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Roland JV-880, Owner'S Manual

The Roland JV-880, a legendary synthesizer module, holds endless musical possibilities. Discover its full potential with the comprehensive Owner's Manual, available for free download at manualshive.com. Explore its functionalities, programming techniques, and unleash your creativity with this essential manual for any JV-880 user.

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Summary of Contents for JV-880

Page 1: ...Roland MULXI TIMBRAL SYNTHESIZER MOnULE JV BBD OWNER S MANUAL C Roland JV QBa rJ ns PHONES V01 UME o o EDIT SVST EM RHYTHM UTILITY If 31 fc 3 i ci jig iig TONg SWITCH T nr EZa t mtr rr m O o ...

Page 2: ...rked on the product 9 The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time 1 0 Do not tread on the power supply cord 1 1 Do not pull the cord but hold the plug when unplugging 1 2 When setting up with any other instruments the procedure should be followed in accordance with instnjction manual 1 3 Care should be taken so that objects do...

Page 3: ... On the Power Display Contrast 2 PLAYING THE DEMO SONGS 1 1 1 1 1 2 1 3 1 4 WHAT IS THE PATCH PLAY MODE 3 1 3 PLAYING THE SOUNDS 1 7 Section 2 lilMII THE JVS SOUND UNITS 2 1 9 Patches 2 1 9 Performance 2 2 9 Voices and Maximum Polyphony 2 3 MEMORY 2 4 CHORUS AND REVERB 2 6 OUTPUT 2 7 I OPERATION GUIDE Changing patch Changing Parameter Settings Switching Tones On and Off Preview Function Storing Ed...

Page 4: ...Preview Function 7 5 I PARAMETER FUNCTIONS 7 6 7 6 7 10 Performance Common Parameters Part Parameters Section 8 EDITING RHYTHM TONES RHYRHM EDIT MODE I WHAT IS THE RHYTHM EDIT MODE 8 1 I OPERATION GUIDE 8 2 Preview Function 8 5 I PARAMETER FUNCTIONS 8 6 Section 9 WRITE OPERATION ADDITIONAL FUNCTIONS UTILITY MODE I THE UTILITY MODE 9 1 I WRITE 9 2 Patch Write 9 3 Performance Write Pert Write 9 4 Rh...

Page 5: ...0 19 BLANK CHART 10 25 Roland Exclusive Messages MIDI Implementation MIDI Implementation Chart H SPECIFICATIONS INDEX OF FUNCTIONS AND OPERATIONS INDEX IINSTALLING THE EXPANSION BOARD 0 30 0 32 0 43 0 44 0 45 0 50 0 54 Copyright 1992 by ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form the permission of ROLAND CORPORATION ...

Page 6: ...t Afterwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the risk of discoloration and or deformation lemory backup IThe unit contains a battery which maintains the contents of memory while the main power is off The expected life of this battery is 5 years or more However to avoid the unexpected loss of memory data i...

Page 7: ...sion board SR JV80 series On board Digital Effects Rich stereo effects that add spaciousness and depth to the sound can be obtained by using the chorus and reverb sections i l ulti timbral Operation The JV 880 features seven Independent synthesizer Parts and one rhythm Part This allows you to create ensemble performances with the JV s sound sources controlled via MIDI IVI u Itip te Outputs The JV ...

Page 8: ...se sections explain the operations of playing Patches or Performances Section 5 Section 6 Section 7 Section 8 Editing System Common Parameters PH ltlSl Editing Patches Editing Performances Performance Edit Mode These sections explain how the functions of the various parameters and how to change or edit them Editing Rythm Tones Section 9 Write operation Additional Functions This section explains ho...

Page 9: ...cursor position by holding down the PARAM SHIFT button and pressing T or EDIT button Pressing this button while in the Patch Play mode switches the unit to the Patch Edit mode Likewise pressing it from the Performance Play Mode switches the unit to the Performance Edit mode SYSTEM button Pressing this button selects the System Edit mode making it possible to change settings related to the overall ...

Page 10: ...overwrite replace it with another Patch TONE SWITCH 4 From the Utility mode this button functions as an enter I ENTER I button aFlowing you to execute Write and Copy operations PCM CARD slot Optional PCM Cards S0 PCM1 series can be inserted into this slot DATA CARD slot Optional Data Cards Roland M 256E etc can be inserted into this slot MIDI MESSAGE indicator This indicator lights when MIDI messa...

Page 11: ...SETUP LISTENING TO THE SOUNDS ...

Page 12: ...mp speaker setup be sure all the volume levels are set to zero before tuning your system on This will help prevent damage to your speakers Plug any headphones you wish to use into the PHONES jack To take full advantage of the JV s great sound use a stereo output whenever possible If you require a mono output connect an audio cable to the L MONO jack o o PHEVlEWfPUSHJ IN SB r H OUT l fl H l ll M l ...

Page 13: ...level The volume of the JV 880 is set to the minimum level Turn on the JV 880 The following display appears Perf 1112 13 14 15 16 17181 I 1 S y n L e a d C U y 6 1 3 The JV s protection circuitry will mute the output for a few seconds No sound will be heard during this time D Turn on your amplifier mixer etc Set the volume as required D Set the JV 880 s level with the VOLUME knob Power down your s...

Page 14: ...SYSTEM The indicator lights Move the cursor to the parameter name by using 4 CURSOR j and select Display contrast by rotating the DATA dial S y s t 8 F i C i s p 1 a y c o n t r a s t i 5 Cursor Move the cursor to the number field using CURSOR then adjust the contrast setting by rotating the DATA dial z y s t 6 f D i s F 1 a y c ci n t r a s i S Cursor d Press SYSTEM again when you are finished Th...

Page 15: ...al Cursor Uti 1 ROn Play 1 1 I n t r o CENTER Move the cursor to the bottom left of the display using CURSOR then select a song by rotating the DATA dial ItilsROn Play 1 I n t r o Cursor CENTER 1 1 1 2 1 3 1 4 1 5 Intro Guitars Synthony Piano Hop String Tiling Songs 1 1 through 1 5 are parts that play back as a medley and together form one whole song Music by Marvin Sanders Copyright 1992 Marvster...

Page 16: ...nd Michael Jackson Mitsuru Sakaue Mitsuru Sakaue began composing and doing arrangements for commercials and videos while still in school In particular his studio work earned for him a solid reputation Currently as a chief producer within Idecs Inc he produces commercial musics and jingles for FM stations His range of activity is broad and includes his work as an instructor and expert on musical in...

Page 17: ...PR B RHYTHM 1 4 Piano Hop 1 2 A01 A Piano 1 3 4 5 A63 Rubber Bs 2 6 7 A60 Wonder Bass a PRB PR B RHYTHM 1 5 Sting Thing 1 B07 St String 2 B06 Marcato 3 4 B34 Stab Brass 5 B02 Real Pizz 825 Trumpet B28 Harmon Mute2 6 B45 Flute mod 7 8 PRB PR B RHYTHM 2 Lost Weekend 1 838 AltoLead Sax 2 A54 House Bass 3 830 Brass Sect 4 A05 Pop Piano 2 5 848 Air Lead 6 A46 Funk Gtr 7 805 Warm Strings 8 PRB PR B RHYT...

Page 18: ...ing the cursor to the Patch number using CURSOR P 1 then rotating the DATA dial The number and name of the currently selected Patch is displayed P a t c h R X G h s 1 11511 Analog Brass CLI015 Patch number The Internal and Preset groups are explained in Section 2 See P 2 4 The JV s Patches are divided into four groups 101 64 C01 64 A01 64 B01 64 Internal Data Card optional Preset Preset The differ...

Page 19: ...s the Preview function By pressing the VOLUME knob the currently selected Patch can be heard This allows you to hear the JV s sounds even if you don t have a MIDI keyboard handy VOLUME You can set the pitch and volume of the preview sound as required Refer to Section 5 See P 5 13 for details ...

Page 20: ...MEMO ...

Page 21: ...OVERVIEW ...

Page 22: ...d as the basic sonic building block The Wave Generator also controls the pitch of the waveform at the same time As the waveform is the basic sound unit it is largely responsible for determining the character of the final sound TVF Time Variant Filter This filter is used to process the sound program by cutting or boosting the frequency elements of the original waveform produced by the Wave Generato...

Page 23: ...art in a Performance Performance Receive channel Patch Receive channel Patch Receive channel Patch Receive channel Patch Receive channel Patch Receive channel Patch Receive channel Patch Part 8 Rhythm Receive channel Rhythm set Sound Output PART Patches are assigned to Parts 1 7 and the Rhythm Set is assigned to Part 8 Each Part can be used as an independent sound module as each has its own MIDI c...

Page 24: ...Voices and Maximum Polyphony Because of the complex sound generation system of the JV 880 there is a limit to the number of sounds that can be played simultaneously This limit is called the maximum polyphony and it amounts to 28 sounds or voices A single Tone requires one voice in order to be played Therefore when a Patch is made up of just one Tone up to 28 notes can be played simultaneously Howe...

Page 25: ...and Data Cards optional are memory areas that can be used to store original sounds Each of the memory areas can accommodate 16 Performances 64 Patches and 1 Rhythm Set Each of the preset areas A and B contain 16 Performances 64 Patches and 1 Rhythm Set The Performance data and the Patch data stored in these areas cannot be overwritten replaced However you can copy this data to the User memory area...

Page 26: ... up from User memory or Preset Memory A B by panel buttons or MIDI messages Simply put the temporary area is a place where a copy of the data is kept The JV 880 is ultimately controlled by the data in the temporary area As any editing of the data occurs in the temporary area only the original data will not be affected ...

Page 27: ...h Tone can be changed by editing the signal level send level which is sent to the chorus reverb unit Patch Tone 1 Tone 2 Tone 3 Tone4 Chorus Reverb Chorus and reverb can be set for each Performance The chorus reverb settings for each Patch assigned to each Part are ignored However the depth of the chorus reverb for each Part may differ since the send level for each Tone is still in effect Performa...

Page 28: ... position and the effect to be used respectively MAIN OUTPUT m m mm mms When using both pairs of output jacks the chorus reverb effect is removed from the output signal The settings of the Patch Performance and Rhythm Set determine the specific output assignments MAIN OUTPUT or SUB OUTPUT Patch Within a Patch the output destination for each Tone can be set Performance Within a Performance the outp...

Page 29: ...TPUT jacks is fixed it is independent of the VOLUME knob setting Sound will not be output through the SUB OUTPUT even when output assignment has been set to the SUB OUTPUT if a cable has not been properly inserted in the SUB OUT jacks The signal output through the SUB OUTPUT jacks cannot be heard through headphones ...

Page 30: ... Rx channel Kaicn 1 Tone 1 1 1 Tone 2 1 Tone 3 1 Tone 4 h J Perforinaiice Play mode Since the receive channel can be set independently for each of the eight Parts only those Parts whose receive channel matches the transmit channel will respond to incoming MIDI data MIDI data 1 Control channel Performance Receive channel Rx ch Patch Receive channel Rx ch Patch Part 8 Rhythm Receive channel Rx ch Rh...

Page 31: ...t A 65 128 B01 64 Preset B Changing Performances Much the same as with Patches Performances can be changed by reception of a bank select message a value of 80 or 81 over controller number 0 then an appropriate Program Change message both over the MIDI channel set in Control Channel in the System Common parameters When only a Program Change message is received the Performances change only between p...

Page 32: ...en it is played note on how strongly it is played velocity and when it is released note off Program Change messages This message indicates sound program changes When the JV 880 receives a program change message the Performances Patches and Rhythm Sets of the selected memory type between presets A and B or between internal memory and Data card are changed Control Change messages These messages are ...

Page 33: ...Patch EXPl 4 P 6 18 changes Holdl No 64i When an ON value 64 127 message is received the sound continues until an OFF value 63 message is received Portamento No 65 When this message is received the portamento effect is switched either on or off Reverb No 91 When this message is received the reverb is switched either on or off Chorus No 93 When this message is received the chorus is switched either...

Page 34: ...ges are handled regardless of the specified MIDI channel Reset AH Controllers This message initializes or resets various parameter settings such as pan and volume to certain values Refer to the MIDI Implementation P 10 32 for the available parameters and their initialized values ono Mesaage Pofy Message Mono message switches the JV 880 to mono operation so that only the most recently received note...

Page 35: ...f the sound is accomplished in this mode Section 7 In this mode 7 Patches and 1 Rhythm Set are combined as Parts of the overall sound Rich fat sounds can be created by combining several similar Patches Multi timbral Patch combinations can also be created allowing you to create an ensemble of several different instruments The Patch Play and Patch Edit modes are together referred to as the Patch mod...

Page 36: ...SYSTEM 1 I UTILITY I ir w Patch Edit H RHYTHM I SYSTEM I I EDIT I Patch Play n it SYSTEM RHYTHM I System Edit H UTILITY I I SYSTEM I I RHYTHM i Rhythm Edit I I UTILITY I RHYTHM 1 Utility I PATCH PERFORM I Performance Mode I UTILITY Utility fSYSTEM riDITl I UTILITY I EDIT I Performance Edit i RHYTHM SYSTEM I i EDIT I Performance Play n a System Edit i UTILITY I SYSTEM I i RHYTHM RHYTHM f Rhythm Edi...

Page 37: ...ange and white Orange characters indicate functions in the Patch Play Edit modes Blue characters indicate functions in the Performance Play Edit modes Buttons with white characters can be used in any of the modes with the exception of COMPARE and ENTER which can only be used in the Utility mode ...

Page 38: ...MEMO ...

Page 39: ...PLAYING PATCHES PATCH PLAY MODE ...

Page 40: ...one 4 Chorus Reverb Chorus switch Reverb switch 20UT MAIN OUTPUT 40UT I See P 5 L MAIN OUTPUT SUB OUTPUT R L R Points Some System Common parameters and Patch Common parameters can be controlled even while playing As only the data in the temporary area is used during operation the original Patch data in the User memory internal memory or Data Card or in the Preset memory A B will be unchanged A Pat...

Page 41: ... Move the cursor to the Patch number in the display using M CURSOR R X C H 8 1 r g a n 3 C U 8 3 1 Cursor Rotate the DATA dial to change the Patch number one by one Simultaneously hold down and rotate the DATA dial the Patch number stays the same but the Patch group indication A B I C changes Rotate while holding down Patches of the Data card cannot be selected if a Data card has not been inserted...

Page 42: ...e sure the protect switch is ON when inserting or removing a Data Card in order to avoid possible loss of data OSpfRFMM EOIT SVSIEM BHriMU UnutV y jwig H LJii im flfl Ljii i j fn u roN TON SWITCH CURSOfli SEl CT 12 3 4 o o C mMM Move the cursor to the desired parameter using M CURSORS CURSOR Cursor Patch XExCHsei 1 3 1 Jazz Organ 3 C U83 1 1 Select the desired parameter by rotating the DATA dial M...

Page 43: ... regardless of the cursor position by simultaneously holding down PARAM SHIFT and pressing T j when selecting the parameter to be edited TONE SELECT PARAM SHIFT Switching Tones d Individual Tones can be turned on or off by pressing the TONE SWITCH buttons 1 4 Each time a button is pressed the corresponding Tone is switched on or off The indicator lights when the Tone is on The on off status of eac...

Page 44: ... which are ON will sound If all the I TONE SWITCH are OFF no sound will be heard when the VOLUME knob is pressed S orrng Editeci Patches Press UTILJTY to select the Utility mode The indicator lights EDIT SYSTEM RHYTHM UTILITY Dz lf zi di zJziz ll i j l TONE SWITCH _ MUTE MONITOR INFO COMPARE ENTER Write the Patch to memory See P 9 3 for details of the Write operation ...

Page 45: ...t 0 and at the farthest right at R63 P a t c h R e m e r b s i i s N I01S JI I Strings CUuul Reverb SW Reverb switch system common parameter This parameter determines whether reverb is applied ON or not If this switch is OFF no reverb is applied to the sound even when reverb is set for a Patch or each Tone in a Patch Settings ON OFF This parameter is not displayed when the output mode of the syste...

Page 46: ...LO POLY Several notes can be played at one time SOLO Only one note at a time can be played The note nunnber which was received last will sound P a t G h P r t a n e n t o s ij F F 101 J U S t r i n 9 s C U 0013 Portamento Portamento switch Patch common parameter This parameter determines whether the portamento effect is applied ON or not When portamento is ON the pitch smoothly slides between succ...

Page 47: ...PLAYING PERFORMANCES PERFORMANCE PLAY MODE ...

Page 48: ...ed for the Rhythm Set The sound of any Part can be muted turned off One of the any Part can be monitored Part monitor The status of MIDI data reception for each Part can be displayed Part information As only the data called up to the temporary area is used in operation the original Performance data in the internal memory or on a Data Card will be unaffected An edited Performance can be stored in U...

Page 49: ...11 When the Part number indication in the screen display is a mark it shows that part is currently sounding Perf i J IJ I i 4 I 5 I 6 i 71 81 I 1 s S y n Lea d C U 091 Changing PerfdrmanGes Move the cursor to the Performance number using 4 CURSOR CURSOR Perf 1112 13 14 15 16 17181 I 3 fl r i a 1 o g p 3 d C U 3 Cursor Rotate the DATA dial to change the Patch number one by one Simultaneously hold d...

Page 50: ... switch should be left ON Always be sure the protect switch is ON when inserting or removing a Data Card in order to avoid possible loss of data D r C M O M S o SpEbSSm kit S TEM WrTHM UTIUIV F rrr i o 0mmk tahvo Aaomawv pmpm Ciiii i M Using CURSOR move the cursor to the Part number on the top line whose Patch is to be changed The Part number Patch number and the Patch name eg 1 l63 DistanceCall w...

Page 51: ... not sound when played This function is convenient when you want to temporarily keep a Part from sounding Using CURSOR move the cursor to the Part number on the top line to be muted CURSOR Cursor Perf 111213141516 718 b I 6 s P a n Pipe C U 6 3 Press MUTE the indicator will light EDIT SYSTEM RHYTHM UTILITY i_ flP _i_j _ q j _H_ i I TONE SWITCH 2 3 1 4 l lt ti Q ziti llr MUTE MONITOR INFO COMPARE E...

Page 52: ...i qpfEE Ifz MUTE MONITOR INFO COMPARE ENTER The Part being monitored Perf i I I I 4 I 4 B 2 5 T r u fi p e t C P 8 9 Only the number of the Part being monitored is indicated Press H CURSOR while in this monitoring mode to select different Parts Press I MONITOR again to cancel the Part Monitor function and return to the original display The indicator goes out W f Pum m You can hear the Patch curren...

Page 53: ...l lfc l MUTE MONITOR INFO COfVARE ENTER Parti Parts Part 2 Part 4 1 P I n f Mod D B 01 01 01 01 01 012 i t Parte T Parts Rotate the DATA dial to change the type of MIDI data indicated in the display Press INFO again to return to the original display The indicator goes out The types of MIDI data indicated are described below MIDI Data Explanation Range IVIod Modulation MIDi data used to create modu...

Page 54: ...ch For example when playing a Part that has two Patches each made up of one Tone 2 2 voices is displayed When playing two Patches made up of two Tones each 4 4 voices is displayed A single asterisk appears to the right of U o i r e in the display when the number of voices used exceeds 24 two asterisks are displayed when the maximum of 28 is reached 28 P I n f a 6 1 02 1 S 1 U ice i 1 1 1 fo 13 ii ...

Page 55: ...Section DITING SYSTEM COMMON PARAMETERS SYSTEM EDIT MODE ...

Page 56: ...utput mode Chorus switch Reverb switch Scale tune switch Scale tune Rhythm edit key Display contrast Power up mode Preview Note 1 Preview Velocity 1 MIDI Patch receive channel Patch Mode Control channel Performance Mode Unit number f Receive switch Program change Bank select Control change Volume Modulation Pitch bend Aftertouch Exclusive V J Points Changes of these settings take effect immediatel...

Page 57: ...eter 4 4 Pi fi H Value Move the cursor to the parameter field of the display using CURSORS ir I P A l z y s _ t Fi M a t e r t u n e 4 4 8 U H z Cursor Select the parameter to be edited Step through the parameters by rotating the DATA dial Move the cursor to the parameter value with M CURSOR CURSOR v i S y s t e p i M I D I I J n i i n u n b e r 1 7 f Cursor Change the value Rotate the DATA dial t...

Page 58: ... set value Press the dial twice again to return to the previously selected value Repeat steps D through as necessary Press SYSTEM to exit the System Edit mode The indicator goes out Parameters can be changed regardless of the cursor position by simultaneously holding down PARAM SHIFT and pressing when selecting the parameter to be edited TONE SELECT PARAM SHIFT ...

Page 59: ...ge 427 4 452 6Hz Output mode Out t e n F u t p j I d e 4 li U T This parameter determines the jacks from which the sound will be output Settings 2 OUT 4 OUT 2 OUT The stereo L R signal with effects is output through the MAIN OUTPUT jacks 4 OUT Sounds without effects are output through both the MAIN OUTPUT and SUB OUTPUT jacks The settings of the Output Select of each Patch See P 6 53 and the Perfo...

Page 60: ...t Settings ON OFF The reverb depth changes depending on the settings made for the Patch or Performance The reverb setting in the Patch Common parameters See P 6 11 and the reverb setting in the Performance Common parameters See P 7 8 have no effect when this is set to OFF Rxchannel Patch Receive Channel Systen MIDI R X c h a n n e 1 8 1 This parameter determines the Patch receive channel Patches c...

Page 61: ... control change data OFF Performances cannot be selected via MIDI Also the chorus reverb switch cannot be turned on or off via MIDI This parameter is only selected when the mode is changed from Performance Play Edit to System Edit Unit number System MIDI U n i t n y r i b e r 1 7 The Unit number is a device identification number designed for use with System Exclusive data operations The JV 880 rec...

Page 62: ...ving switch in the Performance Part parameters has no effect when this switch is OFF Program bank select Bank Select Receive Switch S y s i e n M I D I R x s w i t c h P r 9 r a n b a n k s e 1 N This parameter determines whether or not the JV 880 will respond to bank select Control change No O messages from an external MIDI device Settings ON respond OFF ignore Control change Control Change Recei...

Page 63: ...e receive switch in the Performance Part parameters See P 7 1 4 have no effect when this switch is set to OFF The actual sound level changes when MIDI volume data is received However the setting of the Performance s Part level See P 7 10 and the setting of the Patch level See P 6 8 do not change Send the volume data again or re select the mode in order to return to the original setting Modulation ...

Page 64: ...ot the JV 880 will respond to aftertouch data from an external MIDI device Settings ON respond OFF ignore Exclusive Exclusive Receive Switch System MIDI Rx ExclysiMe ON s w i t c h This parameter determines whether or not the JV 880 will respond to System Exclusive data from an external MIDI device Settings ON respond OFF ignore Scale tune switch S y s t e Fi S c ale t u n e s w i t c h N This par...

Page 65: ...emperament When a Patch is selected Tune each note of the octave S y s t e h S G ale t u n e C S y s t e p l S G ale t u n e B 00 Scale Tune switch ON When a Performance is selected Tune each note of a Part S y s t e P l P a r 1 1 S Gale t u n e C Scale Tune switch ON S y s t e p l P a r 1 8 S G ale t u n e B Range 64 63 in 1 cent units for each note C B value The greater the value the higher the ...

Page 66: ... effect is possible only when playing in one key Chords for other keys are more dissonant The chart below shows the pitch differences for each note when the tonic is C Arabic Scale In the Arabic scale the pitches of E and B are lower than those of the equal temperament scale by half of a semitone and C F and G are higher by half of a semitone Besides the scales of G B C E F_G A C and D F there are...

Page 67: ...oth the DATA dial and a connected MIDI keyboard INT The sounds can only be selected by the JV s DATA dial Display contrast S y s t e P l D i s p 1 a y c o n t r a s t B 5 This parameter adjusts the display contrast Range 0 10 Higher values brighten the display Power up Power Up Mode S y s t e Fi P o w e r u p D E F fl U L T This parameter determines the default condition of the JV 880 when the pow...

Page 68: ... the four pitches is selected Note 1 Note 2 Note 3 or Note 4 Range For each Note 1 4 C 1 G9 OFF No sound is output when this parameter is set to OFF If all Notes 1 4 are set to OFF no Preview sound is heard when the VOLUME knob is pressed Preview Velocity velocity 1 4 y s t e r i P r e u i e w e 1 o c i t y 1 1 4 8 9 12 7 1 1 f 1 Note 1 Note 2 Note 3 Note 4 This parameter determines the volume lev...

Page 69: ...EDITING PATCHES PATCH EDIT MODE ...

Page 70: ...ise a Patch Patch parameters are divided into the categories shown below Patch Common Parameters These are the parameters which are common to an entire Patch and are not affected by the settings for each Tone The parameters for naming a Patch and settings for chorus reverb volume pan and bend range belong to this group Tone Parameters These parameters let you shape the sound of each Tone individua...

Page 71: ...ade Fade Time Pitch Depth TVF Depth TVA Depth I TVF Type Cutoff Frequency Resonance Resonance Ivlode Keyfoliow Envelope Depth ii il ii 3 TVA Level Keyfoliow Velocity Curve Velocity Pan Panning Keyfoliow Delay Mode Delay Time If Modulation 4 f Modulation 3 f Modulation 2 Modulation Event Modulation 1 Depth Destination Expression 4 Expression 3 Expression Event Expression 2 Expression 1 Depth Destin...

Page 72: ...OR QP i Cursor Patch Leyel 85 iC o p i p l o n Select the group or type of parameter to be edited By rotating the DATA dial you can select Common when editing Patch Common parameters or Tone when editing Tone parameters DATA Skip to step D if you ve selected Common Select the Tone to be edited Press and hold TONE SELECT and then press the TONE SWITCH button corresponding to the Tone number you wis...

Page 73: ...s are indicated by an asterisk When several tones are selected P a t G h i T o n e T U fl 1 e M e 1 7 1 C 2 3 Tones 1 3 are selected Move the cursor to the parameter name field of the display using 4 CURSOR i CURSOR i W P a t G h T o n e T U fl 1 e M e 1 7 1 Cursor C 2 3 Select the parameter to be edited Rotating the DATA dial changes the parameters one by one Simultaneously hold down and rotate t...

Page 74: ...rve TVA level A ENV T1 velocity Output dry level Move the cursor to the value field in the display using 4 CURSOR Change the value Rotate the DATA dial to change the value in small steps Simultaneously hold down and rotate the DATA dial to change the value in large jumps Press the DATA dial twice quickly to return to the originally set value Press the dial twice quickly again to restore the value ...

Page 75: ...hes for individual Tones When on the button indicator lights and the Tone can be played EDIT SYSTEM RHYTHM UTILITY iJz Dz z J Ji z z l TONE SWITCH D J i IDzJ Ji dl zi z t i l MUTE MONITOR INFO COMPARE ENTER The on off setting of a Tone is stored as a Patch setting Preview Function A Tone can be heard previewed by pressing the VOLUME knob VOLUME Tones whose TONE SWITCH buttons are On will be heard ...

Page 76: ...Key assign Pan Legato Velocity switch Bender range Up Down Portamento Switch Mode Type Time Chorus Type Level Rate Depth Feedback Output Reverb Type Level Time Feedback Patch name P a t G h C o r i n o n P a t c h n a r i e J U S t r i n 9 s A name of up to 12 characters can be assigned to th edited Patch Use I M CURSOR to move the cursor to the part of the display in which the name appears then s...

Page 77: ... P a n L 2 8 This parameter determines the stereo position of the Patch The pan position See P 6 45 is set for each Tone of the Patch Each Tone moves from its current position to the position set here Range L64 63R L64 is the farthest left Is center and 63R the farthest right O L64 Left Center O 63R Right Velocity switch P a i c h C o r i p o n U e 1 o G i t y s w i t g h N This parameter determin...

Page 78: ... is added to electric piano and bell sounds Chorus also lets you create movement and vibrato by modulating the sound The speed of the modulation is set by the rate and the depth of modulation is set by the depth Using this with LFO Low Frequency Oscillation allows you to create a highly animated complex modulation effect Chorus level P a t G h C o p i Fi o n il h o r u s 1 e v e 1 2 Output mode 20...

Page 79: ...lex chorus effect can be gained by setting this parameter Range 127 The greater the value the greater the feedback level OUT e IN Chorus V Feedback The sound may become distorted if the feedback level is set too high Chorus output P a t G h i C o P I p l o n C h o r u o u t p u t t 1 1 K Output mode 20UT Chorus switch ON This parameter determines the destination of the chorus sound output Settings...

Page 80: ...ELAY Conventional delay PAN DLY Delay in which the reflected sound pans left and right The reverb effect simulates the wash of reflected sounds that follow the direct sound heard inside a room or hall It lends a feeling of distance and spaciousness to the overall sound and makes it richer and more natural sounding The Reverb type and reverb time simulate the material of the walls and size of the s...

Page 81: ...the longer the reverb time or delay time When Reverb is selected Level of the reverb sound sound Reverb time When Delay is selected Level Ji Delay time Time Original Delay sound sound Time Reverb feedback P a t c h C o r i n o n R 9 M r b f 9 d b a c k l f Output mode 20UT Reverb switch ON When set to DELAY or PAN DELAY this parameter determines the re routed level feedback of the delay sound in t...

Page 82: ...l types of modulation noises such as the murmur of a stream or the rustling sound of a gentle breeze Key assign P a t G h C o Fi Fi o n K e y a s s i 9 n P L This parameter determines whether the Patch sounds polyphonically POLY or monophonically SOLO Settings POLY SOLO POLY Several notes can be played at one time SOLO Only one note at a time can be played Legato P a t c h C o Fi p l o n L e 9 a t...

Page 83: ...steps U This parameter determines the upward range of the pitch in semitone steps When both the up and down values are set to 0 the pitch does not change even when pitch bend data is received Porta switch P a t G h C o Fi r i o n P o r t a s w i t g h F F This parameter determines whether the Portamento effect is used ON or not The Portamento function creates a smooth pitch change between notes pl...

Page 84: ...te to the next depends on how large the pitch interval is between the two notes When set to TIME Pitch interval between the notes When set to RATE Pitch interval between the notes Constant fixed time Time Time Time required for movement depends on the pitch inten al Porta time Portamento Time P a t c h C o r i vi o n P o r t a t i PI e 5 8 This parameter determines the time it takes for the pitch ...

Page 85: ...lume switch TVA The MIDI standard assigns MIDI volume to Control Change number 7 Hold 1 Switch P a t G h T D n e CI Hold 1 swit c h i iN Control Change receive switch ON This parameter determines whether the Tone responds to MIDI Hold 1 messages or not Settings ON OFF ON Sustain effect is applied when MIDI Hold 1 data is received OFF MIDI Hold 1 data is ignored Hold 1 data Hold 1 switch o o L _ Pi...

Page 86: ...G j J w w Setting on the panel See P 6 6 MIDI Control of the Tone Parameters Tone parameters can be controlled by Control Changes and aftertouch data from an external MIDI device A maximum of 4 Tone parameters can be controlled simultaneously by each data type LF0 1 Pitch depth TVF depth TVA depth Rate J LF0 2 Pitch depth TVF depth TVA depth Rate I 1 1 1 WG Pitch TVF Cutoff TVA Level J 1 1 1 Modul...

Page 87: ...P a t G h s T o n e CI 1 fl f t e r 3 5 PITCH L F 2 P a t G h T o n e CI 3 flft er4 05 5LF01 RATE 1 1 Aftertouch receive switch ON Sensitivity Parameter to be controlled This parameter determines which parameter the aftertouch data is to control and the sensitivity or range over which the parameter changes Expl 4 Expression Control 1 4 P a t G h T o n e Exp 1 50 LFO C 1 RATE 3 P a t G h s T n e Ex...

Page 88: ...CH LF02 Depth of LF02 which is applied to pitch 63 1 63 TVF LF01 Depth of LF01 which is applied to cutoff 63 1 63 TVF LFO 2 Depth of LF02 which is applied to cutoff 63 1 63 TVA LF01 Depth of LF01 which is applied to volume 63 h63 TVA LFO 2 Depth of LF02 which is applied to volume 63 h63 LF01 RATE Rate of LF01 63 h63 For positive values the LFO frequency is high fast and for negative values the fre...

Page 89: ...ic volume changes tremolo WG TVF TVA LFO waveform P a t G h i T n e C 1 L F 1 1 1 a e f o r r i S Q R n 3 Patch s Tone C1 L F 2 w a y e f o r n S Q R n 3 This parameter lets you select the waveform of the LFO A mark indicating the shape of the waveform is displayed along with the name in the LCD Settings TRI S1N SAW SQR RND1 2 TRI SIN SAW SQR RND1 RND2 AA Af AA ns tJ Triangle wave Sine wave Sawtoo...

Page 90: ...Notes played sounds Synchro OFF Notes played sounds Time Time With LFO synchro set to ON try playing an arpeggiated chord The set LFO frequency cycle begins with each note played creating a random natural modulation When this parameter is set to OFF the modulation is uniform for all the notes since one LFO is applied to all the sounds LFO rate P a t c h 5 T o n e L F 1 r a t e 6 9 P a t c h T o n ...

Page 91: ... Taking the highest parts of the waveform as the maximum value the waveform is shifted down along the X axis The center of the waveform becomes lower than the original pitch or level 7 j i A TOO 50 f 50 H 100 You can create automatic trills by setting the offset of a square waveform to 100 or 100 and applying it to the pitch with an appropriate depth setting LFO delay P a t c h 2 T n e LFOl delay ...

Page 92: ...LFOl fade IN CI P a t G h i T n e LFi i2 fade IN C 1 This parameter determines tlie time over which the LFO is applied Settings IN OUT IN The LFO is applied gradually after the Note On according to the set LFO fade time OUT The LFO is applied from the Note On until the end of the delay time and then gradually fades out according to the set fade time When the delay time is set to KEY OFF this effec...

Page 93: ... determines the depth of LFO as applied to the pitch of a Tone Range 63 63 The further the value is set from 0 the more pronounced the variation in pitch The further the value is set from 0 the more pronounced the variation in pitch and vibrato effect LFO TVF depth Pat c h T n e LFOl TUF depth C 1 3 3 8 P a t c hi T n e LF02 TUF depth CI 3 30 This parameter determines the depth of LFO as applied t...

Page 94: ...ue for one Tone and setting the same amount of the depth on the negative side for another Tone Using this operation different Tones can be sounded alternately and the sounds can be moved back and forth in the stereo image in combination with the pan function explained later You can create a bell like effect if you set the offset depth of the saw waveform to 100 with a negative value for the level ...

Page 95: ...i j a 1 e g r o u p I N T This parameter determines the waveform group that is to be used The JV 880 has 129 internal waveforms The waveforms on the optional expansion board SR JV80 series and on PCM Cards SO PCMl series can also be used Settings INT internal EXP expansion board PCM PCM Card PCM or EXP cannot be selected if an expansion board has not been installed or a PCM Card has not been prope...

Page 96: ...by mixing or cross modulating one waveform with another FXM makes it possible to create unusually dynamic sounds Settings ON OFF WG FXM depth P a t G h T o n e III Q F M d e p t h 85 C 2 This parameter determines the depth of the FXM function Setting 1 16 The greater the value the deeper the FXM effect WG pitch coarse P a t G h I T o n e C 2 I I I G pi t G h G o a r s e Gi 2 This parameter offsets...

Page 97: ...d results It is also possible to create special effects like single key chords by setting the coarse pitch parameter of two or more Tones to appropriate values WG random pitch P a t G h 2 T o n e C 2 3 W G r a n d o r i p i t g h 1 2 The pitch of the Tone is shifted over random amounts within the range set below The value is expressed in units of 1 lOOth of a semitone Settings 0 5 1 0 20 30 40 50 ...

Page 98: ...tch In addition higher settings produce a greater pitch difference between successive notes No change The larger the note nunnber the lower the pitch Keyfollow is normally set to 1 00 Pitch 200 150 120 1 lOOv 100 V N 70 50 v 10 III r T 1 N C2 C3 C4 C5 C5 07 Note number WG ENV depth P a t G h 5 T o n e C Z W G E N U d e p t h 1 9 This parameter determines the depth of the pitch envelope Range 12 12...

Page 99: ...imulating the sound of a human voice or choir a more realistic sound can be obtained by making the initial pitch slightly lower than the main pitch These parameters can also be used to imitate acoustic wind instruments like the Japanese shakuhachi the pitch of which often fluctuates according to the player s technique WG pitch velocity P a t c h T o n e C 2 1 1 1 Q pi t G h M e 1 o c i t y 5 9 Thi...

Page 100: ... direction of the pitch change is reversed WG TVF TVA P ENV T1 velocity P a t G h s T o n e C 2 3 P E N U T 1 e 1 o G i t y 8 9 This parameter determines how the Tl time of the pitch envelope is affected by velocity Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values Negative values The greater the velocity the longer the time No change The greater the velocity the shorter t...

Page 101: ...e This setting has no effect if the connected MIDI device does not transmit Note Off velocity P ENV time KF P a t G h T o n e C 2 P ENU tifie KF 20 The time of the pitch envelope can be made to change depending on the note number The key C4 note number 60 is the standard reference key of the envelope time Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values The higher the not...

Page 102: ...pe Each time setting T represents the time it takes for the pitch to change from one point to the next for example Tl is the time it takes the pitch to change from the Note On to LI The L parameters determine the amount by which the pitch is changed at each point Range T 127 L 63 63 T The greater the value the longer the time it takes to reach the next level L When the value is positive the pitch ...

Page 103: ...J TVF type P a t G h T o n e TUF t ype LPF C 2 This parameter determines the filter type or what frequencies are filtered removed Settings OFF LPF HPF OFF Filter doesn t function LPF Low pass filter This filter removes frequencies above the cutoff frequency and is the more commonly used filter type Since the high range frequencies are cut the sound becomes more mellow HPF High pass filter This fil...

Page 104: ...when selecting Square Lower If the filter has been set to HPF higher cutoff frequency values will decrease the lower partials of the spectrum causing the sound to become harder or brighter Depending on the waveform high cutoff frequency values may result in no sound if the selected waveform does not contain any partials in the frequency range that is allowed to pass Waveform when selecting Square ...

Page 105: ... I 11 Lower li I fT There are some cases in which the resonance effect decreases such as when the Tone level is high when it sounds or when the cutoff frequency is high TVF reso mode TVF Resonance Mode P a t G h s T o n e 2 T U F r e s o n o d e H fl R D This parameter determines the type of resonance Settings SOFT HARD SOFT The resonance effect is moderate HARD The resonance effect is pronounced ...

Page 106: ... In addition the higher the value the more marked the increase The standard frequency of the sound becomes the cutoff frequency No change Negative values The higher the note number the lower the cutoff frequency 100 200 150 120 Cutoff 1 00 V frequency 7oN Cy w r i 1 1 02 03 04 05 06 Note number 07 For example set the keyfollow value to less than 100 for piano sounds as the sound of a real piano be...

Page 107: ...etermines tlie depth of the TVF envelope Range 63 63 Positive values The greater the TVF envelope level the higher the cutoff frequency Negative values The greater the envelope level the lower the cutoff frequency At LPF Level li The cutoff frequency shifts according to the envelope Frequency O SS ...

Page 108: ...epth is negative the direction of the cutoff frequency change Time TVF WG r TVA F ENV velo curve P a t G h s T o n e C 2 F E N U v 9 1 o c u r m e 2 _ This parameter selects one of seven different curve types that determine how changes in velocity affect the change in cutoff frequency when changing the cutoff frequency by velocity Range 1 7 The indications in the display which show the shape of th...

Page 109: ...stant regardless of the velocity The lower the velocity the greater the level 63 Velocity value 53 j Z 127 X F ENV T1 velocity P a t c h Tone C 2 F E N U T 1 M e 1 o c i t y 1 9 This parameter determines how the Tl time of the TVF envelope is affected by velocity Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values Negative values The higher the velocity the longer the time o...

Page 110: ...ing has no effect if the connected MIDI device does not transmit Note Off velocity F ENV time KF F ENV Time Keyfollow P a t G h T o n e C 2 3 F ENU tine K F 20 The time between T2 and T4 within the TVF envelope can be made to change depending on the note number The key C4 note number 60 is the central reference key of the envelope time function Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70...

Page 111: ...F envelope The T parameters indicate the time it takes for the cutoff frequency to reach the next cutoff frequency For example Tl is the time it takes from Note On to Ll The L parameters determine the cutoff frequency at each point Settings T 0 127 L 0 127 T The greater the value the longer the time it takes to reach the next level L The greater the value the higher lower the cutoff frequency The ...

Page 112: ...an change the volume balance of the Tones to emphasize certain parts of the sound Range 127 The greater the value the greater the level The overall pan setting of the Patch is determined by a combination of the pan parameter in the Patch Common parameters See P 6 8 and the received external MIDI volume data TVA keyfollow P a t G h T n e C 7 Pi I e y f o 1 1 o 1 1 19 This parameter determines how t...

Page 113: ... the curve type number Velocity curves Level Velocity Level Keyfollow and Velocity Curve These parameters allow you to change the level by note number or velocity One effective application for keyboard sounds is to set a negative level key follow value to reproduce the characteristics of an acoustic piano in which the high range of the keyboard has a lower volume than the low range Also when setti...

Page 114: ...le application is to set two Tones to opposite values for example 32 and 32 so that the sound itself changes in relation to playing strength TVA pan P a t c h T n e TUfl F ari RND 2 This parameter determines the stereo position of the Tone Range L64 63R RND The sound position is at the farthest left at L64 at the center at 0 and at the farthest right at 63R When this is set to RND the stereo posit...

Page 115: ...osition of the sound remains constant regardless of the note number Negative values The higher the note number the farther left the sound is shifted in the stereo position 100 100 Right 70 N ooO 20 i S iX 10 ss s Sii Left 1 1 I 1 i 02 C3 C4 C5 C6 07 Note number When determining the stereo image of a Tone first set the panning keyfollow value to 0 then decide the stereo position Also when creating ...

Page 116: ... delay time P a t c h T o n e C 2 T U fl del a y t i p i e K E V OFF This parameter determines the time that elapses from Note On until each Tone starts to sound Range 1 27 KEY OFF The greater the value the longer the delay time When set to KEY OFF the sound starts the moment the key is released Note Off regardless of the mode setting When the delay mode is set to PLAYMATE the time from the first ...

Page 117: ...A WG TVF Output A ENVT1 velocity P a t G h T o n e C 2 3 Fl E N U T 1 y e 1 o c i t y 7 This parameter determines how the Tl time of the TVA envelope is affected by velocity Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values Negative values The higher the velocity the longer the time of T1 No change The higher the velocity the shorter the time R AO ...

Page 118: ... Keyfoliow P a t G h T o n e C fl E N U t i Pi e K F 2 9 The time of T2 T4 can be changed by the note number within the TVA envelope The envelope time of key C4 note number 60 is the central reference time Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values Negative values The higher the note number the shorter the time of T2 T4 No change The higher the note number the longe...

Page 119: ...127 T The higher the value the longer it takes to reach the next level L The higher the value the higher the level In the case of the TVA the envelope level after Note Off becomes 0 The L3 parameter should be set to a relatively low value for sounds like pianos bells or guitars whose volume decays relatively quickly On the other hand the L3 parameter should be set to a relatively high value for so...

Page 120: ...o the overall effect sound is controlled by the chorus send level and the reverb send level The level of the unprocessed dry signal is set by the dry level parameter You can create a sound in which the level of the effect applied to a Tone is greater than the level of the Tone itself since the level of the original unprocessed sound dry level can be set separately from the effect or processed soun...

Page 121: ...orus switch ON This parameter determines the level of the signal sent to the chorus unit This setting can change the amount of chorus applied to each Tone Range 127 The higher the value the higher the level of the signal sent to the chorus unit Set the level higher to add a soft sheen to a sound or lower to emphasize a sharp attack and overall clarity Output reverb send P a t G h T o n e u t p u t...

Page 122: ...tput mode setting See P 5 4 of the System Common parameter is set to 40UT Settings MAIN SUB MAIN Output through MAIN OUTPUT SUB Output through SUB OUTPUT MAIN X MAIN OUTPUT SUB OUTPUT The final output assignment of a Patch when playing in the Performance Play mode is determined by the output select parameter See P 7 15 in the Performance Part parameters ...

Page 123: ...EDITING PERFORMANCES PERFORMANCE EDIT MODE ...

Page 124: ...e Depth Feedback Output Reverb Type Level Time Feedback Part 8 Rhythm part Parti Patch select Part level Pan Coarse tune Fine tune Receive channel Voice reserve Chorus switch Reverb switch Program change receive switch Volume receive switch Hold 1 receive switch Receive switch Output seiect The parameters that comprise a Performance Performance parameters are divided into the categories shown belo...

Page 125: ...up to be edited 4 i Per f Part 1234 Leyel 116 127 73 127 1 t t t Parameter Value Move the cursor to the upper part of the display using CURSOR Cursor CURSORS P e r f mC o p i p d n I h o r u s 1 e u e 1 1 2 Select the group or type of parameter to be edited by rotating the DATA dial Select Common when editing Performance Common parameters and Part when editing Part parameters Move the cursor to th...

Page 126: ...to the value field in the display using 4 CURSOR 4 CURSOR P e r f C o fi p o n C ho r us 1 e me 1 1 27 1 Cursor The setting values are indicated in two separate groups when selecting a Part parameter one is Parts 1 4 and the other is Parts 5 8 To switch to Parts 5 8 press CURSOR when the cursor is at Part 4 To switch to Parts 1 4 press A CURSOR when the cursor is at Part 5 Perf PBrt LeMel l iei 12...

Page 127: ... set previous Repeat steps D through Q as necessary Execute the Write operation See P 9 4 to store the settings Press EDIT to exit the Performance Edit mode EDIT SYSTEM RHYTHM UTILITY MONITOR INFO COMPARE ENTtR When exiting Performance Edit mode When performing the Write operation Parameters can be changed regardless of the cursor position by simultaneously holding down PARAM SHIFT and pressing wh...

Page 128: ...tyi L L i Preview Function To hear preview sounds when selecting the Part parameter move the cursor to the value field of the desired Part and then press the VOLUME knob VOLUME FjSH ...

Page 129: ...R j to move the cursor to the name field in the display then select the desired characters with the DATA dial Use CURSOR to advance to the next character space Proceed until the name is complete Available characters space A Z a z 1 9 0 I The character group changes from space A a 1 by pressing and rotating the DATA dial Chorus type p e r f C p Fi o n C h o r 14 i y p e il H R U S 1 Output mode 20U...

Page 130: ...nge 0 127 The higher the value the faster the modulation Chorus depth P e r f s C o Fi r i o n C h o r u s d e p t h 6 9 Output mode 20UT Chorus switch ON This parameter determines the chorus modulation depth Range 0 127 The higher the value the greater the modulation depth Chorus feedback P e r f C o Pi p i o n C h o r u s f e e d b a c k 2 9 Output mode 20UT Chorus switch ON This parameter deter...

Page 131: ...B Reverb send Dry Reverb 5 Reverb type P e r f s C n ri o n R e e r b t y p e R M 1 Output mode 20UT Reverb switch ON This parameter determines the type of reverb Settings ROOM1 2 STAGE1 2 HALL1 2 DELAY PAN DLY ROOM1 Reverb with short and dense reverberant wash ROOM2 Reverb with short and sparse reverberant wash STAGE1 Reverb with strong reverberantwash in the final portion of the sound STAGE2 Rev...

Page 132: ...arameter determines the delay time Range 0 127 The higher the value the longer the reverb time or delay time Reverb feedback P e r f C o fi fi o n R e M e r b f e e d b a c k 3 8 Output mode 20UT Reverb switch ON When DELAY or PAN DLY is selected this parameter determines the re routed level feedback of the delay sound in the delay unit Multiple echo repeats can be obtained from this setting Range...

Page 133: ...hythm Set to Part 8 Selection can be made from a total of 256 Patches 64 from internal I 64 from a Data Card C and 64 each from presets A and B The Rhythm Set can be selected from preset A PRA preset B PRB internal INT and a Data Card CRD Settings A01 64 B01 64 101 64 001 64 Rhythm Set PRA PRB INT CRD Part Level P e r f P a r i L e M e 1 5 1234 3 1 1 1 P e r f 5 P a r t L e i i e 1 1 C 56783 80 10...

Page 134: ...mines the pitch at which a Part will sound This parameter changes the pitch in semitone steps Range 48 48 Positive values Negative values The pitch is higher than normal The pitch is lower than normal Part Fine Part Fine Tune P e r f s p a r t C 1 2 3 4 3 Fine 00 10 05 00 P 9 r t P a T t Pin e ii3 00 C 56781 1 This parameter determines the pitch at which a Part will sound The Fine Tune parameter c...

Page 135: ...total number of voices of the JV 880 is 28 the total of the voice reserve settings for all Parts cannot exceed 28 Range 28 Voice Reserve The JV has a maximum polyphony of 28 voices Since one voice is used when sounding a single Tone many voices are required when playing just one Patch consisting of several Tones If you try to play more voices than the 28 voice limit previously played Tones will be...

Page 136: ...rb Switch P e r f P a r t R e u e r b N 1234 3 OFF OFF ON P e r f P a r t C 56 7 8 Re erb OFF ON ON OFF Output mode 20UT Reverb switch ON This parameter determines whether signals are sent to the reverb unit ON or not Settings ON OFF The level of the signal to be sent is determined by the reverb send level See P 6 52 which is set individually for each Tone in a Patch By turning the effects of each...

Page 137: ... P 5 7 Rx Vol Volunne Receive Switch P e r f P a r t C 1 2 3 4 Rx 0l i iN OFF OFF ON P e r f P a r t I 5 6 7 8 Rx uol OFF ON ON OFF Volume receive switch ON This parameter determines whether each Part responds to volume data ON or not Settings ON OFF The MIDI standard assigns volume to Control Change number 7 Rx Hold Hold 1 Receive Switch P e r f P a r t R X h o 1 d N 1234 3 F F OFF N P e r f P a ...

Page 138: ... SB r CT c 7 I PflT Mn Output mode 40UT This parameter determines the output assignment for each Part Settings MN SB PAT MN SB PAT Part sound is output through the main output jacks Part sound is output through the sub output jacl s Part sound is output according to the output assignment of the Patch For a Rhythm Set the output assignment depends upon the output setting of the Rhythm Set See P 6 5...

Page 139: ...EDITING RHYTHM TONES RHYTHM EDIT MODE ...

Page 140: ...ized ENV Mode Envelope mode Pitch ENV L2 U U I Pitch Bend Event Note Event Bender Bender Range Tone switch Rhythm tone switch TVFENV LI U L3 T WG Wave Group Wave Number Pitch Coarese Pitch Fine Random Pitch Envelope Depth Pitch Velocity Pitch Time Velocity Mute Key Mute Group Mute Event I TVF Type Cutoff Frequency Resonance Resonance Mode Envelope Depth Velocity Time Velocity TVAENV J TVA Level Ve...

Page 141: ...ting In order to edit another Rhythm Set select the Performance Play mode change the Rhythm Set assigned to Part 8 then select the Rhythm Edit mode again Move the cursor to the top of the display using CURSOR CURSORfc Rhyt l iFiAC4 INT8 MIDI B e n d 8 r r a n 9 e 8 4 Select the note number to which the Rhythm Tone to be edited is assigned Rotate the DATA dial f The note numbers change one by one S...

Page 142: ...witch Pitch envelope TVF type TVF envelope TVA level TVA envelope t Output dry level Move the cursor to the value field of the display using M CURSOR CURSOR l J D l Rhythp iiifl3 CINT8 MIDI3 1 1 1 Q ENU dep h fll 1 Cursor Z Change the value Rotate the DATA dial the value changes in small steps Simultaneously press and rotate the DATA dial the value changes in large jumps Quickly press the DATA dia...

Page 143: ... button and pressing T or I CURSORI TONE SELECT PARAM SHIFT When INT MIDI is indicated at the top of the display the note numbers can be changed by pressing the desired keys on the connected MIDI keyboard regardless of the position of the cursor Match the transmit channel of the keyboard to the receive channel of Part 8 of the Performance to which the presently selected Rhythm Set is assigned Chan...

Page 144: ...Preview Function Ths sound of ths Rhythrn Tons sssionsd to ths indicstsd nots nuinbsr in ths displsy can be heard by pressing the VOLUME knob VOLUME PRE FiSH The pitch of the sound is not changed ...

Page 145: ...vice Range 12 The greater the value the greater the range of the pitch bend The parameter changes the pitch by one octave at the maximum value 12 Env mode Envelope Mode R h y t h n C EHU p iode I I NT 3 N0 STPIIN This parameter determines how the Rhythm Tone will sound Settings NO SUSTAIN SUSTAIN NO SUSTAIN The time from the sustain level L3 to the Note off point is ignored by the TVA envelope of ...

Page 146: ...are treated as a Mute Group A Mute Group functions such that when one Rhythm Tone of the group sounds the other Rhythm Tones in the group cannot sound Up to 31 groups can be created Range OFF 1 31 The mute function has no effect when this parameter is set to OFF This is especially effective for hi hat sounds Assign the open hi hat and closed hi hat sounds the same Mute Group number By doing so pla...

Page 147: ...e waveforms in the optional expansion board SR JV80 series and on PCM Cards SO PCMl series can also be used Settings INT internal EXP expansion PCM PCM Card PCM or EXP cannot be selected if an expansion board has not been installed or a PCM Card has not been properly inserted into the PCM CARD slot How to Insert the PCM Card When using waveforms of a PCM card S0 PCM1 series insert the PCM card in ...

Page 148: ...ch that sounds will be the pitch of the upper limit WG pitch fine RhythFii i 2 CINT MIDI 1 1 1 S p i i c h f i n e 1 8 This parameter offsets the pitch of the Tone in units of 1 lOOth of a semitone Range 50 50 The pitch is shifted higher than normal when the value is positive and shifted lower when the value is negative WG random pitch Rhyt hp ii i 2 CINT 1 1 1 G r a n d o r i p i t c h 12 9 9 The...

Page 149: ... how the level of the pitch envelope responds to velocity Range 63 63 Positive values The higher the velocity the greater the level Negative values The lower the velocity the greater the level WG pitch time velo WG Pitch Time Velocity Rhyt hn i 2 C I NT M I D I I I 1 6 p i t c h t i n e y e 1 o 1 8 9 This parameter determines how the Tl time of the pitch envelope is affected by velocity Settings 1...

Page 150: ...tings Tl T2 T3 and T4 and the level settings LI L2 L3 and L4 of the pitch envelope Each time setting T represents the time it takes for the pitch to change from one point to the next for example Tl is the time it takes the pitch to change from the Note On to LI The L parameters determine the amount by which the pitch is changed at each point Range T 0 127 L 63 63 T The greater the value the longer...

Page 151: ...emoved Settings OFF LPF HPF OFF Filter doesn t function LPF Low pass filter This filter removes frequencies above the cutoff frequency and is the more commonly used filter type Since the high range frequencies are cut the sound becomes more mellow HPF High pass filter This filter removes frequencies below the cutoff frequency The sound becomes brighter as low range frequencies are removed Level Le...

Page 152: ... partials of the spectrum causing the sound to become darker and lower In volume Higher i evei Frequancy i Waveform when selecting Square i Fe tzf b U J Uw J W J U Lower If the filter has been set to HPF higher cutoff frequency values will decrease the lower partials of the spectrum causing the sound to become harder or brighter Depending on the waveform high cutoff frequency values may result in ...

Page 153: ... 127 The greater the value the greater the resonance effect LPF HPF Level Higher Resonance 1 Cutoff frequency Frequency Lower I There are some cases in which the resonance effect decreases such as when the Tone level is high when it sounds or when the cutoff frequency is high TVF reso mode TVF Resonance Mode Rhythivi C2 CINT MIDI3 T U F r e s o fi o d e H fl R D This parameter determines the type ...

Page 154: ...lope level the lower the cutoff frequency At LPF Level ik The cutoff frequency shifts according to the envelope Frequency TVF velocity RhythR C2 C IHT MIDI T U F e 1 D G i t y 2 This parameter determines how the level of the TVF envelope is affected by velocity Range 63 63 Positive values Negative values The higher the velocity the greater the level of envelope The envelope level remains constant ...

Page 155: ...er determines how the Tl time of the TVF envelope is affected by velocity Settings 1 00 70 50 40 30 20 1 0 0 1 0 20 30 40 50 70 1 00 Positive values The higher the velocity the longer the time of T1 No change Negative values The higher the velocity the shorter the time 64 127 Velocity ...

Page 156: ...mine the time settings Tl T2 T3 and T4 and the level settings LI L2 L3 and L4 of the TVF envelope The T parameters indicate the time it takes for the cutoff frequency to reach the next cutoff frequency For example Tl is the time it takes the cutoff frequency to change from Note On to LI The L parameters determine the amount by which the cutoff frequency is changed at each point Range T 0 127 L1 0 ...

Page 157: ...el of the Rhythm Tone Range 0 127 The greater the value the greater the level TVA velocity Rhythni C4 CINTg MIDI T U fl u e 1 o G i t y 1 i This parameter determines how velocity affects the level of the Rhythm Tone Range 63 63 Positive values Negative values The higher the velocity the higher the level No change The higher the velocity the lower the level 8 18 ...

Page 158: ...1 00 Positive values Negative values The higher the velocity the longer the time of T1 No change The higher the velocity the shorter the time 64 127 Velocity TVA pan RhythM C4 CINT MIDI TUfl pan RND This parameter determines the stereo L R position of the Rhythm Tone Range L64 63R RND The stereo position is at the farthest left at L64 in the center at 0 and at the farthest right at 63R O L64 Left ...

Page 159: ...e parameters determine the time settings Tl T2 T3 and T4 and the level settings LI L2 and L3 of the TVA envelope The T parameters indicate the time it takes for the level of the sound to reach from one point to the next for example Tl is the time between Note On and LI The L parameters determine the level at each point Range T 0 127 L 127 T The greater the value the longer it takes to reach the ne...

Page 160: ...rocessed sound If no effect has been applied to the Tone you should set this parameter value to 127 and adjust the sound volume from the Tone Level parameter of the TVA See P 8 18 Range 0 127 The greater the value the greater the level of the dry sound Output chorus send Rhythn C4 CINTSiniDI u t p u t c h o r u s s e n d 2 5 Output mode 20UT Chorus switch ON This parameter determines the level of ...

Page 161: ...he reverb unit Output select Rhythn C4 INT MIDI Output seleGt r 1fiIN Output mode 40UT This parameter determines which set of stereo outputs will be used when the output mode setting See P 5 4 of the System Common parameter is set to 40UT Settings MAIN SUB MAIN Output through MAIN OUTPUT jacks SUB Output through SUB OUTPUT jacks MAIN OUTPUT MAIN x L R SUB OUTPUT The final output assignment of the ...

Page 162: ...MEMO ...

Page 163: ...WRITE OPERATION ADDITIONAL FUNCTIONS UTILITY MODE ...

Page 164: ...s operation transfers the data in the temporary area to an external MIDI device Load patch single Loading a Single Patch This operation copies the data of a single Patch stored on a PCM Card SO PCM 1 series or in an expansion board SR JV80 series to the temporary area internal memory or Data Card Load patch group toadtng a Group of Patches This operation copies Patch data in groups from a PCM Card...

Page 165: ...nce Pert Write Rhythm Write DATA card O JV 880 Internal Temporary Area Performance Patch Rhythm Set When storing data in internal memory the Write operation can only be executed after turning the memory protect function See P 9 22 off When writing to a Data Card turn off the protect switch on the Card after inserting it into the DATA CARD slot The Write operation canrtot be executed with the switc...

Page 166: ...e DATA dial to switch between I internal and C Data Card Data Card cannot be selected if a Data Card has not been properly inserted into the DATA CARD slot You can check the Patch sound already stored at the destination by pressing COMPARE Press COMPARE again after checking the sound U til P a i c h c o ri p a r e C 1 C C n PARE Z Execute the Write operation by pressing ENTER When Internal is sele...

Page 167: ...e data destination by rotating the DATA dial Destination 1 01 64 C 01 64 Simultaneously press and rotate the DATA dial to switch between I internal and C Data Card Data Card cannot be selected if a Data Card has not been properly inserted into the DATA CARD slot 2 Execute the Write operation by pressing ENTER When Internal is selected as the destination and memory protect is currently ON pressing ...

Page 168: ...using 4 CURSOR D Select the data destination by rotating the DATA dial Destination INT Internal CRD Data Card Data Card cannot be selected if a Data Card has not been properly inserted into the DATA CARD slot Q Execute the Write operation by pressing ENTER When Internal is selected as the destination and memory protect is currently ON pressing ENTER calls up the following display T u r n p r o t e...

Page 169: ...be copied Press PATCH PERFORM to enter the Patch mode The indicator lights Press UTILITY The indicator lights IVlove the cursor to the top line of the display using CURSOR Select Patch copy by rotating the DATA dial During editing parameters can be changed regardless of the cursor position by holding down the I PA RAM SH I FT button and pressing or Move the cursor to the Patch number to be copied ...

Page 170: ...s the settings of a Part of a Performance to a Part of the Performance in the temporary area This operation also copies the settings of the Performance Common parameters to a Performance in the temporary area IJ t i 1 P e r f c o p y H 01 PI TEMP P2CEHTER3 I Destination Part Part number to be copied Performance number to be copied D Press I PATCH PERFORM to enter the Performance mode The indicator...

Page 171: ...o the DATA CARD slot Q Move the cursor to the Part number to be copied using CURSOR D Select the Part to be copied by rotating the DATA dial Source Part PI 8 COM Performance Common parameters Select COM and skip to step Q when copying the settings of the Performance Common parameters Move the cursor to the Part destination number using M CURSOR Select the Part destination number by rotating the DA...

Page 172: ... be changed regardless of the cursor position by holding or down the PARAM SHIFT button and pressing Move the cursor to the Rhythm Set to be copied using 4 CURSOR d Select the Rhythm Set to be copied by rotating the DATA dial Source Rhythm Set TEMP temporary PRA preset A PRB presets INT internal CRD Data card A Rhythm Set on a Data Card cannot be selected if the Data Card has not been properly ins...

Page 173: ...ration is finished When the Rhythm Edit key See P 5 12 of the System Common parameters is set to INT MIDI notes can be selected on a connected MIDI keyboard when the cursor is at the note position in the display Match the transmit channel of the connected MIDI device to the receive channel of Part 8 of the Performance selected before entering the Utility mode 9 10 ...

Page 174: ...e DATA dial During editing parameters can be changed regardless of the cursor position by holding down the PA RAM SHIFT button and pressing 1 or D Execute the initialize operation by pressing ENTER Complete is displayed when the Initialize operation is finished The JV automatically returns to the Patch Play mode Performance Initialize Pert Initialize This operation restores the Performance data in...

Page 175: ...IFT button and pressing 4 or Move the cursor to the bottom line of the display using M CURSOR Select the note to be initialized by rotating the DATA dial C2 C 7 The Rhythm Tone assigned to the selected note will be initialized ALL All Rhythm Tones are initialized Rotate the DATA dial to move through the notes in one octave jumps Execute the Initialize operation by pressing ENTER Complete is displa...

Page 176: ...ed or exchanged All data in a Data Card can be initialized See P 10 14 for information about initialized data Internal INT CARD DATA card Performance 1 01 16 CARD INT Performance C 01 16 Patch 101 64 INT CARD Patch C01 64 Rhythm Set Rhythm Set L J v a 80 When copying to a Data Card or when Initializing a Data Card turn the protect switch on the Card to OFF after the Card has been inserted into the...

Page 177: ...otating the DATA dial Functions INT CARD CARD INT INT CARD INITIALIZE Execute the function by pressing ENTER This operation prepares a new Card or a Card previously used with another device for use with the JV 880 The following display appears if you attennpt to execute the CARD INT or INT CARD function while memory protect is ON T u f t F r o t 6 G t o f o n c CENTER Memory protect will be tempor...

Page 178: ...rd In this operation the Patch of Part 1 is stored as C12 and the Patch of Part 2 remains the same Cll If this copied Performance is copied again this time from the Data Card back to internal memory the Performance is stored as I Ol and Part 1 is stored as 112 However Part 2 is now stored as 111 Therefore even though the Performance number is the same as that of the original data the Patch number ...

Page 179: ...a DATA card Performanoe C 01 16 Patch 001 64 Rhythm Set Performance 1 01 16 Patch 101 64 Rhythm Set JV 880 O MIDI device Connections Refer to the following chart MIDI OUT D JV 880 MIDI IN c3 czx cz a MC 50 etc 1 f D JV 880 Match the unit numbers See P 5 6 of the transmitting and receiving devices The data is transferred by a one way method which involves no handshaking Keep in mind that all data i...

Page 180: ...down the PARAM SHIFT button and pressing Move the cursor to the bottonn line of the display using CURSOR Select the data to be transferred by rotating the DATA dial INT MIDI Data in the internal memory is transferred CARD MIDI Data on a Data Card is transferred Execute the Bulk Dump operation by pressing ENTER Now Sending is displayed when the transfer of data begins Complete is displayed when the...

Page 181: ... parameters can be changed regardless of the cursor position by holding down the I PARAM SHIFT button and pressing or Move the cursor to the bottom line of the display using M CURSOR D Select the data to be transferred by rotating the DATA dial PERFORMANCE PATCH RHYTHM ALL Performance data is transmitted Patch data is transmitted Rhythm Set data is transmitted Performance Patch specified with each...

Page 182: ...or position by holding or down the PARAM SHIFT button and pressing D Move the cursor to the field showing the media to be copied using M CURSOR Select the media to be copied by rotating the DATA dial Media to be copied PCM PCM card EXP expansion board Move the cursor to the Patch number to be copied using CURSOR Select the Patch to be copied by rotating the DATA dial The Patch to be copied can be ...

Page 183: ...ILITY The indicator lights Move the cursor to the top line of the display using M CURSOR Select Load patch group by rotating the DATA dial During editing parameters can be changed regardless of the cursor position by holding or down the PARAM SHIFT button and pressing 3 Move the cursor to the field displaying the media to be copied using M CURSORS When the PCM card is not inserted a display will b...

Page 184: ...ute the Copy operation by pressing ENTER If you attempt to copy to internal memory with the memory protect function set to ON the following message appears in the display T L4 r n p r o t e c t o f f o n c e CENTER Pressing pENTER j while this message is displayed temporarily turns off the memory protect function Press ENTER again to execute the copy Complete is displayed when this operation is fi...

Page 185: ...LITY The indicator lights Move the cursor to the top line of the display using CURSOR Select Memory protect by rotating the DATA dial During editing parameters can be changed regardless of the cursor position by holding down the I PARAM SHIFT button and pressing or Move the cursor to the bottom line of the display using CURSOR Select ON or OFF by rotating the DATA dial ON Data cannot be written to...

Page 186: ...o the top line of the display using CURSOR Select Factory preset by rotating the DATA dial During editing parameters can be changed regardless of the cursor position by holding or down the PARAM SHIFT button and pressing S Press ENTER The message Are you sure appears in the display Press ENTER to proceed Press UTILITY tocance in either case return one of these modes Patch Play Performance Play or ...

Page 187: ...Section 10 REFERENCE ...

Page 188: ...alize the DATA card from the Utility Mode P 9 13 I p f p r o p e r P C M c a i d Problem A PCM card not designed for use with the JV 880 has been inserted Solution Use only a proper PCM card I r i p r p e r E X P b o a r d Problem A expansion board not designed for use with the JV 880 has been installed Solution Use only a proper expansion board pil M card not ready Problem The PCM card has not be...

Page 189: ...ing on reception and hence take more time than usual Also make sure that all MIDI cables are connected correctly MID IS Buffer full Problem Excessive data has been transmitted at once by the bulk dump function Solution Make adjustments to the exclusive data so that it is sent in several packets of smaller amounts M I D I s C h e G k s u fi e r r o r Problem The checksum value of the bulk dump is i...

Page 190: ... p pie t e This is indicated when an operation is completed in the Utility Mode T u r n p r 1 e G t f f n G e C a n Gel The write operation to internal memory is aborted U t i 1 T e tt p r a r y d u p i p N o w S e n d i n 9 Cane el U t i 1 5 T e Fi p r a r y d u PI p N w S e n d i n 9 a Cane el 1J t i 1 s T e Pi p r a r y d y p l p N w S e n d i n 9 C a n e el U t i 1 T e m p o r a r y d U P i P ...

Page 191: ...e parameter P 6 1 8 i Check that the TVA level of the Patch Tone or Rhythm Tone is set to 0 Any of the following settings may apply O Tone parameters Dry level value P 6 52 TVA level value P 6 43 The velocity sensitivity value and the time key follow setting of the TVA envelope P 6 48 6 49 The level setting of TVA envelope P 6 50 TVA delay time value P 6 47 O The depth setting when the modulation ...

Page 192: ...art parameter P 7 1 1 O Coarse tune fine tune random pitch values Tone parameter P 6 27 6 28 O Coarse tune fine tune random pitch values Rhythm Tone parameter P 8 9 O Pitch keyfollow value Tone parameter P 6 29 O Pitch envelope value Tone P 6 31 33 Rhythm tone parameter P 8 11 O Tuning value of external MIDI sound source Check that the pitch bender has not been moved O Check the pitch bend value r...

Page 193: ... the MIDI channel settings are correct Any of O the following settings may apply O System Common parameter O Gontroi channel value P 5 6 Patch receiving channel value P 5 5 O O Part receiving channel value Part parameter P 7 1 2 Changing Performances or receiving program changes is not possible in the Perfonmance Edit mode Changing Patches or receiving program changes is not possible in the Patch ...

Page 194: ...cannot be used Format the DATA card from the Utility mode P 9 1 3 PCM cards which have not been designed for use with the JV 880 cannot be used Data cannot be transferred bvlWIIOrexclEsiv Check that the exclusive receiving switch P 5 9 of the System Common parameters is on Check that the unit number P 5 6 of the System Common parameters is correct Match it to the unit number of the connected devic...

Page 195: ...ch OFF ON Exclusive OFF ON Scale tune switch OFF ON Scale tune Patch mode C 64 0 h63 cent 5 10 C 54 0 63 D 64 0 63 D 64 0 63 E 64 0 h63 F 64 0 h63 F 64 0 1 63 G 64 0 h63 G 54 0 63 A 64 0 53 A 64 0 h63 B 64 0 h63 Part 1 8 Scale Tune Performance mode C 64 0 63 C 64 0 h63 D 64 0 h63 D 64 0 63 E 64 0 H63 F 64 0 1 63 F 64 0 63 G 64 0 h63 G 64 0 1 63 A 64 0 63 A 64 0 63 B 64 0 h63 Rhythm edit key INT MI...

Page 196: ... Mod2 Depth 63 0 f 63 Destination OFF PITCH CUTOFF RESONANCE LEVEL PITCH LF01 PITCH LF02 TVF LF01 TVF LF02 TVA LF01 TVA LF02 LF01 RATE LF02 RATE Mod3 Depth 63 0 1 63 Destination OFF PITCH CUTOFF RESONANCE LEVEL PITCH LFOl PITCH LF02 TVF LF01 TVF LF02 TVA LFOl TVA LF02 LFOl RATE LF02 RATE Mod4 Depth 63 0 h63 Destination OFF PITCH CUTOFF RESONANCE LEVEL PITCH LFOl PITCH LF02 TVF LFOl TVF LF02 TVA LF...

Page 197: ...epth 63 0 1 63 6 24 TVF depth 63 0 h63 TVA depth 63 0 h63 LF02 waveform TRI SIN SAW SQR RND1 RND2 6 20 synchro OFF ON 6 21 rate 0 1 27 offset 100 50 0 50 100 6 22 delay 0 127 KEY OFF fade IN OUT 6 23 fade time 0 127 pitch depth 63 0 h63 6 24 TVF depth 63 0 63 TVA depth 63 0 1 63 WG wave group INT EXP PCM 6 26 Number 01 256 6 27 FXM switch OFF ON depth 01 16 pitch coarse 48 0 1 48 fine 50 0 1 50 6 ...

Page 198: ...127 keyfollow velo curve velocity curve velocity pan panning KF delay mode delay time T1 velocity T4 velocity time KF Time Keyfollow T1 Time 1 L1 Level 1 T2 Time 2 L2 Level 2 T3 Time 3 L3 Level 3 T4 Time 4 dry level chorus send reverb send select 0 127 100 70 50 40 30 20 10 0 10 20 30 40 50 70 100 1 7 63 0 63 L64 0 63R RND 100 70 50 40 30 20 10 0 10 20 30 40 50 70 100 NORMAL HOLD PLAYMATE 0 127 KE...

Page 199: ...1 2 DELAY PAN DLY level 0 127 7 9 time 0 127 feedback 0 127 Part 1 8 Patch Patch Select Parti 8 A01 C64 Part 3 PRA PRB INT CRD 7 10 Level 0 127 Pan L64 0 63R 7 11 Tune Coarse Tune 48 0 1 48 Fine Fine Tune 50 0 h50 Rx ch 1 16 7 12 Reserve Voice Reserve 0 28 Chorus Chorus Switch OFF ON 7 13 Reverb Reberb Switch OFF ON Rx P Chg Rx Program change OFF ON 7 14 Rx vol Rx Volume OFF ON Rxhold RxHold 1 OFF...

Page 200: ...l 3 63 0 h63 T4 Time 4 0 127 L4 Level 4 63 0 63 TVF type OFF LPF HPF 8 12 cutoff freq Cutoff Frequency 0 127 8 13 resonance 0 127 8 14 reso mode Resonance Mode SOFT HARD ENV depth 63 0 h63 8 15 velocity 63 0 h63 time velocity 100 70 50 40 30 20 10 0 10 20 30 40 50 70 100 8 16 F ENV TVF ENV T1 Time 1 0 127 8 17 L1 Level 1 0 127 T2 Time 2 0 127 L2 Level 2 0 127 T3 Time 3 0 127 L3 Level 3 0 127 T4 Ti...

Page 201: ... H H iliiiliiiM iliililHMilil iiiiiiiiiiiiiii liiillillBii TONE SWITCH ON OFF OFF OFF Volume switch ON ON ON ON Hold 1 switch ON ON ON ON Velocity range Low UP 0 127 0 127 0 127 0 127 Modulation destination OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF depth Aftertouch destination OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF depth Expression destination OFF OFF...

Page 202: ...F LPF LPF cutoff frequency 127 127 127 127 resonance resonance mode SOFT SOFT SOFT SOFT keyfollow ENV depth m velocity curve 1 1 1 1 velocity T1 velocity T4 velocity time Iteyfoliow time 1 4 level 1 4 level 127 127 127 127 keyfollow velocity curve 1 1 1 1 velocity 32 32 32 32 pan panning keyfollow delay mode NORMAL NORMAL NORMAL NORMAL delay time m 1 T1 velocity T4 velocity time keyfollow time 1 4...

Page 203: ...arti part 2 Parts Part 4 Parte Part8 R Patch select i 01 r 02 1 03 1 04 i 05 i 06 1 07 INT Level 127 127 127 127 127 127 127 127 Pan Tune Fine tune Rx channel 1 2 3 4 5 6 7 10 Voice reserve Chorus switch ON ON ON ON ON ON ON ON Reverb switch ON ON ON ON ON ON ON ON Rx program change ON ON ON ON ON ON ON ON Rx volume ON ON ON ON ON ON ON ON RxHold 1 ON ON ON ON ON ON ON ON Rx switch ON ON ON ON ON ...

Page 204: ...04 pitc fine random pitch ENV depth pitch velooity pitcli time velocity Ui time 1 4 level 1 4 tyjje LPF cutoff freqjtiency 127 reaonance resonance mode SOFT EN depth velocity tfrae velocity Ui u tJrne t 4 level 1 4 level 127 velocity 32 tTTOie velocity pan Ui timet 4 127 50 levell S 127 127 127 o dry level 127 chorus send 127 reverl 90 4 127 output select MAIN ...

Page 205: ... Steel Drums 61 MMM VOX 62 Spark VOX 63 Wave Scan 64 Wire String 65 Lead Wave 66 Synth Saw 1 67 Synth Saw 2 68 Synth Saw 3 69 Synth Square 70 Synth Pulsel 71 Synth Pulse2 72 Triangle 73 Sine 74 ORG Click 75 White Noise 76 Wind Agogo 77 Metal Wind 78 Feedbackwave 79 Anklungs 80 Wind Chimes No Wave Name 81 Rattles 82 Tin Wave 83 Spectrum 1 84 808 SNR 1 85 90 s Snare 86 Piccolo SN 87 LA Snare 88 Whac...

Page 206: ...30 A62 Rubber Bs 1 62 A31 Jazz Organ 2 31 A63 Rubber Bs 2 63 A32 Metal Organ 32 A64 Stereoww Bs 64 Preset B ceo 81 No Name PG No Name PG BOl Pizzicato 65 B33 Brass Combo 97 B02 Real Pizz 66 B34 Stab Brass 98 B03 Harp 67 B35 Soft Brass 99 B04 SoarinString 68 B36 Horn Brass 100 BOS Warm Strings 69 B37 French Horn 101 B06 Marcato 70 B38 AltoLead Sax 102 B07 St Strings 71 B39 Alto Sax 103 BOS Orch Str...

Page 207: ... 114 Rubber Bs 3 14 146 Reincarnate 46 115 Analog Brass 15 147 Wave Bells 2 47 116 XA Z 16 148 Whistle Lead 48 117 Lumber Jacow 17 149 UTAKATA 49 118 Nylon Gtr 2 18 150 Analog Pad 2 50 119 YASURAGI 19 151 Dist Line 51 120 House Hunter 20 152 Super Vibe 52 121 Mighty Pad 21 153 Stratusphere 53 122 SAW Lead 22 154 Voicey PiZZ 54 123 Ice Hall 23 155 Black Brass 55 124 Organarimba 24 156 Glass Pad 56 ...

Page 208: ...iano 1 2 B06 Marcato 3 B11 BrightStrngs 4 B06 Marcato 5 B04 SoarinString 6 B20 Beauty Vox 7 A25 Pipe Organ 1 8 PRA PR A RHYTHM A 03 Bossa nova ceo 81 PG 3 19 35 51 1 A21 Warm Vibe 2 A52 Woody Bass 2 3 B45 Flute mod 4 A33 Nylon Gtr 1 5 A28 E Organ 1 6 B26 Trombone 7 A19 Marimba 8 PRA PR A RHYTHM A 07 Pop Fusion ceo 81 PG 7 23 39 55 1 A1 1 SA Rhodes 2 A56 RockOut Bass 3 A43 Syn Strat 4 B38 AltoLead ...

Page 209: ...x 2 A37 12 strings 3 A50 St Fretless 4 A38 Velo Harmnix 5 B09 Slow Strings 6 608 Orch Strings 7 BIO Velo Strings 8 PRB PR B RHYTHM B 03 PianoEnsembl ceo 81 PG 67 83 99 1 15 1 A01 A Piano 1 2 B06 Marcato 3 B07 St Strings 4 B02 Real Pizz 5 B03 Harp 6 835 Soft Brass 7 B09 Slow Strings 3 PRB PR B RHYTHM B 07 South Shore ceo 81 PG 71 87 103 119 1 B49 Steel Drum 2 A51 Woody Bass 1 3 A45 Clean Strat 4 B4...

Page 210: ... 2 134 JV Heaven 3 B47 Overblown Pan 4 I16 XA Z 5 105 SA Rhodes 6 106 Pan Pipe 7 107 Slap 11 8 INT INT RHYTHM 1 03 Analog Pad CCO 80 PG 3 19 35 51 1 163 DistanceCall 2 112 Analog Pad 1 3 103 Von Greece 4 150 Analog Pad 2 5 105 SA Rhodes 6 106 Pan Pipe 7 107 Slap 111 8 INT INT RHYTHM 1 07 Steel Pad ceo 80 PG 7 23 39 55 1 102 BrightGuitar 2 127 P P P Puff 3 104 Brass Sect 4 104 Brass Sect 5 105 SA R...

Page 211: ... 1 99 Crash 1 97 Crash 1 97 Cowbell 1 104 Crash 1 97 Cowbell 1 104 Crash 1 97 CGA Mute Hi 107 Conga Hi 110 CGA Slap 109 Conga Lo 111 CGA Mute Lo 108 Timbale 106 Timbale 106 Timbale 106 Timbale 106 Agogo 53 Agogo 53 Cabasa Up 114 Cabasa Down 115 Maracas 112 Maracas Cut 113 Tambourine 105 Log Drum 57 DIGI Bell 1 58 DIGI Chime 59 Steel Drums 60 Ankiungs 79 Wind Chimes 80 Rattles 81 Ronund Kick 92 808...

Page 212: ...witch pitch bend ON OFF 2 Note Vefocity Rx switch Modulation ON OFF 3 Note Velocity Rx switch Aftertouch ON OFF 4 Note Velocity Rx switch Exclusive ON OFF Scale tune switch ON OFF Scale tune Performance mode Parti pmz Part 3 Part 4 Parts Part e Part Part 8 R Scale tune C Scale tune C Scale tune D Scale tune D Scale tune E Scale t he F Scale tune F Scale tune G Scale tune G Scale tune A Scale tune ...

Page 213: ... ON OFF ON OFF Volume switch ON OFF ON OFF ON OFF ON OFF Hold 1 switch ON OFF ON OFF ON OFF ON OFF Velocity range Low UP Modulation llllllilllllil Aftertouch liiiiilliiiiiiil iiliiiiiiiiiiiiii i i Expression iiiiiiiliiiii lilllilllllll o Ii w w iipiiiiiiiiiiiiiiiliiiili ON OFF ON OFF ON OFF ON OFF iliiiiiliiiiiiiii iiiiiiiiiiiiiiiiiiiiii mmm KmHm m m IN OUT IN OUT IN OUT IN OUT i l mS M lMmm B iPi...

Page 214: ...cy resonance resonance mode SOFT HARD SOFT HARD SOFT HARD SOFT HARD keyfollow ei V depth Z Ui i velocity curve 1 2 3 4 5 6 7 1 2 3 4 5 6 7 1 2 3 4 5 6 7 1 2 3 4 5 6 7 velocity T1 velocity T4 velocity time keyfollow time 1 4 level 1 4 level keyfollow velocity curve 1 2 3 4 5 6 7 1 2 3 4 5 6 7 1 2 3 4 5 6 7 1 2 3 4 5 6 7 velocity pan panning keyfollow delay mode NORMAL HOLD PLAYMATE NORMAL HOLD PLAY...

Page 215: ... Pan Tune Fine tune Voice reserve Chorus switch ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF Reverb switch ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF Rx program change ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF Rx volume ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF Rx Hold 1 ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF Output select MN SB ...

Page 216: ...evel velocity time velocity pan z 1 time 1 4 level 1 3 a o dry level chorus send reverb send output select MAIN SUB Bender range ENV mode IViute group Tone switch ON OFF wave group INT EXP CARD wave number Name pitch coarse pitch fine random pitch ENV depth pitch velocity pitch time velocity Ui 0 time 1 4 level 1 4 type OFF LPF HPF cutoff frequency resonance resonance mode SOFT HARD ENV depth velo...

Page 217: ...s not cover this procedure This procedure initiates a predetermined transfer sequence handshaking across the interface before data transfer lakes place Handshaking ensures that reliability and transfer speed are high enough to handle a large amount of data Connection Diagram Device A Device B MIDI OUT MIDI IM MIDI IN MIDI OUT Connection at points 1 and 2 is essential Notes on the above two procedu...

Page 218: ...ore than 20m sec time internal Data set 1 Data set 1 CRequest data The MIDI standards inhibit non real time messages from interrupting an exclusive one This fact is inconvenient for the devices that support a soft through mechanism To maintain compatibility with such devices Roland has limited the DTI to 256 bytes so that an excessively long message is sent out in separate segments Byte Descriptio...

Page 219: ...mber OH FH ch l ch 16 vv Portamento time OOH 7FH 127 You can adjust the portamento time of the patch common Ignored when Control change of the system common is OFF O Volume Statu BnH Second 07H Third vvH n MIDI channel number OH FH ch l ch 16 vv Volume OOH 7FH 127 You can adjust the volume of specified channel Ignored when Volume of the system common is OFF In the performance mode ignored when the...

Page 220: ...B of the RPN to be used to control a parameter and then set the value in the data entry field BnH 6SH mU RPN MSB BnH 64H UH RPN LSB BnH 06H xxH BnH 26H yyH Data Entry MSB Data Entry LSB n MIDI channel number OH FH ch l ch l6 RPN Data entry Description im LSB MSB LSB wm 11 XX yy OOH OOH xxH Pitch bend sensitivity XX OOH OCH 12 semi tone yy Ignored Up to 1 octabe You can adjust Bend range up and Ben...

Page 221: ...Uers is set the following Controller Value Modulation O off Volume 127 Biaxiimnn Pan 64 center Expression O off Holdl O off Channel pressure O off Pitch bend change 0 center RPN No specified parameter value is no change All notes off Status Second Third BnH 7BH OOH n MIDI channel number OH FH ch l ch l6 When this message is recognized all the notes which have been turned on by MIDI note on message...

Page 222: ...cH Address LSB eeH Data ffH Data sum Check sum F7H EOX End of Exclusive Parameter base address All data sent in exclusive message are given particular addresses to identify parameters These addresses are the sum of the base address and offset address Some parameters are defined using multiple offsets The address included in the message of a data set or a data request must be within the value shown...

Page 223: ... 0000 OOOa 1 Pedal 2 Polarity 0 1 1 1 OB 0000 OOaa 1 Pedal 2 Mode 0 3 1 1 OC Oaaa aaaa 1 Pedal 2 Assign 0 100 1 1 OD 0000 OOaa 1 CI Mode 0 3 1 1 OE Oaaa aaaa CI Assign 0 100 1 1 OF Oaaa aaaa 1 Aftertouch Threshold 0 127 1 MIDI Receive Switch 10 0000 OOOa Volune 0 1 1 OFF ON 1 11 0000 OOOa Control Change 0 1 1 OFF ON 1 12 0000 OOOa Channel Pressure 0 1 1 OFF ON 1 13 0000 OOOa Modulation 0 1 1 OFF O...

Page 224: ...127 1 1 14 1 Oaaa aaaa i Chorus Rate 0 127 1 1 15 1 Oaaa aaaa 1 Chorus Feedbacic 0 127 1 1 16 i 1 1 0000 000a 1 Chorus Output 1 0 1 1 MIX REV 1 1 17 1 000a aaaa 1 Part 1 Voice Reserve 0 28 1 1 18 000a aaaa 1 Part 2 Voice Reserve 0 28 1 1 IE 000a aaaa 1 Part 8 Voice Reserve 0 28 1 1 Total Size 00 00 00 IF Note The sum of voice receives must be less than or equal 28 Example of RQ1 application To get...

Page 225: ...me 1 LEGATO NORMAL 1 TIME RATE 127 Total Size 1 00 00 00 22 Example of RQ1 application To get the value of the portamento time of the patch temporary send the following data to the JV 880 FOH 41H lOH 46H IIH OOH 08H 20H 21H OOH OOH OOH OIH 36H F7H Example of DT1 application To set the chorus type of Patch 148 to CH0RUS3 send the following data to the JV 880 FOH 41H lOH 46H 12H OIH 6FH 20H IIH 02H ...

Page 226: ...1 21 Oaaa aaaa Expression Sense 4 1 127 1 1 1 7 1 63 63 1 1 4F Oaaa aaaa TVF ENV Velocity Level Sense 1 127 1 j 63 63 e Sense 0 14 1 22 1 0000 Oaaa IfO 1 Form 0 5 1 1 50 0000 aaaa TVF ENV Velocity On Tin 1 Cnil SIN SAW SQR RNDl RM 2 I 1 100 70 50 40 30 20 10 0 1 1 23 0000 Oaaa LFO 1 Offset 0 4 1 1 10 20 30 40 50 70 100 1 1 100 50 0 50 100 1 1 51 0000 aaaa TVF ENV Velocity Off T me Sense 0 14 1 24 ...

Page 227: ... 2 39 Dt2 40 E 2 41 F2 42 F 2 43 G 2 44 G 2 45 A 2 46 At2 47 B 2 48 C 3 49 Ct3 50 D 3 51 Dtt3 52 E3 53 F 3 54 F 3 55 G 3 56 GI3 57 A 3 58 A 3 59 B 3 60 C4 61 Ct4 62 D4 63 DI4 64 E 4 65 F4 66 FI4 67 G 4 68 G 4 69 A 4 70 A 4 71 B 4 72 C 5 73 as 74 D 5 75 D 5 76 E 5 77 F5 78 Ff5 79 0 5 80 G85 81 A 5 82 A 5 00 0000 OOaa Wave Group 0 2 1 INT EXP PCM 1 01 0000 aaaa 0000 bbbb lave Number 0 254 1 1 255 1 ...

Page 228: ... 6DH F7H Example of DTI application To turn off WG tone switch off the key note D2 of the rhythm set up part 8 of the temporary selected performance send the following data to the JV 880 FOH 41H lOH 46H 12H OOH 07H 42H 03H OOH 34H F7H Address Map Address 00 00 00 00 Block System Common Sub Block 00 00 10 00 I Temporary I Performance Coomon Part 1 00 20 00 Performance Model Temporary Patch I Part 8...

Page 229: ...80 50H II 112 1 70H 1 1 17 1 IIH II 49 1 31H II 81 51H II 113 1 71H 1 1 18 1 12H II 50 1 32H II 82 52H II 114 1 72H 1 1 19 1 13H II 51 1 33H 1 1 83 53H II 115 1 73H 1 1 20 1 14H II 52 1 34H 11 84 54H II 116 1 74H 1 1 21 1 15H 11 53 1 35H 11 85 55H II 117 1 75H 1 1 22 1 16H 11 54 1 36H 11 86 56H II 118 1 76H 1 1 23 1 17H II 55 1 37H 11 87 57H II 119 1 77H 1 i 24 1 18H II 56 1 38H 11 88 58H II 120 1...

Page 230: ...1 X o 1 Modulation 5 X o 1 Portamento Time 6 38 X o 1 Data entry MSB LSB 7 X o 1 Volume 10 X 1 Pan 11 X o 1 Expression Control 64 X o 1 Hold 1 Change 65 X o 1 Portamento 91 X o 1 Effect 1 Depth Reverb 93 X o 1 Effect 3 Depth Chorus 100 101 X o RPN LSB MSB 121 X o Reset All Controllers Prog X o 1 Change True 0 127 Program Number 1 128 System Exclusive o o 1 Song Pos X X System Song Sel X X Common T...

Page 231: ...64 Performance 16 Rhythm set 1 DATA card Patch 64 Perfofmance 16 Rhythm set 1 Waveform 129 Display 24 characters 2 lines backlit LCD Power Consumption AC117V 16W AC220V 240V 20W Dimensions 482 W X 358 D X 45 H mm 19 W X 14 1 8 D X 1 13 16 H inches El A 1 U rack mount type Weight 4 2kg 9 lbs 4 oz Accessories Owner s Manual MIDI cable 1m Options PCM Card DATA card EXPANSION BOARD Memory DATA card St...

Page 232: ...hange the pan of a Rhythm Tone Rhythm Edit mode TVA pan P 8 19 O Change the stereo position of the sound by note number Patch Edit mode Panning keyfollow P 6 46 In order to control parameters by an external device O Control by modulation data Patch Edit mode Modulation 1 4 P 6 18 O Control by aftertouch data Patch Edit mode Aftertouch 1 4 P 6 18 O Control by expression data Patch Edit mode Express...

Page 233: ...0 O Change the pitch envelope Patch Edit mode Pitch envelope P 6 31 33 O Change the pitch envelope of the Rhythm Tone Rhythm Edit mode Pitch envelope P 8 11 O Change the pitch by applying the LFO Patch Edit mode LFO pitch depth P 6 24 O Change the sound level of whole JV 880 volume knob P i 2 O Change the Patch level Patch Edit mode Patch level P 6 8 Patch Play mode Patch level P 3 6 O Change the ...

Page 234: ...hange the sound program by after touch data Patch Edit mode Aftertouch 1 4 P 6 18 O Change the sound program by expression data Patch Edit mode Expression 1 4 P 6 18 O Apply LFO Patch Edit mode LFO TVF depth P 6 24 O Change from the JV 880 P 3 2 O Change from an external MIDI device P 2 10 O Change from the JV 880 P 4 2 O Change from an external MIDI device P 2 10 O Change from the JV 880 P 8 2 O ...

Page 235: ...n order to initialize the data In order to use the DATA card O Initialize the data in the temporary area Utility mode Initialize P 9 1 1 9 12 O initialize the data in the DATA card Utility mode DATA card P 9 13 O Use the Patch of the DATA card P 3 2 O Use the Performance of the DATA card P 4 2 O Use the Rhythm Set of the DATA card P 8 2 O Save the data to the DATA card Utility mode Write operation...

Page 236: ...rary dump P 9 18 O Store the internal DATA card data to a sequencer Utility mode Bulk dump P 9 16 O Match the MIDI channels Performance Edit mode Part receiving channel P 7 12 O Turn on the MIDI data receiving switch System Edit mode Volume receiving switch P 5 8 Control change receiving switch P 5 7 O Turn on the volume receiving switch Performance Edit mode Volume receiving switch P 7 14 ...

Page 237: ...pe Patch 6 9 Performance 7 7 Coarse tune 7 11 Compare 9 3 Control change message 2 11 Control change number 2 11 Control change receive switch 5 7 Control channel 5 6 Copy 9 6 Cursor 1 3 Display contrast 1 3 Dry level Patch 6 52 Rhythm 8 21 I Envelope generator 2 1 Envelope mode 8 6 Exclusive message 2 13 Exclusive receive switch 5 9 Expression 2 12 Expression 1 4 6 18 Factory preset 9 23 Fine tun...

Page 238: ...atch receive channel 5 5 Performance 4 1 Performance commoh parameter 7 1 Performance edit mode 2 1 4 Performance name 4 2 Performance play mode 2 14 Pitch bend change message 2 13 Pitch bend receive switch 5 9 Pitch envelope T1 velocity 6 31 T4 velocity 6 32 Time keyfollow 6 32 T1 T4 Patch 6 33 Rhythm 8 11 LI L4 Patch 6 33 Rhythm 8 11 Poly message 2 13 Portamento 2 12 Portamento mode 6 14 Portame...

Page 239: ...6 45 Rhythm 8 18 velocity curve 6 44 TVA envelope T1 velocity 6 48 T4 velocity 6 48 Time keyfoilow 6 49 T1 T4 Patch 6 50 Rhythm 8 20 LI L4 3 Patch 6 50 Rhythm 8 20 TVA time velocity 8 19 TVF cutoff frquency Patch 6 35 Rhythm 8 13 envelope depth Patch 6 38 Rhythm 8 15 filter type Patch 6 34 Rhythm 8 12 resonance Patch 6 36 Rhythm 8 14 resonance mode Patch 6 36 Rhythm 8 14 TVF envelope T1 velocity 6...

Page 240: ...pth 6 27 pitch coarse Patch 6 27 Rhythm 8 9 pitch fine Patch 6 28 Rhythm 8 9 pitch keyfollow 6 29 pitch velocity Patch 6 30 Rhythm 8 10 Random pitch Patch 6 28 Rhythm 8 9 wave group Patch 6 26 Rhythm 8 8 Wave generator 2 1 WG pitch time velocity 8 10 Write 9 2 ...

Page 241: ... the included locking tool rotate the plate holder toward the LOCK direction in order to fix the expansion board In order to remove the expansion board rotate the plate holder toward the UNLOCK direction then remove the board by pulling the locking tool up Finally use the four screws to fasten the cover Removing the expansion board Lock Che Check that the expansion board has been installed correct...

Page 242: ......

Page 243: ...onable protection against such a interference in a rasidential installation However there is no guarantee that the interference will not occur in a particular installation If this equipment does cause interference to radio or television reception which can be determined by tuming the equipment on and off the user is encouraged to try to correct the interference by the following measure Disconnect ...

Page 244: ... d CD D o m 33 C Diand Corporation 26055207 32 8 E3 nO ...

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