background image

PPM 808M

Powered Mixer

O F   6   P A G E S  

MIXER

PP

M

 80

8M

PPM 808M

Powered Mixer

O F   6   P A G E S  

PPM 808M

Eight Channel Monaural Powered Mixer

1

O F   6   P A G E S  

MIXER

PP

M

 80

8M

1

O F   2   P A G E S  

5

6

LOUD Technologies continually engages in research related to product improvement. New material, 
production methods, and design refinements are introduced into existing products without notice as 
a routine expression of that philosophy. For this reason, any current LOUD Technologies product may 
differ in some respect from its published description, but will always equal or exceed the original 
design specifications unless otherwise stated. ©1999–2004 LOUD Technologies Inc. All rights 
reserved. Mackie and the “Running Man” figure are registered trademarks of LOUD Technologies Inc.

www.mackie.com

16220 Wood-Red Road NE, Woodinville, WA  98072  USA

800.898.3211, fax 425.487.4337, [email protected]

UK

 +44.1268.570.808, fax +44.1268.570.809, [email protected]

PPM 8

0

8M

 The PPM™ Series mixers are comprised of three 

compact powered mixers, designed for portable live 
sound applications. Each powered mixer in the PPM 
Series has two graphic equalizers, built-in stereo 
digital effects with 16 presets, and two FR Series High-
Current power amplifiers.

 Like all Mackie mixers, the PPM Series mixers are 

designed for rugged, day-in and day-out road use. 
Their sturdy composite-molded case houses rugged, 
double-sided SMT-plated fiberglass circuit boards. 
Impact-resistant knobs are mounted so they “ride” 
just above the steel front panel.

 The 808M has six mono mic/line input channels 

and two stereo mic/line input channels (summed to 
the main bus), with XLR mic inputs and 1/4" TRS line 
inputs. All mono channels have 1/4" TRS insert jacks 
(tip = send, ring = return). Each channel strip has one 
monitor and one internal/external effects send, plus 
3-band EQ and input trim with individual level-set 
LEDs. A rotary volume control provides output gain for 
each channel.

 The inputs include Mackie’s high-headroom, low-

noise mic preamps. Trim controls provide 40 dB of 
microphone gain, 20 dB of line-level gain, and a full 
20 dB of attenuation to “pad” hot signals. Each chan-
nel also includes a level-set LED for easy level setting.

 Channel EQs are as follows: 12 kHz shelving high-fre-

quency EQ (±15 dB), 2.5 kHz peaking mid-frequency EQ 
(±12 dB), and 80 Hz shelving low-frequency EQ (±15 dB).

 A global phantom power switch a15 Vdc 

to pins 2 and 3 of the XLR inputs, and a break switch 
mutes channels 1-6 while break music is playing. Left 
and right RCA tape inputs are provided with an adja-
cent input level control for connecting a tape deck or 
CD player.

 Both the Monitor Master and Main Master rotary 

controls have corresponding EFX controls to mix the 
effects signal with the monitor and main outputs. 
Eight LEDs indicate the output signal level for each 
main and monitor output. Outputs include a 1/4" TRS 
mixer line output, a 1/4" TRS monitor line output, and 
left and right RCA tape line outputs. 

Related Products

PPM 406M and PPM 808S

Features

  Eight microphone/line inputs
  Two stereo line inputs (on channels 7 and 8)
  600 W main output power amplifier
  600 W monitor output power amplifier
  9-band graphic EQ on Main and 

Monitor outputs

  EMAC

TM

 custom 32-bit precision digital stereo 

effects processor

  Two auxiliary sends (EFX and MON)
  3-band EQ on each channel
  1/4" and XLR connectors on each input
  1/4" Insert jacks on channels 1-6
  Two 1/4" Speaker outputs per side
  RCA stereo Tape In and Tape Out
  Compressors (switchable) on both outputs
  15 V phantom power
  Three-year warranty

  Applications

  Restaurants and Bars
  Meeting Rooms
  Churches/Sanctuaries
  Outdoor Gatherings

(continued on page 6)

Summary of Contents for 808M

Page 1: ...des a level set LED for easy level setting Channel EQs are as follows 12 kHz shelving high fre quency EQ 15 dB 2 5 kHz peaking mid frequency EQ 12 dB and 80 Hz shelving low frequency EQ 15 dB A global phantom power switch applies 15 Vdc to pins 2 and 3 of the XLR inputs and a break switch mutes channels 1 6 while break music is playing Left and right RCA tape inputs are provided with an adja cent ...

Page 2: ...unbalanced Power Amp In 10 kΩ unbalanced Mixer Section Frequency Response Mic Input to Main Mixer Output Trim at 0 dB 0 1 dB 32 Hz to 20 kHz 0 3 dB 16 Hz to 80 kHz Mic Input to Power Amp Output rated power output 0 1 dB 32 Hz to 20 kHz 0 3 dB 16 Hz to 55 kHz Distortion THD and SMPTE IMD 20 Hz to 20 kHz Mic Input to Main Mixer Output 0 005 4 dBu output Mic Input to Power Amp Output 0 15 250 mW to r...

Page 3: ...r into 4 Ω Frequency Response 10 Hz to 30 kHz 0 1 dB 10 Hz to 55 kHz 0 3 dB Distortion THD SMPTE IMD 0 10 8 Ω 0 15 4 Ω Signal to Noise Ratio 105 dB below rated power into 8 Ω Channel Separation 75 dB 1 kHz Damping Factor 250 1 kHz Amp Input Impedance 10 kΩ unbalanced 20 kΩ balanced Input Sensitivity 1 76 volts 7 1 dBu for rated power into 4 ohms Gain Amp In to Speaker Out 26 4 dB 21 V V Maximum In...

Page 4: ...T INPUT LEVEL SET INPUT LEVEL SET INPUT LEVEL SET INPUT LEVEL SET INPUT LEVEL SET INPUT LEVEL SET INPUT LEVEL SET EFX CLIP PARAMETERS 10 0 10 0 REVERBS DELAYS CHORUS FLANGE DAMPING DEPTH PHASER TIME RATE NORMAL NORMAL CUSTOM 32 BIT PRECISION DIGITAL STEREO EFFECTS PROCESSING EFX WIDE MAIN EQUALIZER 30 CLIP 5 5 0 10 15 20 EFX FOOT SWITCH RETURN SEND MIXER LINE OUT POWER AMP 1 IN POWER AMP 2 IN EFFE...

Page 5: ... MONITOR EFX TO MAIN EFX BYPASS EFX CLIP EFX RETURN MIXER LINE OUT AMP ROUTING TAPE IN TAPE OUT L MAINS MAIN MONITOR MONITOR EFX VOLUME MONITOR EFX TRIM INPUT LEVEL SET TAPE OUT R MAIN MASTER LEVEL MONITOR LEVEL STEREO CH 7 8 Not Available on the 406M INSERT 0 to 40dB Off to 20dB Off to 20dB Off to 10dB 15dB Off to 12dB Off to 20dB Off to 10dB Off to 12dB Off to 10dB Off to 10dB Off to 12dB Off to...

Page 6: ...out or allows one amp to drive the mains and one amp to drive the monitors MAIN MONITOR with the Power Amp Routing switch pushed in Each Graphic Equalizer has nine bands with 15 dB of gain and centers at 63 Hz 125 Hz 250 Hz 500 Hz 1 kHz 2 kHz 4 kHz 8 kHz and 16 kHz A 75 Hz high pass filter switch is included in each EQ section to reduce stage rumble or microphone handling noise The EMAC 32 bit dig...

Reviews: