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Yamaha MU80, Owner'S Manual

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Yamaha MU80 Owner'S Manual Download Page 116

106

UTILITY MODE

2

From the Initialize menu, select the type of data to be initialized:

Factory Settings (FactSet), selected Sound Module mode (XGInit,

GM Init, C/MInit, PFMInit) or Drum (DrumInit) Then, press the

ENTER button to call up the selected data dump.

Factory Settings (FactSet)

This restores the original factory settings of the MU80.

Selected Sound Module Mode:

Extended General MIDI (XGInit)

Summary of Contents for MU80

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Page 4: ...IDI studio With its large LCD and the intuitive graphic controls on the display the MU80 is remarkably easy to use The MU80 also features completely independent dual MIDI inputs 32 Part multi timbral capacity and full 64 note polyphony for playback of even the most sophisticated song data A special Performance mode gives you flexible four Voice operation for live performance applications Built in ...

Page 5: ... l N o PA 1207 AC Power Adaptor Owner s Manual Unpacking Your MU80 package should include the items listed below Make sure that you have them all Also write down the serial number of your MU80 in the box below for future reference ...

Page 6: ...owering Up and Playing the Demo Song 14 Playing the Demo Song 15 Selecting Voices 17 Changing the Voice Bank 18 Selecting Voices From Your MIDI Keyboard 19 Changing Some of the Settings Part Controls 20 Selecting another Part and changing its MIDI channel 20 Changing the Volume and Pan settings of a Part 22 Using Mute Solo 23 Using the A D Input 24 Setting Up the MU80 in Your Music System 26 Conne...

Page 7: ...t Control 69 Single Part 69 All Part 72 Performance Edit Mode 75 Common 75 Part 78 Filter 79 EG 79 Vibrato 80 Others 80 Copy and Store Operations 83 Copy 83 Store 84 Effect Edit Mode 86 Reverb REV 86 Chorus 88 Variation 89 Distortion 91 About the Effect Connections System and Insertion 93 Equalizer EQ Edit 96 Utility Mode 98 System Functions 98 Dump Out Functions 102 Saving and Restoring Data via ...

Page 8: ...t section gets you started using your new MU80 It helps you set up the instrument play it and use some of the more im portant functions and features The hands on experience you gain in this section will help you navigate through the other sections of the manual 5 Setting Up the MU80 in Your Music System Using the MU80 with a Computer These sections within the Guided Tour provide all you need to kn...

Page 9: ...cting cables Also turn the power off when the instrument is not in use and disconnect the power adaptor during electric storms HANDLE THE INSTRUMENT WITH CARE Although the instrument has been constructed to withstand the rigors of normal use for optimum sturdiness and reliability avoid subjecting it to strong physical shocks such as dropping or hitting it Since the MU80 is a precision made electro...

Page 10: ...strument contains no user serviceable parts Never open the case or tamper with the internal circuitry in any way since doing so may result in damage to the instrument Refer all servicing to qualified Yamaha service personnel MIDI CABLES When connecting the instrument to other MIDI equipment be sure to use only high quality cables made especially for MIDI data transmission Also avoid using cables l...

Page 11: ...onnection to a set of stereo headphones mini pin 4 POWER VOL control Pressing this turns the power on and off Turning it adjusts the overall volume of the MU80 5 PLAYbutton For entering the Play mode and switching among the different Play displays See page 34 6 UTIL UTILITY button For entering the Utility mode See page 15 7 MODE button For entering the Sound Module mode See page 34 8 EDITbutton Fo...

Page 12: ...sive hexadecimal message for the current function and param eter value 13 EXITbutton For leaving various display pages and returning to previous displays Also for canceling certain functions and operations 14 PART buttons For selecting different Parts In the Effect Edit mode these can be used to switch among the different effects Pressing these together enters and exits from All Part control See p...

Page 13: ...vice while MIDI THRU is for daisy chain connection of additional MU80s or other MIDI instruments See page 12 for more information on MIDI connections 2 HOSTSELECTswitch For electing the type of host computer See page 12 3 TOHOSTterminal For connection to a host computer that does not have a MIDI interface See page 26 4 DCINjack For connection to the PA 1207 AC power adaptor 5 OUTPUTR L MONOjacks R...

Page 14: ...ed simultaneously over a single MIDI channel Connected to a MIDI keyboard this effectively gives you four tone generators in one The MU80 gives you two sets of 64 factory programmed Preset Performances plus 128 Internal Performance locations for your own original Performances About General MIDI General MIDI is a new addition to the worldwide MIDI standard MIDI as you know stands for Musical Instru...

Page 15: ... and velocity splits together for even greater flexibility Using With a Computer or Sequencer Home Studio Setup The MU80 integrates instantly and easily into any existing setup If you have a MIDI keyboard computer and sequencing software the MU80 with its high quality Voices and multi timbral capabilities can expand your home studio system Carry It With You If you have a laptop computer and sequen...

Page 16: ...formance mode The bottom right of the display indicates the currently selected Sound Mod ule mode Selected Sound Module mode Play Modes and the Part Controls Once the operating mode of the MU80 is set Multi or Performance there are two main ways you can use the MU80 playing and editing In the Play modes you play the Voices in the various Edit modes you change their settings Within the Play modes a...

Page 17: ...Initial Level Pitch EG Attack Time Pitch EG Release Level Pitch EG Release Time Play Mode Part 1 32 A l l Part A D Receive Channel Device Number Receive Channel Bank Number Source Variation Program Number A D Source Volume Master Volume Volume Expression Master Attenuator Expression Pan Pan Reverb Send Reverb Return Reverb Send Chorus Send Chorus Return Chorus Send Variation Send Variation Return ...

Page 18: ...thers Detune Part Mode Mono Poly Mode Velocity Sensitivity Depth V e l o c i t y S e n s i t i v i t y O f f s e t Note Limit Low Note Limit High Portamento Switch Portamento Time Velocity Limit Low Velocity Limit High Dry Level VarConnect SYS Pitch Bend Control MW LFO Pitch Moduration Depth ...

Page 19: ...ime EG Decay Time EG Release Time Pitch EG Initial Level Pitch EG Attack Time Pitch EG Release Level Pitch EG Release Time Vibrato Vibrato Rate Vibrato Depth Vibrato Delay Others Detune Mono Poly Mode Velocity Sensitivity Depth V e l o c i t y S e n s i t i v i t y O f f s e t Note Limit Low Note Limit High Portamento Switch ...

Page 20: ...y mode lets you set functions related to the overall operation of the MU80 such as Master Tune display Contrast and reception of certain MIDI messages that affect the entire instrument Included also are miscel laneous operations such as sending bulk data to a data storage device ini tializing of the MU80 settings and playing the special Demo song Part Edit Mode The Part Edit mode allows you to cha...

Page 21: ...tion of the manual It guides you step by step in us ing many of the basic operations setting the instrument up connecting it properly to other equipment and most im portantly playing it Chorus Distortion Dump E f f e c t EQ I n i t i a l i z e Reverb System U t i l i t y Variation ...

Page 22: ... be connected is turned off and that the MU80 power adaptor is not connected to an electrical outlet Operation 1 Connect one end of the MIDI cable to the MIDI OUT terminal of the MIDI keyboard and the other to MIDI IN A of the MU80 as shown in the illustration below 2 Connect the audio cables from the R and L MONO OUTPUT jacks of the MU80 to the appropriate inputs on the amplifier speaker system a...

Page 23: ... an incompatible adaptor may result in irreparable damage to the MU80 and even pose a serious shock hazard Be sure to disconnect the power adaptor from the outlet when the MU80 is not in use MIDI Keyboard MIDI OUT MIDI IN A MIDI CABLE R Amplifier Speaker System PHONES DC IN L MONO Power Adaptor ...

Page 24: ...kers Powering Up Operation 1 If you haven t done so already press the POWER VOL control on the MU80 After the greeting display the following display will appear 2 Turn on the power of your MIDI keyboard 3 Make sure that all volume controls on the MU80 and the con nected amplifier are turned down Then turn on the power of your amplifier speaker system 4 Finally set the volume control on the MU80 to...

Page 25: ... ENTER button 3 Press the ENTER button to start the Demo Song The Demo Song starts playing immediately and repeats indefinitely until stopped in step 4 below Playback of the individual Parts of the song is shown graphically by the level meter bars in the dis p l a y NOTE During Demo Song playback all panel controls except the EXIT button and the VOLUME control cannot be used 4 To stop playback of ...

Page 26: ...ou play NOTE If your MIDI keyboard is transmitting on channel 1 the Voice of Part 1 should sound If it is transmitting on another channel another Part s Voice will sound For the sake of these intro ductory instructions set your keyboard so that it transmits on channel 1 Refer to the own er s manual of that instrument if necessary The level meter bar indicates the level velocity of the incoming MID...

Page 27: ...move the arrow cursor to the right side of the instrument icon as shown below 3 Use the VALUE q buttons to change the Voice number In the display below Voice number 26 has been selected Voice name Voice number program number Instrument icon of current Voice MIDI receive channel for current Part Part number This is selectable only with the PART q buttons Solid arrow at Voice number currently select...

Page 28: ...nce increase the value hold down the VALUE button and simultaneously press and hold down the VALUE button Changing the Voice Bank In the current Sound Module mode XG several banks of Voices are available Each bank can contain up to 128 different Voices Operation 1 Use the SELECT w buttons to move the arrow cursor to the left side of the instrument icon as shown below Solid arrow at Bank number cur...

Page 29: ...board Though the actual operation may differ depending on the keyboard used the general procedure is the same Refer to the owner s manual of your instrument for specific instructions Operation 1 Make sure that your keyboard is set up to send Program Change messages 2 Use the panel controls to select a program on your keyboard Generally if everything has been set up properly the Voice number and na...

Page 30: ... yourself Selecting another Part and changing its MIDI channel Here we ll select Part 2 and change its MIDI channel to 1 so that it matches the MIDI channel of Part 1 This allows you to play the Voices of both Part 1 and Part 2 over MIDI channel 1 Voice name bank number and program number f o r t h e s e l e c t e d P a r t N o t e S h i f t s e t t i n g f o r t h e s e l e c t e d P a r t Chorus...

Page 31: ...ELECT w buttons to move the arrow cursor back to the instrument icon so that the Voice name is displayed and play the MIDI keyboard again Both level meter move together If both Parts 1 and 2 have been set to MIDI channel 1 both of their level meters should move together as you play And if the two Parts are set to different Voices you should hear two different Voices sound at the same time To chang...

Page 32: ...setting and play the keyboard as you make changes 4 Now that you ve adjusted the Volume balance of the two Voices change one of the Part s Pan setting Use the SELECT w but tons to call up the Pan display below Current Pan setting 5 Use the VALUE q buttons to change the setting and play the keyboard again as you make changes If you want try making changes to some of the other Part controls The proc...

Page 33: ...ingle Part to hear how that Part sounds by itself Mute and Solo are effective tools that help you as you edit the Parts since they allow you to better hear how the changes you make affect spe cific Voices as well as the overall sound Operation While playing the keyboard or during playback of a song from a sequencer press the MUTE button Each press cycles through the three functions Mute Solo and N...

Page 34: ...nce since it allows you to blend the two signals without the need for an external mixer Or you can use it to sing or play guitar over backing tracks played from a MIDI sequencer There are two A D Parts A1 and A2 and they include several different pre pro grammed settings that take advantage of the built in effects of the MU80 Operation 1 Turn down the A D INPUT control on the front panel 2 Connect...

Page 35: ...e 6 Slowly bring up the A D INPUT control on the front panel and play the instrument or sing into the microphone until the level i s a p p r o p r i a t e 7 Now move the arrow cursor back to PGM with the SELECT w buttons and try selecting some different A D programs with the VALUE q buttons The available programs have been specially programmed to suit the type of input selected For example program...

Page 36: ...used with the following computers Apple Macintosh IBM PC and the NEC PC 9800 Series If your computer has a MIDI interface you may want to connect the MU80 to it rather than using the host computer interface on the MU80 See the section Connecting to Other MIDI Devices on page 28 Depending on the computer or interface used set the HOST SELECT switch to the appropriate setting MIDI PC 1 NEC computers...

Page 37: ...2 Parts of the MU80 Clock g g g g g 1 MHz Other options and settings may have to be made as well Refer to the own er s manual of your particular music software for more information IBM PC and Clones Follow these instructions if you have an IBM PC AT or compatible computer not equipped with an external MIDI interface Connect the TO HOST termi nal on the MU80 to one of the computer s serial ports CO...

Page 38: ...manual of your particular music software for more in formation Connecting to Other MIDI Devices The MU80 is equipped with MIDI IN and OUT terminals allowing you to use it in any MIDI system Example uses for the built in MIDI interface include Connecting to a MIDI keyboard for playing the sounds of the MU80 from that keyboard Connecting to a computer equipped with a MIDI interface either in ternal ...

Page 39: ... the HOST SELECT switch to MIDI 2 Connect the MU80 to the appropriate MIDI device as shown in the illustrations above Use a standard MIDI cable see page 32 3 Turn on the the connected device then the MU80 4 If you are using a computer start up your music software and set up the appropriate options on the software for operation with the MU80 ...

Page 40: ...en you want to recall those settings you can transfer the appropriate data from the storage device The MDF2 also allows you to play compatible song data on the MU80 directly from the MDF2 itself without the need of a sequencer Make sure that the MU80 is properly connected to the data storage de vice via MIDI Refer to page 28 for the connection example Use the Dump Out function page 102 to send dat...

Page 41: ...ule A1 16CH TO HOST IN B IN A OUT THRU Sound Module B1 16CH When HOST SELECT switch is set to PC 1 Mac 31 250 bps Sound Module A1 16CH TO HOST IN B IN A OUT THRU Sound Module B1 16CH When HOST SELECT switch is set to PC 2 38 400 bps Sound Module A1 16CH TO HOST IN B IN A OUT THRU Sound Module B1 16CH ...

Page 42: ... If your PC 1 type computer has a 9 pin serial port use the PC 2 type cable Maximum length 1 8 meters MINI DIN 8 PIN D SUB 25 PIN 1 2 3 5 CTS 4 RTS 3 RxD 4 7 GND 8 5 2 TxD PC 2 8 pin MINI DIN to D SUB 9 pin cable Maximum length 1 8 meters MINI DIN 8 PIN D SUB 9 PIN 1 2 3 8 CTS 7 RTS 2 RxD 4 5 GND 8 5 3 TxD This concludes your basic tour of the important functions of the MU80 To find out more about...

Page 43: ...s manual covers in detail all of the functions of the MU80 Refer to it when you need infor mation about a specific function feature or operation Chorus Distortion Dump E f f e c t EQ I n i t i a l i z e Reverb System U t i l i t y Variation ...

Page 44: ... compatibility with the GM B mode of the TG300 Tone Generator C M This mode provides compatibility with most computer music soft ware not supported by the other two Multi modes NOTE When set to the TG300B mode the MU80 may not be able to play TG300 specific song data with complete accuracy However MIDI data designed for other computer music tone generators is compatible with the MU80 To set the Mu...

Page 45: ... to a clock rate of 1 MHz Play Displays The Play mode has three basic displays that can be changed according to your preference Simply press the PLAY button repeatedly and the display alternates as shown below 1 Shows full level meter indication for the A1 and A2 A D Parts and Parts 1 16 Currently selected parameter here Voice number and name is displayed at the right side Voice number and name fo...

Page 46: ... A D Parts and all 32 Parts Currently selected parameter is not displayed Part Controls The Part controls in the Play mode give you tools for adjusting the basic sound and settings for each Part The MU80 lets you adjust the various set tings for each Part individually Single Part control or together All Part control Each of these types is explained in greater detail below NOTE In the Multi mode no...

Page 47: ...is selected simply press both PART q buttons simultane ously or press the EXIT button to return to Single Part E d i t i n g i n S i n g l e P a r t Operation 1 Select the Part to be edited by using the PART q buttons 2 Select the desired control for the selected Part by using the SELECT w buttons 3 Change the value of the selected control by using the VALUE q buttons MIDI Receive Port Channel Set...

Page 48: ...ne bank This determines the bank number of the selected Part s Voice Each bank contains 128 Voices Refer to the SOUND LIST MIDI DATA booklet Program Voice Number Range 1 128 This determines the Voice for the selected Part Refer to the SOUND LIST MIDI DATA booklet Volume Graphically indicates current Volume setting Range 0 127 This determines the Volume setting for the selected Part s Voice ...

Page 49: ...ns the Voice to a pan po sition This is useful when you want to have different Voices sound from different random parts of the stereo image The Random set ting does not affect the A D input Parts Reverb Send Graphically indicates current Reverb Send setting Range 0 127 This determines the level of the selected Part s Voice that is sent to the Reverb effect A value of 0 results in a completely dry ...

Page 50: ...his parameter to work as intended See page 88 Variation Send Graphically indicates current Variation Send setting Settings off on when Variation Connection is set to INS 0 127 when Variation Connection is set to SYS This determines whether the selected Part s Voice is sent to the Vari ation effect or not A setting of off results in no Variation effect being applied to the Voice Note Shift Graphica...

Page 51: ... will actually be 0 or normal Selecting All Part Control To select All Part control press both PART q buttons simultaneously or press the EXIT button All appears in the PART section of the display E d i t i n g i n A l l P a r t Operation 1 Select the desired control for all Parts by using the SELECT w buttons 2 Change the value of the selected control by using the VALUE q buttons Device Number De...

Page 52: ...nes the overall Volume of the Parts Master Attenuator M Attn Graphically indicates current Master Attenuator setting Range 0 maximum volume 127 minimum volume This determines the level of all Parts but functions as an attenuator the greater the value the lower the volume This is useful when you are playing several songs and want to keep their overall level consistent Reverb Return RevRtn Graphical...

Page 53: ... VarRtn Graphically indicates current Variation Return setting Range 0 127 This determines the amount of Variation return in the overall mix Variation Return is only available when the Variation Connection parameter is set to SYS See page 91 Transpose Graphically indicates current Transpose setting Range 24 24 semitones This determines the overall Transpose setting of the Parts ...

Page 54: ...rs are also available To enter the Multi Edit mode press the EDIT button When a normal Part is selected the following menu appears When a Drum Part is selected the following menu appears F i l t e r The MU80 features a digital filter that can be used to change the timbre of the Voices The filter is affected together with the level by the EG Enve lope Generator which allows you to change the timbre...

Page 55: ...etermines the cutoff frequency of the filter or the frequency point above which other frequencies are filtered out Lower cutoff values create a deeper more rounded tone while higher values cre ate a thinner brighter tone Cutoff Frequency Low 64 High 63 Level Resonance Graphically shows Resonance setting for each Part Selected Part and MIDI channel ...

Page 56: ...atively flat response Lower Resonance Higher Resonance Level Resonant Peak Cutoff Frequency EG Envelope Generator The EG parameters allow you to shape the sound of a Part s Voice or in other words set how the level and timbre of the Voice changes over time This section also includes independent Pitch Envelope Generator PEG pa rameters for controlling how the pitch of a Part s Voice changes over ti...

Page 57: ...fected by how long a note is held For example if Decay is set to a low value and the note is held for a long time you may not be able to hear changes made to the Release parameter EG Attack Time Graphically shows EG Attack Time setting for each Part Selected Part and MIDI channel Even though the key is held for the same length of time in both examples the sound of the second example slowly reaches...

Page 58: ...ted Part and MIDI channel Range 64 63 Default 0 This determines the Decay Time of the EG or how rapidly the sound dies out as a note is held For the Filter this determines how long it takes for the Filter effect to die out EG Release Time Graphically shows EG Release Time setting for each Part Selected Part and MIDI channel Range 64 63 Default 0 This determines the Release Time of the EG or how lo...

Page 59: ...eld When the note is released the pitch rapidly climbs up Normal Pitch Time Key is released Low High NOTE The Pitch EG parameters may have little or no effect depending on the particular Voice used and the settings made to the main EG parameters Pitch EG Initial Level PEGInitLvel Graphically shows Pitch EG Initial Level setting for each Part Selected Part and MIDI channel Range 64 63 Default 0 Thi...

Page 60: ...ally shows Pitch EG Release Level setting for each Part Selected Part and MIDI channel Range 64 63 Default 0 This determines the final pitch of the Part s Voice or the pitch that is reached after the note is released A setting of 0 corresponds to normal pitch NOTE The Pitch EG Release Level and Time parameters may have no effect if the Voice itself does not sustain after the note is released Short...

Page 61: ...tch to change to the pitch value set in Release Level above Vibrato Vibrato produces a quavering vibrating sound in the Part s Voice by regu larly modulating the pitch You can control the speed and depth of the Vi brato as well as the time it takes before the Vibrato effect is applied Vibrato Rate Graphically shows Vibrato Rate setting for each Part Selected Part and MIDI channel Part Edit Mode Vi...

Page 62: ...ult in a stronger more pronounced Vibrato sound Vibrato Delay Graphically shows Vibrato Delay setting for each Part Selected Part and MIDI channel Range 64 63 Default 0 This determines the delay in the onset of the Vibrato effect Delay is effective especially on stringed instrument Voices For example vio lin players often use delayed vibrato especially while playing long notes The Delay parameter ...

Page 63: ...ically shows Detune setting for each Part Selected Part and MIDI channel Part Edit Mode Others Detune Part Mode Mono Poly Mode Velocity Sensitivity Depth V e l o c i t y S e n s i t i v i t y O f f s e t Note Limit Low Note Limit High Portamento Switch Portamento Time Velocity Limit Low Velocity Limit High Dry Level VarConnect SYS Pitch Bend Control MW LFO Pitch Moduration Depth ...

Page 64: ...normal Parts 1 9 11 25 27 32 drumS1 Part 10 drumS3 Part 26 When Sound Module mode is set to C M both Parts 10 and 26 are set to drumS1 This determines the mode for the Part A setting of normal allows selec tion of the normal instrument Voices See the SOUND LIST MIDI DATA booklet The drum setting allows selection of the drum kits See the SOUND LIST MIDI DATA booklet The drumS1 S4 settings are locat...

Page 65: ... Parts are set to normal none of the drum settings are avail able Any of the basic or the extended set of Voices can be used for each Part NOTE When two or more different Parts are set to the same editable drum setup drumS1 S4 any edits made to that drum setup automatically affect all those Parts For example when two Parts are set to drumS1 any changes made to drumS1 affect both Parts Mono Poly Mo...

Page 66: ...VelSensOfs Graphically shows Velocity Sensitivity Offset setting for each Part Selected Part and MIDI channel Range 0 127 Default 64 This determines the volume range over which velocity affects For lower values the velocity affects a volume range from minimum to medium loud For higher values velocity affects a range from me dium soft to maximum Level 127 127 0 at 127 at 64 at 0 Velocity NOTE Depen...

Page 67: ...om the left side of the keyboard and the other is played from the right Note Limit Low NoteLimitL Graphically shows Note Limit Low setting for each Part Selected Part and MIDI channel Range C 2 G8 Default C 2 This determines the lowest responding note for the Part Notes be low this value will not be played Note Limit High NoteLimitH Graphically shows Note Limit High setting for each Part Selected ...

Page 68: ...able for Drum Parts Portamento Time PortametTm Graphically shows Portamento Time setting for each Part Selected Part and MIDI channel Range 0 127 Default 0 This determines the time of the Portamento effect or how long it takes to glide the pitch from one note to the next Higher values re sult in a longer pitch glide time This parameter is not available for Drum Parts Velocity Limit Parameters The ...

Page 69: ...o Graphically shows Velocity Limit Low setting for each Part Selected Part and MIDI channel Range 1 127 Default 1 This determines the lowest velocity value at which the Part s Voice will play The higher the value the harder the keyboard must be played for the Voice to sound Velocity Limit High VelLimitHi Graphically shows Velocity Limit High setting for each Part Selected Part and MIDI channel Ran...

Page 70: ...lt 2 This determines the Pitch Bend range for the Part s Voice Pitch Bend is usually controlled by a pitch bend wheel on a MIDI keyboard Modulation Wheel LFO Pitch Modulation Depth MW LFOPMod Graphically shows LFO Pitch Modulation Depth setting for each Part Selected Part and MIDI channel Range 0 127 Default 10 This determines how widely the pitch is modulated by the LFO low frequency oscillator T...

Page 71: ... up the Drum Setup menu select a Part for which a Drum Part has been assigned The Drum Setup controls automatically come up in the Edit mode For example if Part 10 is assigned a Drum Part the Drum Setup menu will appear in the main Edit menu Use the SELECT w buttons to select DRUM in the display and press the ENTER button Currently selected parameter name and value Currently selected note and assi...

Page 72: ...tch setting of the selected drum sound This parameter is only available when the Part Mode has been set to DrumS1 S4 See page 54 Pitch Fine Range 64 63 This determines the fine pitch setting of the selected drum sound Level Range 0 127 This determines the volume of the selected drum sound Pan Settings Rnd Random L63 C R63 This determines the stereo position of the selected drum sound A setting of ...

Page 73: ...ntrol page 43 must be set to appropriate values Variation Send Var Send Settings off on when Variation Connection is set to INS 0 127 when Variation Connection is set to SYS This determines the level of the selected drum sound that is sent to the Variation effect A setting of off results in a completely dry drum sound no matter how much Variation is applied to the Drum Part NOTE Keep in mind that ...

Page 74: ...ords if one drum in a group is sounding while a second in the same group is played the first drum sound will be cut off and the second will sound HINT The main use for this parameter is in creating realistic hi hat sounds By assigning an open hi hat and a closed hi hat to the same group you can choke or stop the open hi hat sound by simply playing the closed hi hat just like pressing the pedal on ...

Page 75: ...ck Range 64 63 This determines the Attack Time of the EG Envelope Generator or how long it takes for the sound of the selected drum sound to reach full volume when a note is played See page 46 for more in formation about the EG function also see illustration below EG Decay 1 Range 64 63 This determines the Decay 1 time of the EG or how rapidly the sound dies down to the Decay 2 level See illustrat...

Page 76: ...rms as a four Part tone generator with all Parts controlled over a single MIDI channel The Performance mode is so named because it s ideally suited to live performance situations It allows you to play four different Voices at the same time from your MIDI keyboard either in a layer or in sophisticated keyboard and velocity splits It also gives you comprehensive control over each of the four Parts f...

Page 77: ...a t e s A l l P a r t d i s p l a y NOTE The display is automatically set to All Part when the Performance Play mode is selected 2 Use the SELECT w buttons to select the Bank parameter then use the VALUE q buttons to select the desired bank Preset P r e o rI n t e r n a l I n t Preset bank Internal bank Bottom half of keyboard player icon is shown in reverse display to indicate Preset Performance ...

Page 78: ...ect the desired Part by using the PART q buttons 6 Select the desired Voice bank for the Part by using the SELECT w buttons to select the Bank parameter and using the VALUE q buttons to change the bank number 7 Select the desired Voice for the Part by using the SELECT w buttons to select the Program Number parameter and using the VALUE q buttons to change the Voice number T o r e t u r n t o t h e...

Page 79: ...64 072 096 101 SFX TG300B 000 011 016 019 024 026 032 033 040 080 126 127 C M Fixed only one bank This determines the bank number of the selected Part s Voice Each bank contains 128 Voices Refer to the SOUND LIST MIDI DATA booklet Program Voice Number Range 1 128 This determines the Voice for the selected Part Refer to the SOUND LIST MIDI DATA booklet ...

Page 80: ...Random randomly assigns the Voice to a pan po sition This is useful when you want to have different Voices sound from different random parts of the stereo image Reverb Send Rev Send Graphically indicates current Reverb Send setting Range 0 127 This determines the level of the selected Part s Voice that is sent to the Reverb effect A value of 0 results in a completely dry Voice sound NOTE Keep in m...

Page 81: ...parameter to work as intended See page 88 Variation Send Var Send Graphically indicates current Variation Send setting Settings off on when Variation Connection is set to INS 0 127 when Variation Connection is set to SYS This determines whether the selected Part s Voice is sent to the Vari ation effect or not A setting of off or 0 results in no Variation effect being applied to the Voice Note Shif...

Page 82: ...ce When this is set to all the Performance responds over any incoming MIDI channel Performance Bank Settings Pre Preset Int Internal This determines the bank of Performance programs Preset or Inter nal Preset Performances are those that have been created and loaded at the factory the Internal bank is reserved for user created Perform ances Performance Number Range 1 128 This determines the Perform...

Page 83: ...Volume of the Performance Performance Pan Pfm Pan Graphically indicates current Performance Pan setting Range L63 C R63 This determines the overall Pan position of the Performance Reverb Return RevRtn Graphically indicates current Reverb Return setting Range 0 127 This determines the amount of Reverb return for the Performance in the overall mix ...

Page 84: ... Graphically indicates current Variation Return setting Range 0 127 This determines the amount of Variation return in the overall mix of the Performance Variation Return is only available when the Varia tion Connection parameter is set to SYS See page 91 System Transpose SysTran Graphically indicates current Transpose setting Range 24 24 semitones This determines the overall Transpose setting of t...

Page 85: ...the four Parts and the Copy and Store operations To enter the Performance Edit mode press the EDIT button from the Performance Play mode The following menu appears Common The Common parameters allow you to name a Performance enable the A D Parts for a Performance and set the control change number for realtime parameter control Performance Name Perform Name This allows you to give a name to your ed...

Page 86: ...the alphabet in both upper and lower case numbers from 0 to 9 and a variety of mis cellaneous characters 3 Press the EXIT button to return to the previous display or press the PLAY button to return to the Play display After creating and naming a Performance you ll probably want to save that Performance for future recall For instructions on saving a Performance refer to the Store operation on page ...

Page 87: ...ppropriate A D Part A1 or A2 Assignable Controller1 Control Change Number AC1 CC No Graphically indicates Control Change Number setting Range 0 95 This determines which Control Change number will be used for As signable Controller 1 in the Performance Assignable Controller 1 can be used to affect the Filter page 44 the Amplitude or the Vari ation effect page 89 HINT Though this parameter allows yo...

Page 88: ...cular controller for example setting the modula tion wheel normally 01 to control Volume 07 Refer to the own er s manual of your particular instrument for more information P a r t Performance Edit Mode P a r t F i l t e r Cutoff Frequency Resonance EG EG Attack Time EG Decay Time EG Release Time Pitch EG Initial Level Pitch EG Attack Time Pitch EG Release Level Pitch EG Release Time Vibrato Vibrat...

Page 89: ...h MW LFO Filter Moduration Depth Pitch Bend Control Assignable Control 1 Filter Control Assignable Control 1 Amplitude Control The Part menu contains the Filter EG Vibrato and Others parameters for the Performance F i l t e r The Filter section of Performance Edit parameters are the same as the cor responding parameters in the Multi Edit mode See page 44 EG The EG section of Performance Edit param...

Page 90: ...arts can be selected for a Performance Detune Same as the corresponding parameter in the Multi Edit mode See page 53 Mono Poly Mode Same as the corresponding parameter in the Multi Edit mode See page 55 Velocity Sensitivity Depth VelSensDpt Same as the corresponding parameter in the Multi Edit mode See page 56 Velocity Sensitivity Offset VelSensOfs Same as the corresponding parameter in the Multi ...

Page 91: ...lation Wheel LFO Pitch Modulation Depth MWLFO PMod Same as the corresponding parameter in the Multi Edit mode See page 60 Modulation Wheel LFO Filter Modulation Depth MWLFO FMod Graphically shows LFO Filter Modulation Depth setting for each Part Range 0 127 This determines how widely the filter is modulated by the LFO low frequency oscillator This is generally controlled from a modulation wheel on...

Page 92: ...test In the illustration below a foot controller is used as Assignable Controller 1 For positive values For negative values Minimum effect Maximum effect Maximum effect Minimum effect Assignable Control 1 Amplitude Control AC1AmpCtrl Graphically shows AC1 Amplitude Control setting for each Part Range 64 63 This determines the degree to which Assignable Controller 1 affects the Amplitude level or v...

Page 93: ...rmance program Preset or Internal to another Performance number Internal only Operation 1 From the Performance Edit menu use the SELECT w buttons to select COPY Then press the ENTER button to call up the Copy operation 2 Use the SELECT w buttons to select the desired parameter memory location source number or destination number The se lected parameter flashes Then use the VALUE q buttons to change...

Page 94: ...sing the Store operation Performances can be saved to any one of the 128 Internal memory locations With the excep tion of the Receive Channel and Transpose Note Shift settings made from the Play screen all parameter settings in the Play screen and in the Edit Effect and EQ modes are saved to the selected Performance number Operation 1 From the Performance Edit menu use the SELECT w buttons to sele...

Page 95: ...o actually execute the Store operation An Executing message flashes in the display during the op eration When the data has been stored the MU80 returns to the Performance Edit menu To cancel the operation without saving press the EXIT button before pressing ENTER Performance number Use these to change Performance number ...

Page 96: ...or each effect Type refer to the separate SOUND LIST MIDI DATA booklet To enter the Effect Edit mode press the EFFECT button The following menu appears Reverb REV Reverb recreates the sounds of various performance environments by add ing an ambient wash of delays or reflections Several different types of Reverb effects are available to simulate the ambience of different sized rooms Explanations of...

Page 97: ...ected Reverb is off and none of the other Reverb parameters are available with the exception of the Reverb Pan parameter HINT Generally when using Reverb you can simply select the particular Type needed and use it without bothering to adjust the other parameters If fine tuning of the Reverb sound is neces sary delve into the other parameters as needed Reverb Pan RevPan Range L63 C R63 This determi...

Page 98: ...ines the Chorus Type Depending on the Type selected the specific parameters and values may differ Chorus 1 and 2 are used to subtly enhance the sound and generally make it richer fatter and warmer Flanger uses modulation to create an animated swirling motion effect and produces a characteristic metallic sound Sym phonic also subtly enhances the sound by making a single instrument Voice sound like ...

Page 99: ... The Variation section provides a wealth of additional effects for processing the Voices of the MU80 It features some of the same effects found in the Reverb Chorus and Distortion sections This is not mere redundancy it al lows you to use two types of Reverb Chorus or Distortion on different Voices For example you may want to have the Flanger effect on one Voice and Phaser on another Variation als...

Page 100: ... the Variation Connection is set to SYS System the sound can be heard with no effect When the Variation Connection is set to INS Insertion no sound is output for the Part When set to THRU the sound of the Part or Parts is output without any Variation effect Generally when Variation Connection is set to INS Insertion you should set the Type to Thru When Variation Connection is set to SYS System you...

Page 101: ... Part When set to INS Insertion Variation is applied to only the selected Part set in Variation Send See page 93 NOTE The common parameters above are common to nearly all the Variation effect types Excep tions are described in the separate SOUND LIST MIDI DATA booklet Distortion The Distortion effects give you everything from subtle warm over drive to full blown hard edged distortion Also included...

Page 102: ...ols for the mid range NOTE When Thru is selected no Distortion or EQ is applied and none of the parameters are avail able with the exception of the Distortion Part parameter Dry Wet Balance Range D63 W D W D W63 This determines the balance between the direct unprocessed signal dry and the Distortion processed sound wet Use this parameter together with the Output Level parameter above to obtain the...

Page 103: ... overall mix All the effect sections are connected or routed in one of two ways System or Insertion System applies the selected effect to all 34 Parts while Inser tion applies the selected effect to one specific Part Reverb Chorus and EQ are all System effects and Distortion is an Insertion effect The Variation effect section on the other hand can be configured for either System or Insertion routi...

Page 104: ...lel or in serial and you can determine the amount of Variation effect that is sent to Chorus and Reverb as well as the amount of Chorus that is sent to Reverb This is done with the Send Variation to Chorus page 91 Send Variation to Reverb page 91 and Send Chorus to Reverb page 89 parameters When these are all set to 0 all three effects are in parallel routing Higher values for each provide varying...

Page 105: ... and Chorus to be routed in parallel or in serial and you can determine the amount of Chorus that is sent to Reverb This is done with the Send Chorus to Reverb parameter see page 89 When this is set to 0 Reverb and Chorus are in parallel routing Higher values for each provide varying degrees of serial r o u t i n g DIST rev send cho send distotion on off VAR variation on off dry distotion part var...

Page 106: ...on Jazz Pops Rock and Clas sic each have different EQ settings and frequency bands specially suited for those types of music Equalizer EQ Edit The Equalizer EQ Edit parameters allow you to adjust the overall tone of the MU80 sound in five separate frequency bands EQ presets are also pro vided for instantly calling up tone settings specially suited for different types of music 0 dB Frequency Low Lo...

Page 107: ...tings Range 12 12 dB The remaining EQ parameters let you set the level of each of the five frequency ranges low low mid mid high mid and high The bars in the display show the EQ settings as a frequency curve with peaks indicating level boosts in the frequency range and val leys indicating level cuts A setting of 0 dB corresponds to no level change NOTE Changing the EQ Type automatically restores t...

Page 108: ...lly useful for adjusting the pitch of the MU80 when playing with other instruments The actual pitch of each Voice depends also on the other pitch related parameters Key in Play mode and Detune in Edit mode NOTE At around 440 Hz 1 Hz is approximately equal to 4 cents Utility Mode The Utility mode lets you set functions related to the overall operation of the MU80 such as Master Tune display contras...

Page 109: ...the Parts on the MU80 If you want to keep the current Mute settings and disable this reset set Mute Lock to on For more information on the Mute function see page 23 A D Part Lock Settings off on Default off This determines whether or not the current parameter values and Variation effect settings of the A D Parts are reset when receiving a GM System On or XG System On message If you want to keep th...

Page 110: ...GMExcl Settings off on Default off This determines whether GM System On or XG System On messages are received or not The on setting allows these messages to be received Receive System Exclusive RcvSysExcl Settings off on Default off This determines whether System Exclusive messages are received or not System Exclusive messages are data specifically or exclu sively related to the MU80 The On settin...

Page 111: ...s to be received Contrast Range 1 8 This determines the contrast of the display Adjust this as necessary for optimum visibility At extreme settings the display may not be readable Dump Interval DumpIntrval Settings 50 100 150 200 300 This determines the length of time the MU80 pauses when sending blocks of data in the Dump Out functions If the receiving device fails to process the data or displays...

Page 112: ...nnected tone generator Dump Out Functions The Dump Out functions allow you to save the various settings of the MU80 such as settings for Parts Performances system etc to a MIDI sequencer computer or a MIDI data recorder such as the Yamaha MDF2 MIDI Data Filer The following illustrations show example connections for the Dump Out functions Saving and Restoring Data via MIDI Bulk Dump data can be sen...

Page 113: ...ustrations above Also set the HOST SELECT switch to MIDI When using the TO HOST terminal make sure that the HOST SELECT switch is set corresponding to the device to be used Re fer to page 26 for more on host computer connections 2 Press the UTILITY button and select DUMPOUT then press the ENTER button 3 From the Dump Out menu select the type of data to be sent All Multi or Performance Then press t...

Page 114: ...ta to the connected device Use the VALUE q buttons to select the type amount of data to be transmitted Performance PERFORM Settings ALL I 001 I 128 Internal Performance numbers This transmits the selected MU80 Performance data to the con nected device Use the VALUE q buttons to select the type amount of data to be transmitted 4 From the Are you sure prompt press the ENTER button to ex ecute the op...

Page 115: ...as the corresponding Device Number To reload the data from the data recorder back to the MU80 Make sure that the devices are properly connected see the Restoring Data illustrations above and execute the appropriate data transfer operation from the data recorder Refer to the owner s manual of that device for in structions The MU80 automatically receives incoming bulk data I n i t i a l i z e F u n ...

Page 116: ...ry Settings FactSet selected Sound Module mode XGInit GM Init C MInit PFMInit or Drum DrumInit Then press the ENTER button to call up the selected data dump Factory Settings FactSet This restores the original factory settings of the MU80 Selected Sound Module Mode Extended General MIDI XGInit ...

Page 117: ...d Sound Module mode XG TG300B C M or PFM Ini tializing this parameter restores the original settings for the selected mode NOTES For the PFMInit setting only the currently selected Performance will be initialized For XGInit and GM Init the initialized settings are the same as when the MU80 is reset upon receiving an XG System On or GM System On message Drum DrumInit ...

Page 118: ...ring the op eration When the operation is completed the MU80 returns to the Initialize menu Demo Song Play DEMO The Demo Song function in the Utility menu allows you to play the built in Demo Song Operation 1 Press the UTILITY button and select DEMO then press the ENTER button 2 Press the ENTER button to start the Demo Song The Demo Song starts playing immediately and repeats indefinitely until st...

Page 119: ... Performance If XG TG300B or C M are se lected the MU80 automatically sets itself to the Multi mode When PFM is selected the MU80 is in the Performance mode See page 34 The bottom right of the display indicates the currently selected Sound Module mode Press the EXIT button or any one of the other mode select buttons PLAY EDIT UTIL EFFECT or EQ to use the MU80 in the current mode NOTE When the MU80...

Page 120: ...can be received over 32 channels simul taneously allowing 32 parts to be played with only one serial cable By connecting another multi timbral tone generator to the MIDI OUT terminal of the MU80 and setting the Thru Port function page 102 to a value other than 1 or 2 you can play back data over a total of 48 MIDI channels 32 on the MU80 and another 16 on the connected tone generator Tone Generator...

Page 121: ... manual covers in detail all of the functions of the MU80 Refer to it when you need infor mation about a specific function feature or operation Chorus Distortion Dump E f f e c t EQ I n i t i a l i z e Reverb System U t i l i t y Variation ...

Page 122: ...t provides support for only 128 voices whereas many users now perceive the need for a greater number of voices suited to a wider range of musical genres Users have also indicated a desire for greater control over voice modifica tions and effects so as to enable a higher level of expressiveness The advent of the computer based multimedia age has added yet a different perspective bringing increased ...

Page 123: ...e XG format provides detailed and extensive specification of voice sets and voice changes it does not require XG machines to support the full range of functions Designers are free to develop a wide range of products to meet various cost and perform ance objectives Each XG machine will replay XG data in accordance with the machine s level of sophistication If a model does not support a variation vo...

Page 124: ...effects De vices equipped with graphic equalizers will be able to modify ambience and sound to suit the specific type of music being played External Input Whereas existing tone generators create sound in response to internal data only the XG format provides for real time participation by adding support for input of exter nal audio signals External signals can be processed by the mixer in the same ...

Page 125: ...cv NOTE MESSAGE is OFF the part ignores these messages If rhythm part s Rcv NOTE OFF OFF the rhythm part ignores the Key Off message 2 Program Change Status CnH Default 00H If multipart parameter Rcv PROGRAM CHANGE is OFF the part ignores this message Melody Voice As indicated in MU80 Sound List MIDI Data booklet Voices can be added through use of Bank Select LSB Refer to description of Bank Selec...

Page 126: ... Select LSB selects from the extended melody voice set SFX kit and rhythm kit voices do not currently support Bank Select LSB extension sets Each bank is set for a specific type of variation simplifying retrieval of the desired voice Extension voices like basic voices are associated with voice names see MU80 Sound List MIDI Data booklet Other banks and voices may be added in the future An XG machi...

Page 127: ...e same Program Number If it does not support a requested optional rhythm voice Program Number other than 0 it will play the standard kit For melody voice play If the channel cannot play from the bank selected by the last LSB specification it will revert to the most recent playable LSB specifications For rhythm voice play If the channel cannot play the kit selected by the last received Pro gram Num...

Page 128: ...ent installments of the rhythm part Expression 0BH Cntrl Parameter Data Range 11 Expression 0 to 127 Default 7FH If multipart parameter Rcv EXPRESSION is OFF the part ignores this message This message is used to control intonation expression diminuendo and crescendo during play Sustain 40H Cntrl Parameter Data Range 64 Sustain 0 to 127 0 63 Off 64 127 On Default 00H If multipart parameter Rcv SUST...

Page 129: ... higher the sound becomes increasingly eccentric Note that for some voices the effective parameter range is narrower than the legal parameter range Release Time 48H Cntrl Parameter Data Range 72 Release Time 0 to 127 0 64 64 0 127 63 Default 40H Applies adjustment to the envelope release time set by the voice This parameter specifies relative change with value 64 producing zero adjustment For some...

Page 130: ...Range 91 Effect 1 Depth 0 to 127 Default 40H Adjusts the reverb send level Effects Send Level 3 chorus 5DH Cntrl Parameter Data Range 93 Effect 3 Depth 0 to 127 Default 00H Adjusts the chorus send level Effects Send Level 4 variation 5EH Cntrl Parameter Data Range 94 Effect 4 Depth 0 to 127 Default 00H Adjusts the variation effect send level Effective only if Variation Connection System Data Incre...

Page 131: ...nce mm 00H 40H 7FH 64 0 63 01H 63H mmH EG Attack Time mm 00H 40H 7FH 64 0 63 01H 64H mmH EG Decay Time mm 00H 40H 7FH 64 0 63 01H 66H mmH EG Release mm 00H 40H 7FH 64 0 63 14H rrH mmH Drum Filter Cutoff Frequency mm 00H 40H 7FH 64 0 63 rr drum instrument note number 15H rrH mmH Drum Filter Resonance mm 00H 40H 7FH 64 0 63 rr drum instrument note number 16H rrH mmH Drum EG Attack Time mm 00H 40H 7F...

Page 132: ...0H mmH Coarse Tune mm 00H 40H 7FH 64 0 63 Default 40 00H 7FH 7FH Null All Sound Off 78H Cntrl Parameter Data Range 120 0 Switches off sound from all parts Does not reset the settings established by Channel Messages Reset All Controllers 79H Cntrl Parameter Data Range 121 0 Resets the following values Pitchbend Modulation Expression Sustain Registered Param eter Number parameter settings Resets por...

Page 133: ...MNI ON operation not supported MONO 7EH Cntrl Parameter Data Range 126 Mono 0 to 16 Generates All Sound Off operation If the value of the third byte mono number is 0 16 the channel changes to Mode 4 m 1 POLY 7FH Cntrl Parameter Data Range 127 0 Generates All Sound Off operation and sets the channel to Mode 3 5 Channel Aftertouch Status DnH The message is not effective under initial settings to ena...

Page 134: ...End of Exclusive This message switches SOUND MODULE MODE to XG and initializes the XG settings The message requires approximately 50ms to execute so sufficient time should be al lowed before the next message is sent GM System On F0H 7EH 7FH 09H 01H F7H 11110000 F0 Exclusive status 01111110 7E Universal Non realtime ID 01111111 7F Device ID 00001001 09 Sub ID1 00000001 01 Sub ID2 11110111 F7 End of...

Page 135: ...a aa Address Mid 0aaaaaaa aa Address Low 0ddddddd dd Data 0ddddddd dd Data 11110111 F7 End of Exclusive Includes 2 or 4 bytes of data depending on parameter size The following eight types of parameter change are provided 1 System Data parameter change 2 Multi Effect Data parameter change 3 Multi EQ Data parameter change 4 Multi Part Data parameter change 5 Drums Setup Data parameter change 6 Syste...

Page 136: ...512 bytes should be sent in a single transmission If the Dump Request asks for more than 512 bytes data should be sent in packets of 512 bytes or less with at least 120msec between transmission of consecutive packets Parameter Request 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Addres...

Page 137: ...onnections making sure that the MIDI OUT of the external device is connected to the MIDI IN of the MU80 and that the MIDI IN of the external device is connected to the MIDI OUT of the MU80 See pages 28 29 Or if you are using the TO HOST terminal with a computer make sure that the terminal is properly con nected to the computer and that the HOST SELECT switch is properly set for your particular com...

Page 138: ...y transmitting again SysEx Data ERROR The data of the received System Exclusive message is incorrect Check the data of the message as to whether it requires an MSB or LSB header and try transmitting again SysEx Size ERROR The data of the received System Exclusive message is incorrect Check the size of the message and try transmitting again Check Sum ERROR The checksum of the received System Exclus...

Page 139: ...Voice Program Structure Normal Programs Total Voices 729 XG mode 537 TG300B mode 614 C M mode 128 Parts 1 9 64 Parts 11 16 Drum Programs Total Programs 21 XG mode 11 TG300B mode 10 C M mode 1 Performance Programs Up to four Voices plus all effect settings can be memorized to a Performance Preset Programs 64 2 User Programs 128 E f f e c t s Five sections of multi effects Reverb 12 Types Chorus 10 ...

Page 140: ... IN A B MIDI OUT and MIDI THRU terminals Computer MIDI Interface Direct connection to host computer port RS 232C RS 422 with optional cables CCJ PC1 CCJ PC1 CCJ MAC MIDI terminals allow connection to MIDI sequencer or MIDI controller Data Transfer Baud Rate MIDI 31 250 bps bits per second Mac 31 250 bps PC 1 31 250 bps PC 2 38 400 bps Power Supply Yamaha PA 1207 AC Adaptor included Dimensions W D ...

Page 141: ... 24 note polyphony 16 part multi timbral capacity and 128 standard voices The MU80 exceeds this with 64 note polyphony 32 part multi timbral capacity and 729 Voices host computer The controlling computer in a com puter music system The host computer is con nected to the MU80 via the TO HOST or MIDI terminals and runs the software necessary for re cording and playing back song data which is re prod...

Page 142: ...tion of return above sequencer A device used for recording editing and playing back of MIDI data Sequencers are gener ally of two types dedicated sequencer units and computer based sequencing software The MU80 can be used with either type Solo The Solo function of the MU80 allows you to isolate a single Part to hear how that Part sounds by itself Sound Module mode The MU80 has four Sound Module mo...

Page 143: ... 54 80 Device number 41 Distortion 91 92 Distortion Part 92 Distortion Type 92 Drum Setup controls 61 65 Drum Setup menu selecting and editing 61 62 Dry Level 60 81 Dry Wet Variation 90 Dry Wet Balance Distortion 92 Dump Interval 101 Dump Out functions 102 105 E editing in All Part 41 editing in Single Part 37 Effect Edit mode 86 95 effect connections System and Insertion 92 95 EG Envelope Generat...

Page 144: ...On Drum Setup 64 Receive System Exclusive 100 Resonance Drum Setup 64 Resonance Multi mode 45 Reverb 86 87 Reverb Pan 87 Reverb Return Multi mode 42 Reverb Return Performance mode 73 Reverb Send Drum Setup 62 Reverb Send Multi mode 39 Reverb Send Performance mode 70 Reverb Type 86 87 S Send Chorus to Reverb 89 Send Variation to Chorus 91 Send Variation to Reverb 91 Single Part control Multi mode 3...

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