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10.09 

PreSonus

StudioLive 16.4.2

A powerhouse multifunction console in a compact package

By Nick Peck

A

 

digital mixer/audio interface designed 
for both project studio and live sound 
applications, StudioLive is a 16-input, 

4-bus console packed with a comprehensive list 
of features. Each channel and bus include a sig-
nal chain of audio processors known as the Fat 
Channel. There are six aux sends for interfacing 
with external processing and for creating cue 
mixes, two onboard stereo effects, inserts and 
direct outputs on every channel, 100 scenes for 
recalling mix setting snapshots, talkback func-
tionality, 16 high-quality mic input preamps, 
individual 48-volt phantom-power switches on 
each channel, and separate control room and 
main outputs—all within a compact, easy-to-
transport package.

StudioLive  can  operate  as  a  stand-alone 

mixer, but also includes FireWire 400 ports and 
a Mac/PC-compatible program called Capture 
that records all 16 channels as separate tracks. 
StudioLive can also function as your computer’s 
audio interface, using PreSonus’ drivers to work 

with most major DAWs.

Check Out the Specs  

Not  a  square  inch  of  available  real  estate  is 
wasted, yet StudioLive is easy to navigate. The 
layout is intuitive and carefully thought-out, and 
the large numbers of buttons, knobs and faders 
make for a compact—but not overly cramped—
work surface. The design is so good that I was 
able to learn 80 percent of the desk without ever 
cracking open the manual. The well-marked but-
tons and metering all feature bright and colorful 
LEDs that are perfect for low-light live sound 
situations. And two StudioLives can be linked 
together to create a 32-input, 8-bus console. If 
you’re not using the system with a computer, you 
can link as many as four StudioLives.

StudioLive’s routing and conceptual layout 

should be familiar to those accustomed to analog 
mixers. Each channel has an input trim at the top 
and 100mm faders at the bottom, with Solo and 
Mute buttons. There are no channel-specific EQ, 

digital mixer 
$1,999 

PROS: 

Incredible value for the price. 

Well-designed, intuitive, direct interface. 
Comprehensive feature set. Clean sound with 
lots of gain. 

CONS: 

Faders and knobs feel flimsy. Capture 

software needs polish. Faders are un-motorized.

features 

 

1  2  3  4 

5

ease of use 

 

1  2  3 

4

  5

audio Quality  

1  2  3 

4

  5

Value 

 

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5

presonus.com

  

StudioLive is covered 

with controls, but they are so 

well laid out that getting around is 

a breeze.

Summary of Contents for STUDIOLIVE 16.4.2

Page 1: ...ecs Not a square inch of available real estate is wasted yet StudioLive is easy to navigate The layout is intuitive and carefully thought out and the large numbers of buttons knobs and faders make for a compact but not overly cramped work surface The design is so good that I was able to learn 80 percent of the desk without ever cracking open the manual The well marked but tons and metering all fea...

Page 2: ...ere s a generous overlap of the frequency ranges between bands The limiter is a one button affair designed to brickwall signals at 0 dBFS Every element in the Fat Channel signal chain does its job admi rably with transparent compression surgical if not particularly musical EQ and effective noise gating with a smooth release While not in the Fat Channel itself a recent firmware update adds a stereo...

Page 3: ...the buttons I m not a fan of the knobs and fad ers The faders feel cheap lacking the smooth movement of higher end consoles The knobs are a bit small and stiff for my taste Because the faders and knobs are not motorized scene recall is not a completely automatic process The faders need to be manually reset by match ing their position to the LED meter display above them and mic preamp gain levels a...

Page 4: ...tputs 2 1 4 TRS balanced CR outputs 1 stereo pair 2 1 4 TRS balanced main outputs 1 stereo pair 2 XLR balanced main outputs 1 stereo pair 1 XLR balanced mono output 2 RCA unbalanced tape inputs 1 stereo pair 2 RCA unbalanced tape outputs 1 stereo pair 1 1 4 TRS stereo headphone output Data Connections 2 IEEE FireWire 400 ports 1 S PDIF stereo digital out RCA format Power IEC connection 90 240 VAC ...

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