MGP16X/MGP12X Owner’s Manual
28
Appendix
Digital Effect Program List
FX1 REV-X (REV-X algorithm)
FX2 SPX (SPX algorithm)
* “LFO” stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and
waveform shape.
No.
Program
Parameter
Variable range
Description
1
HALL
Reverb Time
0.3 s – 10.0 s
Reverb simulating a large space such as a hall.
2
WARM HALL
Reverb Time
0.3 s – 10.0 s
Warm reverb simulating a hall.
3
BRIGHT HALL
Reverb Time
0.3 s – 10.0 s
Bright reverb simulating a hall.
4
PLATE 1
Reverb Time
0.3 s – 10.0 s
Reverb simulating a metal-plate. Suitable for vocals.
5
PLATE 2
Reverb Time
0.3 s – 10.0 s
Reverb simulating a metal-plate. Suitable for snare drum sound.
6
ROOM
Reverb Time
0.3 s – 3.2 s
Reverb simulating the acoustics of a small space (room).
7
WARM ROOM
Reverb Time
0.3 s – 3.2 s
Warm reverb simulating the acoustics of a small space (room).
8
SLAP ROOM
Reverb Time
0.3 s – 3.2 s
Reverb simulating a slap echo of a small space (room).
No.
Program
Parameter
Variable range
Description
1
HALL
Reverb Time
0.3 s – 10.0 s
Reverb simulating a large space such as a hall.
2
ROOM
Reverb Time
0.3 s – 3.2 s
Reverb simulating the acoustics of a small space (room).
3
PLATE
Reverb Time
0.3 s – 10.0 s
Reverb simulating a metal-plate, producing a more hard-edged sound.
4
LARGE STAGE
Reverb Time
0.3 s – 10.0 s
Reverb simulating a large stage.
5
SMALL STAGE
Reverb Time
0.3 s – 10.0 s
Reverb simulating a small stage.
6
VOCAL ECHO
Delay Time
30.0 ms – 743.0 ms
Echo suitable for vocals.
7
KARAOKE ECHO
Delay Time
40.0 ms – 265.0 ms
Echo suitable for karaoke.
8
DELAY
Delay Time
20.0 ms – 743.0 ms
Feedback delay adding multiple delayed signals.
Delay Time
(when input-
ting Tap)
200 ms – 743.0 ms
80 BPM – 300 BPM
9
SI
N
GLE DELAY
Delay Time
0 ms – 743.0 ms
Mono delay adding a delayed signal.
Delay Time
(when input-
ting Tap)
200 ms – 743.0 ms
80 BPM – 300 BPM
10
EARLY REF.
Room Size
0.1 – 10.0
Early reflections without the subsequent reverb.
Applies a more elaborate effect than conventional reverb.
11
CHORUS
LFO Freq
0 Hz – 39.7 Hz
Creates a thick sound by modulating the delay time.
12
PHASER
LFO Freq
0 Hz – 8.08 Hz
Phase modulation produces a cyclical phasing effect.
13
FLA
N
GER
LFO Freq
0 Hz – 8.08 Hz
Creates a tone with pitched effect.
14
SYMPHO
N
IC
LFO Depth
0 – 127
Creates a thick sound by multiplexing the sound.
15
DOUBLER
Pitch Change
-63 – +63
Creates an illusion of two people singing the same phrase.
16
RADIO VOICE
Cutoff Offset
0 – 127
Reproduces a lo-fi feel in the style of the AM radio. Adjust the parame-
ter to change the frequency range to be emphasized.