MG12/4FX
10
Making the Most Of Your Mixer
Before you even consider EQ and effects, or even the overall mix, it is important to make sure that levels are properly set for
each individual source. This can’t be stressed enough—initial level setup is vitally important for achieving optimum perfor-
mance from your mixer! Here’s why … and how.
3-1. The Head Ampli
fi
er “Gain” Control Is the Key!
Let’s review our simplified mixer block diagram:
Each and every “stage” in the mixer’s signal path will add a certain amount of noise to the signal: the head amp, the EQ stage,
the summing amplifier, and the other buffer and gain stages that exist in the actual mixer circuit (this applies to analog mixers in
particular). The thing to keep in mind is that the amount of noise added by each stage is usually not dependent to any significant
degree on the level of the audio signal passing through the circuit. This means that the bigger the desired signal, the smaller the
added noise will be in relation to it. In tech-speak this gives us a better “signal-to-noise ratio”—often abbreviated as “S/N ratio.”
All of this leads to the following basic rule:
In our mixer, that means the head amplifier. If you don’t get the signal up to the desired level at the head amplifier stage, you will
need to apply more gain at later stages, which will only amplify the noise contributed by the preceding stages. Just remember
that too much initial gain is bad too, because it will overload our channel circuitry and cause clipping.
3. The First Steps in Achieving Great Sound
To achieve the best overall system S/N ratio, amplify the input to the desired average level as
early as possible in the signal path.
