Roland GP-16 Owner'S Manual Download

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Summary of Contents for GP-16

Page 1: ...Roland i JIGITAL GUITAn EFFECTS rnDCESSOn Gr 1Ei OWNER S MANUAL _ I iC Ir I CE Ji _ I ...

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Page 3: ...Roland 10 CIIGITAL GUITAr 1 EFFECTS Pr 1DCESSDR Gr 16 OWNER S MANUAL r I e7Jo 1 1 ...

Page 4: ...eratmg instructions or as marked on the product 9 The power supply cord of the product should be unplugged tram the outlet when lett unused for a long penod of time 10 Do not tread on the power supply cord 11 Do not pull the cord but hold the plug when unplugging 2 When setting up with any other instruments the procedure should be tollowed in accordance with instruction manual 13 Care should be ta...

Page 5: ...effects units Moreover up to 12 effects can be used simultaneously Readily Changeable Connection Sequence NOf only can any effect you wish to be turned on or oft but set1ings for choosing the sequence in which the effects are connected can be made and stored for each patch as well Two Amplifier Systems Can Be Connected Since 2 guitar amplifier systems can be connected to the GP 16 you can store in...

Page 6: ...seffings for each effect 6 The other parameter stored within each patch 20 Changmg settings other than those for effects a Master Volume setflng 20 Determines the output level b Expression Pedal 20 A variety of settings concerning an expression pedal can be made c Output Select 22 ChOOSing a gUitar amplifier d Name Editing 22 Provides for attachmg names to effected sounds __ 7 Escaping 2 The Write...

Page 7: ... Settings 56 Patch Program Change Number Correspondence ChaM 56 2 Selting of Factory Preset Data 57 3 System Data Settings 58 4 Data InitialiZing 58 a Inilializlng one patch 58 b Initializing all patches 59 _ c lnitializing the Syslem data 59 lJSupplied Charts 60 Parameter ChaM 60 2 Outline of GP 16 Procedures 63 Roland Exclusive Messages 67 MIDI Implementation 71 Specifications 76 Display Index 7...

Page 8: ...isptay I I I Powar Function Bullon I I LNumber Bulton Switch I L Bank Bullon L Escape Butlon L I Write Button Rear PaneIJ MIDI In Conneclor MtDI Oul conneclor Channel 1 MIDI Thru Connector I iOulput B I _ I Channel 1 RRC In Connector 1 I Output A 2 1 is I 12 I c u_ _ _ _ ___ _ _ _ _ _6_ _o c _ _ _ _ __ f o J JJ T 1 j__ __j bO TQ I Balanced Oulput B 1 I I I L inpul Balanced Oulput A I i Channel 2 O...

Page 9: ...the main power is otl The nonmallife 01 this battery is 3 years or more but it IS strongly recommended that you change il every 3 years as a rule When it is time to change the battery contact a Roland Service Station The tirst time you need to change the battery could occur betore 3 years have passed The unij s battery is needed nol only for ordinary operation but also serves in maintaining the co...

Page 10: ...many possible values that can be set tor each eHect unit Here explained is the manner in which these values playa role in producing eHects Chapter Four Employing MIDI in Performance Through employing MIDI with Ihe GP 16 data transter with other devices can be carried out This chapter provides an explanation of MIDI and the functions available with the GP 16 Chapter Five System Settings ThiS chapte...

Page 11: ...has been specilied uSing OUlpU Select the amp must be connected to the channel that has been specified otherwise no sound will De oroduced For detaiis reter to c Output Select iE P 22 With 1 guitar amp YOl may have to adjust the inpul level depending on the With 2 guitar amps iype 0 gunaryou connect For information on makIng such adjustments see lAdJuslment of input Lever Ii P 12 When outpuhing th...

Page 12: ...amps depending on settings for effects and have stereo outpuL 10 r f i 1 1 fi I 160 F I h Ii j u Backing Lead When outputting directly to a mixer etc This setup is used when the GP 16 sounds are to be routed directly to a mixer or power amplilier o f 7 ___1_ l i Example application The lollowing setup illustrates one example which pro vides oulputto a gurtar amp 01 Ihe lead distorted sounds white ...

Page 13: ...o the ioot controller s EXP 1 r needs 10 be set at MIN Except lor the EXP 2ft function which is not avaiiable the FC OO foot controUercan be used in the same way as the FC 1DOMKIL For details reler to m Concerning Foot Controllers 1St P 15 Powering Up and Getting Ready Turning the GP 16 on for performance Power is turned on and the unit is readied for playas tollows After confirming that all conne...

Page 14: ...s for programmed settings are di vided into two Groups A and B each having 64 Then each Group is broken down into 8 Banks 1 through 8 Further within each Bank there are 8 types of programs which are numbered lrom 1 to 8 128 seninos Group A 64 types Bank 1 Number 1 i Bank B r Number 1 Number B Group B 64 rypesr r Bank 1 Number 1 I Number 8 Number 1 Number 8 In other words on the GP 16 Ihe 128 pcssi...

Page 15: ...be cancelied by pressing the ban button whiie the bank digit in the Patch Display is still blinking c Selection of a Number Selection otthe number needed is made by pressing one of the Number buttons from Dto i The numberthen appears at the Number position in the Patch Display 2 Selection using a foot controller llsing a foot controller to change patches Agreater measure of convenience during perf...

Page 16: ...um ber is shown in the display Wilen an effed IS OW inslead of lIs number you will see the symbol shown in the display The order in which effects are connec1ed is represented by the order shown in the dIsplay moving from left to right The blocks and numbers are sel as follows Block A 1 2 3 4 5 6 BlOCk B 1 2 3 4 5 6 Compressor Distortion Overdrive Picking Filter Step Phaser Parametric Equalizer Noi...

Page 17: ... Through connecting an FC 100 or FC 100MKII foot controller to the GP 16 not only will you be able to change palches using your foot but you also can have control over a variety of other lunctions convenienl during actual perlormance a Use of the Control pedal Ordinarify it is used as a mute pedal When the foot controller s Control pedal is depressed and while the control indicator is lit no signa...

Page 18: ...inary tevel The level set tor Mini mum Volume on the pedal itselt liliiii c Tuner use signal out Since the guitar signal is output at all times tram the loot controlier s tuner use Signal Out jack tuning can be car ried ou1 any time you like Do not connect any1hing else such as an amp 10 the Signal outpul Since rt is meant to be used solely by a tuner d Output of expression messages over MIDI Usin...

Page 19: ...mory II you wish to save settings always carry oul the write procedure and store them in the GP 16 s memory once you are com pleted For information on howto Slore set1ings se LgJThe Write Procedure 12 P 23 1 0 1 n Changing the contents of a patch Changing the settings for the effects Pertorm the following steps to select eftects and make the necessary adjustments 10 them Step 1 From the Play mode ...

Page 20: ...Block A 6 Noise Suppressor n and Block 8 6 Lineout Filter cannot be moved 2 Setting for Effect On Off Selecting effects to be used The lollowing setting deterrmneswhetherornot an effecI will be active Ellecl On Off Both blocks A and S are set in the same manner Step1J From the Edit mode using iFUNCTIONi call up the tollowing parameter Have it appear in the display EMecls once in the Elfect On Slat...

Page 21: ...elive will appear inthe display If one of its variations IS deSired make seleelion of the effeel using the a Dlal or VALUEI 4 Checking the sequence The order of the sequence can be checked Your completed configuration including settings tor the order whether eHects are on or ofl and the variations can be viewed tor confirmation Step 1 From the Edit mode using FUNCTION call upIhe parameter have it ...

Page 22: ...re set is the parameter which will be changed as a result 01 the action 01 the expression pedal or internal LFO and the amount of such change You will need to have an optionally available ioOI controller and expression pedal it you intend on uSing pedais to make changes in values Set Minimum Volume on the expression pedai connected 0 EXP 1 to its minimum MIN Step 1 From the Edit mode using FUNCTIO...

Page 23: ... of the panicu ar parameter When setting maximum value Pedal action fully depressed _ _ When setting minimum value Pedal action tully released I F t l I t LEI JEL 1 LE EL By setting a higher value for MIN LEVEL than that jor MAX LEVEL you can have parameter values decrease when the pedal is depressed Reference The breadth 01 change available tor the parameters related to expression pedals is as ta...

Page 24: ...rdles5 01 any channel senlngs NOTE Aguilar amplifier must be connected 10 the specified channel for sound to be produced d Name Editing Provides for attaching names to effected sounds You can give each patch a name using up to 16 tetters In Ihe Play mode state where pafches can be selected the name appears on the upper line in the display Step 1 From the Edit mode using IFUNCTIONI call upthe param...

Page 25: ...ng O P 23 If you wish to store save the setllngs you have made in memory carry out the tollowing procedure Step 1J From the Edit mode press IWRITE I I IJ IF I iE P lTCH SET i 3F h E f l r iE i 1 Indicates the patch 10 be stored Should you wish to cancel the Write procedure press I SCAPE I and you will be returned to the Edit mode In thiS case the contents of the edned patch will not be lost Step 2...

Page 26: ...y carrying out the follOWing steps Step 1 Select the patch you wish to copy From the Play mode Step 2 Press iEDIT to get into the Edit mode Step 3 Without making any changes in the patch s contents press WRITE and select the patch becoming the deslination for the copy uSing IGROUP AlB Bank L1J l j and Number 1 mJ For information on patch selection see i4 i Patch Selec tion IB P 12 111 T I I r 1 c ...

Page 27: ... unchanging and flat Cuts attenuates the amplitude of the upper sound range TONE i _ _ VALUE SO 50 Setting which determines the strength of the attack at the moment of picking when string is played With higher values the attack for each and every note becomes more noticeable thus a sound that is more clear cut is produced I COr 1F F ESSOF HTTHer VALUE 0 100 A1N While increasing the gain for weaker...

Page 28: ...t the more amplitude increases Should be set so there is no difference in amplitude when an effect is turned on and ofl I ISTOF TIOli LE EL VALUE 0 100 26 A 2b OVERDRIVE Provides an effect like what IS produced by a tube amplifier with distortion present It is a digital overdrive that laithfully expresses the soft and strong elements when picking and all the other nuances the playeradds Setting us...

Page 29: ...Input guitar signal As the value is set higher even weaker picking strengths allow the effect to be obtained With the value set tow the effect IS applied only when uSing the pick strongly With the value is set high the timbre changes ordinarily obtained depending on picking strength will not be pro duced F ICV It H3 FILTEF i SEtiS VALUE 0 100 lCUT DFF EREQUENCY Sets the tilter s cutoff trequency A...

Page 30: ...ff Frequency which changes in accord with the level of input UP Frequency will move upward DOWN Frequency will move downward VALUE UP DOWN 28 Concerning the Picking Filter Each parameterforthe Picking Filterlunctlons as shown below I I I DOloin I i Up I 1 I I I 1 I II 1 D 5 I I I r 1 I fl I I l4L11 I I _ i 0 1 IT j I I I I iJ II I I i i I I Cut tf I I Frecuency I I II I 1 I I I 1III I i I I Freque...

Page 31: ...er effect becomes I i t F HHSEF i E F T H I VALUE 0 100 BNUAI Sets the center frequency forthe phase shift The higher the value set the higher the center frequency becomes ISTEF PHH EF l i L lIIH 1 I r 1 VALUE 0 100 RESONANCE Sets the amount 01 feedback within the phaser As the value is set higher the amount of feedback increases and the phaser etiect beromes more pronounced pro ducing sounas that...

Page 32: ...D Q ContrDI E C Setting which determines the sharpness respective to the frequency band for CuVBoost As the value is set higher the slope follows a sharper curve I Ii F RF yr iETF I C EO IH rnE CI VALUE 1 0 5 0 30 HIGHiIIIIlDlIlEVEl Setting forthe amount to be CutiBoost 12 dB respec tive to the frequency set for HIGH MID FREQUENCY F F Po 1 1 E TF ICE i I H t 1 LEI VALUE 12dB 12dB lDVfMIDFREQUENCY ...

Page 33: ...I f I at the time a 3 dB attenu ation to the peak point 3 dB increase to dip POint IS reached Vanable treouency response b 0 control 12dB I II 1x i J 1 1 j I I 1 I 1J j _ i Setting lorthe amount to be Cut Boos1Ii 12 dB respec OdB tive to the frequency set tor LOW FREQUENCY LCi L I L VALUE 12dB 12dB DUTPJJJl EVEL Setting which determines the parametriC equalizer s overall amount of Cut Boost 12 dB ...

Page 34: ...d higherthan or lowerthan thelrequency set tor FREQUENCY LOI V HIGH r 12d8 12dB 60 250Hz 2 00 8 00kHz Peaking Type While locusing on the Irequency sel 10r FREOUENCY Ihls Iype cuts boosts signals in the band set lor Q Con lrol Thus Ihe Irequency response can be providedwifh peaks and dips J f i 25Hz 100kHz 500Hz 400kHz ...

Page 35: ...ed down you may hear no sound at all due to the effect of the Noise Suppressor Setting which determines the time it takes forthe output level to attenuate to 0 alter the guitar signal s level has gone below the SENSITIVITY and the Noise Suppres sor has staned working NOISE SUPPRESSOR F ELEH E VALUE 0 100 Ordinarily this parameter is set 10 0 us Sets the level of what is output from the Noise Suppr...

Page 36: ...fect adds fatness and breadth to the sound through addmg sound that is shifted slightly in Pilch respective to the direct sound Through two separate digifal modulatJon circuits it provides true synchronous modulation so you can obrain the ideal in chorus modu lation without any wavering in the sound PRElJELAY Selling which determines the ameunt 01 time with re spect to the direct sound that passes...

Page 37: ...her values Ihe rate becomes faster I L J I F r l IPH VALUE 1 100 lJEPTfl Sets the width for the modulation The higher the value is set the broader the sweep becomes VALUE 0 100 MANUAL Sets the cenler frequency used by the flanging effect The higherthe value the higherthefrequency becomes _ _ _ _ i FLHt i3 F I t 1 1 1 1 hi II w I 1 VALUE 0 100 RESONANCE Sets the amount of feedback The higher the va...

Page 38: ...H T Ir lRf nRE fiNE Provides for fine adjustment at the amount of the pitch shif It allows you to make minute changes in the pitch set in semitones lor CHROMATIC Provides shift to higher pitch O When at this setling the amounl of pitch shilt is exactly thai sel for CHROMATIC Provides shiff to a lower pilch VALUE SD SO Since one step under CHROMATIC is equal to 100 under FINE Ihe amount 01 the pitc...

Page 39: ...00ms Due to the design of the Pilch Shilter output ot the eHeeted sounds may be siightly delayed allimes even when PRE DELAY is set to 0 msec B 2ti SPAGE D Produces a natural sounding digiral DIMENSION with linJe wavering ofthe sound Its impressive breadth easily surpasses that of chorus The mode should be set to match the mood desired tor a song Mode 1 A slow light dimensional effect Mode 2 A sto...

Page 40: ...GITREMOLO on the MODE setting When the output IS monaural the panning eftect will not be obtained when set to PANNING Sets the rate The higherthe value set the fasterthe rate becomes PANNtNG Sets the rate alwhichlheoulput ispanned letl and right TREMOLO Sets the rate at which the oUlput level increases decreases _ i HUT Ci H n 0 I VALUE 0 100 Sets the amount of movement varialion The higher the va...

Page 41: ...ounds becomes At 100 the levels 01 the direct sounds and delayed sounds will be equal _ _ i i _ _ _ VALUE 0 100 Sets the volume lor the delayed sounds outputlrom the Left ILl The higherthe value the greaterthe VOlume 01 the delayed sounds At 100 the levels of the direct sounds and delayed sounds will be equal I Tt lF ELH I L LEI EL VALUE D l00 BIGHTlEVEL Sets the volume forthe delayed sounds outpu...

Page 42: ...he eHeeted sounds no change IS made in the direC1 sounds Reference The Tap Delay is configured as shown below The Tap Delay is capable of creating a wide range of delay effects depending on the settings that are made Here are two representative examples of settings used to get stereo delay effects Example 1 To set for a panning delay which outputs Ihe delayed sounds every 500 msec alternately to l...

Page 43: ... ambience 01 a room Tone I coloration is more relaxed milder Standard decay time 0 8 2 1sec I I HALL 1 Provides the reverberation wilh clear i I tone colors and the ambience is a i concert hali I I Standard decay time 1 2 2 5sec r HALL 2 I I I HALL 3 PLATE 1 IPLATE 2 SPRING 1 SPRING 2 Provides the revert eration 01 a concert I 3 halilhat is somewhat deaderthan HALL 1 i Standard decay time 1 5 3 3s...

Page 44: ...s become F EJ EF E LEi IEL VALUE 100 42 dl i lINEOUT FILTER For use when recordtng using Lme Outputs or for tone control tor a guitar amplifier when a power amplifier is connected dJ ectly to monttorlng speakers It provides adjustment lor the overall sound quality 01 the output When connected with a gUitar amplifier the Llneout Filler normally would be turned off 8Ul if put on rt can be used as a ...

Page 45: ...Adjusts the sound quality at the Jaw frequency band The higher the value is set the more emphasis it receives _ VALUE 0 100 3 II1II 43 ...

Page 46: ...deVIce i IRRC OUT i 7C li fl iff IT Ii ro__ r i I F s l I _ i I Foo Controlier FC 100 Of FC 100MK I When necessary the MIDI channel should be reset 44 For information on how to set the MIDI transmit channel reter to 2 Setting the MIDI Transmit Channe IS p 47 Using external MIDI device to change patches on the GP 16 In the setup below a sequencer is used to provide automatic accompaniment while the...

Page 47: ...compatible all devices regardless of differences m model or manufaclurer can exchange whaleverpertormance data they are equipped to under stand With MIDI a pertormance on a keyboard or operations involving controls are handled as MIDI data When an instnument IS played a stream of MIDI meso sages is generated that corresponds 10 the events happening dUring play A MIDI device receiving these message...

Page 48: ...e ex preSSIvity of a performance Each function is identified by a Control Change Number and the functions avail able for control will vary depending on the instrument On the GP 16 functions equivalent to EXP 1 EXP2 and Control Pedal for a foot controller connected to the GP 16 can be controlled lrom another device Exclusive Messages Exclusive Messages handle information such as that re lated to a ...

Page 49: ...tEM to get the System mode Step 2 For the following procedures press FUNCTION untii you have called to the display the parameter you wish Hyou perform 7 Escaping IR P 23 while making changes in system settings the changes will not lake effect and you will be returned to the Play mode In the System mode y cannot be used to make changes in values Although the parameters can be set in any order you p...

Page 50: ...e received regardless of the channel OProgram Change OControt Change 4 Output of Control Change message Control Change messages 1rom an expression pedal or an external MIDI device Control No 16 can be Irans mitted as Conlrol Change messages uSlOg Ihe Connol Number set here This lunction Ihen allows you 10 use the expression pedal to control the parameters on an other t AIDI device jn order to make...

Page 51: ...re stored there is also a separate Sound use data region temporary buffer used tor creating the current effects sounds When a patch is selected in the Play mode its data is copied to the Sound use data region this IS ca led 1emporary data and used to produce the eHects sounds When TEMP is selected under Bulk Dump the data is translerred to the Sound use data region of another GP 16 thus transfer o...

Page 52: ...smission ofthe data has completed the follow ing display will appear and you return to the state before the bulk dump was executed System mode I 5HI I 113 I n1 1 I T C r I j 11_ _1 r Step 8 5 When the transfer has completed press IESCAPEIand return to the Play mode 6 Data Reception and Verification Bulk load Verify Through employing Roland Exclusive messages you can receive Bulk Load the patch dat...

Page 53: ... IFUNCTION call up the following parameter have it appear in the display 16 DRT LORD nCiD E VALUE LOADIVERIFY Slep 4 6J Using the set the mode Step 5 6 Press ISYSTEM and the unit enters the ready to receive stale In the ready to receive Load Ready state the following appears in the display The message shown below appears while MIDI data has not yet been transmilted LOAD VERtFY When data is receive...

Page 54: ...rrespond to the Proaram Change Number in terms of IGROUP AlBI Bank 3J and NumbedIl lID For information on how to select Patches sse 0 Patch Selection P 12 Repeat steps 4 7 and 5 7 until you have the corre spondence mapped as you wiSh Regarding the factory settings for the cerrespondence between Program Change Numbers and Patches refer to the 1 Patch Program Change Number Correspon dence Chart e P ...

Page 55: ...ionally available lootcontrol er FC 1 00 or FC 1 OOMKU 11 Cancellation of Output Select AllowS for a setting whereby settings for Output Select madefor each patch are cancelled thus providing output of effected sounds from both channels regardless 01 previous settings The lunction allows palches to be output from the same channel even though their output channel is different Step 3 11 FromlheSyste...

Page 56: ...mory carry out the following procedure Step 1 Press IWRITE I Step 2 and the settings will be stored in cancel the Write procedure press I andyou will be returnedtothe state you were in before settings were made I 1 1 ST E 1 1 D HT I IF ITHiG After the message shown above has appeared in the display you will be returned to the ordinary operating state Play mode 54 Once the new settings have been st...

Page 57: ...operly 10 Setting the Function 01 the Control Pedal P 53 The expression pedal doesn t operate as expected Is the Minimum Volume lorthe expression pedal set to the lowest level Are patch contents set properly b Expression Pedal S P 20 low as a resull 01 the expression pedal MIDI doesn t function Output channels cannot be used as expected Has the setting lorlhe palch been made properly 0 Output Sele...

Page 58: ... 58 I 59 60 61 62 63 64 1 I 65 66 67 68 69 70 71 72 2 73 74 75 76 77 78 79 80 I i 3 81 82 83 84 85 86 87 88 Group B i Bank 4 89 90 91 92 93 94 95 96 5 97 98 99 100 101 102 103 104 i 6 105 106 107 108 109 110 111 112 7 113 114 115 116 117 118 119 120 8 121 122 123 124 125 126 127 128 When changes In the correspondence have been made as a resuh of 7 MID Mapping Program Changs t Patch S P 52 or 8 MID...

Page 59: ...tack DiP Mild SlOe AMP 8 B cass Group B Crystaline DIP 5 Iron ConUmt DIF 2 The Sound DIR 5 2 Grit BaCKing DIP 1 3 Rlppln lead DIP 5 3 E Accus c DIP Pannmg 5ms DIR 5 Round Cunmg DIP 1 5 Incred ble i DIP 5 5 Super Lead DIP 6 Tube lead DIP 5 DlstortoLeaci DIP 7 Rock 5U15 OD DIR 5 7 Smoot Tub DIP _ lL____ Surlm Dude __ __ pI _ S ll _ _ 0 l lo I _ _ad D R Awesome StaCk orR 6 1 Delay me Sin DIP Sier Spa...

Page 60: ...ellings Step 3 aJ Using IFUNCTIONI call up the parameler have il appear In Ihe display shown below 58 1 r 2CT lr F r e et CI e F 3 c h L c d Step 4 aJ Press IWRITE A Drase1 patch IS F T F e t h I 1 shown R 1 1 A desuna lon palm IS shown Step 5 aJ Using ia Dial seleci a palch from Ihe Fac lory presets Nexl select a Deslination paleh by IGROUP NB I Bank bullons 11 f8 and Number bullons u i81 For inf...

Page 61: ...it is over storing IS com pleted And you will return to where you were in Step 3 b When you wish to finish this procedure press E CAPE once to return in the ordinary use the Play mode c Inltializi g the System data This procedure initializes the System data replaces the current settings forthe System data with the factory setllngs Step 3 c Using EJ JJ QTION call up the parameter have it appear in ...

Page 62: ...tack Sustain Level Tone Distortion Level _ Tone Drive Turbo Level Sensitivity Cutoff Frequency o Conlrol Up Down Rate I Depth i Manual i Resonance LFO Slep _ High Frequency High Level High Middle Frequency High Middle 0 control High Middle Level Low Middle Frequency Low Middle 0 Control Low Middle Level Low Frequency Low Level Oul ul Level p Sensjjiviiy Release Level i VALUE I 50 to 50 oto 100 I o...

Page 63: ... ii I P DELAY Pre Delay 010100 msec _ J _ _ _ _ I _ _ 2d SPACE D I MODE Mode 4 mode 3 AUTO PANPOT RATE Rate ato 100 DEPTH Depth oto 100 MODE Mode PANNINGffREMOLO 4 TAP DELAY C TAP Center Tap ato 1200 msec i L TAP Left Tap oto 1200 msec R TAP Righi Tap oto 1200 msec C LEVEL Center Level o10 100 L LEVEL Lett Level 010 100 R LEVEL I Right Level o10 100 F BACK Feedback I oto 100 CUTOFF Cutoff Frequenc...

Page 64: ...ers Parameter Chart SYSTEM GP 16 SYSTEM Parameter Table SYSTEM I PARAMETER 1 MIDI RECEIVE I CHANNEL I Channel 1 to 16 2 MIDI TRANSMIT CHANNEL Channel 1 to 16 _ _ _ _ 3 OMNI ON OFF i OMNI OMNI I ON OFF 4 CONTROL ASSIGN I NUMBER Number i TRANSMIT OFF 0 31 or 64 95 5 BULK DUMP I MODE I Mode OFF NUMBER BANK GROUP ALL or TEMP _ _ _ _ 6 DATA LOAD MODE Mode LOAD IVERIFY _ _ _ _ 7 MIDI PATCH SEL I _ _ 8 P...

Page 65: ... 1 i iT i ur IfL lI q I l 1 01 w J 0 j 00 u o F w l J jjl 0 I w 1 i lOiIO o p j _ 5 5 ...

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Page 69: ...iomg III Ih adores a message specifies AlldreSi matlncd oaUl U anslcr i1 IhereloT inoepenoent 01 moo and data categoOC5 Th s I hmoue allows u of lWO di fr renl lranslt r Pf lC l Oures one way transier and handshake tnoslcr One way transfer procedure See Section 3 for details This proc roure i suued lor Ihe minster of a Sm lJi mnum nf Wlla H sendS OUI an exclUSive message cnmP Clt ly mCl OOnOCnl ul...

Page 70: ... n roQucsung Cilia lrom D ler 1 o IC B scnds an ROI m s s ag 10 1X ICr A Check in lhr m gl eViCt A sentls a DTI m s sagt b ac j l Ikner 1 D ta el 1 rD5 sell Dev e 8 I Mor Il lan 20m sec lime nINna rD la set 1J Da 5e 1 a Handshake Transfer Procedure i HandshakOflg I an tnWraCllI C process Wh rL WI lcvices eXChange error checkmg Signals betort a messa tranoacmm lakes place tnereby flcreasing aal rel...

Page 71: ... aOl Some modelS lire sUbJ Ci In hmitallons In Jal ionnal usco lor singll lransaCtiOn Rroues t C cal Jor examolc may nave a lim 1 If length or must be liVldlXl lnw Pred l nninco adoft s o 1 C la bC ore II I el hanll cd across Ih In erjac Tht flumb 1r lr bY C cnmpri lnE opress nona v mes from one mooel In w anothr Tor error tnr km process use Checksum Inal pmviot s iI bl Pilllrm Wht n tm masl gnill...

Page 72: ... J Ac nowlelJge Erro oceun wh Cev ee A is r6e n l Jat from J ce 8 I D H HartS e trom oev ce A 10 Oe e 8 IDev ce B I Dat5 sell Co m ca iO corj _ e Dala sel 2 Dev c 6 rerects he o a ltM1Sm oed and CUll O trlH lsfer Ac nowleogel Euor Commun cat O error _ Ou t _ _ De e 8 I Dan S lJ Dal setl 3 De e A mm6d aleiy ou ts oala 1 9 51 IDeVice A I Ae O leo9 J or IRelee onJ 70 IDev e 8l I Dala sel rD8t Setl QU...

Page 73: ...ePUnR calE orm an rJ ieornal jJDI aevlce Alwr rec l tng a SYSl m EXClusive MessagE 1M G1 If slnrcs It III lhe buf er or In Ifllemal m mor oala JoaOIXt 10 Inc bufler ClIO be I t Crll C J 1 C n I nilc 1Il GP 16 is In Play Mode In addition the cala crillcallOl1 ODC rllllOD allow lhe 1 Hi 10 verif the receiVec oala to oar amelers of the Internal patCh if II IS v riHablc Exclu5ivt communicatIOns of til...

Page 74: ... I u bcr Oil on CDl crl laOjC intemsl Jal hank OB 001 DE n 001 Vprlfiabl IOlemal tllo H anf B B 72 tToble I Ii 3 i on 00 DOH verifla lr lr lern 1 Dal ILrGt pJ CD OOH Oli1f 001 erlilablc Inlfntlli Jal IGrnu Of OD DOH Vnfflablf 1n1 rnal D ta 1 1111 or OD Oi li WH rirl l lr Internal 11111 Alii Tabl 1 The b nary nutation on the left cnlumn or escnpl or IndiCalC lhe Illrmalmn f ca h Il1lrameler while t...

Page 75: ...iLlHO lT fiLTER 5SH O ail ailaaB 5SH Daea sasaB 5AHIOailc BlIaaH 5ClIIOaas aaaaBlnpp ESSIO SSIG DH OOOO OOOaBiEXPRES5lO DEVICE om r Hi S C T P LS I l r MSli L TAP LSb R TAr 1 511 II TAP LSR c tElL L LrnL R I EVH cnon SE Ct 10fF lS Df CAY CUTOFF MSE CUTOff lSB P DELA LEVEL PREsner TR SL IDnu BASS 5FH OOOD aaaaBIEXPR SSIO i lIJJ LEVEl I S PI POTfTRE oIOLO 1200 10 IlOOIS I OD to 1200 1 lOG 100 100 00...

Page 76: ...I SSOP S S 10010 OOOOB 3 RELEASE 0010 OQOI 33 OOID COloe 31 9 OIiT 111 1 0010 DOllli 35 onlO 01008 30 CIIOHlC 10010 DIO H Jl 10010 Olloa 3 100jo 01112 39 lEiIL D l lr E LEVEL f DtlAV Ht DEPTH LUVrt 10010 10008 o rU G R RATE IODID COIS I DEPTH 10010 WIDEI 1 ltJ UAL iUOIO IOIIB 0 RE50 M CE 10010 IIOOB 4 PIlCII SHlrTr BALA C 10010 IIOIB 4i CHRO tHIC 10010 Ilion 45 flH 0010 IIIIE 47 F Bl n 10011 ODOOR...

Page 77: ...i ON POLY Mode 3 OMNI OFF POLY I I Transmitted I Recognized I RemarKs I i 16 1 16 Memorized 1 16 1 16 x OMNI ON OFF x x Memorized x x x x x I x I x x x x x x x I x 1 I x 1 Volume x 0 2 1 x 3 1 x 3 x 0 Mute or BYDass 00 127 1 0 0 127 I 0 127 0 1 0 Darameter value x x x x x x x I x x x I I x I x x x x I x x X 1 Either O or x can be selected manually and stored In memory 2 It is possible to designate...

Page 78: ... segmenl 2 digil 76 INDICATORS Input Level Group Indicator Outpul Channel REAR PANEL Rear Inpul Jack Channel 1 Outpul A Jack Channel 1 Outpul B Jack Channel 2 Output A Jack Channel 2 Outpul B Jack Balanced Output A Connector XLR Type Balanced Output B Connector XLR Type MIDI IN Connector MIDI OUT Connector MIDI THRU Connector RRC IN Conneclor ELECTRICAL CHARACTERISTICS INPUT Front Rear Input Imped...

Page 79: ...OCI E O l OFF 18 C H0 F US 34 35 CO lF F C SSOF 25 t lTH LO rD F EH 1 1 51 i I ST OFT I 0 1 26 E c rpe le r J 23 c P P S S I G1 1 E 5 20 D F E I CE 20 E F LFCI F PTC 21 c F I Hi LE E L 21 c F 1 1 H L E E L 21 F CT F t e o e t 58 Fer F eE et Lo d 59 F LHI GEF 35 Init i l i in l 59 L I HE CI UT F I LTC F 42 43 L 0 3 din 9 59 l lPSTEF l OLU lE 20 NHt1C El I T 22 lO I SC SUF F F ESSOF 33 CI e F e o et...

Page 80: ...ING FILTER SENS i I I I DEPTH I I CUTOFF FRED I MODE PAN I TREM I 0 8 4 TAP DELAY C TAP msec i UP I DOWN UP I DOWN I I I LTAP msec A t STEP PHASER RATE R TAP msec 1 I I i DEPTH i II C LEVEl MANUAL I l LEVEL Ii RESONANCE Ii R LEVEl lFO STEP Ii I t BACK A 5 PARAMETRIC EO I HI FREO Hz Ii CUTOFF Hz I i HI lEVEL dB 8 5 REVERB DECAY seF I H M FREo Hz II I I ROOM 1 213 HMIDO I HALE 1 2 3 II MODE H M lEVE...

Page 81: ..._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 0 _ _ _ _ _ SE UENCE ORDER I i 8 2b FLANGER RATE 1 I A I COMPRESSOR I I TON I I DEPTH MANUAL A 2a D STORTION r I I I msec msec A STEP PHASER msec I I I A 5 PARAMETR1C EO Hz I soc ROOM 11213 HALE 1 213 PLATE 1 2 SPRING 1 2 I CUTOFF Hz II PRE DELAY msec I E L VEL I PRESENCE I TREBLE I M DDLE BASS I EXPRES...

Page 82: ... MODE _ 1 2 3 4 II B 3 AUTO PANPOT i RATE I I DEPTH I I I CUTOFF FRED MoDE PAN 1 TREM 0 UP I DOWN A_t STEP PHASER RATE i I DEPTH I 8 4 TAP DELAY C TAP msec UP 1 DOWN ii I I L TAP msec R TAP msec I C LEVEL I I l LEVEL I R LEVEL MANUAL RESONANCE lFQ STEP 1 i F BACK Hz Ii CUTOFF Hz A 5 PARAMETRIC EO HI FREO dB II B 5 REVER8 I DECAY seo Hz I I I ROOM 1 2 3 Ii I MODE HALE 1 2J3 d8 II PLATE 112 Hz i SPR...

Page 83: ...lln lalta o HOwtlVe IlIe s no Quaramee 1hal II I mlenerence w li n01 oo u In a paf euJa tnSlallat on Ii m s equ pn does CSuS Iens ce IG r 101 I le n empllon Wll1C caf1 De cs em ned bylummg 1M eqwpmEm on ana oft tile use S encou aged ID 1 1 10 COflee Ine le 1e t lCe fly Il1e IQi ow n9 e c D sconnecI other oeVlces and the nDut ouIOUI cabtes one al a lime II II mterle enc e slOP5 I Ciluseo Ily e Ine ...

Page 84: ...I Roland 10480 UPC 10480 ...

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