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18

 

MIDI Data Format

 

1. Channel 

messages

 

1.1

Note on/note off

 

These messages convey keyboard performance data.

Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)
Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter "RECEIVE NOTE MESSAGE" = OFF, that part will not 
receive these messages.
For a drum part*, key-off is not received if the DrumSetup parameter RECEIVE NOTE OFF 
= OFF.
For a drum part, key-on is not received if the DrumSetup parameter RECEIVE NOTE ON = 
OFF.

* Drum Part indicates that the Multi Part parameter PART MODE is "set to DRUM, 

DRUMS1, DRUMS2."

 

1.2 Control 

changes

 

These messages control volume or pan etc.

Their functions are differentiated by the control number (Ctrl#).
If the Multi Part parameter RECEIVE CONTROL CHANGE = OFF, that part will not receive 
control changes.

 

1.2.1 Bank Select

 

This message selects the voice bank.

 

Control#

Parameter

Data Range

0

Bank Select MSB

0, 63, 64, 126, 127

(Normal voice, Native voice, SFX 

voice, SFX kit, Drum kit)

32

Bank Select LSB

0...127

 

The Bank Select data will be processed only after a Program Change is received, and then 
voice bank will change at that time.
If you wish to change the voice bank as well as the voice, you must transmit Bank Select 
and Program Change messages as a set, in the order of Bank Select MSB, LSB, and 
Program Change.

Not received when Receive Bank Select in Native System Parameters is set to off.

 

1.2.2  Modulation

 

This message is used primarily to control the depth of vibrato, but the depth of the following 
7 types of effect can be controlled.

The effect of this message can be changed by the following parameters.
• Multi Part Parameter

1. MW PITCH CONTROL
2. MW FILTER CONTROL
3. MW AMPLITUDE CONTROL
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH
6. MW LFO AMOD DEPTH

• Effect1 Parameter

7. MW VARIATION CONTROL DEPTH
   (Valid when Variation Effect is assigned to a part as Insertion)

 

Control#

Parameter

Data Range

1

Modulation

0...127

 

If the Multi Part parameter RECEIVE MODULATION = OFF, that part will not receive 
Modulation.

 

1.2.3  Portamento Time

 

This message controls the degree of Portamento (refer to 1.2.9).

 

Control#

Parameter

Data Range

5

Portamento Time

0...127

 

 

When Portamento (control number 065) is ON, this regulates the speed of the pitch 
change.

 

If the receive channel is a drum part, Portamento Time is not received.

 

1.2.4  Data Entry

 

This message sets the value of the parameter which was specified by RPN MSB/LSB (see 
1.2.26) and NRPN MSB/LSB (see 1.2.25).

 

Control#

Parameter

Data Range

6

Data Entry MSB

0...127

38

Data Entry LSB

0...127

 

1.2.5  Main Volume

 

This message controls the volume of each part.
This is used to adjust the volume balance between parts.

 

Control#

Parameter

Data Range

7

Main Volume

0...127

(no sound...max.)

 

When the Multi Part parameter RECEIVE VOLUME = OFF, that part will not receive Main 
Volume.

 

1.2.6  Panpot

 

This message control the panning (stereo location) of each part.

 

Control#

Parameter

Data Range

10

Pan

0...64...127

(left...center...right)

 

When the Multi Part parameter RECEIVE PAN = OFF, that part will not receive Panpot.

 

1.2.7  Expression

 

This message controls expression (dynamics within a musical line) for each part.
It is used to create volume changes during a song.

 

Control#

Parameter

Data Range

11

Expression

0...127

(no sound...max.)

 

If the Multi Part parameter RECEIVE EXPRESSION = OFF, that part will not receive 
Expression.

 

1.2.8  Hold1

 

This message controls sustain pedal on/off.

 

Control#

Parameter

Data Range

64

Hold1

0...63,64...127

(OFF, ON)

 

When this is ON, currently-sounding notes will continue to sound even if note-off 
messages are received.
If the Multi Part parameter RECEIVE HOLD1 = OFF, that part will not receive Hold1.

 

1.2.9  Portamento

 

This message controls portamento on/off.

 

Control#

Parameter

Data Range

65

Portamento

0...63,64...127

(OFF, ON)

 

When this is ON, the pitch will change smoothly between notes. The time over which the 
pitch changes is adjusted by Portamento Time (see 1.2.3). Also, when the Multi Part 
parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if 
Portamento = ON.
If any of the following Multi Part parameter settings apply, that part will not receive 
Portamento.

• RECEIVE PORTAMENTO = OFF 
• PART MODE=DRUM, DRUMS1, 2

 

1.2.10  Sostenuto

 

This message controls sostenuto pedal on/off.

 

Control#

Parameter

Data Range

66

Sostenuto

0...63,64...127

(OFF, ON)

 

If sostenuto is turned on while a note is sounding, that note will be sustained until 
sostenuto is turned OFF.
Sostenuto for the specified part is not received when RECEIVE SOSTENUTO of the part in 
Multi Part Parameters is set to off.

 

1.2.11  Soft Pedal

 

This message controls soft pedal on/off.

 

Control#

Parameter

Data Range

67

Soft Pedal

0...63,64...127

(OFF, ON)

 

The sound will become mellower when Soft Pedal is ON.
If any of the following Multi Part parameter settings apply, that part will not receive the Soft 
Pedal.

• RECEIVERECEIVE SOFT PEDAL=OFF
• PART MODE=DRUM, DRUMS1/2

 

1.2.12  Harmonic Content

 

This message adjusts the resonance of the filter that is specified for the sound.

 

Control#

Parameter

Data Range

71

Harmonic Content

0...64...127

(-64...0...+63)

 

Higher values will produce a more distinctive sound.
For some sounds, the effective range may be less than the possible range of settings.

 

1.2.13  Release Time

 

This message adjusts the EG release time that was specified by the sound data.

 

Control#

Parameter

Data Range

72

Release Time

0...64...127

(-64...0...+63)

 

Increasing this value will lengthen the release that follows a note-off.

 

1.2.14  Attack Time

 

This message adjusts the EG attack time that was specified by the sound data.

 

Control#

Parameter

Data Range

73

Attack Time

0...64...127

(-64...0...+63)

 

Increasing this value will make the attack more gradual, and decreasing this value will 
make the attack sharper.

 

1.2.15   Brightness

 

This message adjusts the cutoff frequency of the low pass filter specified by the sound 
data.

 

Control#

Parameter

Data Range

74

Brightness

0...64...127

(-64...0...+63)

 

Lower values will produce a more mellow sound.
For some sounds, the effective range may be less than the possible range of settings.

Summary of Contents for S08 Voice Editor

Page 1: ...ter List 14 Effect Data Assign Table 17 MIDI Data Format 18 MIDI Data Table 25 MIDI Implementation Chart 30 Table of Contents S08 Normal Voice List 2 S08 Drum Voice List 3 XG Normal Voice List 4 GM2 N...

Page 2: ...eleste4 on on on on 61 Or JazzPerc No Effect on on on 62 Or Dist OverDrive on on on on 63 Or BassWalk Rotary Speaker on on on 64 Or Falf Amp Simulator on 65 Or FuzFalf Amp Simulator on 66 Or VxOrgan 2...

Page 3: ...EQ on on 65 Ld Saw Delay L C R on 66 Ld DarkSync Phaser1 on 67 Ld BritSync Echo on on 68 Ld SP Sync 3Band EQ on 69 Ld Porta Ld Delay L R on on 70 Ld Squ Mono Delay L R on on 71 Ld Pulse Phaser1 on 72...

Page 4: ...2 52 Synth Strings 2 Syn Str2 2 53 Choir Aahs ChoirAah 1 S Choir 2 Ch Aahs2 2 54 Voice Oohs VoiceOoh 1 55 Synth Voice SynVoice 1 56 Orchestra Hit Orch Hit 2 Brass 57 Trumpet Trumpet 1 Trumpet2 1 Brit...

Page 5: ...ani 1 Ensemble 49 String Ensemble 1 Strings1 1 60sStrng 2 Orchestr 2 50 String Ensemble 2 Strings2 1 Warm Str 2 51 Synth Strings 1 Syn Str1 2 Reso Str 2 Syn Str3 2 52 Synth Strings 2 Syn Str2 2 53 Cho...

Page 6: ...pSft 1 58 Trombone Trombone 1 BrhgtTrb 1 59 Tuba Tuba 1 60 Muted Trumpet Mute Trp 1 MuteTrp2 1 61 French Horn Fr Horn 2 62 Brass Section 1 BrasSect 1 Hi Brass 2 MelloBrs 2 63 Synth Brass 1 SynBrss1 2...

Page 7: ...o Piccolo 1 74 Flute Flute 1 75 Recorder Recorder 1 76 Pan Flute PanFlute 1 77 Blown Bottle Bottle 2 78 Shakuhachi Shakhchi 2 79 Whistle Whistle 1 80 Ocarina Ocarina 1 Synth Lead 81 Lead 1 square Squa...

Page 8: ...oice 1 AnaVoice 1 56 Orch Hit 2 BassHit 2 6th Hit 1 Euro Hit 1 57 Trumpet 1 DrkTpSft 1 58 Trombone 1 Trmbone2 2 BrghtTrb 1 59 Tuba 1 60 Mute Trp 1 MuteTrp2 2 61 Fr Horn 2 FrHorn 2 2 62 BrssSect 1 Brss...

Page 9: ...Jazz M Brush Tap 2 Band Snare 2 41 F1 Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 Tom Analog 1 Tom Brush 1 42 F 1 1 Hi HatClosed HatCloseAnlg Hi HatCls 3 43 G1 Floor Tom H Tom Room 2 T...

Page 10: ...F 1 1 HatCloseFunk HatClose R B HatCloseTmbr HatCloseHip Telephone 2 43 G1 Tom Studio 2 TomElectro 2 Tom Vari 2 Tom Vari 2 Tom Vari 2 44 G 1 1 HatPedal Hard HatPedalTght HatPedalFunk HatCloseAn 2 Hat...

Page 11: ...4 1 Tom Rock 4 1 TomElectro 4 1 Tom Analog 4 1 Timpani B 1 Fret Noise 2 48 Mid Tom H 1 Tom Room 5 1 Tom Rock 5 1 TomElectro 5 1 Tom Analog 5 1 Timpani C 1 CuttingNoizH 1 49 CrashCymbal1 1 Crash Analog...

Page 12: ...rLA 254 Dr Bd3 354 Dr Timpni2 454 Pf FMPiano 55 Pf Wurli 155 St StrR 255 Dr Bd4 355 Dr CncrtBd 455 Gt PwrChd1 56 Pf Wurli 156 St StrRA 256 Dr Bd5 356 Dr OrchHit 456 Gt PwrChd2 57 Pf DX1 157 St SmlEns...

Page 13: ...m L 11 03H 00H Stage 1 Reverb approproate for a solo instrument 12 03H 01H Stage 2 13 04H 00H Plate Reverb simulating a metal plate reverb unit 14 04H 07H GM Plate 15 05H 00H Delay L C R A program tha...

Page 14: ...ck 1 7150 2 Rch Delay 0 1 715 0ms variation block 1 7150 3 Feedback Delay 1 0 1 715 0ms variation block 1 7150 4 Feedback Delay 2 0 1 715 0ms variation block 1 7150 5 Feedback Level 63 63 1 127 6 High...

Page 15: ...Delay Offset 0 0 50 0 127 table 2 4 5 6 EQ Low Frequency 50Hz 2 0kHz 8 40 table 3 7 EQ Low Gain 12 12dB 52 76 8 EQ High Frequency 500Hz 16 0kHz 28 58 table 3 9 EQ High Gain 12 12dB 52 76 10 Dry Wet D6...

Page 16: ...p 12 13 14 15 16 No Parameter Display Value See Table Control 1 Drive 0 127 0 127 2 AMP Type Off Stack Combo Tube 0 3 3 LPF Cutoff 1 0k Thru 34 60 table 3 4 Output Level 0 127 0 127 5 6 7 8 9 10 Dry W...

Page 17: ...200 0 Data Value Data Value 0 0 1 32 5 1 1 0 3 33 5 3 2 0 4 34 5 4 3 0 6 35 5 6 4 0 7 36 5 7 5 0 9 37 5 9 6 1 0 38 6 1 7 1 2 39 6 2 8 1 4 40 6 4 9 1 5 41 6 5 10 1 7 42 6 7 11 1 8 43 6 8 12 2 0 44 7 0...

Page 18: ...rol Parameter Data Range 10 Pan 0 64 127 left center right When the Multi Part parameter RECEIVE PAN OFF that part will not receive Panpot 1 2 7 Expression This message controls expression dynamics wi...

Page 19: ...value Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify and then use Data Entry see 1 2 4 to set the value for the specified parameter Control Parameter Data Range 98 NRPN LS...

Page 20: ...nges and changes the program number of the receiving channel In order to include changes to the voice bank Program Change and Bank Select messages must be sent as a set see 1 2 1 When RevPROGRAM CHANG...

Page 21: ...arget device 00000100 04H Sub ID 1 Device Control Message 00000011 03H Sub ID 2 Master Fine Tuning 0sssssss SSH Fine Tuning LSB 0ttttttt TTH Fine Tuning MSB 11110111 F7H End of Exclusive The value set...

Page 22: ...MIDI Message 00000001 01H Sub ID 2 General MIDI On 11110111 F7H End of Exclusive or 11110000 F0H Exclusive status 01111110 7EH Universal Non Real Time 0xxxnnnn XNH n Device Number x ignored 00001001...

Page 23: ...eter change messages a single message can modify multiple parameters The message format is as follows 11110000 F0H Exclusive status 01000011 43H YAMAHA ID 0000nnnn 0NH N Device Number 01001100 4CH Mod...

Page 24: ...Mid 0lllllll LLH Address Low 11110111 F7H End of Exclusive 2 4 Dump request This message requests transmission of a specific block of parameter values The output is the same as the bulk dump format 2...

Page 25: ...7F REVERB PARAMETER 15 40 15 1 00 7F REVERB PARAMETER 16 00 02 01 20 2 00 7F CHORUS TYPE MSB Refer to the Effect Type List 41 CHORUS1 00 7F CHORUS TYPE LSB 00 22 1 00 7F CHORUS PARAMETER 1 06 depends...

Page 26: ...TUNING G 64 0 63 cent 40 4A 1 00 7F SCALE TUNING A 64 0 63 cent 40 4B 1 00 7F SCALE TUNING A 64 0 63 cent 40 4C 1 00 7F SCALE TUNING B 64 0 63 cent 40 4D 1 28 58 CAT PITCH CONTROL 24 0 24 semitones 4...

Page 27: ...eter Description H H H 1E 00 nn 0 Bulk Header Normal Voice PRESET nn 0 127 08 nn 0 Normal Voice USER nn 0 127 0F nn 0 Normal Voice Edit Buffer nn 0 28 nn 0 Drum Voice USER nn 0 1 2F nn 0 Drum Voice Ed...

Page 28: ...64 0A 1 00 7F VELOCITY SENSITIVITY DEPTH 0 127 40 0B 1 00 7F VELOCITY SENSITIVITY OFFSET 0 127 40 0C 1 00 7F PAN RND L63 C R63 40 0D 1 00 7F NOTE LIMIT LOW C 2 G8 00 0E 1 00 7F NOTE LIMIT HIGH C 2 G8...

Page 29: ...2 2 00 01 AEG Decay Level 01 7F 0 Min 00 00 255 Max 00 63 00 7F 00 64 2 00 01 AEG Sustain Level 01 7F 0 Min 00 00 255 Max 00 65 00 7F 00 66 1 00 0F Level Scaling Sensitivity 0 15 00 67 1 00 0F AEG Rat...

Page 30: ...m is always treated as 1 regardless of its value 3 though the keyboard itself has no after touch after touch data can be transmitted from MW and FC when after touch is assigned to the controllers 3 0...

Page 31: ...s Local ON OFF Mes All Notes OFF sages Active Sense Reset Notes Mode Default Changed Note ON Note OFF Key s Ch s 0 121 1 16 1 16 9nH v 1 127 8nH v 1 127 0 127 2 2 1 receive if sync is MIDI 2 if sequen...

Page 32: ...M D G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2002 Yamaha Corporation V881820 202MWCP25 2 01A0 This document is printed on chlorine free ECF paper with soy ink...

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