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STUDIO-C1

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Features:

Large Diaphragm Condenser Design for Exceptional Sound Pick-up 
Pressure Gradient Transducer Element
Hardened Steel Protective Grill 
Uni-directional Polar Pattern 
Sensitivity: -33dB±2dB
Operational Frequency Response Range of 20Hz~20kHz
Load Impedance of  1000O
Maximum Input SPL of 135dB at 1kHz =1% THD
S/N Ratio of 78dB
Self Noise = 16dB A 

Includes

Custom Carrying Case
48V Phantom Power Adapter Kit 
Shock-Mount Kit

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Summary of Contents for STUDIO-C1

Page 1: ...nt Transducer Element Hardened Steel Protective Grill Uni directional Polar Pattern Sensitivity 33dB 2dB Operational Frequency Response Range of 20Hz 20kHz Load Impedance of 1000O Maximum Input SPL of 135dB at 1kHz 1 THD S N Ratio of 78dB Self Noise 16dB A Includes Custom Carrying Case 48V Phantom Power Adapter Kit Shock Mount Kit O F F O N S T U D I O C 1 ...

Page 2: ...r other appliances including amplifiers that produce heat 10 Power Sources The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance 11 Grounding or Polarization Precautions should be taken so that the grounding or polarization means of an appliance is not defeated 12 Power Cord Protection Power supply cords should be...

Page 3: ... 1728 Curtiss Court La Verne CA 91750 Toll Free 800 678 5348 TEL 909 593 8893 FAX 909 593 8890 VocoPro Company Email Directory Customer Service General Information info vocopro com Tech Support techsupport vocopro com Remember Our Website Be sure to visit the VocoPro website www vocopro com for the latest information on new products packages and promos And while you re there don t forget to check ...

Page 4: ...kers 9 Microphone Basics Specifications ELEMENT PRESSURE GRADIENT TRANSDUCER POLAR PATTERN UNI DIRECTIONAL FREQUENCY 20HZ 20KHZ SENSITIVITY 33dB 2dB 0dB 1V PA AT 1KHZ OUTPUT IMPEDANCE 200 30 AT 1KHZ LOAD IMPEDANCE 1000 SELF NOISE 16dB A MAX INPUT S P L 135dB AT 1KHZ 1 THD S N RATIO 78dB OPERATING VOLTAGE DC 48V PHANTOM 5V Microphone 8 Unpacking 5 Getting Connected Shock Mount Assembly 6 48V Phanto...

Page 5: ...ial and leave it there Pay attention to the different levels in various recordings Taking a minute to do this now will help to prevent hearing damage or loss in the future After all we want you listening for a lifetime Used wisely your new sound equipment will provide a lifetime of fun and enjoyment Since hearing damage from loud noise is often undetectable until it is too late this manufacturer a...

Page 6: ...ke sure that you have all of the box contents located and ready It is also recommended to keep the original packaging material in the case that re shipping is necessary You should have received the following accessories with your new STUDIO C1 5 Parts 1 XLR to 1 4 Microphone Cable 1 XLR M to XLR F Cable 1 Windscreen 2 Elastic Tension Bands 1 Shock Mount 1 AC Power Cable 1 STUDIO C1 Condenser Micro...

Page 7: ...ure proper suspension Once one of the elastic tension bands detaches from just one hook not only does shock mount become imbalanced but it also increases the likelihood that other hook attachments are soon to detach Connecting the 48V Phantom Power Adapter All condenser microphones utilize a capacitor that requires an external power feed to function While some condenser mics utilize a battery powe...

Page 8: ...ing the tips below If your standard or boom style mic stand has an adjustable upper tube loosen that tubes tension device and while aligned with the mic connector turn the tube instead of the shock mount to thread the two together to minimize movement to the shock mount When feasible always extend a stands support legs if present to their widest range for optimal stability especially with a boom s...

Page 9: ...d mostly in the 100Hz range by 6dB to 10dB Simply out when a sound source is less than a from the microphone the sound will be boosted with a stronger and richer bass tone than if the sound source was farther away from the microphone While the proximity effect can intentionally be used as an advantage to enhance ones voice it can also unintentionally be used as a disadvantage by mudding up ones vo...

Page 10: ... frequency bands in which the feedback occurs Microphone Placement and Tone Quality Lead and Backup Vocals When singing lead or backup vocals it is recommended for the lips to be less than 3 from the microphone It is also common to be very close to even touching a microphone s windscreen on an axis Doing this creates a robust sound emphasizes bass and provides maximum isolation from other sources ...

Page 11: ...C Vocopro 2004 V 1 0 WWW VOCOPRO COM ...

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