Miranda MS-1 SUPER Instructions Manual Download | Manualshive

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Summary of Contents for MS-1 SUPER

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Page 3: ... E f r r Lil i t j i l 4 r j Jd ti t x Wtilcome to the excitingworlfuf IVlirand8 Your newcamera isoneof a range of qualitycameras designed for both the amateurandserious photographer 1 www orphancameras com ...

Page 4: ...reTTL meteringsystem Match LED display with over and underexposurewarnings centre weightedmeasurements with cds ExposureRange EV3 19 ASA 100 ASA of Film ASA 25 to 1600 SynchronizationContact X contact AccessoryShoe Hot Shoe Film AdvanceLever Singleleverstrokewith 135othrow and 3oo stand off FrameCounter Additive type with automatic reset Film Rewinding Rewind crank type Mirror Ouick returnmirror B...

Page 5: ... e v e r 1 L e n s D i s m o un t in g B u t t o n B F i n g e rD o t 3 9 H o t S h o e 10 Rewind Crank F u n c t i o n i n g a l s oa sb a c kc o v e r o p e n i n gk n o b 1 2 3 4 1 1 R e w i n dk n o b ffi f f 6 13 Film SpeedDial 1 4 A p e r t u r eR i n g 1 5 D e p t h o f F i e l d S c a l e 1 6 D i s t a n c eS c a l e 17 Focus ing Ring Fig l www orphancameras com ...

Page 6: ...NAME OF PARTSQI 19 R e w i n d S h a ft 2 3 F i l m R a i l 2 4 S p r o c k e t 25 BackCover 26 Film Pressu re Plate 2 7 F i l m R e i w n d B u t t o n 20 21 22 8 S p o o l I Fis 2 ...

Page 7: ... n o t l i g h t 3 T u r n t h e b a t t e r y c h a m b e r c o v e r c l o c k w i s e t i g h t l y Keep the battery surfaces f ree of dirt and perspira t i o n w h e n l o a d i n g D i r t w i l l c a u s e p o o r e l e c t r i c a l c o n t a c t l f n e c e s s a r y w i p e t h e b a t t e r i e s w i t h a c l e a n d r y c l o t h U n l o a d t h e b a t t e r i e s w h e n t h e c a m ...

Page 8: ...u t t e r r e l e a s eb u t t o n h a l f w a y d o w n f f i o i n s w i t c h c o m e s o n A s t h e f i l m a d v a n c e l e v e r a l s o f u n c t i o n s a s a r e l e a s el o c k a l w a y s r e t u r n t h e l e v e r t o t h e p a r k e d p o s t t t o n Fis 5 ...

Page 9: ...h a f t t o t h e o r i g i n a l p o s i t i o n w h i l e r o t a t i n g t h e r e w i n d k n o b l n s e r t t h e f i l m l e a d e r i n t o t h e g r o o v e o f t h e s p o o l a n d e n g a g e d t h e p e r f o r a t i o n s o f t h e f i l m i n t h e t e e t h o f t h e s p o o l T u r n t h e f i l m a d v a n c e l e v e r a n d w i n d t h e f i l m a r o u n d t h e t a k e u p s ...

Page 10: ... m a c o u p l e o f t i m e s p r e s s i n gt h e s h u t t e r b u t t o n u n t i l t h e f i r s t e x p o s u r e p o s i t i o n 1 i n t h e m i d d l e b e t w e e n O a n d 2 a p p e a r s i n t h e f r a m e c o u n t e r T h e f i l m i s p r o p e r l y l o a d e d i f t h e f i l m r e w i n d k n o b r o t a t e s c o u n t e r c l o c k w i s e w h e n t h e f i l m a d v a n c e l ...

Page 11: ... i n t e d o n t h e f i l m b o x e g A S A W h e n u s i n g f i l m o f A S A l 0 0 f o r e x a m p l e s e t t h e p o s i t i o n 1 O Oo f t h e f i l m s p e e d s e t t i n g d i a l t o t h e f i l m s p e e d s c a l e T h e d i a l n u m b e r o f t h e f i l m A S A i s a s i n d i c a t e d a n d t h e r e a r e c l i c k s c o r r e s p o n d i n g t o t h e r e s p e c t i v e n u m ...

Page 12: ... h i t e l i n e o f t h e b o d y 2 A c c u r a t e s h u t t e r s p e e d c a n n o t b e o b t a i n e d b y t h e i n b e t w e e n s e t t i n g o f t h e s h u t t e r s p e e d d i a l S e t t h e s h u t t e r s p e e d s o t h a t t h e d e s i r e d n u m b e r c l i c k s i n t o p l a c e A t t h e B s e t t i n g t h e e x p o s u r e m e t e r c a n n o t b e u s e d F i s 1 3 ...

Page 13: ... t l y p r e s s i n gt h e s h u t t e r r e l e a s eb u t t o n h a l f w a y d o w n 3 W h e n o n e o f t h e L E D s l o c a t e d a t l e f t s i d e o f t h e v i e w fi n d e r l i g h t s t h e m e t e r c i r c u i t i s powered by batteries 4 W h e n t h e r e d w a r n i n g l i g h t t i g h t s i t i n d i c a t e s o v e r e x p o s u r e I n t h i s c a s e t h e d i a p h r a g m...

Page 14: ...g e r l i g h t l y o n t h e s h u t t e r b u t t o n 3 P r e s sy o u r l e f t e l b o w l i g h t l y a g a i n s ty o u r b o d y a n d l o o k i n t o t h e v i e w J i n d e r s t e a d y i n g t h e c a m e r a a g a i n s ty o u r f a c e T h e r i g h t a r m s h o u l d b e r e l a x e d w h i l e h o l d n g t h e c a m e r a U s e t r i p o d w h e n y o u r r s et e l e p h o t o l ...

Page 15: ... n t c o r r e c t f o c u s i n g h a s b e e n o b t a i n e d T h e o u t e r m i c r o p r i s m c o n v y s a b r o k e n s h i m m e r i n g i m a g e w h e n o u t o f f o c u s a n d b e c o m e s c l e a r a n d s h a r p w h e n c o r r e c t f o c u s is reached A c c e s s o r i e s s u c h a s a r u b b e r e y e u p e y e p i e c e c o r r e c t i o n l e n s h o l d e r a n g l e fi...

Page 16: ... o o c c u r H o l d t h e c a m e r a s e c u r e l y i n t h i s s t a t e a n d p r e s st h e s h u t t e r b u t t o n s l o w l y I t i s r e c o m m e n d e d t o u s e a t r i p o d a n d c a b l e r e l e a s e w h e n u s i n g a s l o w s h u t t e r s p e e d N e v e r m o v e t h e s h u t t e r s p e e d d i a l w h i l e d e p r e s s i n g t h e s h u t t e r b u t t o n a n d o p ...

Page 17: ...i s t a n c e t o o p e n t h e b a c k 5 T a k e o u t t h e f i l m 6 P r e s st h e r e w i n d k n o b d o w n a n d c l o s e t h e b a c k c o v e r Note A v o a d d i r e c t s u n l i g h t w h e n u n l o a d i n g o r l o a d i n g f i l m l f t h e f i l m a d v a n c e l e v e r s t o p s m i d w a y a n d t h e f i l m r e w i n d b u t t o n w i l l n o t r e m a i n i n t h e d e p ...

Page 18: ... r e a d y t o s e t 2 P r e s st h e s h u t t e r r e l e a s eb u t t o n a n d t h e s e l f timer operates to releasethe shutter in aF pro x i m a t e l y 1 0 s e c o n d s l a t e r 3 O n c e t h e s e l f t i m e r b e c o m e s r e a d y i t i s i m p o s s i b l e t o r e t u r n i t m a n u a l l y S o o p e r a t e i t o n l y rnrhenyou really need it 4 T h e s e l f t i m e r i s v e r...

Page 19: ... h e f l a s h u n i t y o u c a n u s e t h e f l a s h o n l y b y i n s e r t i n gt h e f l a s h i n t o t h e h o t s h o e 2 S e t t h e s h u t t e r s p e e d d i a l a t 1 1 1 2 5 o r l o n g e r F i g 2 5 Fig 26 www orphancameras com ...

Page 20: ... h a v e a g r e a t e r d e p t h o f fi e l d t h a n o n e s w i t h a l o n g e r f o c a l l e n g t h s u c h a s t e l e p h o t o l e n s e s Depth of f ield scale A d e p t h o f fi e l d s c a l e i s e n g r a v e d o n t h e r e s p e c t i v e l e n s e s W h e n t h e c a m e r a i s f o r e x a m p l e f o c u s e d o n a s u b j e c t a t t h e d i s t a n c e e g 3 m w i t h t h e...

Page 21: ...s p l a c e d b e i n g i n d i c a t e d b y a s h o r t r e d l i n e Inf rared Photography 1 F o c u s t h e l e n s u s i n gt h e r e d l i n e 2 A t t a c h r n i n f r a r e d f i l t e r t o t h e c a m e r a 3 S e t t h e e x p o s u r e a c c o r d i n g t o t h e d e s c r i p t i o n o n t h e f i l m a n d r e l e a s et h e s h u t t e r I t i s i m p o s s i b l et o f o c u s t h e...

Page 22: ... b a r r e l F i t t h e l e n s t o t h e c a m e r a a n d t u r n i t c l o c k w i s e u n t i l i t l o c k s i n t o p o s l t t o n T he Bayonet Mou nt Y o u r M I R A N D A M S l S U P E R c a m e r a i s e q u i p p e d w i t h a K t y p e b a y o n e t m o u n t a n d w i l l a c c e p t a l l l e n s e sw i t h t h i s f i t t i n g Note B e s u r e t o l o c k t h e l e n s c o m p l e...

Page 23: ...verywhereso keep the camerawell wrappedup and in a clean sealedbagwhen not in use 3 Avoid putting the cameraanywherewhen strongsunlightwould causean abnormally hightemperature eg on the back shelfor on the seatof a parkedcar 4 When storing the cameraremovethe battery and keepthe camerain its case Store in a dry place 5 lf the camerais to be stored for extended periodstake it out periodicallyand op...

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