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4ms Spectral Multiband Resonator, Установка прошивки

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run some VCOs through VCAs or effects or other processing (or even use one VCO to FM the next) – but if 
you want to keep things simple, just run the VCOs directly to a mixer. Also run the SMR to the mixer so you 
can monitor it. It's OK to use fewer than 6 VCOs, even a single VCO will produce fun results.
2) Enter 1V/oct mode on the SMR by holding down the ROTATE button while flipping the Fast|Slow switch to 
“Fast”, as described on page 18 (1V/oct outputs). 
3) Patch each of the six Env Out jacks on the SMR to the 1V/oct input on each of the six VCOs.
4) Turn down all the SMR sliders except one channel, and turn down all the VCOs in the mixer except the one 
associated with that SMR channel. Use the VCO's frequency knob to tune it to the SMR's pitch. Repeat this 
step for all six channels/VCOs. (Of course, this is purely optional since you are welcome to tune or de-tune to 
suit your tastes and the requirements of the patch)
5) When you are satisfied with the tuning, go ahead and play! Spin the ROTATE knob and listen to the VCOs 
track with the scale. If you have Morph turned up and Post/Pre flipped to Pre, then you'll hear a glissando 
effect. Flip to Post to disable to effect, or just turn down Morph. The Morph time and the glide time are equal if 
glissando is enabled.
6) Mixing in both the SMR and the VCOs at the same time can be interesting, especially if the SMR is 
morphing and the VCOs are gliding (glissando).
7) Try FM'ing the SMR using the Freq jacks. The FM gets passed to the VCOs. You can even use one SMR to 
sequence a second SMR which is controlling VCOs.
8) Try transposing some channels on the SMR (see Transposition section later in this manual). Hold down an 
odd channel lock button and turn the left side Freq Nudge knob (or hold down an even channel and turn the 
right side knob).
9) For an arpeggiation patch, run triggers into the Rotate → and Rotate ←- jacks. And/or run CV into the 
Spread CV jack.

New in v5 : Fine Tuning with the Freq Nudge knobs

There are two Freq Nudge knobs, one for the odd channels, and one for the even channels. The 
Odds Freq Nudge knob is the one on the left (next to channel 1), and the Evens Freq Nudge knob 
is the one on the right (next to channel 6). 
A switch labelled “135 | 1” or “6 | 246” selects whether the Freq Nudge knob controls all the odd or 
even channels or just channel 1 or 6. So if the switch on the left is flipped to “135” then the Freq 

Nudge knob (as well as the Freq jack and Lock jack below the Nudge knob) will control channels 1, 3, and 5. 
On the other hand if the switch was flipped to “1”, then Freq Nudge (and the two jacks below it) will control just 
channel 1. The same is true for the 246 | 6 switch on the evens side.

Note: The word “Lock” is written above the 135 | 1 switch, and it's a common beginner mistake to call this 
switch the “Lock” switch. However the word “Lock” refers to the jack above the switch, not the switch. The 
switch selects whether the Lock jack, Freq jack, and Freq Nudge knob control channels 1,3, and 5 or just 
channel 1. Likewise, the same is true on the right side for the 6 | 246 switch.

Freq Nudge's default position is at 0%, this means the frequency is not nudged and the notes in the current 
scale will be unaffected. Thus if you wish to keep the channels in tune with the scale as it was programmed, 
keep the Freq Nudge knobs all the way down. As you turn Freq Nudge up, the frequency will bend upwards. At 
100%, the frequency will be shifted up by a little more than a half-step (about 120 cents, just over a semitone).

In firmware v4 and earlier, the Freq Nudge knobs blended linearly between adjacent notes in the scale. In 
firmware v5, the knobs work exponentially, setting a precise number of cents (1/1200th of an octave). This is 
useful for tuning to external instruments since you can tune using one note only and all other notes will track.

Locking a channel also locks the Freq Nudge setting. So you can nudge a channel up to an exact frequency 
and then lock it, continuing to use Freq Nudge to nudge other channels without effecting the locked channel.

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Содержание Spectral Multiband Resonator

Страница 1: ...ter filtering of the input signal New algorithm filters out all background bleed through by acting like two SMRs in series RES Q knob fades in the second resonator for a much wider range of resonance values Two pass resonance has a slower attack and decay when struck with a trigger so backwards strike effects can be obtained Original one pass resonant filter available by turning Q knob down or by ...

Страница 2: ...s amongst which you can rotate spread lock etc the SMR can be a powerful sequencer arpeggiator or chord generator 1 Find up to 6 VCOs in your system and patch an audio output like sine or triangle from each one to a mixer You should be able to listen to all six at the same time and control each VCO s level Later you may wish to 2 6 channel mixer or other FX etc Connect SMR audio output to mixer wh...

Страница 3: ... New in v5 Fine Tuning with the Freq Nudge knobs There are two Freq Nudge knobs one for the odd channels and one for the even channels The Odds Freq Nudge knob is the one on the left next to channel 1 and the Evens Freq Nudge knob is the one on the right next to channel 6 A switch labelled 135 1 or 6 246 selects whether the Freq Nudge knob controls all the odd or even channels or just channel 1 or...

Страница 4: ...u press a channel s Lock button it will blink twice and then go dim or bright to indicate it s able to be controlled by the Freq Nudge pot 135 1 Switch Env Out light display When turning Odds Freq Nudge knob Channel 1 is being Nudged light is changing color Channels 2 3 4 5 6 are not effected lights dm or off Channels 1 3 5 are being Nudged lights changing color Channels 2 4 6 are not effected lig...

Страница 5: ...blue lights indicate upwards transposition So if you see 4 red lights the channel is transposed down 4 semitones 2 whole steps When the channel is not transposed 0 the display shows three red lights and three blue lights See the following chart Env Out light display Semitones Transposed Key of C becomes Transpose Upwards 6 F 5 F 4 E 3 D 2 D 1 C No Transposition none C Transpose Downwards 1 B 2 A 3...

Страница 6: ...e live performance Two Pass filtering Resonance Q New in v5 As you turn up the RES Q knob or apply CV the channels move from low resonance to high resonance at about 12 00 After this point as you continue turning up RES Q a second resonator is cross faded in which is essentially like running two SMR modules in series This second resonator greatly increases the total resonance and helps filter out ...

Страница 7: ...that channel s Lock button while you press the ROTATE knob button You can release both buttons at this point The note that the channel was on will be Forbidden and the light on the light ring will turn gray To confirm this Forbid action rotate or spread to another note On the other hand if you made a mistake you can immediately undo the Forbid action by repeating the Lock ROTATE button press Once ...

Страница 8: ... sequences arpeggiations chords etc You can even tune the VCOs to the SMR to create controllable twelve voice harmonies You also can use the SMR s Transposition and Freq Nudge features see page 11 to transpose and fine tune or de tune the external VCOs The 1V oct outputs track across 8 octaves C1 C9 The Env Out lights will be brighter to indicate higher pitches and dimmer for lower pitches To turn...

Страница 9: ...on to stop editing the tracking and then tap the Channel 1 Lock button to start editing the Custom Scales as described in Custom Scales section above Setting slider 5 and 6 higher means the VCO will be more sharp when going from a low to high octave setting the sliders lower means the VCO will be more flat when going from a low to high octave At all times make sure the SMR s Fast Slow switch stays...

Страница 10: ...appear around 90 100 then you are in Two Pass Mode if it never goes away completely you are in One Pass mode 2 Input a 0 5V triangle wave into one of the Freq jacks if you hear the pitch of one or more channels go up 5 octaves then you are in Two Pass or One Pass if you hear the pitch bend by less than an octave then you are in BpRe Summary of Advanced control settings Transpose channel 6 to 6 sem...

Страница 11: ...cks 5 If at any time two of the Lock lights turn on channels 2 and 3 or channels 2 and 4 and the other lights stop animating then an error has occurred Verify the cable is not loose all sounds vibrate notifications are off and that you have downloaded the audio file completely avoid streaming or playing from the browser Check the volume is at 100 Remove the protection case from your smart phone St...

Страница 12: ...12 ...

Страница 13: ...M6 Scale 10 Octaves m7 Scale 11 Octaves M7 Bank 2 Western Triads key of G Just Int Scale 1 Major 2 minor 2 Scale 2 Major 3 dim 5 Scale 3 minor 3 5ths Scale 4 Major 3 5ths Scale 5 4ths 5ths Scale 6 Major 3 Major 6 Scale 7 minor 3 minor 6 Scale 8 minor 3 Major 6 Scale 9 minor 3 minor 7 Scale 10 5ths minor 7 Scale 11 5ths Major 7 Bank 3 Diatonic Scales Just Intonation Scale 1 A2 B5 Scale 2 A5 B8 Scal...

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