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MSP7 STUDIO/MSP5 STUDIO/SW10 STUDIO  Owner’s Manual

Adding a Subwoofer

Even if you don’t plan to set up a surround system, add-

ing a subwoofer can be a real advantage for stereo mixing.

If you can’t hear the extreme low end there’s not much

you can do to make it sound great. The extended bass

response provided by a good subwoofer can indeed help

you to improve the overall quality of your mixes.

The location of your subwoofer is not as critical as the main

speakers, because frequencies below around 200 Hz — the

region your subwoofer will be working in — aren’t direc-

tional. To say it another way, the ear can’t locate the source

of such low frequencies, so in theory the subwoofer can be

placed anywhere in the room. In reality it’s a good idea to

place the subwoofer on the floor somewhere between the

main front speakers at the same distance from the listening

position as the main speakers, but it doesn’t have to be

dead center.

Fine-tuning for Subwoofer

 (MSP7 STUDIO or MSP5 STUDIO x 2, SW10 STUDIO x 1)

Set the MSP7 STUDIO or MSP5 STUDIO LEVEL control to about 12 o’clock for nominal input level. If you’re using the
MSP7 STUDIO set the SW10 STUDIO LEVEL control to about 12 o’clock, and if you’re using the MSP5 STUDIO set it to
about 10 o’clock. You can then fine-adjust the SW10 STUDIO LEVEL control as required. Another approach would be to
adjust the MSP7 STUDIO/MSP5 STUDIO output level to achieve the desired relative balance with the subwoofer.

Start with the SW10 STUDIO HIGH CUT control set at its center click position, which corresponds to a HPF frequency of
about 80 Hz. The HIGH CUT frequency can be adjusted later to achieve the smoothest integration with the MSP7 STU-
DIO or MSP5 STUDIO speakers.

If you are using the MSP7 STUDIO, set the LOW CUT switch to "80".

úFor accurate monitoring set the MSP7 STUDIO/MSP5 STUDIO LOW TRIM switch to "0". If you want to reduce the
level of the low-frequency range, set the switch to "-1.5".

For accurate monitoring set the MSP7 STUDIO/MSP5 STUDIO HIGH TRIM switch to "0". This switch can be set to "-1.5
dB" to attenuate the highs slightly if you find the sound too bright.

Setting Up for Surround

If you’re going to be mixing for surround, obviously

you’ll need a surround monitoring system. For a 5.1 sur-

round system, for example, you only need to add a center

speaker and two rear speakers to the subwoofer

system described in the previous section. Let’s see … two

main speakers plus one center speaker plus two rear speak-

ers is a total of five speakers, and ".1" refers to the sub-

woofer. All present and accounted for!

According to the ITU (International Telecommunications

Union) specifications for 5.1 surround setup, the main

front speakers are positioned in the 60° equilateral triangle

relationship to the listening position described earlier, and

the rear speakers should be located at the same distance

from the listening position, but at an angle of between

100° and 120°, as shown in the diagram above. The center

speaker should be placed precisely midway between the

main front speakers, at the same distance from the listen-

ing position as the other speakers (which means that ide-

ally it will be a bit behind the main left and right speakers).

SUBWOOFER

   

   

Summary of Contents for MSP Series

Page 1: ...JA Powered Near field Reference Monitors Subwoofer OWNER S MANUAL BEDIENUNGSANLEITUNG MODE D EMPLOI MANUAL DE INSTRUCCIONES 取扱説明書 MSPseries Powered Monitor Speaker MSP7 STUDIO MSP5 STUDIO Powered Subwoofer SW10 STUDIO ...

Page 2: ...atus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or object...

Page 3: ...um performance and longevity please read this manual carefully before using powered monitor speaker or powered subwoofer Keep the manual in a safe place for future reference Vielen Dank dass Sie sich für einen aktiven Monitorlautsprecher oder Subwoofer von YAMAHA entschieden haben Um die Eigenschaften des Lautsprechers optimal zu nutzen und für höchste Leistung und Lebensdauer lesen Sie diese Anle...

Page 4: ...at such as in direct sunlight near a heater or in a car during the day to prevent the possibility of panel disfiguration or damage to the internal components Do not place the device in an unstable position where it might accidentally fall over Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to...

Page 5: ...ctly balanced mix that will sound good on the widest possible range of audio systems and that can mean anything from high ticket boutique audio compo nents in a properly designed listening room right down to the boom box on top of the fridge in the kitchen You don t want problems hidden by poor monitor perfor mance to sabotage your sound on other systems The legendary Yamaha NS10M became a standar...

Page 6: ...all Just keep in mind that fact that the closer you get to walls and corners the more exaggerated the speaker s bass response is likely to become and some compensation whether you compensate mentally or use some equaliza tion will probably be required Symmetry As we ve just learned the response of a speaker can change drastically according to where it is placed in rela tion to surfaces So what hap...

Page 7: ...ld be such that the tweeters are roughly aligned with your ears this is because high frequencies are the most direc tional Fine tuning for Stereo MSP7 STUDIO or MSP5 STUDIO x 2 The speaker LEVEL controls should be set to the same level A setting of about 12 o clock corresponds to a nominal input level Since no subwoofer is being used in this setup if your speakers have a LOW CUT switch set it to F...

Page 8: ...control set at its center click position which corresponds to a HPF frequency of about 80 Hz The HIGH CUT frequency can be adjusted later to achieve the smoothest integration with the MSP7 STU DIO or MSP5 STUDIO speakers If you are using the MSP7 STUDIO set the LOW CUT switch to 80 úFor accurate monitoring set the MSP7 STUDIO MSP5 STUDIO LOW TRIM switch to 0 If you want to reduce the level of the ...

Page 9: ...pecifi cally designed for surround production your main L and R speakers can be connected to any convenient stereo output pair via the SW10 STUDIO subwoofer while the center and rear speakers will be connected to individual output channels Example MG16 6FX Digital Mixer Setup If you re connecting your MSP series speakers to a mixing console that features built in surround handling capability such ...

Page 10: ...erent levels at different times from soft and unobtrusive for background music right though room shaking for involved listening or dancing This is def initely not the case for serious monitoring The response of your ears changes so drastically according to level espe cially in the soft to medium loud region that is essential to maintain a consistent monitoring level otherwise you sim ply won t get...

Page 11: ...frequency range is cut by 1 5 dB and 3 dB respec tively 4 HIGH TRIM switch Adjusts the level of high frequency range With the 1 5 setting the range around 15 kHz is boosted by 1 5 dB With the 1 5 setting the range around 15 kHz is cut by 1 5 dB 5 LOW CUT switch MSP7 STUDIO Cuts the low frequency range With the 80 Hz setting the range below 80 Hz is cut With the 100 Hz setting the range below 100 H...

Page 12: ... tings and select the one that produces the best low end sound 4 HIGH CUT control Use the HIGH CUT control to set the cutoff frequency of the signal output from the SW10 STUDIO from 40 Hz to 120 Hz 5 LEVEL control Adjusts the overall output level 6 INPUT L R SUBWOOFER connector These are balanced XLR type input connectors Three differ ent signals can be simultaneously input via these connectors Th...

Page 13: ...W f 100 Hz THD 1 RL 8 Ω HF 50 W THD 0 05 RL 6 Ω HF 27 W THD 0 02 RL 6 Ω S N IHF A filter 99 dB LEVEL Max 94 dB LEVEL Max 100 dB LEVEL Max Input Sensitivity XLR 3 31 4 dBu LEVEL Center 4 dBu LEVEL Center 4 dBu LEVEL Center 6dBu LEVEL Max 6 dBu LEVEL Max 6 dBu LEVEL Max PHONE 10 dBu LEVEL Center 20 dBu LEVEL Max Input Connectors Impedance XLR 3 31 balanced 10 kΩ XLR 3 31 balanced 10 kΩ PHONE unbalan...

Page 14: ...English Deutsch Français Español 66 Dimensions MSP5 STUDIO SW10 STUDIO MSP7 STUDIO ...

Page 15: ...67 Français Español English Deutsch MSP5 STUDIO SW10 STUDIO MSP7 STUDIO MSP7 STUDIO MSP5 STUDIO SW10 STUDIO 10 20 30 40 10 20 30 40 10 20 30 40 Block Diagram Performance graph ...

Page 16: ...RTUGAL Yamaha Music Europe GmbH Ibérica Sucursal en España Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 34 902 39 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN FINLAND ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK Yamaha ...

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