14-Channel Mic/Line Mixer
RM1402-VLZ Rack-Mount Brackets (not included),
1202-VLZ PRO 12-Channel Mic/Line Mixer, 1604-VLZ
PRO 16-Channel Mic/Line Mixer, 1642-VLZ PRO 16-
Channel Mic/Line Mixer, SRM350/SRM450 Active
2-Way SR Loudspeakers, M•800/M•1400i/M•1400
Power Amplifi ers, C200/C300z passive 2-way SR Loud-
speakers
Features
Applications
Live sound mixing for churches, clubs, school audi-
toriums, school sports centers, hotel conference
centers, boardrooms, trade shows, presentations
Multitrack studio and fi eld recording
Headphone or cue mixer, impedance or level match-
ing “tool kit”
A/V presentations, video post production, CD
authoring, multimedia
Live broadcast remotes, ENG, ad production
Mackie’s 1402-VLZ PRO
combines the compact
size of the 1202-VLZ PRO with added features and
60mm log-taper faders. Its six new “audiophile”
XDR™ Extended Dynamic Range mic preamps offer
the best RFI rejection of any compact mixer design.
Added benefi ts include maximum freedom from
ground loops and impeccable sonic performance
that meets or exceeds the specs of esoteric, out-
board mic preamplifi ers. The XDR design is the only
compact mixer mic preamp that is totally impedance
independent: frequency response does not change
even with extremely long cable runs or exceptionally
high-impedance mic inputs.
A sharp, 18dB/octave 75Hz Low Cut fi lter on each
mic channel greatly reduces mic thumps, wind noise
and stage rumble. Mute/Alt 3-4 effectively creates a
second stereo bus. The Mute button on each channel
mutes that channel in the Main Mix, while simultane-
ously placing the signal on the Alt 3-4 stereo bus,
greatly increasing signal routing fl exibility.
The EFX to Monitor feature allows routing of
reverb or other effects signals back into a monitor
mix via Aux Send 1. Aux 1 Master’s Pre/Post switch
can be set for pre-fader/post-EQ use, which is bene-
fi cial for stage monitor mixes, or post-fader/post-EQ
for use with external effects. It also has a level con-
trol for added fl exibility.
Control Room/Phones has its own level control,
stereo output pair and input matrix for selecting any
combination of Main Mix, Tape In and Alt 3-4 to
create custom headphone mixes, to monitor tape
levels, and more. A separate switch routes this
multi-source signal back into the Main Mix.
Because of its many features and durability, the
1402-VLZ PRO can be used for extra studio-grade
preamps, as aux inputs for a mixing console, or as
an impedance- or level-matching audio toolkit.
6 low noise/high headroom XDR™ (Extended
Dynamic Range) XLR mic inputs with the best
RF rejection of any compact mixer design and
maximum freedom from ground loops
6 balanced/unbalanced mono line inputs
4 pairs of balanced/unbalanced stereo line inputs
60mm log-taper faders
48V global phantom power
3-band EQ (12kHz, 2.5kHz, 80Hz)
75Hz, 18dB/octave Low Cut fi lter on Channels 1–6
PFL/AFL Solo (in-place) on all channels (global)
Very Low Impedance (VLZ) architecture
EFX to Monitor switch
Alt 3-4 extra stereo bus
Balanced inputs and outputs (except RCAs and
channel inserts)
Balanced XLR Main L/R outputs with mic/line
level switch plus 1/4" Main L/R outputs
60dB Gain on Channels 1–6
Global Aux 1 Pre/Post-Fader switch
Level Setting LED and marker
Introduction
