background image

2.

2. Press the [RHYTHM TRACK] button (right next to the [SYNTH TRACK] button) a few times and 
notice that each time you press it the red lights to the right of the buttons cycle through 1, 2 and 3. 
Also notice that both the orange [RHYTHM TRACK] light and red light are blinking when on 2 and 3. 
This means that tracks 2 and 3 are selected but they are muted. When track 1 is selected the button 
and red light stay on continuously, meaning that track 1 is selected and not muted. Cycle through and 
land on TRACK 1. If you haven’t hit play, go ahead and check it out. You should now be listening to 
track 1 only, and it’s probably a kick drum.   

3.

If you are hearing a 4 on the floor kick drum, you will notice that buttons 1, 5, 9, and 13 are 
illuminated. Press a few more buttons and check it out. Each time you add a button you get another 
kick drum. Make sure all of them are on (the “machine -gun fire” kick pattern is what you should get). 
Now let’s mess with this.  

4.

As with the synth track above, press the 

SHIFT

 button, then 

EVENT SELECT

 button repeatedly until 

you see “INST SEL” illuminated in the mode area.   

5.

Select the [STEP 1-8] button. What you will see in the LED display is “bd08” which stands for “bass 
drum #8”.  Simply move any of the 8 control knobs to change the sound of the bass drum to one of the 
other drum sounds. As soon as you move the knobs, the instrument immediately changes. Select the 
[STEP 9-16] button and do the same thing. With a little thought you can really create some interesting 
grooves just by changing the instruments.  

6.

You can change the pitch, gate time and velocity of each of the 16 steps of the rhythm track in 
precisely the same way that you did with the synth track outlined above. Press the shift button, then 
event select to select either “PITCH”,  “GATE TIME”,  or “VELOCITY”,  press either the [STEP 1-8] 
button or the [STEP 9-16] button and use the 8 control knobs to change each of the steps. Simple.  

Now you understand the basics of how the DX200 works. Let’s take a look at one of the more powerful 
features in the DX200: Free EG.  
 

 

Free EG

 

Free EG is basically a 4-track parameter sequencer that affects your synth track. Essentially Free EG allows 
you to record controller data into a type of data “sequencer”. Free EG does not record note data—only 
controller data of the type generated directly from the front panel of the DX200 or via the XG Works Plug-in 
Editor is recorded. This feature is really great for a number of reasons. Say you would like to have a filter 
sweep occur every 4 measures while your pattern is playing back (BTW: Your 1 measure pattern. Free EG 
sequences can be longer than your single measure pattern). You’d also like to have the delay effect come 
up on beat 4 of the 4th measure of your 4 measure Free EG. Maybe you want to record some knob tweaks 
of the [HARMONIC] knob, and maybe a tweak of the [FM DEPTH] knob. And you all want them to groove 
with your pattern. This is what Free EG allows you to do: Record up to 4 independent tracks of controller 
data that changes the timbral quality of your synth track in tempo with your pattern. And you can decide how 
you want these tracks to playback. And everything can be recorded so that it is in perfect rhythmic 
synchronicity with your pattern. Just to go over that again, in my example above I have:

 

1.

A filter sweep that happens every 4 measures during pattern playback. This was recorded into 
TRACK 1 of my Free EG control.  

2.

A delay effect tweak that I recorded into TRACK 2 of my Free EG control.    

3.

A tweak of the [HARMONIC] knob recorded into TRACK 3 of my Free EG control.  

4.

A tweak if the [FM DEPTH] knob recorded into TRACK 4 of my Free EG control.  

This effectively makes a one-measure pattern sound both much longer and gives it some interesting sonic 
“motion”. If you have read the DX200 Power User, at this point in the document I called this “heli-filthy”, and 
declared myself a “heli-geek” for using such a “heli-trendy” word. I won’t get caught in such a “heli-
predicament” this time…

 

How to create a 4 track Free EG “Sequence”

 

Very quickly, all you need to do is:

 

1.

Select a Pattern. You can use the one we have been using or select a new one.  

Page 6 of 9

DX200 Desktop FM Synthesizer  - Power User Guide

4/17/03

file://J:\Yamaha\dmi\products\dx200\poweruser.htm

Summary of Contents for Loopfactory DX200

Page 1: ...uick start guide when you completely unfold it One thing Yamaha does quite well is a brochure You can learn a great deal simply by reading it Very cool Brief word about nomenclature in this document A...

Page 2: ...ics FM depth decay portamento ADSR and LFO are just a few of the parameters you can edit in real time and each one transmits via MIDI Real time control over algorithm type something new to Yamaha FM s...

Page 3: ...s interesting using the unique Free EG feature I ll talk about that more below Also just for fun try this Look just below the PLAY STOP button You will see two buttons just to the right of the REC but...

Page 4: ...filter over time and the red light next to AEG means the knob affects the behavior of the amplitude over time Both red lights on mean that the knobs will affect both FEG and AEG simultaneously While t...

Page 5: ...the STEP 9 16 or STEP 1 8 located directly above buttons are illuminated the 8 control knobs directly above are used to change the pitch of these steps So the knobs that are used to control the DX200...

Page 6: ...s in the DX200 Free EG Free EG Free EG is basically a 4 track parameter sequencer that affects your synth track Essentially Free EG allows you to record controller data into a type of data sequencer F...

Page 7: ...ould hear the noise bursts you recorded into the Free EG Think about it How much cool stuff could you do with Free EG The ability to record 31 parameters And have them all sync to the tempo of the pat...

Page 8: ...X200 to function as a tone module 2 Live Set Up Let s make it simple I have a digital piano say a Yamaha P80 and I just would like to add a great sounding fat analog style synth to my existing set up...

Page 9: ...more information please visit the Yamaha Synth Web Site at www yamahasynth com and navigate to the AN200 area 1 The SHIFT button is the magic button on the AN200 Note that the actual button is has the...

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