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Yamaha EX5R, Data List

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Yamaha EX5R Data List Download Page 35

35

Insertion Effect 2

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Effect Type

thru

Chorus 1

Chorus 2

Chorus 3

Chorus 4

Chorus 5

Celeste 1

Celeste 2

Celeste 3

Celeste 4

Flanger 1

Flanger 2

Flanger 3

Symphonic

Delay L,C,R

Delay L,R

Echo

Cross Delay

Rotary Sp 1

Rotary Sp 2

Tremolo

Auto Pan

Ambience

Phaser 1

Phaser 2

Early Ref 1

Early Ref 2

Gate Reverb

Reverse Gate

Karaoke 1

Karaoke 2

Karaoke 3

Auto Wah

Touch Wah

A.Wah+Dist

A.Wah+Overdr

T.Wah+Dist

T.Wah+Overdr

Distortion

Overdrive

AmpSimulator

Compressor

Comp Dist

Exciter

Noise Gate

Rev Hall 1

Rev Hall 2

Rev Room 1

Rev Room 2

Rev Room 3

Rev Stage 1

Rev Stage 2

Rev Plate

PitchChange1

PitchChange2

Ensemble

Voice Cancel

2 Band EQ

3 Band EQ

Ctrl Delay 1

Ctrl Delay 2

DPCM

V-Distortion

V-Flanger

Talking Mod

Beat Change

D.Scratch

Auto Synth

Tech Mod

LoResolution

Noisy

Attack LoFi

D.Turntable

Jump

Wah+Dist+Dly

Wah+Odrv+Dly

Cmp+Dist+Dly

Cmp+Odrv+Dly

Dist + Delay

Odrv + Delay

Remarks

Turns off the effect.

Conventional chorus effect which gives natural spaciousness to the sound.

A three-phase LFO is used to give modulation and spaciousness to the sound.

An effect reminiscent of a jet airplane taking off and landing.

A multi-stage version of CELESTE modulation.

Three delay sounds L, R and C (center).

Two delay sounds L and R, with two feedback delays.

Two delays L and R, with independent feedback delay for L and R.

This effect crosses the feedback of two delays.

Simulation of a rotary speaker. Can be used to control the rotation speed by assigning it to a controller.

An effect which cyclically modulates the volume.

An effect which cyclically moves the sound between left/right and front/back.

An effect which adds spatial breadth by blurring the location of the sound.

Cyclically changes the phase to modulate the sound.

This effect isolates only the early reflection components of the reverb.

Simulation of gated reverb.

Simulation of gated reverb played back in reverse.

Echo for karaoke.

Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller.

Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.   

Applies DISTORTION to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.

Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.

Adds distortion with an edge to the sound.

Adds mild distortion to the sound.

Simulation of a guitar amp.

Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.

Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.

This effect adds new overtones to the input signal to make the sound stand out.

Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.

Reverb simulating the acoustics of a hall.

Reverb simulating the acoustics of a room.

Reverb appropriate for a solo instrument.

Reverb simulating a metal plate reverb device.

This effect changes the pitch of the input signal.

Chorus effect without modulation, created by adding a slightly pitch-shifted sound.

Attenuates the vocal part from sources such as CDs.

Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.

Stereo EQ with equalization of LOW, MID and HIGH.

A delay with controllable delay time.

Distortion simulated the vintage tube and fuzz.

Degrades the audio quality of the input signal.

Simulated analog flanger. Random can be selected for the LFO wave.

Adds a vowel sound to the input signal.

Modifies the waveform length of the sound in realtime. Use in conjunction with a controller.

Adds a scratch sound to the input signal.

Processes the input signal into a synthesizer-type sound.

Adds a unique feeling of modulation similar to ring modulation.

Simulates a lowered resolution for the input signal. The phase of the Rch can be inverted.

Adds a feeling of noise to the input signal.

Creates a somewhat LoFi feeling, and emphasizes the attack of the sound. Also has the feel of a flanger.

Simulates the noise of an analog record.

Cuts apart the input signal and applies extreme modulation to the playback order or speed.

TOUCH WAH, DISTORTION and DELAY are connected in series.

TOUCH WAH, OVERDRIVE and DELAY are connected in series.

COMPRESSOR, DISTORTION and DELAY are connected in series.

COMPRESSOR, OVERDRIVE and DELAY are connected in series.

DISTORTION and DELAY are connected in series.

OVERDRIVE and DELAY are connected in series.

Summary of Contents for EX5R

Page 1: ...erformances Liste des performances EX5 5R 30 Controller List Dest Param Destination Parameters Liste mit Controllern Dest Param Zielparameter Liste des contrôleurs Paramètres de destination 31 FDSP Parameter List FDSP Parameter Liste Liste des Paramètres FDSP 32 Effect Type List Liste mit Effekt Typen Liste des type d effets 34 Effect Parameter List Liste mit Effekt Parametern Liste des Paramètres...

Page 2: ...Touch WAH 058 3Band EQ 006 Rev Stage 1 001 Chorus 1 off AWM LFO1 PMD off COM Cho Send off off AWM Pitch 35 C3 Stereo Clav Pf AWM 024 3Band EQ 017 Cross Delay 001 Rev Hall 1 001 Chorus 1 off AWM LFO1 PMD off COM Cho Send off off AWM Pitch 36 C4 Electro Clav Pf FDSP 024 3Band EQ 061 DPCM 007 Rev Stage 2 001 Chorus 1 off AWM LFO1 PMD off FDSPLFOSpeed FDSPLFODepth FDSP Pitch off off AWM Pitch 37 C5 Ja...

Page 3: ...sS Resonanse AWM Volume InsS Sensitive InsS Cutoff Freq AWM AEG D1Tim AWM AEG D2Tim COM Cho Send off AWM DCF Freq AWM DCF Reso AWM Volume InsS EQ L Gain InsS EQ H Gain AWM AEG D1Tim AWM AEG D2Tim InsL D W Bal off AWM DCF Freq AWM DCF Reso InsS EQ L Gain InsS EQ H Gain InsL Samp Freq FDSP Pitch COM Cho Send off AWM Volume AWM Volume AWM Volume InsL L H Bal COM Rev Send InsL Rotor AWM Volume InsS LP...

Page 4: ...ay LR 001 Rev Hall 1 001 Chorus 1 off AWM LFO1 PMD off AWM Volume AWM DCF Freq AWM DCF Reso off off AWM Pitch 97 G1 Swell String St AWM 000 THRU 058 3Band EQ 002 Rev Hall 2 016 Delay L R off AWM LFO1 PMD AWM LFO2Depth off AWM DCF Freq off off AWM Pitch 98 G2 MellowStrngs St AWM 000 THRU 058 3Band EQ 002 Rev Hall 2 004 Chorus 4 off AWM LFO1 PMD AWM LFO2Depth off AWM DCF Freq off off AWM DCF Freq AW...

Page 5: ...so AWM AEG AtTim AWM AEG R2Tim COM Rev Send COM Cho Send off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Rev Send COM Cho Send off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Rev Send COM Cho Send off AWM DCF Freq AWM Volume AWM DCF Reso InsS EQ L Gain InsL EQ L Gain InsS EQ H Gain InsL EQ H Gain AWM AEG AtTim AWM AEG R2Tim off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AW...

Page 6: ...04 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM Pitch 32 B16 Fat Oct Sc AWM 000 THRU 015 Delay LR 001 Rev Hall 1 001 Chorus 1 off AWM LFO1 PMD off AWM Pitch off off AWM Pitch 33 C1 Brite Steel Gt AWM 017 Exciter 058 3Band EQ 001 Rev Hall 1 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM Pitch 34 C2 Steel Guitar Gt FDSP 024 3Band EQ 043 Exciter 001 Rev Hall 1 004 Chorus 4 off A...

Page 7: ...Cutoff InsS Mix Level COM Rev Send COM Cho Send off InsS EQ L Gain InsS EQ L Freq InsS EQ H Gain FDSP Drive COM Rev Send COM Cho Send off InsS EQ L Gain InsS EQ H Gain FDSP Drive AWM Volume COM Rev Send COM Cho Send off AWM DCF Freq AWM AEG D2Tim InsS EQ M Gain InsL D W Bal COM Cho Send AWM Volume off AWM DCF Freq AWM DCF Reso InsS EQ L Gain InsS EQ H Gain COM Rev Send COM Cho Send off AWM DCF Fre...

Page 8: ...4 3Band EQ 000 THRU 001 Rev Hall 1 016 Delay L R off AN VCO1 PMD AN VCO2 PMD off AN VCF Freq off off AN Pitch 97 G1 Tennor Sax Rd VL 023 EQ 000 THRU 001 Rev Hall 1 001 Chorus 1 VL Embouchure VL PMD VL Pressure VL Throat off VL Throat off VL Pitch 98 G2 Tenor Soft Rd AWM 023 EQ 058 3Band EQ 001 Rev Hall 1 016 Delay L R off AWM LFO1 PMD AWM LFO1 AMD AWM Volume AWM LFO1 AMD AWM Volume AWM LFO1 PMD AW...

Page 9: ...N VCF HPF off VL Flt Freq VL Flt Reso VL EG At Tim VL EG Rl Tim COM Rev Send COM Cho Send COM Rev Send COM Cho Send VL Throat InsL EQ L Gain InsL EQ H Gain AWM Volume AWM AEG D2Tim COM Rev Send COM Cho Send off InsL EQ L Gain InsL EQ H Gain AWM Volume AWM AEG D2Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Freq AWM Pitch AWM Volume AWM Volume COM Rev Send COM Cho Send off VL Flt Freq VL ...

Page 10: ...1 4 by 4 Dr AWM 016 AMP Simulator 062 V Distortion 001 Rev Hall 1 001 Chorus 1 off AWM LFO2Speed off COM Rev Send off off AWM DCF Freq 34 C2 4 Osc Sweep Fx AWM 000 THRU 017 Cross Delay 002 Rev Hall 2 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM DCF Freq 35 C3 Countryman Sc FDSP 024 3Band EQ 063 V Flanger 008 Rev Plate 016 Delay L R off AWM LFO1 FMD off FDSP Pickup Pos off off AWM DCF...

Page 11: ...Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Reso InsL EQ M Gain AWM FEG R1Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AN FEG Depth AN Sync Depth AN VCO1 PMD AN VCO2 PMD AN AEG At Tim AN FEG At Tim InsL FB Level off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM FEG D1Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM...

Page 12: ...WM 016 AMP Simulator 062 V Distortion 001 Rev Hall 1 001 Chorus 1 off AWM LFO2Speed off COM Rev Send off off AWM DCF Freq 34 C2 4 Osc Sweep Fx AWM 000 THRU 017 Cross Delay 002 Rev Hall 2 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM DCF Freq 35 C3 Countryman Sc FDSP 024 3Band EQ 063 V Flanger 008 Rev Plate 016 Delay L R off AWM LFO1 FMD off FDSP Pickup Pos off off AWM DCF Freq 36 C4 A...

Page 13: ...im COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Reso InsL EQ M Gain AWM FEG R1Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AN FEG Depth AN Sync Depth AN VCO1 PMD AN VCO2 PMD AN AEG At Tim AN FEG At Tim InsL FB Level off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM FEG D1Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Rev Send InsL ...

Page 14: ...tch 33 C1 4 by 4 Dr AWM 016 AMP Simulator 062 V Distortion 001 Rev Hall 1 001 Chorus 1 off AWM LFO2Speed off COM Rev Send off off AWM DCF Freq 34 C2 4 Osc Sweep Fx AWM 000 THRU 017 Cross Delay 002 Rev Hall 2 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM DCF Freq 35 C3 Countryman Sc FDSP 024 3Band EQ 063 V Flanger 008 Rev Plate 016 Delay L R off AWM LFO1 FMD off FDSP Pickup Pos off off...

Page 15: ... W Bal InsS LPF Cutoff off AWM DCF Freq AWM DCF Reso AWM FEG D1Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Reso InsL EQ M Gain AWM FEG R1Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AN FEG Depth AN Sync Depth AN VCO1 PMD AN VCO2 PMD AN AEG At Tim AN FEG At Tim InsL FB Level off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM FEG D1Tim COM Rev Send COM Cho Send off AWM FEG ...

Page 16: ... V Distortion 001 Rev Hall 1 001 Chorus 1 off AWM LFO2Speed off COM Rev Send off off AWM DCF Freq 34 C2 4 Osc Sweep Fx AWM 000 THRU 017 Cross Delay 002 Rev Hall 2 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM DCF Freq 35 C3 Countryman Sc FDSP 024 3Band EQ 063 V Flanger 008 Rev Plate 016 Delay L R off AWM LFO1 FMD off FDSP Pickup Pos off off AWM DCF Freq 36 C4 Air Stabs Sc AN Poly 010 ...

Page 17: ...Send off AWM FEG Depth AWM DCF Reso InsL EQ M Gain AWM FEG R1Tim AWM AEG R2Tim COM Rev Send COM Cho Send off AN FEG Depth AN Sync Depth AN VCO1 PMD AN VCO2 PMD AN AEG At Tim AN FEG At Tim InsL FB Level off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM FEG D1Tim COM Rev Send COM Cho Send off AWM FEG Depth AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Rev Send InsL D W Bal off AN VCF Freq ...

Page 18: ...v Send off off InsS EQ L Gain InsS EQ H Gain 96 F16 PulseBack Br FDSP 024 3Band EQ 017 Cross Delay 001 Rev Hall 1 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM DCF Freq 97 G1 Six String Gt AWM 017 Exciter 058 3Band EQ 001 Rev Hall 1 004 Chorus 4 off AWM LFO1 PMD off AWM DCF Freq off off AWM Pitch 98 G2 Reso Choir En AWM 024 3Band EQ 015 Delay LR 001 Rev Hall 1 001 Chorus 1 off AWM PEG...

Page 19: ...OM Cho Send off AWM DCF Freq AWM DCF Reso AWM Volume AWM AEG AtTim AWM AEG R2Tim AWM FEG R1Tim InsL D W Bal COM Cho Send COM Rev Send off AWM DCF Freq AWM DCF Reso COM Cho Send AWM Volume AWM Volume AWM Volume off FDSP Main Freq AWM DCF Reso FDSP Pitch FDSP Sub Freq COM Rev Send COM Cho Send off InsL EQ L Freq InsL EQ H Gain InsL L R Depth InsL LFO Freq COM Rev Send COM Cho Send off AN VCF Freq AN...

Page 20: ...ook Ld AWM 016 AMP Simulator 015 Delay LR 001 Rev Hall 1 015 Ensemble Detune off AWM LFO1 PMD off InsL D W Bal off off AWM DCF Freq 33 C1 Chemistry Ld AWM 000 THRU 000 THRU 001 Rev Hall 1 017 Ctrl Delay off AWM LFO1Speed off AWM Volume off off AWM DCF Freq 34 C2 Rap Whistle Ld AN Layer 000 THRU 000 THRU 010 Rev Tunnel 016 Delay L R off AN VCO1 PMD AN VCO2 PMD off AN VCO1 Edge off off AN Pitch 35 C...

Page 21: ...Rev Send COM Cho Send off AN VCF Freq AN VCF Reso AN FEG DcyTim AN FEG SusLvl AN VCO1 Edge COM Rev Send COM Cho Send off AN VCF Freq AN Sync Pitch AN FEG DcyTim AN FEG SusLvl COM Rev Send COM Cho Send off VL Flt Freq AWM DCF Freq AWM DCF Reso VL EG At Tim AWM AEG AtTim InsL Vowel COM Rev Send COM Cho Send off AWM DCF Freq AN VCF Freq AWM DCF Reso AN VCF Reso InsS EQ L Gain InsS EQ H Gain FDSP Over...

Page 22: ... 1 off AWM LFO2Depth off AWM LFO2Speed off off AWM Pitch 96 F16 DarkSide Se FDSP 000 THRU 001 Chorus 1 001 Rev Hall 1 012 Flanger 3 off AWM LFO1 AMD off FDSP Pitch off off InsL LFO Freq 97 G1 What s funy Se AWM 000 THRU 000 THRU 001 Rev Hall 1 016 Delay L R off AWM LFO1 AMD off AWM DCF Freq off off AWM Pitch 98 G2 Generator Se AWM 022 Phaser 062 V Distortion 001 Rev Hall 1 001 Chorus 1 off off off...

Page 23: ...M Cho Send off InsS EQ H Gain InsL Over Drive InsS D W Bal InsS LFO Freq COM Rev Send Arp Tempo off AWM DCF Freq InsL FB Level AWM AEG AtTim AWM AEG D1Tim COM Rev Send InsL LFO Depth off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Cho Send InsL D W Bal off AWM DCF Freq AWM DCF Reso AWM AEG AtTim AWM AEG R2Tim COM Cho Send COM Rev Send off AN VCF Freq AN Sync Pitch AN AEG At Tim AN AE...

Page 24: ...mJzL 1 1403 HHPdl 1 1393 TomL 1 1397 TmJzL 1 1404 HHOpn 1 1394 TomM 1 1399 TmJzH 1 1395 TomHL 1 1399 TmJzH 1 1407 Crash 1 1395 TomHL 1 1399 TmJzH 1 1405 Ride 1 1408 China 1 1406 Cup 1 1405 Ride 1 1428 Tmborn 1 1407 Crash 1 1414 Cowbel 1 1407 Crash 1 1430 VbSlp 1 1405 Ride 1 1409 BongoL 1 1409 BongoL 1 1413 CngSlp 1 1412 CongaH 1 1411 CongaL 1 1419 TmblsH 1 1418 TmblsL 1 1418 TmblsL 1 1415 AgogoL 1...

Page 25: ... 2 1455 T9BD2 1 1406 Cup 1 1434 Bltree 1 1406 Cup 1 F 2 1388 SdBrsH 1 1378 SdHvy 1 1457 T9SD1 1 1428 Tmborn 1 1481 Ripper 1 1428 Tmborn 1 55 54 G 2 1484 WdBlk 1 1407 Crash 1 1472 T9Crsh 1 1407 Crash 1 56 G 2 0398 Clack 1 1451 T8Cwbl 1 1406 Cup 1 1477 AnvlPp 1 1451 T8Cwbl 1 57 A 2 0420 FngCym 1 1407 Crash 1 1407 Crash 1 58 A 2 1476 AnvlHt 1 1477 AnvlPp 1 1452 T8Clve 1 1412 CongaH 1 59 B 2 1483 StlC...

Page 26: ...199 Rock G 279 D2 2 3 3 359 Dw2 4 4 439 HndBel 1 519 Horn 1 40 CP80 C 120 DX7H 1 200 Rock H 280 D2 2 3 4 360 Dw2 4 5 440 HndBel 2 520 Horn 2 41 CP80 D 121 DX7H 2 201 Rock I 281 D2 2 3 5 361 Dw2 4 6 441 HndBel 3 521 Horn 3 42 CP80 1 122 DX7H 3 202 Rock J 282 D2 2 3 6 362 Dw2 4 7 442 HndBel 4 522 StrL 1 43 CP80 1 123 DX7H 4 203 Swish 1 283 D2 2 3 7 363 Dw2 4 8 443 HndBel 5 523 StrL 2 44 Rho1P 1 124 ...

Page 27: ...79 Telcs 8 759 FeedBk M 839 Frtl1 4 919 Soprn 8 999 3o3Squ 8 1079 1o1Sub 3 600 SnglHi 2 680 Telcs 9 760 FeedBk N 840 Frtl1 5 920 Soprn 9 1000 MogBs1 1 1080 1o1Sub 4 601 SnglHi 3 681 ES335 1 761 FeedBk O 841 Frtl1 6 921 Soprn A 1001 MogBs2 1 1081 1o1Sub 5 602 SnglHi 4 682 ES335 2 762 FeedBk P 842 Frtl1 1 922 Clari 1 1002 MogBs3 1 1082 1o1Sub 6 603 SnglHi 5 683 ES335 3 763 AcStic 1 843 Frtl1 1 923 C...

Page 28: ...1474 EuroBD 1 1155 P50 1 8 1235 Digi11 4 1315 Ep1 3 1395 TomHL 1 1475 DstKik 1 1156 P50 2 1 1236 Digi11 5 1316 Ep1 4 1396 TomHH 1 1476 AnvlHt 1 1157 P50 2 2 1237 Digi12 1 1317 Ep1 5 1397 TmJzL 1 1477 AnvlPp 1 1158 P50 2 3 1238 Digi12 2 1318 Ep2 1 1398 TmJzM 1 1478 Scrch1 1 1159 P50 2 4 1239 Digi12 3 1319 Ep2 2 1399 TmJzH 1 1479 Scrch2 1 1160 P50 2 5 1240 Digi12 4 1320 Ep2 3 1400 HHCl1 1 1480 VoxDr...

Page 29: ...Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba VoxOrg VxOrg FngCym Hibasi StoneH StoneS Gamln1 Gamln2 Glock Marimb Vibra Xylo HndBel SectnL SectnR SectSt SctnL SctnR SctSt PopBrs PopBr Trmbn Trmbn SftTrb SftFlg SftFl Hermn Strgt TrpMed TrpSft Trmpt Trmpt Trmpt PiclTp Combi1 Combi2 Combi3 Combi4 Horn StrL StrLA StrR StrRA StrST EnsMx E...

Page 30: ...21 122 123 124 125 126 127 128 The performances numbered 65 through 128 contain the same data as those of the performances numbered 1 through 64 Wave No WaveName Wave No WaveName Wave No WaveName Wave No WaveName 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257...

Page 31: ...AWM Element 71 AWM FEG D1Tim FEG 1st Rate AWM Element 72 AWM FEG D2Tim FEG 2nd Rate AWM Element 73 AWM FEG D3Tim FEG 3rd Rate AWM Element 74 AWM FEG R1Tim FEG Release1 Rate AWM Element 75 AWM FEG R2Tim FEG Release2 Rate AWM Element 76 AWM FEG Depth DCF1 FEG Depth AWM Element 77 AWM DCF Reso DCF Q AWM Element 78 AWM DCF Freq DCF1 Fc AWM Element 79 AN Volume Volume AN Element 80 AN PAN PAN AN Elemen...

Page 32: ...troller picking position control pickup position control fret position control cutoff control 4 5 5 5 6 6 6 7 7 7 8 8 8 9 9 9 10 10 10 1 1 1 2 2 pitch fine 2 3 3 key follow 3 4 4 eg depth 4 5 5 5 6 6 6 7 7 7 8 8 8 9 9 9 10 10 10 11 11 11 12 12 12 13 13 13 14 14 14 64 63 32 64 64 63 64 63 decay attack 0 127 64 63 0 48 0 127 1 255 64 63 64 63 64 63 64 63 15 64 63 32 64 0 127 64 63 64 63 common key o...

Page 33: ...tch coarse pitch fine sub pitch key follow coarse key follow fine pitch eg depth pitch eg depth vs main frequency coarse main frequency fine sub frequency coarse sub frequency fine EG mode EG time EG time kf main modulation depth main modulation eg depth main modulation eg depth vs sub modulation depth sub modulation eg depth sub modulation eg depth vs Controller pitch control pitch eg depth contr...

Page 34: ...ays A delay with controllable delay time No 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Effect Type thru Chorus 1 Chorus 2 Chorus 3 Chorus 4 Celeste 1 Celeste 2 Celeste 3 Celeste 4 Flanger 1 Flanger 2 Flanger 3 Tremolo Auto Pan Distortion Overdrive AmpSimulator Exciter Compressor Noise Gate Auto Wah Touch Wah Phaser Equalizer 3 Band EQ Remarks Turn off the effect Conventional ...

Page 35: ...stort the sound Can be used as a pedal wah by assigning it to a controller Applies OVERDRIVE to the output of AUTO WAH to distort the sound Can be used as a pedal wah by assigning it to a controller Applies OVERDRIVE to the output of TOUCH WAH to distort the sound Can be used as a pedal wah by assigning it to a controller Changes the center frequency of a wah filter according to the input level Ca...

Page 36: ...02 delay time R 0 1ms 743 0ms 03 feedback time L 0 1ms 743 0ms 04 feedback time R 0 1ms 743 0ms 05 feedback gain 63 63 06 feedback high damp 0 1 1 0 07 10 are the same as parameter 17 Control Delay mono Controller 01 delay time 0 1ms 1486 0ms 02 delay transition rate 1 48 03 feedback gain 63 63 04 feedback high damp 0 1 1 0 05 08 are the same as parameter 3 Insertion Effect 1 0 thru 1 4 CHORUS1 4 ...

Page 37: ...s parameter 12 dry wet balance D63 W D W D W63 15 DELAY L R Controller 01 delay time L 0 1ms 1486 0ms 02 delay time R 0 1ms 1486 0ms 03 feedback time 1 0 1ms 1486 0ms 04 feedback time 2 0 1ms 1486 0ms 05 feedback gain 63 63 06 feedback high damp 0 1 1 0 07 10 are the same as parameter 11 dry wet balance D63 W D W D W63 16 ECHO Controller 01 delay time L1 0 1ms 743 0ms 02 feedback gain L 63 63 03 d...

Page 38: ...dB 04 EQ mid frequency 100Hz 10 0kHz 05 EQ mid gain 12dB 12dB 06 EQ mid Q 1 12 0 07 LPF cutoff frequency 1 0kHz 20 0kHz 08 edge 0 127 09 output level 0 127 10 dry wet balance D63 W D W D W63 40 AMP SIMULATOR Controller 01 drive 0 127 02 Amp type Off Stack Combo Tube 03 LPF cutoff frequency 1 0kHz 20 0kHz 04 edge 0 127 05 output level 0 127 06 dry wet balance D63 W D W D W63 41 COMPRESSOR Controlle...

Page 39: ...ler 01 Mod speed 0 127 02 Mod wave type typeA typeB typeC typeD 03 Mod depth 0 127 04 Mod depth ofst R 63 63 05 LPF frequency 1 0kHz 20 0kHz 06 HPF frequency 20Hz 8 0kHz 07 dry mix level 0 127 08 delay time 0 1 370 0ms 09 delay time ofst R 0 884 10 feedback gain 63 63 11 feedback gain ofst R 63 63 12 delay level 0 127 13 AM speed 0 00Hz 39 7Hz 14 AM wave tri sine saw up saw down 15 AM depth 0 127 ...

Page 40: ...k gain 63 63 11 delay mix 0 127 12 dry wet balance D63 W D W D W63 76 COMP DIST DELAY 77 COMP ODRV DELAY Controller 01 comp attack 1ms 40ms 02 comp release 10ms 680ms 03 comp threshold 48dB 6dB 04 comp ratio 1 20 0 05 dist drive 0 127 06 dist output level 0 127 07 dist EQ low gain 12dB 12dB 08 dist EQ mid gain 12dB 12dB 09 delay time 0 1ms 1486 0ms 10 delay feedback gain 63 63 11 delay mix 0 127 1...

Page 41: ...us 96 08JzBallad 47 16 Robot 97 08 WayBack 48 16Rustaman 98 06 4 3 49 16 Samba 99 06 4 3 ofs 50 16 UpSamba 100 04 Swing Controll Change List Liste mit Controll Change Daten Liste des changements de commande No Control Change 000 Bank MSB off 001 Modulation Wheel 002 Breath Controller 004 Foot Controller 005 Portamento Time 006 Data Entry MSB 007 Main Volume 010 Pan Pot 011 Expression 016 General P...

Page 42: ... a suffix The letter n indicates a certain whole number The chart below lists the corresponding decimal number for each hexadecimal binary number Additional Notes For example 144 159 Decimal 9nH 1001 0000 1001 1111 Binary indicate the note on messages for the channels 1 through 16 respectively 176 191 BnH 1011 0000 1011 1111 indicate the control change messages for the channels 1 through 16 respec...

Page 43: ...0 64 64 0 127 63 Adjusts the envelope release time Effective range may be narrower than the available range ATTACK TIME 49H Cntrl parameter Data Range 73 Attack Time 0 127 0 64 64 0 127 63 Adjusts the envelope attack time Effective range may be narrower than the available range BRIGHTNESS 4AH Cntrl parameter Data Range 74 Brightness 0 127 0 64 64 0 127 63 Default 40H Adjusts the filter cut off fre...

Page 44: ...art1 Part16 ee Element No 00 7F EL1 EL128 Address Refer to the tables Other MIDI Master Tune Receive only F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H 1n n Device Number mm Master Tune MSB ll Master Tune LSB cc Don t care When received Master Tune in the System Parameter will be changed BULK DUMP F0H 43H 0nH idH bhH blH ahH amH alH ddH ddH ccH F7H 0n n Device Number id ID 5B 57 bh Byte Count High b...

Page 45: ...set 00 59 2 00 00 00 7F Knob2 CC Number 00 5A 2 00 00 00 0F Knob2 Depth 00 5B 2 00 00 00 0F Knob2 Curve 00 5C 2 00 00 00 7F Knob2 Offset 00 5D 2 00 00 00 7F Knob3 CC Number 00 5E 2 00 00 00 0F Knob3 Depth 00 5F 2 00 00 00 0F Knob3 Curve 00 60 2 00 00 00 7F Knob3 Offset 00 61 2 00 00 00 7F Knob4 CC Number 00 62 2 00 00 00 0F Knob4 Depth 00 63 2 00 00 00 0F Knob4 Curve 00 64 2 00 00 00 7F Knob4 Offs...

Page 46: ... 00 00 00 7F Send Chorus to Reverb 00 3B 2 00 00 00 03 Ins Type Type1 Type2 Type3 00 3C 2 00 00 00 06 Voice Type AWM VL FDSP AN poly AN layer AN FDSP Drum 00 3D 2 00 00 00 7F Insertion S Type 00 3E 2 00 00 00 7F Insertion S Parameter1 00 3F 2 00 00 00 7F Insertion S Parameter2 00 40 2 00 00 00 7F Insertion S Parameter3 00 41 2 00 00 00 7F Insertion S Parameter4 00 42 2 00 00 00 7F Insertion S Para...

Page 47: ...ment Type AWM VL AN DRUM 02 3 00 00 00 00 00 7F Element Volume 03 3 00 00 00 00 1F 7F Wave Number 04 3 00 00 00 00 00 01 Random PAN 05 3 00 00 00 00 00 7F PAN Random Depth 06 3 00 00 00 00 00 01 Release Loop 07 3 00 00 00 00 00 01 One Shot Flag 08 3 00 00 00 00 00 01 REVS 09 3 00 00 00 00 00 01 Vce Flag 0A 3 00 00 00 00 00 0F Scaling PAN Depth 0B 3 00 00 00 00 00 7F Tune Fine 0C 3 00 00 00 00 00 7...

Page 48: ...7 00 12 1 70 10 CURVE 16 16 00 13 1 00 62 AMPLITUDE CONTROL NO off 95 AT VELOCITY PB 00 14 2 01 01 00 7F DEPTH 127 127 00 16 1 70 10 CURVE 16 1 00 17 1 00 62 EMBOUCHURE CONTROL NO off 95 AT VELOCITY PB 00 18 2 01 01 00 7F UPPER DEPTH 127 127 00 1A 2 01 01 00 7F LOWER DEPTH 127 127 00 1C 1 00 01 MODE CENTER BASE MINIMUM BASE 00 1D 1 00 62 TONGUING CONTROL NO off 95 AT VELOCITY PB 00 1E 2 01 01 00 7...

Page 49: ...AKPOINT 1 C 2 G8 04 7C 2 01 01 00 7F OFFSET 1 127 127 BREAKPOINT OFFSET 2 3 05 04 2 01 01 00 7F EXCITATION LEVEL TO DRIVER 127 127 05 06 1 00 7F BREAKPOINT 1 C 2 G8 05 07 2 01 01 00 7F OFFSET 1 127 127 BREAKPOINT OFFSET 2 3 05 0F 1 00 7F EXCITATION LPF CUTOFF FREQ 0 127 05 10 1 00 7F BREAKPOINT 1 C 2 G8 05 11 1 40 3F OFFSET 1 64 63 BREAKPOINT OFFSET 2 3 05 16 1 00 10 EXCITATION VELOCITY SENS TO LE...

Page 50: ...07 38 1 00 7F AMPLITUDE FILTER EG SUSTAIN LEVEL 0 127 07 39 1 00 7F BREAKPOINT 1 C 2 G8 07 3A 1 40 3F OFFSET 1 64 63 BREAKPOINT OFFSET 2 07 3D 1 00 7F AMPLITUDE FILTER EG RELEASE RATE 0 127 07 3E 1 00 7F BREAKPOINT 1 C 2 G8 07 3F 1 40 3F OFFSET 1 64 63 BREAKPOINT OFFSET 2 07 42 1 00 7F AMPLITUDE FILTER EG DEPTH TO AMPLITUDE 0 127 07 43 2 01 01 00 7F AMPLITUDE FILTER EG DEPTH TO FILTER 127 127 07 4...

Page 51: ... Parameter1 1 00 7F Reverb Parameter2 1 00 7F Reverb Parameter3 1 00 7F Reverb Parameter4 1 00 7F Reverb Parameter5 1 00 7F Reverb Parameter6 1 00 7F Reverb Parameter7 1 00 7F Reverb Parameter8 1 00 7F Reverb Parameter9 1 00 7F Reverb Parameter10 1 00 7F Reverb Parameter11 1 00 7F Reverb Parameter12 2 00 00 FF FF Reverb Parameter13 2 00 00 FF FF Reverb Parameter14 1 00 7F Reverb Return 1 00 7F Rev...

Page 52: ...eak Point 4 1 00 FF Level Scaling Offset 1 1 00 FF Level Scaling Offset 2 1 00 FF Level Scaling Offset 3 1 00 FF Level Scaling Offset 4 1 00 7F Level Scaling Sense 1 00 7F I Touch Level Sense 1 00 EE I Touch DL Sense I Touch IHR Sense 1 00 EE Rate Scaling Sense I Touch AR Sense 1 00 EE I Touch D1R Sense I Touch Other Rate Sense 1 00 5F Cnct Q 1 00 FF FEG Level init 1 00 FF 1st Fc offset 1 00 FF 2n...

Page 53: ...1 00 01 PATTERN OFF ON 24 1 00 01 SAMPLE OFF ON 25 1 00 01 EDIT OFF ON 26 1 00 01 JOB OFF ON 27 1 00 01 STORE OFF ON 28 1 00 01 UTILITY OFF ON 29 1 00 01 DISK OFF ON 2A 1 00 01 ARPEGGIO OFF ON 2B 1 00 01 KNOB MODE OFF ON 2C 1 00 01 KEY MAP OFF ON 2D 1 00 01 EF BYPASS OFF ON 2E 1 00 01 TOP OFF ON 2F 1 00 01 REW OFF ON 30 1 00 01 FWD OFF ON 31 1 00 01 REC OFF ON 32 1 00 01 STOP OFF ON 33 1 00 01 PLA...

Page 54: ... 0 127 o 1 receive if switch is on 2 m is always treated as 1 regardless of its value 3 0 127 Ø Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Ø 1 16 1 16 Ø v 1 127 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 1 Ø 0 127 1 0 127 Ø 123 127 1 Ø 1 1 4 m 1 2 0 127 0 127 Ø Ø 0 24 semi 1 Bank Select Data Entry Assignable Cntrl Sound Controller Portamento Cntrl ...

Page 55: ... s Ch s 0 121 1 16 Ø 9nH v 1 127 9nH v 0 Ø 1 Ø 1 Ø 1 Ø 0 127 1 Ø 4 Ø 4 Ø 4 Ø Ø 1 receive if filter out is pass 2 receive if filter in is pass 3 if MIDI sync is midi 4 if MIDI control out is on 5 if MIDI control in is on 0 127 1 Ø 1 Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Ø 1 1 16 Ø v 1 127 Ø 2 Ø 2 Ø 2 Ø 0 127 2 Ø 5 Ø 3 Ø 5 Ø 0 127 2 Ø 2 Ø 2 Ø Yes No Defaul...

Page 56: ... D G EMI Division Yamaha Corporation 1998 Yamaha Corporation V242900 001MWIT3 2 03C0 Printed in Japan This document is printed on chlorine free ECF paper with soy ink EX5 DL Cover E 00 2 8 1 44 PM ページ 2 ...

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