Yamaha SY-35, Reference Manual

Page: 11 / 83

VOICE COMMON
6
Settings: Effect type:
Rev Hall (Reverb Hall)
Rev Room (Reverb Room)
Rev Plate (Reverb Plate)
Rev Club (Reverb Club)
Rev Metal (Reverb Metal)
Delay 1 (Short Single Delay)
Delay 2 (Long Delay)
Delay 3 (Long Delay)
Doubler (Doubler)
Ping-Pong (Ping Pong Delay)
Pan Ref (Panned Reflections)
Early Ref (Early Reflections)
Gate Rev (Gated Reverb)
Dly&Rev 1 (Delay & Reverb 1)
Dly&Rev 2 (Delay & Reverb 2)
Dist&Rev (Distortion & Reverb)
Depth: 0 … 7
Procedure: Use the [
4
] and [
6
] cursor keys to place
the underline cursor under the effect type or
depth parameter. Use the [–1/NO] and [+1/YES]
keys to select the desired effect or effect depth.
Details: Setting the depth parameter to “ 0 ” is
equivalent to turning the effect OFF. A depth
setting of “7” produces the greatest effect.
PITCH BEND
VC@PITCH BEND
Range= 2
Summary: Sets the range of the pitch bend wheel.
Settings: 0 … 12 max.*
Procedure: Use the [
6
] key to move the cursor to
the lower display line. Use the [–1/NO] and
[+1/YES] keys to select the desired pitch bend
range.
Details: Each increment from “0” to “12” repre-
sents a semitone. A setting of “0” produces no
pitch bend. A setting of “ 1 2 ” allows a
maximum pitch bend of plus or minus one
octave, while a setting of “ 4 ” allows a
maximum pitch bend of plus or minus a major
third.
* This range may be more limited in some cases.
An exclamation mark (!) will appear after the
range value when the limit is reached.
WHEEL (Amplitude & Pitch Modulation)
VC@WHEEL
AM=on PM=ON
Summary: Assigns the modulation wheel to ampli-
tude and/or pitch modulation.
Settings: AM (Amplitude Modulation): off, on
PM (Pitch Modulation): off, on
Procedure: Use the [
4
] and [
6
] cursor keys to place
the underline cursor under the AM or PM
parameter. Use the [–1/NO] and [+1/YES] keys
to turn the selected parameter on or off.
Details: Amplitude modulation produces a tremolo
effect while pitch modulation produced a
vibrato effect. This function
allows the
modulation wheel to be assigned to produce
either or both. This is only an “off/on” switch,
however,
and the maximum depth of
modulation to be applied must be set using the
LFO AM Depth and PM Depth parameters in
the ELEMENT TONE edit mode.
When the modulation wheel is assigned to
amplitude or pitch modulation, LFO modulation
can only be applied via the wheel.
If both WHEEL and AFTER TOUCH are as-
signed to modulation control, the controller via
which the highest modulation level is applied
will take priority when both are used simul-
taneously.