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“DetuneType” Parameter Settings
Type Name
LCD
Harmony 1
Harmony 2
abbrevi-
Pitch Shift
Pitch Shift
ation
(none when
Lead Gender on)
TrioLow
TrioLo
–7 cents
+7 cents
TrioMid-Low
TrioML
–11 cents
+11 cents
TrioMid-High
TrioMH
–15 cents
+15 cents
TrioHigh
TrioHi
–20 cents
+20 cents
DuetLow
DuetLo
–7 cents
- -
DuetMid-Low
DuetML
–11 cents
- -
DuetMid-High
DuetMH
–15 cents
- -
DuetHigh
DuetHi
–20 cents
- -
●
Detune
Detune Types add vocal notes which are detuned by a specific
amount, thus adding a chorus effect to the lead voice.
●
Chromatic
In this mode the harmony notes are always produced at the
specified interval from the lead vocal.
“ChromaticType” Parameter Settings
Type Name
LCD
Harmony 1
Harmony 2
abbrevi-
Pitch
Pitch
ation
(none when
Lead Gender on)
OctaveBelow
OctBlw
1 octave down
- -
3rdBelow
3rdBlw
Minor 6th down - -
5thBelow
5thBlw
Perfect 4th down
- -
Unison
Unison
Unison
- -
3rdAbove
3rdAbv
Major 3rd up
- -
5thAbove
5thAbv
Perfect 5th up
- -
OctaveAbove
OctAbv
1 octave up
- -
GregorianI
GregI
1 octave down
Perfect 4th down
GregorianII
GregII
1 octave down
Perfect 4th up
OctaveAbove
UnsnOA
Unison
1 octave up
OctaveBelow
UnsnOB
1 octave down
Unison
Vocal Harmony
• Received MIDI note data can also be used to specify the Vocoder mode harmony notes when the MIDI receive mode is set to “VOCAL
HARMONY” (page 136). The volume, pan, detune, modulation, and pitch bend of any Vocal Harmony type can be adjusted via
control change or pitch bend data.
• The Vocal Harmony song track and the Vocal Harmony MIDI channel, described above, are always linked: e.g. if the song track is
changed to 3, MIDI receive channel 3 will automatically be set to the VOCAL HARMONY mode, and vice versa.
• With a Vocoder mode type it is possible to produce an “a capella” vocal chorus effect by turning the volume of the panel voices all
the way down.