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127

 : 

押さえる /

Close/Geschlossen/Fermé/Cerrado/Fechado/

按下

/

Закрыто

/

닫기

 : 

放す /

Open/Offen/Ouvert/Abierto/Aberto/

松开

/

Открыто

/

열기

★ 

アミかけはかえ指です。

★ 

5 小節目以降の E-C

#

(D

b

) はオクター

ブ同じ運指です。

★ 

アルトフルートの実音は、記載より 4
度下になります。

★ 

バスフルートの実音は、記載より 1 オ
クターブ下になります。

★ 

ピッコロの実音は、記載より 1 オク
ターブ上になります。

★ 

Alternate fingerings are given with the shaded 

examples.

★ 

For E to C

#

, starting at the 5th measure, 

fingerings are the same for an octave higher.

★ 

The pitch actually produced by the alto flute is 

a perfect 4th lower than marked.

★ 

The pitch actually produced by the bass flute 

is an octave lower than marked.

★ 

The pitch actually produced by the piccolo is 

an octave higher than marked.

★ 

Die schraffierten Beispiele zeigen alternative 

Griffe.

★ 

Für E bis C

#

 entsprechen die Griffe ab dem 5. 

Takt denen eine Oktave höher.

★ 

Die tatsächlich von der Altflöte erzeugte Tonhöhe 

liegt eine reine Quarte unter der angegebenen.

★ 

Die tatsächlich von der Bassflöte erzeugte Ton-

höhe liegt eine Oktave unter der angegebenen.

★ 

Die tatsächlich von der Pikkoloflöte erzeugte Ton-

höhe liegt eine Oktave über der angegebenen.

フィンガリングチャート

/Fingering Chart/Grifftabelle/Tableau des doigtés/Gráfico de digitado/Gráfico de digitação/

指法表

/

Аппликатура

/

운지법

★ 

Des doigtés de rechange sont indiqués avec 

les exemples ombrées.

★ 

Pour mi à do 

#

, en commençant à la cin-

quième mesure, le doigté est identique pour 

une octave plus haut. 

★ 

La hauteur du son actuellement produite par la flûte 

alto est un quatrième parfait inférieur à celui indiqué. 

★ 

La hauteur du son actuellement produite par la flûte 

basse est une octave inférieure à celle indiquée. 

★ 

La hauteur du son actuellement produite par le 

piccolo est une octave plus haut à celle indiquée. 

★ 

En los ejemplos sombreados se dan digitados 

alternativos.

★ 

Para E a C

#

, empezando por el quinto 

compás, los digitados son los mismos que 

para una octava más alta.

★ 

El tono realmente producido por la flauta alta es 

una negra perfecta más baja que la marcada.

★ 

El tono realmente producido por la flauta baja 

es una octava más baja que la marcada.

★ 

El tono realmente producido por el flautín es 

una octava más alta que la marcada.

★ 

Os exemplos sombreados são digitações 

alternativas.

★ 

Para E a C

#

, com inicio no 5º compasso, as digi-

tações são as mesmas para uma oitava acima.

★ 

O som real produzido pela flauta alto é exata-

mente uma 4ª abaixo do que está marcado.

★ 

O som real produzido pela flauta baixo é exata-

mente uma oitava abaixo do que está marcado.

★ 

Som real produzido pelo Piccolo é uma oitava 

mais alta do que está marcado.

★ 

阴影部分表示也可用此指法。

★ 

第五小节以后 E~C

#

高八度音度的指

法与原位指法相同。

★ 

中音长笛的实音 , 比记谱低 4 度。

★ 

低音长笛的实音 , 比记谱低 8 度。

★ 

短笛的实音 , 比记谱高 8 度。

★ 

Дополнительная аппликатура обо-

значена затемненным цветом.

★ 

Начиная с 5 такта, от F до C

#

 положения 

пальцев для октавы выше аналогичны.

★ 

Звук, фактически издаваемый альто-

вой флейтой, на чистую кварту ниже 

написанного.

★ 

Звук, фактически издаваемый басовой 

флейтой, на октаву ниже обозначенного.

★ 

Звук, фактически издаваемый пикколо 

на октаву выше обозначенного.

★ 

음영으로 표시된 예는 대체 운지법입니다.

★ 

5 번째 소절에서 시작하는 E~ C

#

의 경

우 한 옥타브 위의 운지법 과 같습니다.

★ 

알토 플루트가 내는 실제 음은 표시된 

것보다 정확히 4 도 아래입니다.

★ 

베이스 플루트가 내는 실제 음은 표시

된 것보다 1 옥타브 아래입니다.

★ 

피콜로가 내는 실제 음은 표시된 것보

다 1 옥타브 위입니다.

Summary of Contents for YFL412

Page 1: ...Manual Pikkolofl te Querfl te Bedienungsanleitung Piccolo Fl te Mode d emploi Flaut n Flauta Manual de instrucciones Espa ol Portugu s Fran ais Deutsch English Piccolo Flauta Manual de instru es EN Z...

Page 2: ...Handgriffen zum Zusammensetzen und Zerlegen des Instruments vertraut zu werden und dieses ber Jahre hinweg in optimalem Zustand halten zu k nnen raten wir Ihnen diese Anleitung aufmerksam durchzulese...

Page 3: ...ance As discoloration progresses it may be difficult to remove Please use the accessories that are specified for use with the particular type of finish found on the instrument Also metal polishes remo...

Page 4: ...18 Nomenclature Piccolo Flute Embouchure Hole Embouchure Hole Embouchure Hole Headjoint Crown Body Keys Crown Headjoint Body Keys Footjoint Crown Headjoint Body Keys Footjoint Lip Plate...

Page 5: ...Flute Bass Flute Crown Headjoint Embouchure Hole Lip Plate U Joint Lip Plate Crown Headjoint Embouchure Hole Body Keys Footjoint U Joint Keys Footjoint Body Hand rest Crown Lip Plate Embouchure Hole H...

Page 6: ...h during and after performance remove moisture and dirt from the instrument whenever possible Before assembling the instrument please observe the following points When holding or assembling the instru...

Page 7: ...take care not to loosen the caps These can be freely removed or replaced to change the instrument s tonal character as you please When not holding the flute Piccolo Flute Alto Flute Place the instrum...

Page 8: ...ign matter from the joint sections before assembling Headjoint Body Assembling the instrument Piccolo Headjoint Body Marks Preparing to Play Footjoint Body Marks Taking care not to press the keys conn...

Page 9: ...adjoint Models Alto Flute Bass Flute 1 Attach the U joint to the main body Align the U joint so that it is positioned slightly to the left of the keys when looking at the keys from directly above Next...

Page 10: ...periodically Checking the position Using the supplied cleaning rod accessory insert it into the head joint and make sure that the line on the cleaning rod is centered in the embouchure hole Should it...

Page 11: ...nstrument Headcork Crown Body U joint Headjoint Headjoint Body Headcork Crown When adjusting the tone reflector s position Adjusting the tone reflector s position requires some skill and should be don...

Page 12: ...e removing moisture from wooden instruments Moisture left in the bore can result in cracking Cleaning rod Gauze After playing the instrument Cleaning the body 1 Insert the corner of a gauze through th...

Page 13: ...When cleaning the keys take care not to damage the pads Cleaning paper Powder paper Polishing cloth Pad maintenance 1 While the pads are still wet insert a piece of cleaning paper between the pad and...

Page 14: ...apply too much key oil Completely remove any oil that gets onto the surface of the keys or instrument 2 After applying oil move the key several times to spread the oil evenly Putting the instrument i...

Page 15: ...rument Too much oil may have been applied to the key mechanisms Wipe away excessive oil from the key mechanisms If that doesn t improve key function contact the dealer from whom you purchased the inst...

Page 16: ...125 Close Geschlossen Ferm Cerrado Fechado Open Offen Ouvert Abierto Aberto Fingering Chart Grifftabelle Tableau desdoigt s Gr ficode digitado Gr ficode digita o...

Page 17: ...126 Close Geschlossen Ferm Cerrado Fechado Open Offen Ouvert Abierto Aberto Fingering Chart Grifftabelle Tableau desdoigt s Gr ficode digitado Gr ficode digita o...

Page 18: ...s Pour mi do en commen ant la cin qui me mesure le doigt est identique pour une octave plus haut La hauteur du son actuellement produite par la fl te alto est un quatri me parfait inf rieur celui indi...

Page 19: ...Manual Development Group 2013 Yamaha Corporation Published 05 2019 POCP A0 VDE1610 430 8650 10 1...

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