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SWITCHED

EXT TB OUT

ON

EXT

 to +10dB

GAIN

     

+48V

48V

MIC

+

-

MONITOR

LINE

+

-

+

-

PRE

IN

L    R

1  2  3  4  5  6  7  8  9 10 11 12 13 14 15 16 

+dB

TRIM 

     

+2 to +70dB 

[-12 to +55dB]

IN

FLIP

+

-

+

-

PRE

IN

FLIP

PATH

PATH

FROM LF

PAN

MIX

PAN

MIX

L    R

SOLO

SOLO

CUT

SOLO

POST

SF

PAN

L    R

L    R

LEVEL

POST

SF

PAN

1   2   3   4

LEVEL

PRE

SF

LEVEL

PRE

SF

LEVEL

PRE

SF

LEVEL

PRE

SF

FOLLOW

PATH

PAN

FLIP

1

2

3

4

5

6

7

8

9

10

11

12

13 

14

15

16

PRE

FLIP

+

-

DIRECT OUT

PATH

+

-

RETURN L

± 20dB

dB

TRIM 

     

+

-

RETURN R

dB

L    R

L    R

LEVEL

LEVEL

LEVEL

MIX

AFL

1  2  3  4  5  6  7  8  9 10 11 12 13 14 15 16 

1/2

3/4

5/6

7/8

9/10

11/12

13/14

15/16

CUT

FB 1

FB 2

L      R

L     R

 to 0dB

 to 0dB

 to 0dB

+

-

INPUT

PATH

+

-

+

MONO L

MONO R

MUTE

BALANCE

 to +3dB 

+3dB to 

MIX

SOLO

+

-

+

-

TRIM

BUS 1 SEND OUT

BUS 2 SEND OUT

+

-

+

-

BUS 3 SEND OUT

BUS 4 SEND OUT

SUBGROUP

1L OUT

SUBGROUP

1R OUT

BUSES 1 - 16

L   R

MIX

AFL

PFL

M

L   R

MIX

AFL

L   R

MIX

AFL

AUX 1 - 4

CUE A B

+

-

+

-

BUS 15 SEND OUT

BUS 16 SEND OUT

BUSES 1 - 16

LEVEL

L     R

L   R

AFL

AFL

+

-

+

-

CUE AL OUT

CUE AR OUT

 to +10dB

LEVEL

AFL

+

-

+

-

CUE BL OUT

CUE BR OUT

LEVEL

AFL

+

-

AUX 1 OUT

LEVEL

AFL

+

-

AUX 2 OUT

LEVEL

AFL

+

-

AUX 3 OUT

LEVEL

AFL

+

-

AUX 4 OUT

CUE AL

CUE AR
CUE  BL

CUE BR

   

OSC

SLATE

SLATE

L      R

L     R

L   R

STUDIO

F/B 1

L     R

F/B 2

EXT 1L

EXT 1R

EXT 4L

EXT 4R

C/ROOM L

C/ROOM R

CUE AL

CUE AR

CUE BL

CUE BR

 to +10dB

LEVEL

L       R

L   R

AFL

AFL

+

-

+

-

F/BACK AL OUT

EXT 1L

EXT 1R

 to +10dB

LEVEL

AFL

+

-

+

-

 to +10dB

LEVEL

AFL

+

-

+

-

STUDIO L OUT

STUDIO R OUT

+

TALKBACK MIC

FRONT PANEL TRIM

(+40 to +65dB) 

dB

+

-

TALKBACK

MIC

INPUT

LISTEN

MIC

INPUT

+

-

SEND

LISTEN TO

TALKBACK

LISTEN

OUT

LISTEN

(Feed To Monitor Section)

+

+

TALK

F/BACK AR OUT

F/BACK BL OUT

F/BACK BR OUT

+

+

TALK

+

+

TALK

ALL

 to 0dB

TALKBACK

LEVEL

 to 0dB

SLATE

LISTEN

LEVEL

 to 0dB

+

-

+

-

IN

+

-

+

-

BUS COMP

+

-

+

-

MIX L OUT

MIX R OUT

AFL L

AFL R

PFL 

+

-

MAIN L OUT

+

-

MAIN R OUT

ALT 1

+

-

ALT 1L OUT

+

-

ALT 1R OUT

ALT 2

+

-

ALT 2L OUT

+

-

ALT 2R OUT

ALT 3

+

-

ALT 3L OUT

+

-

ALT 3R OUT

MAIN

CUT L

CUT R

-1

POL

3dB

MONO

+

LISTEN

     

POWER

CUT

P/AFL

LISTEN

iJACK

+

-

L   R

+

-

+

-

+

-

+

-

EXT 1

+

-

EXT 1L

EXT 1R

EXT 4

EXT 2

EXT 3

EXT 2L

EXT 2R

EXT 3L

EXT 3R

10K

1.5K

 to 0dB

LEVEL

CUT 

DIM

+dB

+dB

MIX 

SUM

PFL

PFL

0 to -40dB

LEVEL

 to 0dB

LEVEL

BALANCE

 to 0dB 

0dB  to 

AFL L

AFL R

+

+

TRIM

± 20dB

TRIM

± 20dB

 to 0dB

LEVEL

Headphone Jacks (under armrest/front buffer)

EXT OSC

+dB

440Hz

 to +10dB

LEVEL

TRIM

TRIM

TRIM

TRIM

TRIM

 to 0dB

 to 0dB

 to 0dB

 to 0dB

 to +10dB

 to 0dB

±20dB

 

        

±20dB

±20dB

±20dB

±20dB

±20dB

OSC

Channel Strip (x32)

Stereo Return (x4)

Stereo Groups (x8)

Oscillator

Communications (Foldback and Studio)

  Control Room Monitoring

Stereo Cues

Aux Sends

Mix Bus

Track Buses (x16)

AFL/PFL

IN FRONT

SOLO

LINE

F/B 1

F/B 2

MON

+

-

OSC OUT

 

IN

S/C

VCA

INSERT

-1

ø

FLIP

PATH

IN

0dB

0dB

0dB

HPF

EQ

VCA

S/C

VCA

VCA

KEY

INSERT

INSERT

COMP

 to +10dB

 to +10dB

 to +10dB

 to +10dB

BUS SEND 1

BUS SEND 2

BUS SEND 3
BUS SEND 4

BUS SEND 5
BUS SEND 6

BUS SEND 15
BUS SEND 16

C/ROOM L
C/ROOM R

EXT 1L
EXT 1R
EXT 4L
EXT 4R

DRIVE

-10dB

± 20dB

BELL

BELL

LF

HF

Hz

     

CUT

 to 0dB

 to +10dB

 to 0dB

+

-

EXT TB OUT

      

       

TONE

SLATE

TONE

SLATE

OSC

SLATE

SLATE

           

   

LF

INSERT

SF

INSERT

OVERLOAD

(-3dB below

Path Clip)

 ≥1

LARGE

FADER

SMALL

FADER

CUT

SOLO

CUT

BUS SENDS

VIA DB-25 LINK

OR HALF NORMALLED

PATCH ROW

+

-

+

-

SUBGROUP

8L OUT

SUBGROUP

8R OUT

LISTEN

FRONT PANEL TRIM

+40 to +65dB 

TALKBACK

COMPRESSOR

LISTEN

COMPRESSOR

TALKBACK

LINE

INPUT

LISTEN

LINE

INPUT

FRONT

PANEL

XLR

dB

+

-

+

-

+

-

O R I G I N

Drawn: NF, CJ 

Revison: 1.10 

Date: 15.10.2019

ORIGIN

Installation Guide

Summary of Contents for ORIGIN

Page 1: ...KBACK LISTEN OUT LISTEN Feed To Monitor Section TALK F BACK AR OUT F BACK BL OUT F BACK BR OUT TALK TALK ALL to 0dB TALKBACK LEVEL to 0dB SLATE LISTEN LEVEL to 0dB iJACK L R EXT 1 EXT 1L EXT 1R EXT 4 EXT 2 EXT 3 EXT 2L EXT 2R EXT 3L EXT 3R 10K 1 5K dB dB MIX SUM BALA to 0dB AFL L AFL R EXT OSC dB 440Hz to 10dB LEVEL to 10dB OSC Channel Strip x32 Stereo Return x4 Stereo Groups x8 Oscillator Communi...

Page 2: ...ther mechanical or electronic without the written permission of Solid State Logic Oxford OX5 1RU England As research and development is a continual process Solid State Logic reserves the right to change the features and specifications described herein without notice or obligation Solid State Logic cannot be held responsible for any loss or damage arising directly or indirectly from any error or om...

Page 3: ...ronic architecture and precision bargraph meters make it a perfect partner for the highest quality converters and DAWs in the most professional production applications A unique and innovative modular centre section allows ORIGIN to adapt to different applications and priorities whether being used as a purely tracking console with additional boutique analogue additions to the 19 rack centre section...

Page 4: ...rranty 5 Special Tools and Fasteners 5 User Guide 5 ORIGIN Power Weight and Dimensions 6 General precautions 7 Unpacking 7 Safety Notices 7 IMPORTANT ORIGIN Frame Structure and Manoeuvering The Console 7 Dismantling the shipping crate 8 Mounting the console on the legs if supplied 9 Fitting Removing the Sculpted End Trim 11 Installation in rooms with difficult awkward access 12 ORIGIN Master Secti...

Page 5: ...ont d 22 Master Section DB 25 Pinouts Cont d 23 Suggested Patchbay Layout 24 Appendix A Performance Specification 25 Audio Performance 25 PureDrive Channel Input Microphone Line Amplifier 25 Monitor Input Line Input Amplifier 25 Channel Equaliser 26 Overall Channel Signal Chain Specifications 26 Crosstalk 27 Overall Console Noise 27 Environmental Requirements 27 Appendix B ORIGIN Block Diagram 28 ...

Page 6: ...such adjustments must therefore only be carried out by fully trained personnel Users This equipment is designed for use solely by engineers and competent operators skilled in the use of professional audio equipment Environment This product is a class A product intended to form an integrated component part of a professional audio production environment wherein it will perform to specification provi...

Page 7: ... the return neutral lead when the return lead also functions as the protective earth PE Mains cables will be coded with either of the following colour schemes 1 or 2 LIVE Brown Black NEUTRAL Blue White EARTH Yellow Green Green The ratings label which details the console power requirements is located adjacent to the mains inlet connectors on the power input panel beneath the rear of the console DEN...

Page 8: ...ntial safety hazard if the apparatus is operated at altitude exceeding 2000m Evaluation of apparatus based on temperate climate conditions only There may be some potential safety hazard if the apparatus is operated in tropical climate conditions Tools OriginissuppliedwithapairofT handleModulePullers SSLPart 53911152A anda2mmAllenKeytoaidewithmaintenanceofthechannel strips Other tools that may be n...

Page 9: ...will be required to correct the interference at his own expense Instructions for disposal of WEEE by users in the European Union The symbol shown here which is on the product or on its packaging indicates that this product must not be disposed of with other waste Instead it is the user s responsibility to dispose of their waste equipment by handing it over to a designated collection point for recy...

Page 10: ...tor or office during normal business hours Supply of exchange parts Service engineer visits note that travel and subsistence costs are not covered by the warranty It is not anticipated that a visit from an SSL engineer will be necessary in the majority of cases where a replacement part is required Console sub assemblies are designed to be easily removable to facilitate replacement Extended Warrant...

Page 11: ...Approximate Weight 357 lb 162 kg including legs and trim 315 lb 143 lb excluding legs Approximate Power Consumption Typically 900 Watts 1200 Watts maximum when on Typically 40 Watts when in standby sleep 1420 4 7 7 8 1781 5 10 1 8 1869 6 1 5 8 1819 5 11 5 8 984 3 2 3 4 540 1 9 1 4 735 2 5 1078 3 6 3 8 472 1 6 5 8 337 1 1 1 4 96 3 3 4 8 3 8 ADJUSTABLE 1069 3 6 1 8 ...

Page 12: ...Clean the control surface with a soft brush and dry lint free cloth It is recommended that servicing is carried out only by an authorised SSL support partner or agent Contact details for your local distributor can be found on the SSL web site or by contacting support solidstatelogic com SSL do not accept liability for damage caused by maintenance repair or modification by unauthorised personnel WA...

Page 13: ...tling the shipping crate Unbolt Crate Lid 1 Remove Foam Brace 2 Unbolt and Remove All Four Wood Sides 3 Remove Console From Base CONSOLE 162 kg 357 lb 4 PEOPLE MUST LIFT AND USE LIFTING APPARATUS 4 Remove Optional Legs From Base If Purchased 6 Remove Foam Base Tray 5 ...

Page 14: ...ve the console legs and fixing nuts from the shipping crate and to mount the console on it s legs It is suggested that the foam lattice used in the shipping crate is used to protect the floor and console when fitting the legs CAUTION The console weighs approx 150kg 330lb multiple people and or lifting supports must be used to remove the console from the shipping crate Lift the console and gently p...

Page 15: ...ruding from the console base It is important for a person to support the console as the legs are attached as the additional weight of the legs will change the centre of gravity 3 With the legs attached securely the console can be lifted to it s final position The rubber feet at the base of the legs have a small amount of screw adjustment allowing adjustment for uneven floors 4 ...

Page 16: ...ttom edge of the trim With these six screws removed the trim can be gently slid up vertically to align the keyhole slots with the locating lugs and then removing the trim horizontally Fitting the trim is the opposite process i e position the trim keyhole locating apertures so they locate onto the end of the console over the locating studs then gently slide the trim down vertically so that the bott...

Page 17: ...uctural steel inverted U beam If the console as a whole assembly is impossible to manoeuver into the room it is destined for it is possible to break it into smaller lighter pieces however this requires mechanical advice and involves removing and re instating some internal wiring in the console For further information please contact SSL s Support Department at support solidstatelogic com ...

Page 18: ...the IMPORTANT INFORMATION below VERY IMPORTANT INFORMATION HEAT AND VENTILATION As shown in the drawing below ventilation through the internal cavity of the centre section is very important Any device which is fitted into the racking which significantly restricts airflow through the central cavity could create overheating issues for the electronics in the Master Section Deep units which could sign...

Page 19: ...s Racks In this layout the two 3U panels have been replaced with a 500 series rack fitted with 8 mono SSL Dynamics modules and a stereo SSL Bus Compressors A 1U grill panel has been fitted above the centre section to aid with ventilation and the remaining 2U filled with a 2U blank panel The lower right blank area next to the Stereo Group faders has an Apple Magic Trackpad placed on it to show for ...

Page 20: ...rcise anti static precautions before moving and take great care to ensure no cables are snagged or disconnected when moving DAW Controller Layout In this layout the Master Section has been moved to the top 6U of the console centre section The two 3U blank panels have been moved into the space above the Stereo Group Faders and this space is used for a DAW controller The lower right blank area next ...

Page 21: ...h 1 8 0 m m 7 0 in 2 n d U D e p t h 1 9 0 m m 7 5 in 3 r d U D e p t h 2 0 0 m m 7 8 in 4 t h U D e p t h 2 1 0 m m 8 2 in 5 t h U D e p t h 2 2 0 m m 8 6 in 6 t h U D e p t h 2 2 5 m m 8 8 in 7 t h U D e p t h 2 3 5 m m 9 3 in 8 t h U D e p t h 2 4 5 m m 9 6 in 9 t h U D e p t h 2 5 0 m m 9 8 in 12U Rack Space Centre Section Racking The MAXIMUM depth for each 1U of the centre section rack space ...

Page 22: ...17 ORIGIN Installation Guide Notes Notes ...

Page 23: ...SF INS RTN MON LINE IN CHAN LINE IN LF INS SND SF INS SND F B MISC OUT UTILITY BUS O P 9 16 ST GRP IP 5 8 BUS O P 1 8 ST GRP IP 1 4 MONITOR OUTPUTS ST GRP OP 5 8 CUES AUX OUTPUTS ST GRP OP 1 4 ST RETURN INPUTS EXTERNAL INPUTS MAIN MIX OP INS SND MAIN MIX INS RTN TB LM IN 537 113 128 174 43 79 41 60 60 60 60 366 60 60 60 60 1174 60 60 60 60 60 60 1499 60 60 60 60 6 41 41 41 41 41 41 41 41 41 41 41 ...

Page 24: ...s XLR connectors to Channel Mic Pre Amplifiers Channels 32 25 Channels 24 17 Channels 16 9 Channels 8 1 DB 25 x 7 Channels 32 25 DB 25 x 7 Channels 24 17 DB 25 x 7 Channels 16 9 DB 25 x 7 Channels 8 1 Leg rears are hollow to allow use for cable access IEC Power Inlets and Main Power Switch DB 25 x 13 DB 9 x 1 Master Section Audio Utility Cable Tray Cable Tray CONSOLE REAR 3 pin XLR Female Pin Desc...

Page 25: ... connectors carries the fully balanced audio for eight channels laid out on the rear of the console as shown on the previous page so for 32 channels there are four sets of seven DB 25 connectors Each connector uses the common AES59 format for analogue audio DB 25 connectors the pinout is shown on the right The physical layout of the seven connectors is shown below as viewed when looking at the rea...

Page 26: ...H16 LF Ins Rtn 24 H24 LF Ins Rtn 32 H32 SF Small Fader Insert Sends 25 Way F D type Patch Patch Patch Patch Cct Hot Cold Scrn SF Ins Snd 1 8 Ref SF Ins Snd 9 16 Ref SF Ins Snd 17 24 Ref SF Ins Snd 25 32 Ref 1 24 12 25 SF Ins Snd 1 I1 SF Ins Snd 9 I9 SF Ins Snd 17 I17 SF Ins Snd 25 I25 2 10 23 11 SF Ins Snd 2 I2 SF Ins Snd 10 I10 SF Ins Snd 18 I18 SF Ins Snd 26 I26 3 21 9 22 SF Ins Snd 3 I3 SF Ins ...

Page 27: ...Direct Out 16 K16 Direct Out 24 K24 Direct Out 32 K32 Channel DB 25 Pinouts cont d NOTE Patch Reference on following tables only applies if using suggested standard patch layout on Page 26 SF Small Fader Insert Returns 25 Way F D type Patch Patch Patch Patch Cct Hot Cold Scrn SF Ins Rtn 1 8 Ref SF Ins Rtn 9 16 Ref SF Ins Rtn 17 24 Ref SF Ins Rtn 25 32 Ref 1 24 12 25 SF Ins Rtn 1 J1 SF Ins Rtn 9 J9...

Page 28: ...puts 25 Way F D type Patch Patch Cct Hot Cold Scrn Bus Output 1 8 Ref Bus Output 9 16 Ref 1 24 12 25 Bus Output 1 A33 Bus Output 9 A41 2 10 23 11 Bus Output 2 A34 Bus Output 10 A42 3 21 9 22 Bus Output 3 A35 Bus Output 11 A43 4 7 20 8 Bus Output 4 A36 Bus Output 12 A44 5 18 6 19 Bus Output 5 A37 Bus Output 13 A45 6 4 17 5 Bus Output 6 A38 Bus Output 14 A46 7 15 3 16 Bus Output 7 A39 Bus Output 15 ...

Page 29: ...n 2L G45 6 4 17 5 Alt Mon 2R G46 7 15 3 16 Alt Mon 3L G47 8 1 14 2 Alt Mon 3R G48 External Inputs and TB Lstn Mic Parallel IPs 25 Way F D type Patch Cct Hot Cold Scrn External IP 1 3 Ref 1 24 12 25 External IP 1 L J33 2 10 23 11 External IP 1 R J34 3 21 9 22 External IP 2 L J35 4 7 20 8 External IP 2 R J36 5 18 6 19 External IP 3 L J37 6 4 17 5 External IP 3 R J38 7 15 3 16 Tb Mic In Parallel J39 ...

Page 30: ...tn Patch Cct Hot Cold Scrn Talkback Listen Ref 1 24 12 25 Main Ins Rtn L L33 2 10 23 11 Main Ins Rtn R L34 3 21 9 22 N C L35 4 7 20 8 N C L36 5 18 6 19 TB Line In L37 6 4 17 5 Listen Line In L38 7 15 3 16 N C L39 8 1 14 2 N C L40 9 UTILITY 9 Way F D type Pin Red Light Relay 1 Normally Open Contact R1 2 Common 3 Normally Closed Contact R1 4 Normally Open Contact R2 5 Common 6 Normally Closed Contac...

Page 31: ...7 28 29 30 31 32 In In 1 2 3 4 J Tb Osc Lm 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 L R L R op op op K TbL LmL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 L R In In L L G R L H R L B R L C R L D R L E R L F R L 3 R L 1 R L 2 R Mic Tielines Bus Outputs Channel Mic Inputs Stereo Group Inputs L A R L B R L C R L ...

Page 32: ...om 5 dB to 70 dB Line Amp Gain Variable from 10 dB to 55 dB Input Impedance 1 4 kΩ Max Input Level 1 THD Mic Amp 21 dBu Output Headroom 26 5 dBu at onset of clipping Frequency Response 20 Hz to 20 kHz 3 dB high rolloff 0 0 2 dB 90 kHz THD Noise 10 dBu applied 30 dB gain 1 kHz 10 dBu applied 30 dB gain 10 kHz 0 004 at 1 kHz 20 Hz to 20 kHz 0 018 at 10 kHz 20 Hz to 40 kHz CMRR 10 dBu applied 30 dB g...

Page 33: ...l and routed to specified output by shortest path All controls set flat out or at unity gain as appropriate Pan set to full left or right Measurement Conditions Value Auxiliary Send Track Bus and Main Mix Bus Outputs Output Headroom into 600 Ω at onset of clipping into 10 kΩ at onset of clipping 24 dBu 26 5 dBu THD Noise 20 dBu 1 kHz 20 dBu 10 kHz 0 0008 1 kHz filter 20 Hz to 20 kHz 0 0008 10 kHz ...

Page 34: ...m one under test Channel not routed 64 dB from 20 Hz to 20 kHz 113 dB from 20 Hz to 20 kHz Mic Input 50 dBu applied to Mic Input at maximum gain measured at Direct Output Monitor path selected 95 dB Overall Console Noise Measured at main Mix outputs channels routed as required with pans balance controls centred using Line input with termination All controls set flat out or at unity gain as appropr...

Page 35: ...ed To Monitor Section TALK F BACK AR OUT F BACK BL OUT F BACK BR OUT TALK TALK ALL to 0dB TALKBACK LEVEL to 0dB SLATE LISTEN LEVEL to 0dB IN BUS COMP MIX L OUT MIX R OUT AFL L AFL R PFL MAIN L OUT MAIN R OUT ALT 1 ALT 1L OUT ALT 1R OUT ALT 2 ALT 2L OUT ALT 2R OUT ALT 3 ALT 3L OUT ALT 3R OUT MAIN CUT L CUT R 1 POL 3dB MONO LISTEN POWER CUT P AFL LISTEN iJACK L R EXT 1 EXT 1L EXT 1R EXT 4 EXT 2 EXT ...

Page 36: ...31 ORIGIN Installation Guide Notes Notes ...

Page 37: ...www solidstatelogic com ...

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