background image

103

Recommended

No.

Voice Name

Note Range

Comment

056

WhelkBas

E-1 - C#5

Synth bass. MW controls filter as does velocity.

057

AtackSyn

G0 - B4

Synth bass sound with strong attack.

058

Q.Klav

A-1 - C#4

Deeply funky clav sound. Try with Phasing on in Chorus section, or alter low and upper mid with Equaliser in
modifier section. Altering the Aural Exciter

®

 parameters will also have a big effect.

059

Sitar!

G0 - E4

Simulation of Sitar.

060

India

F#0 - C6

Sitar-type ethnic sound.

061

YamSteel

A2 - C6

Steel drum-type ethnic sound.

062

StungSt

F#0 - B5

FM style, metallic overtone synth.  Can use as lead or bass .

063

Mu

***

MW brings in noise. CC#13 can be used to modify the character of the noise.

064

Waterphn

***

Mysterious percussion instrument.  Attack is softened with MW.  Squeakiness (embouchure) on CC#13.
Violent SCRAPE sound with AT.

065

DinoPerc

***

Use with different combinations of MW and PB to produce complex noise percussion.

066

Formula

***

Engine-like sound effect.

067

Jurassic

***

Use PB, MW, and CC#13 to produce the cries of various dinosaurs.

068

Devil

***

A sound effect using extreme oscillation. Try moving PB, MW, and CC#13 in various ways.

069

SpcHorse

***

While applying MW, add AT to create a neighing sound.

070

Jason

***

Use the MW to turn this into a strongly noisy sound effect.

071

Suedhead

F-1 - C6

Sound effect. Make liberal use of Pitch and MWs.

072

Spanish

F-1 - E4

Spanish type acoustic guitar.

073

JazzGtr!

B-1 - A4

Electric guitar suitable mainly for jazz.

074

JazzyGtr

A-1 - C6

Velocity dynamic jazz style sustaining guitar lead.

075

L7 Pluck

B-1 - E4

A classic pluck sound.

076

WetPluck

B-1 - E4

A guitar sound that readily accepts effects such as flanging.

077

Comp Gtr

B-1 - A4

Compressed, clean electric strat guitar sound.

078

FunkyGtr

B-1 - D5

Snappy “70’s style” funk guitar, for rhythm and comping.

079

Thin Gtr

B-1 - G5

Clean uncompressed electric guitar with “thin gauge” new strings, good for country, R&B, lead solos etc. Using a
high velocity input results in a continuous sound.

080

Carlos

B-1 - G4

Overdrive guitar, front pick up type.

081

Destiny

C0 - C5

Distortion guitar made from a sustained sound with strong attack. CC#13 for feedback effect.

082

Gonzo

B-1 - G5

Velocity controlled. PB down controls noise effect.

083

Grunge

C0 - B6

Dirty synth lead.

084

Ossyncro

B-1 - G5

Cross modulation-type synth lead.

085

Talk Box

F#0 - E7

Voicy Lead, somehow like a guitar-Talkbox.

086

SyncLed

B-1 - E6

Sync type lead tone.  Use with Exp or BC - with no pressure sound has stacatto muted tone.  Increase for full
tone.   FC (CC#4) at full produces wide open tone.  Lowering darkens timbre.  Try striking at hard velocity with
no BC, pitchbend up, and slowly.

087

Old Mini

A-1 - A5

A classic analog synth solo sound.

088

Fat Mini

G-1 - A5

A classic analog synth solo sound with fatter timbre.

089

Parlopho

B-1 - C5

If it was possible to mix an accordion with a trumpet it might sound like this.

090

SimpleSy

B-1 - E5

Breath controlled filter synth sound.

091

Choronic

C0 - G5

Synth brass solo sound.

092

SlitMinu

F0 - C6

AT control of Rotor Speed of FX.

093

SynHarmo

B-1 - G6

Filter changed by velocity.

094

Flaggoot

C0 - D4

Vibrato will cause sound to drop an octave except in lower range.

095

SynSkex

C0 - A#5

Analog/acoustic hybrid lead sound with resonant filter.

096

ResoSqr

A-1 - D5

Lowering FC (CC#4) opens filter.

097

WurliLd

B-1 - C6

Dark, reed electric piano style synth lead.

098

FlatLead

G#1 - G5

Analog / digital lead with thick, fat non-dynamic character.

099

PhilTur

B-1 - C6

Bright, resonant synth brass lead with accentuated filter dynamic range.

100

ChalPuls

B-1 - C6

Synth lead with an indefinably “acoustic” atmosphere.

101

Pluck Ld

B-1 - C6

Speedy Synthlead with Guitarlike attack.

102

Brassyn

B-1 - C6

Bright analog synthbrass.

103

AcoSynLd

A-1 - C6

Analog synth lead-type sound with an acoustic flavor.

104

Moby

G-1 - F5

A strange sound in which gradual application of AT increases the fundamental. The key lies in how you use
AT.

105

Digitrn

C0 - C6

Digital wavetable style wind controller synth lead.

* Aural Exciter® is a registered trademark and is manufactured under license from Aphex Systems, Ltd.

Summary of Contents for MU100R

Page 1: ......

Page 2: ...able 24 mMIDI MIDI Data Format 27 MIDI Implementation Chart 70 mVOICE XG Voice List 72 VL XG Voice List 100 VL Voice List 102 TG300B Voice List 108 About the 128 GM Sounds 116 C M Voice List 118 XG Dr...

Page 3: ...an EP line Auto Pan 7 Karaoke3 mic Karaoke3 Flang Gtr mic Flanger WahClavi line TouchWah WahClavi line TouchWah 8 Echo mic Echo Clean Gtr mic Celeste Rotary Orgn line Rotary Speaker Rotary Orgn line R...

Page 4: ...stinctive resonance following a slight initial delay No 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 MSB 00H 41H 41H 41H 41H 42H 42H 42H 42H 43H 43H 43H 44H 57H 48H LSB 00H 00H 01H 02H 08H 00H 01H 02H 08H 00H 0...

Page 5: ...scent of a jet airplane taking off and landing A multi stage version of CELESTE modulation Chorus effect without modulation created by adding a slightly pitch shifted sound An effect which adds spatia...

Page 6: ...Conventional chorus effect which gives natural spaciousness to the sound A three phase LFO is used to give modulation and spaciousness to the sound An effect reminiscent of a jet airplane taking off a...

Page 7: ...ic effects LSB 00 000 0 NO EFFECT 001 1 NO EFFECT 064 40 NO EFFECT 065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4 066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4 067 43 FLANGER 1 FLANGER 2 FLANGER 3 068 44...

Page 8: ...Y SPEAKER 070 46 TREMOLO 071 47 AUTO PAN 072 48 PHASER 1 PHASER 2 073 49 DISTORTION COMP DISTORTION 074 4A OVER DRIVE 075 4B AMP SIMULATOR 076 4C 3 BAND EQ 077 4D 2 BAND EQ 078 4E AUTO WAH LFO AUTO WA...

Page 9: ...074 4A OVER DRIVE 075 4B AMP SIMULATOR 076 4C 3BAND EQ 077 4D 2 BAND EQ 078 4E AUTO WAH LFO 079 4F THRU 080 50 THRU 081 51 AURAL EXCITER 082 52 TOUCH WAH 1 TOUCH WAH 2 083 53 COMPRESSOR 084 54 NOISE G...

Page 10: ...5 table 3 table 3 table 11 table 11 table 11 table 5 Control Value 0 69 0 10 0 63 0 52 34 60 0 37 0 73 0 104 0 30 1 127 0 63 0 4 1 127 1 10 1 127 L R L R DELAY ER REV DELAY ER HPF LPF HPF LPF L R L R...

Page 11: ...10 1 7430 1 3714 1 7430 1 3714 0 127 1 127 4 40 52 76 28 58 52 76 L R L R LSF HSF DELAY dry L dry R LSF HSF DELAY LPF LPF No 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Lch Delay Rch Delay Feedb...

Page 12: ...requency EQ Mid Gain EQ Mid Width Input Mode Display 0 00Hz 39 7Hz 0 127 63 63 0 127 32Hz 2 0kHz 12 12dB 500Hz 16 0kHz 12 12dB D63 W D W D W63 100Hz 10 0kHz variation block 12 12dB variation block 1 0...

Page 13: ...0 127 4 40 52 76 28 58 52 76 1 127 14 54 52 76 10 120 L R L R LSF HSF LSF HSF SYMPHONIC L R L R LSF HSF dry L dry R LSF HSF SYMPHONIC See Table table 2 table 2 table 3 table 3 No 1 2 3 4 5 6 7 8 9 10...

Page 14: ...L R L R TOREMOLO LSF HSF LSF HSF TOREMOLO No 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency L R Depth F R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gai...

Page 15: ...28 58 52 76 1 127 3 6 4 124 See Table table 1 table 3 table 3 resolution 3deg L R L R LSF HSF PHASER dry L dry R LSF HSF PHASER No 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Drive EQ Low Freque...

Page 16: ...table 3 L R L R LSF PDF HSF L R L R LSF PDF LSF PDF HSF HSF No 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 32Hz 2 0kHz 12 12dB...

Page 17: ...y Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry Wet Drive Variation block Display 0 127 0 127 1 0 12 0 32Hz 2 0kHz 12 12dB 500Hz 16 0kHz 12 12dB D63 W D W D W63 0 12...

Page 18: ...o 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Dry Wet Pan 1 Output Level 1 Pan 2 Output Level 2 Display 24 24 0 127 50 50 50 50 99 99 D63 W D W D...

Page 19: ...io Output Level Display 1 40ms 10 680ms 48 6dB 1 0 20 0 0 127 Control Value 0 19 0 15 79 121 0 7 0 127 See Table table 8 table 9 table 10 L R L R COMP COMP EF L R L R COMP EF L R L R EXCITER EXCITER E...

Page 20: ...16 Parameter Low Adjust High Adjust Display 0 26 0 26 Control Value 0 26 0 26 See Table L R L R VOICE CANCEL VOICE CANCEL No 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter Vowel Move speed Drive Out...

Page 21: ...n Dist EQ Mid Gain Dry Wet Comp Attack Comp Release Comp Threshold Comp Ratio Display 0 1 1486 0ms 63 63 0 127 0 127 0 127 12 12dB 12 12dB D63 W D W D W63 1ms 40ms 10ms 680ms 48dB 6dB 1 0 20 0 Control...

Page 22: ...above 2 duet below 3 duet abv b 4 trio above 5 trio a b 6 trio below 7 trio a b b 8 quar above 9 quar a b 10 quar below off auto off unis male fem 64 63 off on 0 12 0 12 64 63 64 63 L63 H L H L H63 0...

Page 23: ...raoke echo Delay length Volume of second delay Density of reflections Higher values produce closer spacing Depth of the simulated room Amount of pitch shift Control the spaciousness Depth of distortio...

Page 24: ...t input to left output Compression ratio of the compressor Length of right channel delay Length of first right channel delay Length of second right channel delay Amount of right channel feedback Lengt...

Page 25: ...17 4 18 1 19 5 20 8 22 2 23 5 24 8 26 2 27 5 28 9 30 2 31 6 32 9 34 3 37 0 39 7 Data Value Data Value Data Value Data Value Modulation Delay Offset Table 2 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17...

Page 26: ...2 7 14 3 15 8 17 4 19 0 20 6 22 1 23 7 25 3 26 9 28 4 30 0 31 6 33 2 34 7 36 3 37 9 39 5 41 0 42 6 44 2 45 7 47 3 48 9 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58...

Page 27: ...387 4 390 6 393 7 396 9 400 0 Data Value Data Value Data Value Data Value Data Value Compressor Attack Time Table 8 Compressor Release Time Table 9 Data Value 0 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 9 9 10...

Page 28: ...M Bank Select is not received Control Parameter Data Range 0 Bank Select MSB 0 127 32 Bank Select LSB 0 127 The Bank Select data will be processed only after a Program Change is received and then voic...

Page 29: ...it will be on pressed When this is ON currently sounding notes will continue to sound even if note off messages are received If the Multi Part parameter Rcv HOLD1 OFF that part will not receive Hold1...

Page 30: ...Range 74 Brightness 0 64 127 64 0 63 MIDI data format Since this is a relative change parameter it specifies an increase or decrease relative to 64 Lower values will produce a more mellow sound For so...

Page 31: ...4 0 63 01 49 mm 4 EQ treble gain mm 00 64 127 64 0 63 01 52 mm 4 EQ bass frequency Has no effect on VL sounds mm 04 40 32 2 0k Hz MIDI data format 01 53 mm 4 EQ treble frequency Has no effect on VL so...

Page 32: ...e The following RPN messages can be received RPN Data Entry 1 MSB LSB MSB LSB Parameter name and value range 00 00 mm 2 Pitch bend sensitivity mm 00 24 0 24 semitones Specify up to 2 octaves in semito...

Page 33: ...Parameter Data Range 126 Mono 0 16 Mode4 is a state in which only channel messages on the specified channel will be received and notes will be sounded individually monophonically 1 3 7 Poly Perform th...

Page 34: ...to save data specific to this device on a MIDI data filer such as the MDF2 or to exchange data between two or more MU100R units By using these messages it is possible to edit virtually all settings of...

Page 35: ...ed in order to process this message be sure to allow an appropriate interval before sending the next message 2 1 2 2 Identity Request 11110000 F0H Exclusive status 01111110 7EH Universal Non Real Time...

Page 36: ...Part parameter change This message sets the AD PART block refer to tables 1 1 1 10 2 1 3 10 AD System parameter change This message sets the AD SYSTEM block refer to tables 1 1 1 11 2 1 3 11 Drums Se...

Page 37: ...bulk dump 3 Multi Effect1 bulk dump 4 Multi EQ bulk dump 5 Multi Effect2 bulk dump 6 Multi Part bulk dump 7 AD Part bulk dump 8 Drums Setup bulk dump MU100 NATIVE BULK DUMP 1 1 MU100 System bulk dump...

Page 38: ...VH Data 0kkkkkkk KKH Check sum 11110111 F7H End of Exclusive Details are the same as for 2 2 1 XG Bulk Dump However refer to table 2 n for the address byte count and block 2 2 2 1 MU100 System bulk du...

Page 39: ...er request 2 This message requests the transmission of a parameter value unique to the MU100 The output format is the same as for a MU100 native parameter change refer to 2 1 5 11110000 F0H Exclusive...

Page 40: ...ssages for Harmony Effect 4 1 1 Note on note off Harmony ch Melody ch 9n kk vv note on message For Vocoder harmony used to specify the pitch to be sounded For Chordal harmony used to detect chords 8n...

Page 41: ...ter name and range of values Harmony ch Melody ch MSB LSB MSB 00 00 mm Harmony Mute X mm 00 63 off 64 127 on 01 08 mm Vibrato Rate Modulation mm 00 64 127 0 127 Melody channel is effective only when G...

Page 42: ...mony 1 Detune X mm 00 64 127 64 0 63 02 49 mm Harmony 2 Detune X mm 00 64 127 64 0 63 02 50 mm Harmony 3 Detune X mm 00 64 127 64 0 63 4 1 2 4 RPN Registered Parameter Number This message is used to s...

Page 43: ...rd Control Code F0 43 7E 02 cr ct 7F 7F F7 For Chordal mode this is used to specify the chord The chord can also be specified by Note on messages cr chord root offfnnnn fff Accidental nnnn Note 0 bbb...

Page 44: ...03 01 00 Insertion Effect 2 UNIQUE EFFECT 04 00 00 Insertion Effect VH DISPLAY 06 00 00 Display Letter 07 00 00 Display Bit Map MULTI PART 08 00 00 Multi Part 1 08 0F 00 Multi Part 16 08 10 00 Multi...

Page 45: ...t received Table 1 4 MIDI Parameter Change table EFFECT 1 Address Size Data Parameter Description Default value H H H H 02 01 00 2 00 7F REVERB TYPE MSB refer to Effect Program List 01 HALL1 00 7F REV...

Page 46: ...AMETER 3 LSB 08 48 2 00 7F VARIATION PARAMETER 4 MSB 27 00 7F VARIATION PARAMETER 4 LSB 08 4A 2 00 7F VARIATION PARAMETER 5 MSB 00 00 7F VARIATION PARAMETER 5 LSB 4A 4C 2 00 7F VARIATION PARAMETER 6 M...

Page 47: ...Data Parameter Description Default value H H H H 03 00 00 2 00 7F INSERTION EFFECT1 TYPE MSB refer to Effect Program List 49 DISTORTION 00 7F INSERTION EFFECT1 TYPE LSB 00 02 1 00 7F INSERTION EFFECT...

Page 48: ...ses 02 0B are not received Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02 0B but in the case of an EFFECT TYPE which requires the MSB parameters of...

Page 49: ...meters of addresses 02 0B are not received Transmission of bulk data which includes EFFECT TYPE data will always include the parameters of addresses 02 0B but in the case of an EFFECT TYPE which does...

Page 50: ...creen as follows b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0 b stands for bit Data1 0 Data17 0 Data33 0 Data2 Data18 Data34 Data3 Data19 Data35 Data4 Data20 Data36 Data5 Da...

Page 51: ...20 1 00 7F MW LFO PMOD DEPTH 0 127 0A nn 21 1 00 7F MW LFO FMOD DEPTH 0 127 00 nn 22 1 00 7F MW LFO AMOD DEPTH 0 127 Not valid for VL 00 nn 23 1 28 58 BEND PITCH CONTROL 24 0 24 semitones 42 nn 24 1...

Page 52: ...5D 1 00 7F AC1 LFO PMOD DEPTH 0 127 00 nn 5E 1 00 7F AC1 LFO FMOD DEPTH 0 127 00 nn 5F 1 00 7F AC1 LFO AMOD DEPTH 0 127 Not valid for VL 00 nn 60 1 00 5F AC2 CONTROLLER NUMBER 0 95 Not valid for VL 1...

Page 53: ...DEPTH 64 63 40 13 1 00 62 DAMPING CONTROL NO off 95 AT VELOCITY PB 00 14 1 00 7F DEPTH 64 63 40 15 1 00 62 ABSORPTION CONTROL NO off 95 AT VELOCITY PB 00 16 1 00 7F DEPTH 64 63 40 TOTAL SIZE p Part Nu...

Page 54: ...31 1 NOT USED 32 1 00 01 Rcv PROGRAM CHANGE OFF ON 00 33 1 00 01 Rcv CONTROL CHANGE OFF ON 01 34 1 NOT USED 35 1 00 01 MUTE OFF ON 01 36 1 NOT USED 37 1 NOT USED 38 1 NOT USED 39 1 00 01 Rcv VOLUME O...

Page 55: ...1 00 7F CHORUS SEND 0 127 07 1 00 7F VARIATION SEND 0 127 7F 08 1 00 01 KEY ASSIGN SINGLE MULTI 00 09 1 00 01 Rcv NOTE OFF OFF ON depend on the note 0A 1 00 01 Rcv NOTE ON OFF ON 01 0B 1 00 7F LOW PA...

Page 56: ...ameter Change table PART ASSIGN Address Size Data Parameter Description Default value H H H H 70 00 00 1 00 0F 7F VL PART ASSIGN PART 1 16 OFF 0 TOTAL SIZE 1 Table 2 1 MIDI data format Address H Param...

Page 57: ...CH OFF ON 0A 1 00 01 SELECT SWITCH OFF ON 0B 1 00 01 VALUE SWITCH OFF ON 0C 1 00 01 PART SWITCH OFF ON 0D 1 00 01 SELECT SWITCH OFF ON 0E 1 00 01 VALUE SWITCH OFF ON TOTAL SIZE 0F Table 2 4 MIDI Param...

Page 58: ...Part1 4 0 3 AD1 AD2 64 65 OFF 127 pp 48 2 00 7F INSERTION EFFECT 1 TYPE MSB refer to Effect Program List pp 49 00 7F INSERTION EFFECT 1 TYPE LSB pp 4A 1 00 7F INSERTION EFFECT 1 PARAMETER1 pp 4B 1 00...

Page 59: ...LTER CONTROL 64 0 63 3n pp 1B 1 00 7F AC1 AMPLITUDE CONTROL 100 0 100 3n pp 1C 1 00 7F VELOCITY SENSE DEPTH 0 127 3n pp 1D 1 00 7F VELOCITY SENSE OFFSET 0 127 3n pp 1E 1 00 7F NOTE LIMIT LOW C 2 G8 3n...

Page 60: ...D 1 00 7F EG DECAY TIME 64 0 63 0n 0E 1 00 7F EG RELEASE TIME 64 0 63 0n 0F 1 00 7F VIBRATO RATE 64 0 63 0n 10 1 00 7F VIBRATO DEPTH 64 0 63 0n 11 1 00 7F VIBRATO DELAY 64 0 63 0n 12 2 00 0F DETUNE 12...

Page 61: ...R 3 2E 1 00 7F CHORUS PARAMETER 4 2F 1 00 7F CHORUS PARAMETER 5 30 1 00 7F CHORUS RETURN dB 0dB 6dB 0 96 127 31 1 01 7F CHORUS PAN L63 C R63 1 64 127 32 1 00 7F SEND CHORUS TO REVERB dB 0dB 6dB 0 96 1...

Page 62: ...METER2 MSB 05 00 7F INSERTION EFFECT 2 PARAMETER2 LSB 06 2 00 7F INSERTION EFFECT 2 PARAMETER3 MSB 07 00 7F INSERTION EFFECT 2 PARAMETER3 LSB 08 2 00 7F INSERTION EFFECT 2 PARAMETER4 MSB 09 00 7F INSE...

Page 63: ...PERFORMANCE NAME 32 127 ASCII CHARACTER dependsonperformancenumber pp 0C 01 00 7F PERFORMANCE VOLUME 0 127 pp 0D 01 01 7F PERFORMANCE PAN L63 C R63 1 64 127 pp 0E 01 00 60 AC1 CC NUMBER 0 95 CAT pp 0F...

Page 64: ...4C EQ GAIN4 12 0 12 dB pp 75 1 34 4C EQ GAIN5 12 0 12 dB TOTAL SIZE 06 50 pp 00 2 00 7F INSERTION EFFECT 1 TYPE MSB refer to Effect Program List dependsonperformancenumber pp 01 00 7F INSERTION EFFEC...

Page 65: ...0 01 WX LIP NORMAL EXPAND 00 10 1 00 02 BREATH MODE BC WX VELOCITY TOUCH EG 00 11 1 00 7F VELOCITY DEPTH 0 127 30 12 1 00 7F VELOCITY OFFSET 0 127 50 13 1 00 7F TOUCH EG TIME 0 127 2A 14 1 00 7F AT LO...

Page 66: ...127 127 00 16 1 70 10 CURVE 16 16 00 17 1 00 62 EMBOUCHURE CONTROL NO off 95 AT VELOCITY PB 00 18 2 01 01 00 7F UPPER DEPTH 127 127 00 1A 2 01 01 00 7F LOWER DEPTH 127 127 00 1C 1 00 01 MODE CENTER B...

Page 67: ...1 NOT USED 1 NOT USED 1 00 01 EXPRESSION MODE BC VOLUME 1 00 62 PRESSURE CONTROL NO off 95 AT VELOCITY PB 2 01 01 00 7F DEPTH 127 127 1 70 10 CURVE 16 16 1 00 62 FILTER CONTROL NO off 95 AT VELOCITY P...

Page 68: ...OP LAST 2D NOT USED 1 00 7F AMP LEVEL SCALE BREAK POINT C 2 G8 1 00 7F DEPTH 64 63 1 00 7F FILTER CUTOFF SCALE BREAK POINT C 2 G8 1 00 7F DEPTH 64 64 1 00 02 BANK POINTER PRESET1 PRESET2 CUSTOM 1 00 7...

Page 69: ...70 10 CURVE 16 16 1 00 62 HARMONIC ENHANCER CONTROL NO off 95 AT VELOCITY PB 2 01 01 00 7F DEPTH 127 127 1 70 10 CURVE 16 16 1 00 62 DAMPING CONTROL NO off 95 AT VELOCITY PB 2 01 01 00 7F DEPTH 127 1...

Page 70: ...MIDI 69 MIDI data format...

Page 71: ...1 2 Altered x Note x 0 127 Number True voice 0 127 Velocity Note ON x o 9nH v 1 127 Note OFF x x After Key s x o 1 Touch Ch s x o 1 Pitch Bend x o 0 24 semi 1 0 32 x o 1 Bank Select 1 2 4 5 7 x o 1 1...

Page 72: ...lock x x Real Time Commands x x Aux Local ON OFF x x All Notes OFF x o 123 127 Mes Active Sense x o sages Reset x x Notes 1 receive if switch is on 2 m is always treated as 1 regardless of its value 3...

Page 73: ...ola 1 Cello 1 Contrabs 1 Trem Str 1 Pizz Str 1 Harp 1 Timpani 1 Strings1 1 Strings2 1 Syn Str1 2 Syn Str2 2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch Hit 2 Trumpet 1 Trombone 1 Tuba 1 Mute Trp 1 Fr Horn 1...

Page 74: ...ahs2 2 Trumpet2 1 Tuba 2 1 BriteTrp 2 MelloGrP 1 MelloEP1 2 MelloGtr 1 FingrDrk 2 SynBa1Dk 1 ClkSynBa 2 Zephyr 2 Trmbone2 2 MildBrss 2 Soft Brs 2 SynBa2Dk 1 ResoBrtP 1 FastResB 1 RezSynBr 2 CsmicSlp 2...

Page 75: ...SteelGtr 1 Jazz Gtr 1 CleanGtr 1 Mute Gtr 1 Ovrdrive 1 Dist Gtr 1 GtrHarmo 1 Aco Bass 1 FngrBass 1 PickBass 1 Fretless 1 SlapBas1 1 SlapBas2 1 SynBass1 1 SynBass2 2 Violin 1 Viola 1 Cello 1 Contrabs...

Page 76: ...2 OdrvGtDt 2 FngrBaDt 2 Fretles2 2 PunchThm 2 SmthSynB 2 MelChoir 2 Warm Trp 2 FrHorn 2 1 JumpBrss 2 DXLegend 2 60sDrOr2 2 Fretles4 2 DX Hard 2 60sDrOr1 2 Lite Org 2 ChoGtrLt 2 Fretles3 2 Synth CP 2 H...

Page 77: ...gs1 1 Strings2 1 Syn Str1 2 Syn Str2 2 ChoirAah 1 VoiceOoh 1 SynVoice 1 Orch Hit 2 Trumpet 1 Trombone 1 Tuba 1 Mute Trp 1 Fr Horn 1 BrssSect 1 SynBrss1 2 SynBrss2 1 60sDrOr3 2 PercOrg2 2 PowerGt1 2 Ho...

Page 78: ...2 FunkGtr2 2 Gt Pinch 2 RckRthm2 2 Blink Ba 2 FngrSlap 2 VeloSlap 2 Roll Hit 2 VX El P1 2 VX El P2 2 HardVibe 2 Jazz Man 1 RckRthm1 2 VXUprght 2 FngBass2 2 Velo Str 2 AnVelBr1 2 AnVelBr2 2 ChoEP K 2 D...

Page 79: ...rb 1 MuteTrp2 1 Syn Horn 1 SprBrass 2 AnaBrss1 2 AnaBrss2 2 ConGrndK 1 BrConGrK 1 Old EP 1 OldEP Tn 2 PierceCl 2 SmalOrgl 2 70sDrOr2 2 WarmJzOr 2 SloRotar 2 TrmOrgFl 2 TightAcd 1 EsGtrHrd 1 NashvllR 1...

Page 80: ...M Click 1 RghcastN 1 Hammer D 2 Jaipur 2 Pluto 2 Keel 1 SolPlexs 2 6thHit 2 BrssBros 2 SawBrPwr 2 Brooklyn 1 Kitayama 2 HrdyPlk 2 ChapelOr 2 Spoony 1 RghcastM 1 HammerSt 2 Stimuli 1 KeelPwrd 2 Euro Hi...

Page 81: ...tr 1 CleanGtr 1 Mute Gtr 1 Ovrdrive 1 Dist Gtr 1 GtrHarmo 1 Aco Bass 1 FngrBass 1 PickBass 1 Fretless 1 SlapBas1 1 SlapBas2 1 SynBass1 1 SynBass2 2 Violin 1 Viola 1 Cello 1 Contrabs 1 Trem Str 1 Pizz...

Page 82: ...0 ShvrnDX 1 StnksRes 1 RattlnDX 1 Reso Sqr 1 RatlnDX 2 Dagger 1 TinkerDX 1 Zinc 2 TinkrDX 2 SweePWM 2 SwPWM St 2 Slow Wah 1 Continued on page 95 Other Waves 18 Other Waves 19 Other Waves 20 Other Wave...

Page 83: ...st Gtr 1 GtrHarmo 1 Aco Bass 1 FngrBass 1 PickBass 1 Fretless 1 SlapBas1 1 SlapBas2 1 SynBass1 1 SynBass2 2 Violin 1 Viola 1 Cello 1 Contrabs 1 Trem Str 1 Pizz Str 1 Harp 1 Timpani 1 Strings1 1 String...

Page 84: ...SteelGt 1 JazzGtr 2 MuteGtr 2 Ovrdriv 2 DistGtr 1 AcoBass 1 FngrBa 1 Frtless 1 SlapBa1 2 SlapBa2 2 Violin 1 TremStr 2 Strngs1 1 Strngs2 1 Trumpet 1 Trmbone 1 MuteTrp 2 BrssSec 2 0 0 0 E 127 0 Continue...

Page 85: ...25 26 27 28 29 30 31 32 Bass 33 34 35 36 37 38 39 40 Strings 41 42 43 44 45 46 47 48 Ensemble 49 50 51 52 53 54 55 56 Brass 57 58 59 60 61 62 63 64 Instrument Group Bank Select LSB 0 E Pgm 1 128 MU10...

Page 86: ...2 Cough 2 Ruin 1 Ruin St 2 Vein 2 Universe 1 UnvrsSwp 2 Xe 2 Daze 2 Refusal 1 Refusal 2 Lie 1 Malice 2 Doubt 1 DoubtDbl 2 SFX Timbre Poly 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 2...

Page 87: ...d 2 NewAgePd 2 Warm Pad 2 PolySyPd 2 ChoirPad 2 BowedPad 2 MetalPad 2 Halo Pad 2 SweepPad 2 Rain 2 SoundTrk 2 Crystal 2 Atmosphr 2 Bright 2 Goblins 2 Echoes 2 Sci Fi 2 Sitar 1 Banjo 1 Shamisen 1 Koto...

Page 88: ...Soft Pad 2 ASax Lgt 1 Hollow 1 Dyna Saw 1 Sine Pad 2 TinyBell 2 WarmAtms 2 Shroud 2 Digi Saw 2 HollwRls 2 Big Lead 2 Shwimmer 2 Continued from page 73 0 0 0 0 0 0 0 14 16 17 18 19 20 21 Double Attack...

Page 89: ...Fifth Ld 2 Bass Ld 2 NewAgePd 2 Warm Pad 2 PolySyPd 2 ChoirPad 2 BowedPad 2 MetalPad 2 Halo Pad 2 SweepPad 2 Rain 2 SoundTrk 2 Crystal 2 Atmosphr 2 Bright 2 Goblins 2 Echoes 2 Sci Fi 2 Sitar 1 Banjo...

Page 90: ...MuteBnjo 1 DoublSaw 2 DetSitar 2 2 Osc 2 Toy Lead 2 Big Five 2 RndGlock 2 Sitar 2 2 Dim Saw 2 Continued from page 75 0 0 0 0 0 0 0 28 29 32 33 34 35 36 Muted Detune 1 Detune 2 Complex FEG Octave 1 Oc...

Page 91: ...ad 2 BowedPad 2 MetalPad 2 Halo Pad 2 SweepPad 2 Rain 2 SoundTrk 2 Crystal 2 Atmosphr 2 Bright 2 Goblins 2 Echoes 2 Sci Fi 2 Sitar 1 Banjo 1 Shamisen 1 Koto 1 Kalimba 1 Bagpipe 2 Fiddle 1 Shanai 1 Tnk...

Page 92: ...91 E E E E E E E ChorBell 2 HyprAlto 2 VeloLead 2 ClaviPad 2 Continued from page 77 0 0 0 0 0 0 0 42 43 45 48 52 53 54 Velocity Switch Tutti 3 Velocity Cross Fade Tutti 4 Detune 4 Tutti 5 Tutti 6...

Page 93: ...yPd80 2 Heaven 2 Glacier 2 Tine Pad 2 Aries 2 PolarPad 2 HrmoRain 2 Ancestrl 2 SynMalet 1 NylnHarp 2 FantaBel 2 GobSynth 2 EchoBell 2 Starz 2 Raga Syn 2 El Banjo 1 FM Koto 2 BigKalim 2 Thistle 2 Shana...

Page 94: ...a 2 Night 2 Brick 1 StrghtSw 1 Spiral 2 BellHarp 2 Glisten 2 Alum 2 StrtPuls 1 Gamelmba 2 Puffy 2 Query 2 PWMania 1 Bounce 2 Mimicry 2 FMSlwSwp 2 Mod Saw 1 Parasite 2 SyncLdDb 2 Toad 1 Cicada 2 Contin...

Page 95: ...2 PolySyPd 2 ChoirPad 2 BowedPad 2 MetalPad 2 Halo Pad 2 SweepPad 2 Rain 2 SoundTrk 2 Crystal 2 Atmosphr 2 Bright 2 Goblins 2 Echoes 2 Sci Fi 2 Sitar 1 Banjo 1 Shamisen 1 Koto 1 Kalimba 1 Bagpipe 2 Fi...

Page 96: ...95 E E E E E E E Continued from page 81 0 0 0 0 0 0 0 81 82 83 84 85 86 87 Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 24...

Page 97: ...s 2 Echoes 2 Sci Fi 2 Sitar 1 Banjo 1 Shamisen 1 Koto 1 Kalimba 1 Bagpipe 2 Fiddle 1 Shanai 1 TnklBell 2 Agogo 2 SteelDrm 2 Woodblok 1 TaikoDrm 1 MelodTom 2 Syn Drum 1 RevCymbl 1 FretNoiz 2 BrthNoiz 2...

Page 98: ...Rev Tom1 1 AsianBel 2 Rev Tom2 1 AltoSax 2 Oboe 1 Flute 1 PanFlut 1 Continued from page 83 0 0 0 E 0 100 101 126 127 Other Instrument 5 Other Instrument 6 Capital Voices on MU100 Native Map Capital Vo...

Page 99: ...Recorder 1 PanFlute 1 Bottle 2 Shakhchi 2 Whistle 1 Ocarina 1 SquareLd 2 Saw Ld 2 CaliopLd 2 Chiff Ld 2 CharanLd 2 Voice Ld 2 Fifth Ld 2 Bass Ld 2 NewAgePd 2 Warm Pad 2 PolySyPd 2 ChoirPad 2 BowedPad...

Page 100: ...3 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 E Bank Select LSB Bank Select MSB Instrument Group Pgm 1 128 PhonCall 1 DoorSqek 1 DoorSlam 1 Scra...

Page 101: ...rpAlto HarpAlt2 GlassAlt 67 TenrSax MildTenr Jazz Sax TenorSub BellMike GlasTenr FnkyTenr OldTenor 68 BariSax VoxoSaxo 69 Oboe Oboe 2 DblReedy TripleRd 70 EngHorn Loboe 71 Bassoon Flurinet 72 Clarint...

Page 102: ...StoneHng 99 Mu 100 Moby 101 Igneous 102 SquealAT Sound Effects 121 Jurassic 122 Formula 123 Waterphn 124 Devil 125 SpcHorse 126 DinoPerc 127 SpaceZoo 128 Jason The blank boxes indicate the same voice...

Page 103: ...und A 1 C4 Finger bass with particular sound of rear pick up 030 Birdland A 1 C4 Midway between an analog synth and an electric bass sound The high range produces harmonics 031 FlageoBs G0 C4 Harmonic...

Page 104: ...ocity input results in a continuous sound 080 Carlos B 1 G4 Overdrive guitar front pick up type 081 Destiny C0 C5 Distortion guitar made from a sustained sound with strong attack CC 13 for feedback ef...

Page 105: ...trument 118 AltKwek G 1 C7 New hybrid double reed driven cynlindrical metal woodwind oboe reed and a piccolo body 119 Softblow C0 C6 Gentle sax type sound 120 AlbaPipe C0 C6 Boxy sounding double reed...

Page 106: ...mbone sound 027 NerzoBr E0 C6 Bright synthetic brass with PB shake effect 028 Horn B 1 C6 Simulation of Horn 029 Horn 2 C0 C6 Another Horn 030 NuHorne B 1 C6 Mellow french horn with PB shake effect 03...

Page 107: ...PB for scoop effect and PB for growl effect 080 MildTenr C0 C6 A conventional tenor sax sound 081 Jazz Sax A 0 E5 Sax sound suitable for jazz 082 TenorSub A 0 A5 Sax sound with a sub tone suitable fo...

Page 108: ...cs of synth lead clarinet sax etc 102 Clarint2 F0 C6 Jazz big band solo clarinet with AT scoop effect 103 IslePipe C1 C5 New wooden ethnic flute 104 Chanter D1 C6 A simulation of a bagpipe s melodic n...

Page 109: ...Gtr 1 Ovrdrive 1 Dist Gtr 1 GtrHarmo 1 Aco Bass 1 FngrBass 1 PickBass 1 Fretless 1 SlapBas1 1 SlapBas2 1 SynBass1 1 SynBass2 2 Violin 1 Viola 1 Cello 1 Contrabs 1 Trem Str 1 Pizz Str 1 Harp 1 Timpani...

Page 110: ...ow Vln 1 SlwTrStr 1 Orchestr 2 LegatoSt 2 Syn Str3 2 S Choir 2 SyVoice2 2 Impact 2 FluglHrn 1 FrHrSolo 1 BrssSec2 2 SynBrss3 2 SynBrss4 2 Carillon 2 70sDrOr2 2 Nyln Stl 2 FeedbGt2 2 FastResB 1 X WireB...

Page 111: ...2 NylonGtr 1 SteelGtr 1 Jazz Gtr 1 CleanGtr 1 Mute Gtr 1 Ovrdrive 1 Dist Gtr 1 GtrHarmo 1 Aco Bass 1 FngrBass 1 PickBass 1 Fretless 1 SlapBas1 1 SlapBas2 1 SynBass1 1 SynBass2 2 Violin 1 Viola 1 Cell...

Page 112: ...SoftTP 1 1 SoftTP 2 1 TP TRB 1 1 TP TRB 2 1 TP TRB 3 1 TP TRB 4 1 TP TRB 5 2 TP TRB 6 2 Sax 1 1 Sax 2 1 Sax 3 1 Sax 4 2 Brass 1 1 Brass 2 1 Brass 3 2 Brass 4 2 Brass 5 2 Orch Hit 1 a piano1 1 a piano...

Page 113: ...yn Drum 1 RevCymbl 1 FretNoiz 2 BrthNoiz 2 Seashore 2 Tweet 2 Telphone 1 Helicptr 1 Applause 1 Gunshot 1 SquarLd2 1 Saw Ld 2 1 Vent Syn 2 Big Five 2 Big Low 2 Fantasy 2 ThickPad 2 PolyPd80 2 Heaven 2...

Page 114: ...wala 2 SineLead 1 Dr Lead 2 DistLead 2 Converge 2 ClaviPad 2 Rave 2 VibeBell 2 Tambra 2 Rabab 2 Taisho k 2 Pungi 1 Bonang 2 Atrigane 2 Castanet 1 Gr Cassa 1 Mel Tom2 1 Ana Tom 1 RevSnar1 1 Starship 2...

Page 115: ...le 2 Shakhchi 2 Whistle 1 Ocarina 1 SquareLd 2 Saw Ld 2 CaliopLd 2 Chiff Ld 2 CharanLd 2 Voice Ld 2 Fifth Ld 2 Bass Ld 2 NewAgePd 2 Warm Pad 2 PolySyPd 2 ChoirPad 2 BowedPad 2 MetalPad 2 Halo Pad 2 Sw...

Page 116: ...ce Silence Silence Silence Silence Silence Silence Silence a bass 1 1 a bass 2 1 e bass 1 1 e bass 2 1 slapbas1 1 slapbas2 1 fretles1 1 fretles2 1 flute1 1 flute2 1 piccolo1 1 piccolo2 2 recorder 1 pa...

Page 117: ...trumpet French horn Brass section Synth brass Synth brass with gentle attack Grand Piano Bright Piano Electric Grand Piano Honky tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta...

Page 118: ...aiko drum Melodic tom Synth drum Reversed cymbal Fret noise Breath noise Waves Birds chirping Telephone ringing Helicopter Audience applauding Gunshot Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe...

Page 119: ...TP TRB 6 2 55 cello 1 cello 1 1 Sax 1 Sax 1 1 56 cello 2 cello 2 1 Sax 2 Sax 2 1 57 contrabass contrabs 1 Sax 3 Sax 3 1 58 harp 1 harp 1 1 Sax 4 Sax 4 2 59 harp 2 harp 2 1 Brass 1 Brass 1 1 60 guitar...

Page 120: ...e Cymbal 1 Sk 1 Chinese Cymbal HPF 1 Ride Cup Q 1 Tambourine Q 1 Splash Cymbal H 1 Cowbell HPF 1 Crash Cymbal 2 Dark 1 Ride Cymbal 2 Q 1 Bongo H HPF 1 Bongo L HPF 1 Conga H Mute HPF 1 Conga H Open HPF...

Page 121: ...1 Conga Analog M 1 Conga Analog L 1 Timbale H V 1 Timbale L V 1 Agogo H V 1 Agogo L V 1 Maracas 2 1 Samba Whistle H V 1 Samba Whistle L V 1 Claves 2 1 Scratch H 2 1 Scratch L 3 1 127 0 28 Dance Kit E...

Page 122: ...en V 1 Conga L 2 1 Maracas Q 1 Cuica Open H 1 127 0 49 Symphony Kit E Kick Soft 2 1 Gran Cassa 1 Gran Cassa Mute 1 Band Snare 1 Band Snare 2 1 Tom Jazz 1 1 Tom Jazz 2 1 Tom Jazz 3 1 Tom Jazz 4 1 Tom J...

Page 123: ...Hat Pedal Tech 1 Low Tom Tech 1 Hi Hat Open 3 Dark 1 Mid Tom Tech L 1 Mid Tom Tech H 1 Crash Cymbal Dark 2 1 High Tom Tech 1 Ride Cymbal Hard 2 1 Chinese Cymbal Q 1 Ride Cymbal Cup 5 1 Tambourine Dar...

Page 124: ...Hyper Tom L 2 1 Flanged Tom L 1 Minimal Tom L 1 Vox Drum L 1 Android Walk 1 L 1 Android Walk 2 L 1 Electro Blip L 1 Wood Percussions L 1 Wood Door Open L 1 Reso Noise Burst L 1 LFO Metal Attack L 1 St...

Page 125: ...1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 E 1 1 1 1 1 1 1 Room Kit Kick Room Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Power...

Page 126: ...e H CM 1 66 F 3 Timbale L CM 1 67 G 3 Agogo H CM 1 68 G 3 Agogo L CM 1 69 A 3 Cabasa CM 1 70 A 3 Maracas CM 1 71 B 3 2 Samba Whistle H TG CM 1 72 C 4 2 Samba Whistle L TG CM 1 73 C 4 3 Vibraslap CM 1...

Page 127: ...like a child No harmony is added Vocoder harmony Try moving PB and AT in various MW produces a sustained sound Long sustaining synth tone similar to bass guitar harmonics Straight ahead synth bass wi...

Page 128: ...ith wah MW controls the filter Synth bass with strong resonance suitable for sequenced techno phrases Synth bass with distortion MW controls the filter Synth bass suitable for dance or techno Synth ba...

Page 129: ...ovel split with four brass shots Acoustic guitar with steel strings Analog synth strings with phaser applied MW control the filter Synth type shakuhachi with unique blown feel Organ with symphonic eff...

Page 130: ...directory This contains the internal performance data SMF that the MU100R is shipped with For details refer to the performance list page 126 IBM PC directory This contains Yamaha CBX Driver for Window...

Page 131: ...scene 10 and 12 are the same kit but with different effect settings and sound editing To create a sense of lo fi COMP DIST is applied 11 HG_011 MID HipHop Turnpik1 is used for electric piano and Bost...

Page 132: ...en Andy Mowat Daniel Powell YAMAHA R D London 03 NOBODY MID Nobody Knows Akio Suzuki 04 SILHOUET MID Silhouettes Tom Scott GRP Recording Artist Nate Tschetter Charles Feilding YAMAHA Sound Design Offi...

Page 133: ...132 MEMO...

Page 134: ...VZ03940 708CMIT23 2 01AO M D G EMI Division Yamaha Corporation 1997 Printed in Japan...

Reviews: