Yamaha P-200 Owner'S Manual Download Page 84

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6. PARAMETER CHANGE TABLE

6.1 System Setup

F0H, 43H, 1nH, 2AH, 20H, 00H, 00H, N2H, 00H, V2H, F7H
n

: Device Number

N2H : Parameter Number
V2H : Parameter Value 2

data name

V2 (data range)

note

00 MTUNE

-64 – +63 (o/b)

Master Tuning

01 MENABSW

off/on

MIDI Tx Enable SW

02 MREVSW

bypass/active

Reverb Bypass SW

03 MERGSW

off/on

Merge SW

04 PERFCHSW

sys/perf

Performance Channel Enable SW

05 PERFLOSW

sys/perf

Performance Local Enable SW

06 PERFASSSW

sys/perf

Performance Controller Assign Enable SW

07 POPUPPC

off, 1, ....., 5

Popup Time P.C. Send

08 POPUPOTHER

1, ...., 5

Popup Time Other

09 STORETYPE

auto store/

Store Type

non auto store

auto store / non auto store

0A DEVNUM

1–16, all, off

Device Number

0B LOCK MODE

off/on

Panel Lock Mode (Disable/Enable)

6.2 Voice

F0H, 43H, 1nH, 2AH, 22H, 00H, 00H, N2H, 00H, V2H, F7H
n

: Device Number

N2H : Parameter Number
V2H : Parameter Value 2

data name

V2 (data range)

note

00 PBRANGE

0–12

PB Range

01 MODASS

0–3

Modulation Wheel Assign

02 INTVELCRV

0–9

Int. KBD Sens.Type

03 RXVELCRV

0–9

MIDI KBD Sens. Type

04 VELMIN

0–127

KBD Range Min

05 VELMAX

0–127

KBD Range Max

06 REVTYPE

0–3

Effect Reverb Type

07 REVDPT

0–7

Effect Reverb Depth

08 MODTYPE

0–3

Effect Modulation Type

09 MODSPD

0–7

Effect Modulation Speed

0A INTEQL

-16 – +16 (o/b)

Internal Equalizer Low

0B INTEQM

-16 – +16 (o/b)

Internal Equalizer Mid

0C INTEQH

-16 – +16 (o/b)

Internal Equalizer High

6.3 Keyboard Mode

F0H, 43H, 1nH, 2AH, 26H, 00H, 00H, N2H, 00H, V2H, F7H
n

: Device Number

N2H : Parameter Number
V2H : Parameter Value 2

data name

V2 (data range)

note

00 PMODE

0–2

Play Mode

0: Single/ 1: Dual/ 2: Split

01 VMAIN

0–11

Main Voice Number

*1 2*

02 VDUAL

0–11

Sub Voice Number (Dual) *1

03 VSPLIT

0–11

Sub Voice Number (Split)

04 VP1MONO

stereo/mono

Piano1 stereo/mono

05 VP2MONO

stereo/mono

Piano2 stereo/mono

06 VBASSEW

elec./upright

Bass elec./upright

07 ORGCMB16

0–7

Organ Combination 16'

08 ORGCMB8

0–7

Organ Combination 8'

09 ORGCMB513

0–7

Organ Combination 5+1/3'

0A ORGCMB4

0–7

Organ Combination 4'

0B ORGCMB223

0–7

Organ Combination 2+2/3'

0C ORGCMB2

0–7

Organ Combination 2'

0D ORGCMB113

0–7

Organ Combination 1+1/3'

0E ORGCMB1

0–7

Organ Combination 1'

0F ORGATK4

0–7

Organ Attack 4'

10 ORGATK223

0–7

Organ Attack 2+2/3'

11 ORGATK2

0–7

Organ Attack 2'

12 ORGATKLEN

0–7

Organ Attack Length

13 ORGRESPONSE

0–7

Organ Combination Response

14 ORG.EF

each/first

Organ Attack Each/First

15 reserve

16 reserve

17 Tx Sub ch

0–15, off

Tx Sub channel

18 Rx Sub ch

0–15, off, all

Rx Sub channel

19 BAL DUAL

-16 – +15 (o/b)

Dual Balance

1A BAL SPLIT

-16 – +15 (o/b)

Split Balance

1B DETUNE

0–7

Dual Detune

1C SPOINT

A-1–C7

Split Point

1D SAREA

upper/lower

Split Main Voice Area

1E SFTSW

off/on

Transpose Switch

1F SFTMAIN

-24 – +24 (o/b)

Main Voice Transpose

20 SFTSUB D

-24 – +24 (o/b)

Sub Voice Transpose (Dual)

21 SFTSUB S

-24 – +24 (o/b)

Sub Voice Transpose (Split)

22 SFTMAIN MD

-24 – +24 (o/b)

Main Voice MIDI Transpose

23 SFTSUB MD

-24 – +24 (o/b)

Sub Voice MIDI Transpose

24 LOCALSW

off/on

Local on/off Switch

25 TXCH

0–15, off

TX Channel

26 RXCH

0–15, off, all

Rx Channel

27 reserve

28 ASSPS1

0–3

PS1 Assign

29 ASSPS2

0–3

PS2 Assign

2A ASSCS

0–126

CS Assign

2B ASSCSMIN

0–127

CS Range Min

2C ASSCSMAX

0–127

CS Range Max

2D ASSFC

0–126

FC Assign

2E ASSFCMIN

0–127

FC Range Min

2F ASSFCMAX

0–127

FC Range Max

30 PERFNAME1

32–127

Performance Name 1

31 PERFNAME2

32–127

Performance Name 2

32 PERFNAME3

32–127

Performance Name 3

33 PERFNAME4

32–127

Performance Name 4

34 PERFNAME5

32–127

Performance Name 5

35 PERFNAME6

32–127

Performance Name 6

36 PERFNAME7

32–127

Performance Name 7

37 PERFNAME8

32–127

Performance Name 8

38 PERFNAME9

32–127

Performance Name 9

39 PERFNAME10

32–127

Performance Name 10

3A PERFNAME11

32–127

Performance Name 11

3B PERFNAME12

32–127

Performance Name 12

3C PERFNAME13

32–127

Performance Name 13

3D PERFNAME14

32–127

Performance Name 14

3E PERFNAME15

32–127

Performance Name 15

3F PERFNAME16

32–127

Performance Name 16

*1 Not possible for Dual mode with Organ 1 and another voice.
*2 Execute transmission only.

6.4 Controller

F0H, 43H, 1nH, 2AH, 27H, 00H, 00H, N2H, 00H, V2H, F7H
n

: Device Number

N2H : Parameter Number
V2H : Parameter Value 2

data name

V2 (data range)

note

00 reserve

01 reserve

02 VOL TTL

0–127

Total Volume

03 VAL MAIN

0–127

Main Voice Volume

04 VUL SUB

0–127

Sub Voice Volume

05 VIBSPD

0–127

Vibrato Speed Control

06 REVDEP

0–7

Reverb Depth Control

07 MODSPD

0–7

Modulation Speed Control

* Transmitted and received when allocated to the assignable Controller.

Summary of Contents for P-200

Page 1: ......

Page 2: ...s warranty and are therefore the owner s responsibility Please study this manual carefully and consult your dealer before requesting service NAME PLATE LOCATION The graphic below indicates the location of the name plate The model number serial number power requirements etc are located on this plate You should record the model number serial number and the date of purchase in the spaces provided bel...

Page 3: ...IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloure...

Page 4: ...ld be installed in locations that do not significantly contribute to their operating temperature Placement of this product close to heat sources such as radiators heat registers and other devices that produce heat should be avoided 8 This product was NOT designed for use in wet damp locations and should not be used near water or exposed to rain Examples of wet damp locations are near a swimming po...

Page 5: ...d of the keyboard Split mode In Split mode the key transposition values can be set independently for both main and sub voices One touch Performance recall The P 200 features a Performance Play mode that lets you store up to 24 Performances or configurations of all voice MIDI and other parameter settings for recall at the touch of a button This lets you instantly change your sound and entire setup ...

Page 6: ... it immediately turn off the power switch disconnect the electric plug from the outlet and have the instrument inspected by qualified Yamaha service personnel Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a position where anyone could walk on trip over or roll anything ove...

Page 7: ...es 47 Selecting Split Voices 47 EDIT MODE 49 System 51 MIDI Filter 53 Program Change PC Table 53 Channel 54 Local 55 Continuous Slider CS Foot Controller FC 55 Panel Switch PS 57 Name 57 Organ Combination 57 Pitch Bend Wheel PB Modulation Wheel MW 58 Keyboard Sensitivity 58 Internal Equalizer 59 Reverb 59 Modulation 59 STORE 60 APPENDIX 62 Bulk Dump 62 Initialize 63 Using MIDI 64 Error Messages 67...

Page 8: ...sconnected when you plug in the headphones The sound of the internal voices output from the OUTPUT jacks is not affected Keyboard This 88 key weighted action touch sensitive keyboard incorporates Yamaha s unique Graded Hammer Effect keyboard technology which gives it the genuine feel and response of a real piano keyboard Speakers These two built in 13 cm speakers each provide an output of 30 watts...

Page 9: ...MIDI FILTER SYSTEM PIANO 1 PIANO 2 PIANO 3 PIANO 4 E PIANO 1 E PIANO 2 E PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS VOICE PERF B PERF A EDIT STORE ORGAN COMBINATION 1 2 3 4 5 6 7 8 9 10 11 12 C3 OUT MIDI IN THRU FOOT CONTROLLER SOFT SOSTENUTO SUSTAIN L MONO R OUTPUT L MONO INPUT R OFF ON SPEAKER ELECTRONIC PIANO P 200 C P200 01 QX 98 4 21 4 58 PM ページ 9 ...

Page 10: ...e it to transmit pitch bend messages to other instruments You can assign the pitch bend range to any value within a one octave range MODULATION wheel This wheel can be used in various ways Normally you will use it to apply a vibrato effect to the notes that you play with increasing intensity as you roll it upwards the wheel remains at the specific position that you set it when you let go of it In ...

Page 11: ...t and Dual voice by holding the BALANCE button and moving the DATA ENTRY slider As a 1 cursor left button in Edit mode you can use it to move the cursor to the left in the LCD screen in order to position it over a desired parameter TRANSPOSE DETUNE q button This is a multiple function button As a TRANSPOSE button you can use it to set the keyboard transpose value for single as well as both Dual vo...

Page 12: ...ou want to play the voice names are printed in above the buttons In Performance Play mode you can use them to select any of the 24 Performances 12 Performances per bank the Performance numbers are printed above the buttons In Edit mode you can use them to select the Edit functions the Edit function names are printed in green below the buttons REVERB button This button lets you select either a Room...

Page 13: ...is included with your P 200 If you wish to attach additional foot pedals be sure to use only Yamaha models FC4 or FC5 FOOT CONTROLLER jack This jack lets you connect a foot controller Yamaha FC7 available separately for use as an auxiliary controller The FC foot controller can be assigned to control a variety of functions including reverb depth or modulation speed which lets you change these param...

Page 14: ...Voice Play mode Auto Store status See About Store Type next page as you select sounds and make parameter assignments as dictated by your current music session Then you can store those settings to any of the 24 Performances which you can then access at any time by the press of a PERFORMANCE SELECT button in Performance Play mode You can also perform bulk dump operations of Performance data to and f...

Page 15: ...vailable for each Performance VOICE PARAMETERS CONTROLLERS Pitch Bend Range Modulation Wheel Assign KEYBOARD SENSITIVITY Internal MIDI EFFECT Reverb Type Speed Modulation Type Speed Equalizer Internal Low Mid High ABOUT STORE TYPE You can choose the Store Type Non Auto Store and Auto Store When Non Auto Store is selected the store operation is always required except when modifying System related p...

Page 16: ...es transposition values keyboard local on or off setting MIDI transmit and receive channel numbers plus function assignments for PS1 PS2 CS and FC foot controller the Performance name and others In Voice Play mode you can specify settings for a single set of Performance parameters Performance Parameters VOICE SELECT 12 voices A set of voice parameters KEYBOARD MODE Single Dual Split VOICE Main Sub...

Page 17: ...ither Voice Play mode or Performance Play mode you can store the current set of all settings as a User Performance There is a fine distinction between Voice Play mode store and Performance Play mode store functions In Voice Play mode you can overwrite the current set of Voice and Performance parameter settings In Performance Play mode you can select a specific destination Performance in which to s...

Page 18: ...o prepare a suitable location for your P 200 Please do not hesitate to ask someone to help you take it out of the box and carefully place it on an optionally available Yamaha LP 3 keyboard stand or a sturdy table 2 Plug in the power cord Next plug the P 200 s power cord into an AC outlet Do not turn on the POWER switch until you have made all connections as described below 3 Connect the sustain pe...

Page 19: ...EDIT STORE ORGAN COMBINATION 1 2 3 4 5 6 7 8 9 10 11 12 PAGE DETUNE TRANSPOSE BALANCE SPLIT 1 YES 1 NO MIDI PS2 PS1 CONTRAST C3 CS DATA ENTRY VOLUME MAX MIN MODULATION PITCH POWER ON OFF OUT MIDI IN THRU FOOT CONTROLLER SOFT SOSTENUTO SUSTAIN L MONO R OUTPUT L MONO INPUT R OFF ON SPEAKER P 200 REVERB MODULATION ROOM STAGE HALL CHORUS SYMPHONIC TREMOLO EFFECT LOW MIDDLE HIGH EQUALIZER INT EQ KBD SE...

Page 20: ...AGE HALL CHORUS SYMPHONIC TREMOLO EFFECT LOW MIDDLE HIGH EQUALIZER INT EQ KBD SENS PB MIW NAME PS CS FC LOCAL CHANNEL PC TABLE MIDI FILTER SYSTEM PIANO 1 PIANO 2 PIANO 3 PIANO 4 E PIANO 1 E PIANO 2 E PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS VOICE PERF B PERF A EDIT STORE ORGAN COMBINATION 1 2 3 4 5 6 7 8 9 10 11 12 PAGE DETUNE TRANSPOSE BALANCE SPLIT 1 YES 1 NO MIDI PS2 PS1 CONTRAST C3 CS DATA E...

Page 21: ...select a Demo song For example press the button once to select the first Demo song Song 1 Play or twice to select the second Demo song Song 2 Play or three times to select the third Demo song Song 3 Play The song you select will begin playing automatically REVERB MODULATION ROOM STAGE HALL CHORUS SYMPHONIC TREMOLO EFFECT DEMO Song Select REVERB MODULATION ROOM STAGE HALL CHORUS SYMPHONIC TREMOLO E...

Page 22: ... LED above the EDIT button will blink when the P 200 is in Edit mode To exit Edit mode simply press the EDIT button Also note that you will not be able to play the P 200 or use any of the Edit mode functions while a Demo song is playing Playing the Voices Selecting and playing the voices of a new P 200 is simple since by default the instrument starts up for the first time in Voice Play mode with i...

Page 23: ...ithin Voice Play mode you can select and play any one of the 12 voices Single mode or play a blend of two voices simultaneously Dual mode or play one voice on the left side of the keyboard and another on the right side of the keyboard Split mode A brand new P 200 fresh out of the box will power on automatically in Voice Play Single mode with the PIANO 1 voice selected If the P 200 is in Performanc...

Page 24: ...have special stereo settings which are capable of 32 note polyphonic output Also the BASS voice has both acoustic UPRIGHT BASS and ELECTRIC BASS settings The following table provides an overview of each preset AWM voice NO VOICE DESCRIPTION SAMPLE TYPE POLYPHONY Acoustic grand piano suitable 1 PIANO 1 for various types of music Mono Stereo 64 32 from classical to jazz Acoustic grand piano with 2 P...

Page 25: ...ANO VOICE SETTING Press and hold PIANO 1 or PIANO 2 for a few moments After a moment the MONO screen briefly appears As you play the keyboard the output of the PIANO 1 voice will be in mono and polyphony will be 64 notes To return the PIANO 1 voice to its stereo setting simply press and hold PIANO 1 for a few moments again The STEREO screen briefly appears Upright Electric Bass Pressing and holdin...

Page 26: ...t of the name of the selected reverb type These are the initial default assignments set at the factory but you can select any reverb effect you wish for each voice or even turn the reverb effect off You can also change reverb depth on the spot SELECTING A REVERB TYPE Press the REVERB button once or more When you press the REVERB button repeatedly the reverb types will be selected in order as follo...

Page 27: ...ed delay which effectively makes a voice sound like more than one instrument is being played SYMPHONIC a more pronounced chorus effect and TREMOLO a rotating speaker effect As you select each voice you will notice that most have a specific modulation effect already assigned to them indicated by a lit LED to the left of the name of the selected modulation effect type These are the initial default a...

Page 28: ...type CHANGING MODULATION SPEED 1 Hold the MODULATION button and move the DATA ENTRY slider or press 1 NO or 1 YES As soon as you move the DATA ENTRY slider or press 1 NO or 1 YES the MODULATION SPEED screen appears If you move the DATA ENTRY slider upward the speed level increases if you move the DATA ENTRY slider downward the speed level decreases A value of 7 will produce the largest number of m...

Page 29: ...main and sub keyboard areas The two keyboard areas are separated at a specified key known as the split point You can determine the split point assign the main and sub voices to either end of the keyboard and adjust the volume balance of the two voices in relation to each other In general the main keyboard area is normally above the split point however there may be cases when you ll want to play th...

Page 30: ...oard The order that you press the buttons will determine which voice is the main voice and which voice is the sub voice For example if you press and hold E PIANO 3 and then press STRINGS the ELECTRIC PIANO 3 voice will be the main voice and the STRINGS voice will be the sub voice In Dual mode since both voices are sounded simultaneously the distinction between the main voice and sub voice is not i...

Page 31: ...lance by holding the BALANCE button and moving the DATA ENTRY slider with one hand and then playing the keyboard with the other hand 2 Release the BALANCE button After a moment the Dual voice names will reappear in the screen If you choose different Dual voices the balance relationship will remain the same as determined above until you change the balance setting again DETUNING THE DUAL VOICES 1 Ho...

Page 32: ...tment depends on the value you select At the maximum detune setting the voices are each detuned by about one third of a semitone Split Mode When the P 200 is in Split mode you can play two voices at the same time one voice on the left side of the keyboard and another voice on the right side of the keyboard For example you can play a strings pad with one hand while playing a piano melody with the o...

Page 33: ...a assignments briefly appear in the screen The first line of the above screen indicates that the current split point area is designated at key C2 the initial default setting The second line indicates that the sub voice is assigned to the left side of the split point while the main voice is assigned to the right side of the split point After a few moments the names of two voices will appear in the ...

Page 34: ... switch the sub keyboard area on and off as needed For example you can play the main voice in Single Play mode or Dual voices across the entire keyboard during a song s verse and chorus then switch into Split mode to add the sub voice for an intricate two part solo then switch the Split mode off to play remaining verses and choruses ADJUSTING THE BALANCE OF THE SPLIT VOICES 1 Hold the BALANCE butt...

Page 35: ...remain the same as determined above until you change the balance setting again CHANGING THE SPLIT POINT 1 Hold the SPLIT button and press a key on the keyboard The key that you press will become the new split point The SPLIT POINT screen appears As long as you hold the SPLIT button the note name of the key that you pressed will blink pressing another key will change the split point still again and...

Page 36: ...ove the split point key The SPLIT AREA screen appears As you hold the SPLIT button and split point key pressing a second key below the split point will designate the left area of the keyboard as the main area Pressing a second key above the split point will again designate the right area of the keyboard as the main area Note that the key that you press to select the split point will always be incl...

Page 37: ...tting is 12 which means the pitch will transpose up one octave when you press the TRANSPOSE button The default sub voice transpose amounts are set to 0 for Dual and Split modes USING THE TRANSPOSE FEATURE 1 Press the TRANSPOSE button to transpose the pitch of the keyboard The LED above the TRANSPOSE button lights and the TRANSPOSE screen with current transpose value appears Depending on the curren...

Page 38: ...below the main voice If the P 200 is in Single mode and the MIDI transmit switch is enabled the TRANSPOSE screen will display internal and MIDI main voice transposition values As you play in Single mode the pitch of the entire keyboard will transpose according to the main voice setting when you press the TRANSPOSE button The sub voice is not active in Single mode If the MIDI transmit switch is dis...

Page 39: ...e within a range of four octaves from 24 C1 to 24 C5 If you try to set the transpose amount by pressing a key below C1 or above C5 on the keyboard the P 200 will react as though you pressed C1 or C5 2 Release the TRANSPOSE button The P 200 will assume that you want to transpose using this value and leave the transpose function turned on after you complete the setting In a similar way internal sub ...

Page 40: ...ereas the aforementioned Edit mode settings can be assigned to individual Performances For details about the P 200 s MIDI capabilities see page 64 NOTE MIDI MAIN VOICE To set the transpose value for the MIDI main voice press and hold TRANSPOSE then hold MIDI then press a key on the keyboard or press the 1 NO or 1 YES buttons MIDI SUB VOICE To set the transpose value for the MIDI sub voice press an...

Page 41: ...press the REVERB and MODULATION buttons at the same time The MIDI PANIC SEND screen appears briefly when MIDI Panic is activated When MIDI Panic is activated the following messages are sent in sequence over all MIDI channels All Notes Off All Sounds Off Channel Pressure off Sustain Pedal Off Modulation Off Pitch Bend Center Reset All Controllers MIDI Panic has no effect during sending receiving bu...

Page 42: ... Dual Split The illustrations below clearly show how to lock and unlock the panel controls in various situations The following key is used in the illustrations In the Single mode Double clicking the same VOICE SELECT button the button whose LED is lit alternately locks and unlocks the panel controls Double clicking a different VOICE SELECT button when the panel is locked maintains the locked condi...

Page 43: ...ion 1 Select the main voice 2 Hold down SPLIT and double click the desired VOICE SELECT button B Selecting Split mode and locking panel separately 1 Select the main voice 2 Hold down SPLIT and select the sub voice to enter the Split mode 3 Double click the desired VOICE SELECT button to lock the panel This simultaneously puts the panel in the locked condition and selects a new main voice To select...

Page 44: ... button when the panel is locked in the Split mode maintains the locked condition while selecting a new main voice 44 Double clicking a different voice maintains the panel lock and selects a new main voice Voice B Voice A Voice C Voice A Voice B Voice A Voice A Voice A Voice B Voice A Voice C P200 03 QX 98 4 22 6 01 PM ページ 44 ...

Page 45: ...hat the P 200 is standing by to enter the PERFORMANCE A bank Likewise if you press the PERF B button the LED above it will start blinking to indicate that the P 200 is standing by to enter the PERFORMANCE B bank 2 Press a PERFORMANCE SELECT button Pressing a PERFORMANCE SELECT button activates Performance mode The LEDs above the PERFORMANCE SELECT and PERF buttons light and the name of the Perform...

Page 46: ...in the current Performance The procedure is slightly different than in Voice Play mode SELECTING SINGLE VOICES IN PERFORMANCE PLAY MODE Hold the EDIT button then press a VOICE SELECT button The name of the voice appears in the LCD screen INT EQ KBD SENS PB MW NAME PS CS FC LOCAL CHANNEL PC TABLE MIDI FILTER SYSTEM PIANO 1 PIANO 2 PIANO 3 PIANO 4 E PIANO 1 E PIANO 2 E PIANO 3 VIBES ORGAN 1 ORGAN 2 ...

Page 47: ...Play mode For details see Dual Mode page 30 Selecting Split Voices Within Performance Play mode you can easily select Split voices in the current Performance The procedure is slightly different than in Voice Play mode SELECTING SPLIT VOICES IN PERFORMANCE PLAY MODE 1 Press the SPLIT button This activates Split mode from within Performance Play mode The names of the voices appear in the LCD screen ...

Page 48: ...2 PIANO 3 PIANO 4 E PIANO 1 E PIANO 2 E PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS ORGAN COMBINATION 1 2 3 4 5 6 7 8 9 10 11 12 BALANCE SPLIT PERFORMANCE A01 Bass Piano1 INT EQ KBD SENS PB MW NAME PS CS FC LOCAL CHANNEL PC TABLE MIDI FILTER SYSTEM PIANO 1 PIANO 2 PIANO 3 PIANO 4 E PIANO 1 E PIANO 2 E PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS ORGAN COMBINATION 1 2 3 4 5 6 7 8 9 10 11 12 EDIT P200 ...

Page 49: ... POPUP TIME PROGRAM CHANGE OTHERS 7 STORE TYPE 8 PANEL SWITCH LOCK MODE 2 MIDI FILTER Page 1 TRANSMIT FILTER MESSAGE TYPE ON OFF 2 RECEIVE FILTER MESSAGE TYPE ON OFF 3 PROGRAM CHANGE TABLE Page 1 PROGRAM CHANGE TRANSMIT VOICE PERFORMANCE NO MSB LSB PROGRAM CHANGE NUMBER 2 PROGRAM CHANGE RECEIVE PROGRAM CHANGE NUMBER VOICE PERFORMANCE NO PERFORMANCE MENUS 4 CHANNEL Page 1 CHANNEL TRANSMIT RECEIVE 5...

Page 50: ... and Edit mode is engaged the letter S P or V will appear to the right of the page number to indicate which type of parameters you are editing System Performance or Voice parameters respectively Channel Local CS FC and PS settings are basically classified as Performance parameters though they are treated as System parameters when Sys is selected for MIDI Channel Local or Controller Assign in the P...

Page 51: ...ge the parameter using the 1 NO and 1 YES buttons or by moving the DATA ENTRY slider up or down Parameters may consist of numeric values or specific settings which you can select If the P 200 is in Auto Store status the changes you make will be stored automatically in the current location If the P 200 is in Non Auto Store status when you change a parameter and press the EDIT button to exit Edit mo...

Page 52: ...display between one and five seconds The default setting is 3 STORE TYPE The Store Type function lets you designate Auto Store or Non Auto Store status For information about storing see page 60 NON AUTO STORE In Non Auto Store default status only System MIDI Filter and PC Table parameters you change will automatically be stored Any other changes in Edit mode will cause the STORE YES NO screen to d...

Page 53: ...choose a specific Voice button number by holding VOICE and pressing the desired VOICE SELECT button You can choose a specific Performance A bank button number by holding PERF A and pressing the desired PERFORMANCE SELECT button You can choose a specific Performance B bank button number by holding PERF B and pressing the desired PERFORMANCE SELECT button ENABLE When set to Enable the Panel Switch L...

Page 54: ...ice indicated by the program change receive table If the P 200 is in Dual mode this will cause it to shift to Single mode If the program change function has been turned off for that number the message will simply be ignored PROGRAM CHANGE NUMBER 1 128 This parameter lets you designate a program change receive number As you step through each one the SELECT assignment will appear to the right SELECT...

Page 55: ...I IN terminal if the transmit channels or receive channels are appropriately set This is essential when using the P 200 as a master keyboard controller in an expanded MIDI system CHANNEL RECV Main 1 Sub 2 CHANNEL TRNS Main 1 Sub 2 LOCAL On Off When set to On the internal tone generator will respond to notes you play on the P 200 s keyboard When set to Off the internal tone generator will not respo...

Page 56: ... bank select message NRPN MSB 099 Sends a Non Registered Parameter number MSB bank select message RPN LSB 100 Sends a Registered Parameter Number LSB bank select message RPN MSB 101 Sends a Registered Parameter Number MSB bank select message Aftertouch Sends a channel aftertouch message CONTINUOUS SLIDER ASSIGN see chart For assigning a specific function to the CS Default is main volume CONTINUOUS...

Page 57: ... gives you considerable control over the timbre and characteristics of the organ sound so that the range of possibilities are practically limitless With this feature you can literally recreate all of the classic organ sounds from theatre organ to rock and jazz organ by adjusting the flute footage levels and the attack settings just like on conventional organs To edit the organ sound you must first...

Page 58: ...rato effect is internally set and cannot be modified Note that trying to apply the vibrato effect to the Piano 1 4 voices will have no effect Keyboard Sensitivity The Keyboard Sensitivity function lets you control how the volume of the internal voices and connected MIDI instruments respond to your playing The P 200 lets you designate independent Keyboard Sensitivity settings for the internal tone ...

Page 59: ...or the currently selected internal voice EQ Low Mid High You can boost increase or cut decrease the volume of each range independently with 16 representing maximum volume cut 16 representing maximum volume boost and 0 representing normal volume The default for each voice is 0 Reverb When the P 200 is in Edit mode pressing REVERB accesses the Reverb Type and Depth settings for the currently selecte...

Page 60: ...number When Non Auto Store is designated in general the changes you make to voices such as reverb and modulation settings will be lost as soon as you change voices Performances or modes After making changes in Edit mode however the P 200 will prompt you and give you the opportunity to overwrite the current edit when you try to leave Edit mode You will find it most convenient to set up your Perform...

Page 61: ...n press the desired PERFORMANCE SELECT button to designate the Performance number You can also designate the destination Performance bank and number by moving the DATA ENTRY slider The name of the Performance bank and number appears in the screen 4 Press 1 YES to store the current Performance into the designated Performance bank and number Press 1 NO if you want to cancel the store operation and r...

Page 62: ...3 Performance Bank B Data Hold the MIDI button and press the PERF B button 4 All Data Hold the MIDI button and press the PIANO 1 SELECT button The BULK SEND screen appears while the operation is in progress When the operation is finished the BULK SEND COMPLETED screen briefly appears To cancel the operation while it is still in progress press the 1 NO button The BULK SEND EXIT screen briefly appea...

Page 63: ...the power The INITIALIZE ALL screen briefly appears PERFORMANCE A or B BANK You can also initialize only the Performance A bank or B bank default settings To do so first turn the power off then hold both the MIDI and PERF A or PERF B buttons and turn the power back on VOICE SETTINGS Similarly you can initialize only the Voice parameter default settings To do so first turn the power off then hold b...

Page 64: ...is capable of transmitting data on at least one of these channels Sequencers and MIDI equipped computers with music sequencing software both of which are generally capable of recording editing and playing back MIDI note controller and other data usually transmit data on several channels at once each channel being designated for a different part of an ensemble performance For example a Piano part m...

Page 65: ...I transmit note messages P 200 MIDI Controllers The P 200 s MIDI controllers include the two PS buttons the CS slider PITCH and MODULATION wheels and FC Footswitch You can set the controllers to transmit specific control messages and assign the external tone generators to respond accordingly The PITCH wheel is dedicated to pitch bend and cannot be assigned otherwise Connecting a Sequencer Another ...

Page 66: ... a time so you can configure them for layering several voices by assigning the same MIDI channel to more than one voice or build up a complex ensemble by assigning a different MIDI channel to each voice that makes up a part in your composition You can send program change messages directly to the external tone generators and the effects device such as the SPX 990 from the P 200 or record these mess...

Page 67: ...ation again An error occurred during reception of bulk data Check all MIDI connections settings etc and attempt the operation again Certain data cannot be transmitted or received because a MIDI Filter is set to On Check each MIDI Filter setting in Edit mode See page 53 Bulk data cannot be transmitted or received because the Device Number parameter is either turned off or does not match that of the...

Page 68: ...fect Depending on which keys of the Check that in Split mode the Balance setting is appropriate See page 34 keyboard are played no sound or only a very soft sound is output The pitch of the P 200 is off Check that or out of tune compared The Master Tune parameter is set correctly See page 51 to standard pitch or other The Transpose feature is turned off See page 37 instruments The Detune Dual mode...

Page 69: ...ging voices or Performances on the P 200 Sustain Footswitch pedal Check that the Footswitch is properly connected to the SUSTAIN jack operation doesn t work properly Cannot select the Organ 1 voice The Organ 1 voice is not accessible in Dual mode Transpose value or split point You cannot use the DATA ENTRY slider to change the transpose value or split point you cannot be changed by using must hold...

Page 70: ...ND RANGE 0 12 MODULATION WHEEL ASSIGN off reverb depth mod speed vibrato KBD SENS KEYBOARD SENSITIVITY INTERNAL normal soft 1 3 hard 1 3 fixed 1 3 KEYBOARD SENSITIVITY MIDI normal soft 1 3 hard 1 3 fixed 1 3 KEYBOARD RANGE MIN 1 128 MAX 1 128 INT EQ LOW 16 16 MID 16 16 HIGH 16 16 REVERB TYPE ROOM STAGE HALL OFF DEPTH 0 7 MODULATION TYPE CHORUS SYMPHONIC TREMOLO OFF SPEED 0 7 Controls POWER VOLUME ...

Page 71: ...s 59 VOICE PLAY MODE 23 Voice Parameters 15 Voices and Polyphony 24 INDEX A APPENDIX 62 Auto Store 52 B Backup Battery 6 Balance Dual 31 Balance Split 34 Bank Select PC Table 54 Bass Upright Electric 25 Blank Chart 78 Bulk Dump 62 C Channel 54 Continuous Slider CS 55 CS FC 55 D Demo Songs 21 Detune 31 Device Number 51 Dual Mode 30 E EDIT MODE 49 Edit Menu Tree 49 Equalizer Internal 59 Equalizer Pa...

Page 72: ...R MIDI TRANSMIT ENABLE SW SYSTEM MIDI FILTER PROGRAM CHANGE TABLE MASTER TUNE REVERB DEVICE NUMBER MIDI MERGE PERFORMANCE ENABLE POPUP TIME STORE TYPE PANEL SWITCH LOCK MODE TRANSMIT RECEIVE TX RX on 440 0 active 1 off sys sys sys off 3 non auto store disable off off off off off off on off off off off off off off on off Voice 01 Perf A01 Perf B12 1 13 36 Voice 01 Perf A01 Perf B12 off Voice 01 Per...

Page 73: ...1 2 mod speed fixed 2 fixed 2 1 128 hall 2 tremolo 0 0 0 0 ORGAN 2 2 mod speed fixed 1 fixed 1 1 128 room 4 tremolo 0 1 0 3 STRINGS 2 mod speed hard 1 hard 1 1 128 hall 5 off 1 2 0 3 BASS 2 off hard 1 hard 1 1 128 room 2 off 0 0 0 0 SINGLE DUAL SPLIT Bass 0 C2 Higher Note Range 0 0 SINGLE Piano1 Strings stereo stereo upright 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 0 0 off 12 0 12 1 1 on off off main volume...

Page 74: ...UAL PERF A DUAL Piano3 Piano2 stereo stereo electric 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 0 6 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Honky Tonk 2 mod speed hard 1 hard 1 1 128 room 2 off 0 14 16 16 Bass 0 C2 0 0 SINGLE Piano3 Strings stereo stereo electric 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 0 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Pan...

Page 75: ...Dynamic EP 2 mod speed hard 1 hard 1 1 128 stage 2 chorus 3 9 8 4 Bass 0 C2 0 0 DUAL E Piano3 E P 1 stereo stereo electric 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 5 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Ballad EP 2 mod speed hard 1 hard 1 1 128 hall 3 chorus 4 1 3 0 Bass 0 C2 0 0 DUAL E Piano3 Piano1 stereo stereo electric 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 0 0 off 12 0 1...

Page 76: ...0 1 Each 0 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Pop Organ 2 mod speed normal normal 1 128 stage 4 tremolo 0 1 4 3 Bass 0 C2 0 0 SINGLE Organ1 Strings stereo stereo electric 7 7 7 0 0 0 7 0 1 0 0 0 4 Each 0 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Blues Organ 2 mod speed normal normal 1 128 stage 4 symphonic 4 0 2 3 Bass 0 ...

Page 77: ...5 0 0 0 0 0 0 0 5 0 3 Each 0 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Acoustic Duo 2 mod speed normal normal 1 128 stage 2 off 0 2 1 12 Bass 0 C2 0 0 SPLIT E Piano1 Strings stereo stereo electric 6 5 5 0 0 0 0 0 0 0 5 0 3 Each 0 0 off 12 0 12 1 1 on off off main volume 007 1 128 sub volume internal 1 128 Electric Duo 2 mod speed hard 1 hard 1 1 128 stage 1 choru...

Page 78: ...ctive bypass off 1 16 all on off sys perf sys perf sys perf off 1 5 1 5 auto store non auto store disable eanble on off on off on off on off on off on off on off on off on off on off on off on off on off on off on off on off off 1 128 off 0 127 off 0 127 off 1 128 off 1 128 off 0 127 off 0 127 off 1 128 off 1 128 off 0 127 off 0 127 off 1 128 PARAMETERS on off SYSTEM Voice 02 Voice 01 Voice 04 Voi...

Page 79: ...RFORMANCE PARAMETERS SINGLE DUAL SPLIT 1 Piano 1 12 Bass 1 Piano 1 12 Bass stereo mono stereo mono electric upright 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 16 15 0 7 A 1 C7 16 15 on off 24 24 24 24 24 24 24 24 off 1 16 off 1 16 ALL on off off FA FB FC off FA FB FC off rev depth mod speed main sub etc 1 128 1 128 off rev depth mod speed main sub etc 1 128 1 128 A Z a z 0 9 others PI...

Page 80: ...RAM CHANGE PARAMETER CHANGE BULK DUMP MIDI In 9n En Bn 01H FA FB FC Bn 00 77H Dn F0 Bn 00 78H Dn F0 Cn P C Tx TABLE Txch OUT Device No Device No Tx sub ch MERGE SW MERGE SW Tx Filter MIDI SW Split P C Rx TABLE Rx Filter IN Split Split Split Split Rx sub Rx 1ch Rxch Rx sub ch Rxch Rx sub ch Rxch Rx sub ch FE ACTIVE SENSING MERGE 8n NOTE OFF 9n NOTE ON OFF Bn 01 Modulation 07 Volume 40 Sustain 42 So...

Page 81: ...th 7 bit resolution 3 1 6 Channel Mode Message When you press Panic switch SW all sounds off all notes off reset all controllers will be transmitted See page 41 for detail 3 2 Reception 3 2 1 Note On Off 1 9nH kk vv n channel no 9nH Note on off status kk Key note Reception 0 C 2 127 G8 vv Velocity Key on 1 127 Key off 0 2 8nH kk vv n channel no 8nH Note off Status kk Key note Reception 0 C 2 127 G...

Page 82: ...al value Nothing is done while Omni On is selected At reception the status of the following items are reset to their initial values Modulation Depth Main Volume Sustain Soft Sostenuto and Pitch Bend Depth Reverb Depth remains unchanged Modulation Depth Off Main Volume Max Sustain Off Soft Off Sostenuto Off Pitch Bend Depth Center 4 SYSTEM REAL TIME MESSAGES When Start Continue or Stop is assigned ...

Page 83: ...t from the P 200 6 After the P 200 receives one status byte of the System Exclusive Messages if the status of other channel messages etc are received before an EOX is received the EOX is transmitted and other messages for example channel messages are separated from the System Exclusive Messages and are transmitted When MIDI Merge is On the MIDI Panic feature does not work 5 4 MIDI Panic With the P...

Page 84: ... ORGATK223 0 7 Organ Attack 2 2 3 17 11 ORGATK2 0 7 Organ Attack 2 18 12 ORGATKLEN 0 7 Organ Attack Length 19 13 ORGRESPONSE 0 7 Organ Combination Response 20 14 ORG EF each first Organ Attack Each First 21 15 reserve 22 16 reserve 23 17 Tx Sub ch 0 15 off Tx Sub channel 24 18 Rx Sub ch 0 15 off all Rx Sub channel 25 19 BAL DUAL 16 15 o b Dual Balance 26 1A BAL SPLIT 16 15 o b Split Balance 27 1B ...

Page 85: ...ce Number N1H Parameter Number N2H Parameter Number V1H Parameter Value 1 1 don t send P C V2H Parameter Value 2 N2 data name V2 data range note 0 00 TXPGM1 0 127 Voice 01 0 127 0 127 11 03 TXPGM12 0 127 Voice 12 12 04 TXPGM13 0 127 Perf A01 0 127 0 127 23 17 TXPGM24 0 127 Perf A12 24 18 TXPGM25 0 127 Perf B01 0 127 0 127 35 23 TXPGM36 0 127 Perf B12 N1 data name 00 TX P C Data 01 Bank Select MSB ...

Page 86: ...0AH Voice 11 0BH Voice 12 0CH Perf A01 Voice 0DH Perf A02 Voice 0EH Perf A03 Voice 0FH Perf A04 Voice 10H Perf A05 Voice 11H Perf A06 Voice 12H Perf A07 Voice 13H Perf A08 Voice 14H Perf A09 Voice 15H Perf A10 Voice 16H Perf A11 Voice 17H Perf A12 Voice 18H Perf B01 Voice 19H Perf B02 Voice 1AH Perf B03 Voice 1BH Perf B04 Voice 1CH Perf B05 Voice 1DH Perf B06 Voice 1EH Perf B07 Voice 1FH Perf B08 ...

Page 87: ...1 0 12 M 13 F 14 00H 29 30 F7H 7 3 Keyboard Mode type 1 00H type 2 Performance Number type2 PERFORMANCE NUMBER 00H Perf A01 0BH Perf A12 0CH Perf B01 17H Perf B12 18H Voices DUMP REQUEST data 0 F0H 1 43H 2 2NH 3 7AH 4 S 5 K 6 7 8 2 9 4 10 9 11 0 12 K 13 B 14 00H 27 28 type 1 29 type 2 30 F7H KEYBOARD MODE data 0 F0H 1 43H 2 0NH 3 7AH 4 bytes 5 6 S 7 K 8 9 10 2 11 4 12 9 13 0 14 K 15 B 16 00H 29 30...

Page 88: ..._sum 161 F7H 7 5 Program Change Transmit Table Bulk Dump type 1 00H type 2 Voice No type 2 VOICE NUMBER 00H P C Data 01H Bank Select MSB 02H Bank Select LSB P C Tx TABLE data 0 F0H 1 43H 2 0NH 3 7AH 4 bytes 5 6 S 7 K 8 9 10 2 11 4 12 9 13 0 14 P 15 T 16 00H 29 30 type 1 31 type 2 Supplement Parameter Change 5 00H 35H of Program Change Transmit Table 32 TXPGM1 MSB 33 TXPGM1 LSB 102 TXPGM36 MSB 103 ...

Page 89: ...ch is ON 0 32 1 7 64 66 67 1 119 120 121 Control Change Bank select M Wheel Foot Volume Sustain Sostenuto Soft Assignable 1 1 All sound off Reset All Controllers Default Changed Default Messages Altered True voice Note on Note off Key s Ch s Basic Channel Mode Note Number Velocity After Touch Pitch Bender Function Transmitted Recognized Remarks 1 16 1 16 Mode 1 3 1 127 21 108 v 1 127 0 12 semi 1 1...

Page 90: ... Kav 4 Jakarta 12930 Indonesia Tel 21 520 2577 KOREA Cosmos Corporation 131 31 Neung Dong Sungdong Ku Seoul Korea Tel 02 466 0021 5 MALAYSIA Yamaha Music Malaysia Sdn Bhd 16 28 Jalan SS 2 72 Petaling Jaya Selangor Malaysia Tel 3 717 8977 PHILIPPINES Yupangco Music Corporation 339 Gil J Puyat Avenue P O Box 885 MCPO Makati Metro Manila Philippines Tel 819 7551 SINGAPORE Yamaha Music Asia Pte Ltd Bl...

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