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1. Turn the 505 II over and open 

the cover of the battery 
compartment on the bottom.

Press the latch to release it and 
then raise the cover. 

2. Insert four fresh IEC R6 

(size AA) batteries into the 
battery compartment. 

3. Close the cover of the battery compartment.

Close the cover of the battery compartment. 

  Push the cover in until the latch audibly snaps into place. 

Battery 
compartment cover

Tab 

Four IEC R6 
(size AA) batteries

Insert all batteries with 
the same orientation.

Rear of 505 II

4

ZOOM 505 II 

GUITAR

ZOOM 505 II 

GUITAR

5

Using the unit on batteries 

Terms Used in This Manual

T

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rms

U

sed

in

This

Manual

T

e

rms

U

sed

in

This

Manual

/

Using

the

unit

on

batteries

Use four IEC R6 (size AA) batteries. 
When the batteries are getting low, a dot (.) in the bottom section of the
display starts to flash. 

NOTE

While not using the 505 II, you should disconnect the cable plugged
into the INPUT jack, to prevent draining the batteries.

Play mode/edit mode 

The internal status of the 505 II is referred to as the operation mode. The
two major modes are play mode, in which you can select patches and use
them for playing your instrument, and edit mode, in which you can modify
the effects. The [PLAY/EDIT] selector serves for switching between the
play mode and edit mode. 

This section explains some important terms that are used throughout the
505 II documentation. 

Effect module 

As shown in the illustration below, the 505 II can be thought of as a
combination of several single effects. Each such effect is referred to as an
effect module. In addition to modules comprising compressor effects
(COMP) or distortion effects (DIST), the 505 II also provides a module for
ZNR (ZOOM Noise Reduction) and a guitar amp simulator. Parameters
such as effect intensity can be adjusted for each module individually, and
modules can be switched on and off as desired. 

Effect type 

Within each effect module, there are several different effects which are
referred to as effect types. For example, the modulation effect module
(MOD) comprises chorus, flanger, pitch shifter, and other effect types. Only
one of these can be selected at a time. An effect type is also often simply
referred to as an effect. 

Effect parameter 

All effect modules have various parameters that can be adjusted. When
likening an effect module to a compact effect device, the parameters can be
thought of as the control knobs on the device. Changing the parameter
settings will result in changes to items such as effect intensity and tonal
characteristics. 

Patch 

In the 505 II, effect module combinations are stored and called up in units
referred to as patches. A patch comprises information about the on/off
status of each effect module, about the effect type used in each module, and
about effect parameter settings. The memory of the 505 II can store up to
36 patches. 

Bank 

A group of six patches is called a bank. The 505 II manages a total of six
banks, labelled A through F. The patches within each bank are numbered 1
through 6. To specify a patch, the 505 II uses the following format: "A1".
This means that patch number 1 from bank A is selected. Therefore "b6"
would refer to patch 6 from bank b. 

BANK A

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

BANK b

BANK C

BANK d

BANK E

BANK F

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

PATCH 1
PATCH 2
PATCH 3
PATCH 4
PATCH 5
PATCH 6

AMP SIM

ZNR

EQ

COMP

DIST

MOD

DLY/REV

IN

OUT

Summary of Contents for 505II Guitar

Page 1: ...tional Pedal 18 Restoring Factory Defaults 19 Linking Effects 20 Effect Types and Parameters 21 Specifications 31 Usage Precautions 31 Patch List Troubleshooting Contents Introduction Thank you for selecting the ZOOM 505 II hereafter simply called the 505 II Please take the time to read this manual carefully so as to get the most out of the unit and to ensure optimum performance and reliability Re...

Page 2: ...d multi effect processor for guitar with the following features and functions Top level performance While similar in price to a compact effect device the 505 II incorporates a varied palette of 33 effects Up to nine effects including ZNR and amp simulator can be combined in a patch The memory of the unit holds 36 rewritable patches providing no holds barred performance Intuitive user interface The...

Page 3: ...r ZNR ZOOM Noise Reduction and a guitar amp simulator Parameters such as effect intensity can be adjusted for each module individually and modules can be switched on and off as desired Effect type Within each effect module there are several different effects which are referred to as effect types For example the modulation effect module MOD comprises chorus flanger pitch shifter and other effect ty...

Page 4: ...se a Y cable for sending the output to two amplifiers Serves for connection of the optional foot switch FS01 or expression pedal FP01 FP02 Serves for storing edited patches copying patches to another location and other functions Serve for switching banks up and down adjusting parameters and other functions These switches are used for selecting patches controlling the tuner and other functions Show...

Page 5: ... on the guitar amplifier and adjust the volume to a suitable position A1 Bank Patch number You can use the keys to directly switch among the banks A F Keep both keys depressed for more than 1 second While the master volume setting is shown pressing the or key changes the setting The setting range is 0 50 When the unit is turned off and on again the setting will be reset to 40 When using headphones...

Page 6: ...ce pitch Bypass Tune the other strings in the same way A8 Pitch is high Pitch is correct Pitch is low The bypass or mute condition cannot be activated when the unit is in the edit mode Press one of the foot switches Press both foot switches together briefly and release Press both foot switches together and hold for at least 1 second Mute The left side of the display shows the note which is closest...

Page 7: ...tion 40 Parameter value Lit Modules and parameters that can be selected with the PLAY EDIT selector 1 Patch level 2 Basic parameters of COMP module 3 Basic parameters of DIST module 4 Extended parameters of DIST module 5 Basic parameters of EQ module 6 Extended parameters of EQ module 7 Basic parameters of ZNR AMP module 8 Basic parameters of MOD module 9 Basic parameters of DLY REV module 10 Exte...

Page 8: ...f the key When storing or copying a patch it is not possible to use the keys to switch only the bank number Press the STORE key once more When the store copy process is completed the unit reverts to the original mode with the target patch being selected The store process is aborted and the unit reverts to the previous mode To cancel the store copy process Press the key instead of the STORE key The...

Page 9: ...irect select To change the Patch call method back to normal direct select operation simply turn the unit off and back on again A3 A3 Confirm Use the foot switches to select the patch you want to use next 16 ZOOM 505 II GUITAR ZOOM 505 II GUITAR 17 Changing the Patch Call Method Changing the Patch Call Method Changing the Patch Call Method In normal operation the sound of the 505 II will change imm...

Page 10: ...ed to the 505 II while the unit is powered malfunction may occur Be sure to plug the foot switch or expression pedal into the CONTROL IN jack first and then plug the appropriate cable into the INPUT jack or DC 9V jack The pedal is active also in edit mode The 505 II comes with 36 preprogrammed patches These factory default patches can be restored also if they were overwritten by patches created by...

Page 11: ...and adjust the effect intensity SLOW ATTACK PITCH SHIFT Slow Attack Pitch Shift This effect type is a serial connection of slow attack and pitch shifter Higher right digit setting values result in slower attack rate The pitch shifter is fixed to the 1 octave up setting PEDAL SLOW ATTACK Pedal Slow Attack Using the expression pedal FP01 FP02 connected to the CONTROL IN jack the attack rate can be a...

Page 12: ... the effect type and adjust the effect intensity C1 C9 L1 L9 A1 A4 A5 A9 TIME LEVEL TIME LEVEL TIME LEVEL TIME LEVEL Original sound Compressor Limiter Original sound PEDAL WAH Pedal Wah This effect type allows using an expression pedal FP01 FP02 connected to the CONTROL IN jack for pedal wah The expression pedal then controls the frequency that is emphasized Higher setting values result in higher ...

Page 13: ...ence band You can select one out of 50 patterns 01 50 01 10 Lower values result in attenuated highs and emphasized lows 11 20 Lower values result in lower emphasized frequency 21 24 Lower values result in emphasized midrange 25 Flat characteristics 26 30 Higher values result in emphasized highs 31 40 Higher values result in higher emphasized frequency 41 50 Higher values result in emphasized prese...

Page 14: ... sound right channel PITCH 0 TIME Original sound PEDAL CHORUS Pedal Chorus Using the expression pedal FP01 FP02 connected to the CONTROL IN jack the chorus depth can be adjusted FLANGER Flanger This effect produces a unique undulating sound by shifting the pitch up and down Higher right digit setting values result in faster modulation FLANGER CHORUS Flanger Chorus This effect type is a serial conn...

Page 15: ...ect fourth up is mixed to the original sound P5 A chorus effect is added to the P4 setting P6 A component shifted by 1 octave up is mixed to the original sound P7 A slightly pitch shifted component is mixed to the original sound resulting in a chorus with slight modulation P8 A component shifted by a perfect fourth up and down is mixed to the original sound P9 A component shifted by 1 octave up an...

Page 16: ...eration for the effect type selected with the DLY REV module basic parameters d1 37 E1 10 Off indication Built in effects max 9 simultaneous 33 total Effect modules max 7 simultaneous 5 modules 1 block Banks and patches 6 banks x 6 patches 36 patches rewritable with memory store capability A D converter 16 bit 64 times oversampling D A converter 16 bit 8 times oversampling Sampling frequency 31 25...

Page 17: ...odeling sound Straight pedal wah sound 60 s British crunch sound with 1 octave up pedal pitch Like Santana s Solo Wild jet sound with pedal flanger Clean sound with auto wah and phase shift for rhythm play Slow attack sound with delay Noisy pedal wah fuzz sound Crunch sound for blues style play Distorted sound with auto wah and chorus effect Synthesizer sound with full effect palette SF style soun...

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