored Maximum permissible v oltage to this input is 12V ...

Страница 8: ...urned for repair under warranty because the module has been incorrectly adjusted by users to correct this and bring the unit back to full working order full calibration will be required this is a fairly lengthy process and in this case will be a chargeable service Adjustment and Calibration If you need any help using this module or have any technical questions please feel free to contact us at sup...

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