Yamaha Midi XG MU90R, Sound List

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Parameter name Effect types in which the parameter exists Explanation of parameter
AM Depth TREMOLO Depth of volume modulation
AMP Type AMP SIMULATOR Select the amp type to be simulated
Attack COMPRESSOR type Time until when the compressor begins to take effect
NOISE GATE Time until when the gate begins to open
Cch Delay DELAY L,C,R Delay length of center channel
Cch Level DELAY L,C,R Volume of center channel
Crossover Frequency 2WAY ROTARY SPEAKER Crossover frequency between the high frequency speaker and the low frequency speaker
Cutoff Frequency Offset WAH type Frequency offset value which will control the wah filter
Delay Offset CHORUS type Offset value of delay modulation
Delay Time KARAOKE 1,2,3 Interval between repeats of the karaoke echo
AMBIENCE Delay length
Delay2 Level ECHO Volume of the second delay
Density REVERB type, EARLY REF type Density of the reflections. Higher values produce greater density.
Depth REVERB type Depth of the room to be simulated
Detune ENSEMBLE DETUNE Amount of pitch shift
Diffusion REVERB type, EARLY REF type, PHASER Controls the amount of spread
Drive DISTORTION type The degree of distortion
AURAL EXCITER The degree to which the exciter effect is applied
Drive High 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the low frequency speaker
Drive Low 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the high frequency speaker
Dry/Wet All types Balance between dry sound and effect sound
Edge (Clip Curve) DISTORTION type Curve of distortion character (sharp (127) distorts suddenly, and mild (0) distorts gradu-
ally)
EQ High Frequency All types Frequency at which the EQ will boost/cut the high range
EQ High Gain All types Amount of gain with which the EQ will boost/cut the high range
EQ Low Frequency All types Frequency at which the EQ will boost/cut the low range
EQ Low Gain All types Amount of gain with which the EQ will boost/cut the low range
EQ Mid Frequency All types Frequency at which the EQ will boost/cut the mid range
EQ Mid Gain All types Amount of gain with which the EQ will boost/cut the mid range
EQ Mid Width All types Width of the area at which the EQ will boost/cut the mid range
Er/Rev Balance REVERB type Level balance between the early reflections and the reverb sound
F/R Depth AUTO PAN Depth of front/back panning (valid when PAN Direction=Lturn, Rturn)
Feedback Delay DELAY L,C,R Length of feedback delay
Feedback Delay 1 DELAY L, R Length of feedback delay 1
Feedback Delay 2 DELAY L, R Length of feedback delay 2
Feedback Level REVERB type Amount of feedback for the initial delay
DELAY type, EARLY REF type, PITCH CHANGE type Amount of feedback
KARAOKE type Setting for delay repeats
CHORUS type, FLANGER type Level at which the delayed output is returned to the input (negative values invert the
phase)
PHASER type Level at which the output of the phaser is returned to the input (negative values invert the
phase)
Fine 1 PITCH CHANGE type Fine pitch setting for first unit
Fine 2 PITCH CHANGE type Fine pitch setting for second unit
Height REVERB type Height of the room to be simulated
High Adjust VOICE CANCELAR Adjust the upper limit of the mid-range frequencies to be attenuated
High Damp REVERB type, DELAY type, EARLY REF type Adjust the decay of the high frequencies (smaller values will cause high frequencies to
decay more rapidly)
HPF Cutoff REVERB type, EARLY REF type, KARAOKE type, AURAL EXCITER Frequency at which the high pass filter will cut the low range
Initial Delay REVERB type Delay time until the early reflections
EARLY REF type Length of delay until the ER (Gate Reverb) sounds
PITCH CHANGE type Delay length
Input Mode All types Mono/stereo switch for the input
Input Select CROSS DELAY Select the input
L/R Depth AUTO PAN Depth of left/right panning
L->R Delay CROSS DELAY Delay time from left (input) to right (output)
Lch Delay DELAY type Delay length of the left channel
Lch Delay 1 ECHO First delay length of the left channel
Lch Delay 2 ECHO Second delay length of the left channel
Lch Feedback Level ECHO Feedback amount of the left channel
Lch Init Delay ENSEMBLE DETUNE Length of left channel delay
LFO Depth CHORUS type, FLANGER type, SYMPHONIC type Frequency of delay modulation
ROTARY SPEAKER Modulation depth caused by speaker rotation
PHASER type Depth of phase modulation
WAH type Depth to which wah filter is controlled
LFO Frequency CHORUS type, FLANGER type, SYMPHONIC Frequency of delay modulation
ROTARY SPEAKER Frequency at which the speaker rotates
TREMOLO Modulation frequency
AUTO PAN Auto pan frequency
PHASER type Frequency of phase modulation
WAH type Frequency at which wah filter is controlled
LFO Phase Difference PHASER type, FLANGER type L/R phase difference between modulation waveforms (At 0 deg (=64) there is no phase
difference.)
Liveness EARLY REF type ER decay. Lower values produce faster decay.
Low Adjust VOICE CANCELAR Adjust the lower limit of the mid-range that will be attenuated
Low/High 2WAY ROTARY SPEAKER Volume balance between the high range speaker and the low range speaker
LPF Cutoff All types Frequency at which the low pass filter will cut the high range
Mic L-R Angle 2WAY ROTARY SPEAKER L/R angle of the mics which will pick up the output
Mix Level AURAL EXCITER Level of the effect sound which will be mixed into the dry sound
Output Level All types Output level
Output Level 1 PITCH CHANGE type Output level of first unit
Output Level 2 PITCH CHANGE type Output level of second unit
Output Phase AMBIENCE Exchange the L/R phase of the effect sound
Pan 1 PITCH CHANGE type PAN of first unit
Pan 2 PITCH CHANGE type PAN of second unit
PAN Direction AUTO PAN Type of auto pan (L<->R is sine wave, L/R is square wave)
Phase Shift Offset PHASER type Offset value of phase modulation
Pitch PITCH CHANGE type Pitch setting in semitone steps
Explanation of effect parameters