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   Data List 

2.3 Channel Mode

All types of Channel Mode message are received, but none are transmitted.

2.3.1  All Sound Off (120)

Upon receipt of an All Sound Off message, the DTX-MULTI12 mutes all voices 
currently playing on the corresponding channel.

2.3.2  Reset All Controllers (121)

Upon receipt of a Reset All Controllers message, the DTX-MULTI12 resets the 
following controllers to their initial values: Pitch Bend, Modulation, Expression, 
Hold 1, Sostenuto, and RPN number.

2.3.3  All Note Off (123)

Upon receipt of an All Note Off message, the DTX-MULTI12 mutes all notes 
currently playing on the corresponding channel. If Hold 1 or Sostenuto is turned 
on, however, muting will not take place until said controller is turned off.

2.3.4  Omni Off (124)

Upon receipt of an Omni Off message, the DTX-MULTI12 acts in the same way as 
if an All Notes Off message had been received. 

2.3.5  Omni On (125)

Upon receipt of an Onmi On message, the DTX-MULTI12 acts in the same way as 
if an All Notes Off message had been received. 

2.3.6  Mono (126)

Upon receipt of a Mono message, the DTX-MULTI12 acts in the same way as if an 
All Sound Off message had been received. 

2.3.7  Poly (127)

Upon receipt of a Poly message, the DTX-MULTI12 acts in the same way as if an 
All Sound Off message had been received. 

2.4 Program Change

Program Change messages are transmitted and received.

•  If the RcvPC parameter on the UTILITY setting area’s Program Change Receive 

page (UTIL6-2) is set to “off”, Program Change messages will not be received. 

•  If the RcvPC10ch parameter on the UTILITY setting area’s Channel-10 Program 

Change Receive page (UTIL6-3) is set to “off”, Program Change messages on 
MIDI channel 10 will not be received. 

•  If the PC parameter on the MIDI setting area’s Program Change page (MIDI3-

4) is set for a specific kit, a Program Change message with the corresponding 
number will be sent whenever that kit is selected. 

•  If the MessageType parameter on the MIDI setting area’s Select Message Type 

page (MIDI1) is set to “PC” for a specific pad, a Program Change message 
with the number specified by the PC parameter on the Program Change page 
(MIDI1-1) will, upon striking of that pad, be sent via the MIDI OUT connector but 
not to the internal tone generator. 

•  If the PC parameter on the PATTERN setting area’s Bank Select page (PTN3-4) 

is set for a specific pattern, a Program Change message with the corresponding 
number will be sent whenever that pattern is selected. 

2.5 Pitch Bend

Pitch Bend messages are transmitted and received.

•  If, within the KIT setting area, the HH Func parameter on the Hi-hat Function 

page (KIT7-3) is set to “MIDI” and the HH MIDI Type parameter from the Hi-hat 
MIDI Type page (KIT7-5) is set to “PBup” or “PBdwn”, Pitch Bend messages will 
be sent when the hi-hat controller is pressed.

2.6 Channel Aftertouch

Channel Aftertouch messages are transmitted but not received. 

•  If, within the KIT setting area, the HH Func parameter on the Hi-hat Function 

page (KIT7-3) is set to “MIDI” and the HH MIDI Type parameter from the Hi-hat 
MIDI Type page (KIT7-5) is set to “AT”, Channel Aftertouch messages will be 
sent when the hi-hat controller is pressed. 

2.7 Polyphonic Aftertouch

Polyphonic Aftertouch messages are transmitted and received.

The PolyAfter parameter on the UTILITY setting area’s Polyphonic Aftertouch 
Status page (UTIL6-4) must be set to “on” for transmission and reception of 
Polyphonic Aftertouch messages. In such a case, notes assigned to a pad are 
sent with a polyphonic aftertouch value of 127 when the pad is held and with a 
polyphonic aftertouch value of 0 when it is released. 

3. System Exclusive Messages

The DTX-MULTI12 only receives system exclusive messages having an identical 
device number to that set on the UTILITY setting area’s Device Number page 
(UTIL6-12).

3.1 Universal Non-Real Time

3.1.1 General MIDI System On

$F0 $7E $7F $09 $01 $F7

General MIDI System On messages are transmitted and received.

3.1.2 Identity Request

$F0 $7E $0n $06 $01 $F7

“n” represents the device number. Upon receipt of this message, the DTX-
MULTI12 transmits an Identity Reply message. Identity Request messages are 
received but not transmitted.

3.1.3 Identity Reply

$F0 $7E $7F $06 $02 $43 $00 $41 $3A $06 $00 $00 $00 $7F $F7

Identify Reply messages are transmitted but not received.

3.2 Universal Real Time

3.2.1 MIDI Master Volume

$F0 $7F $7F $04 $01 $XX $mm $F7

$XX is ignored. $mm represents the volume data. MIDI Master Volume messages 
are received but not transmitted.

3.3 Parameter Change

3.3.1 XG System On

$F0 $43 $1n $4C $00 $00 $7E $00 $F7

“n” represents the device number. Upon receipt of an XG System On message, 
the DTX-MULTI12 acts in the same way as if a General MIDI System On message 
had been received. XG System On messages are received but not transmitted. 

4. System Common Messages

4.1 Song Select

$f3 $nn

“nn” represents the song number. Song Select messages are received but not 
transmitted.

5. System Real Time Messages

System Real Time messages are transmitted and received.

5.1 Timing Clock

If the MIDI Sync parameter on the UTILITY setting area’s MIDI Sync page is set 
to “ext” or “auto”, playback will be synchronized with Timing Clock messages 
received from an external MIDI device.

5.2 Start, Continue & Stop

If the SeqCtrl parameter on the UTILITY setting area’s Sequencer Control page 
(UTIL6-8) is set to “off”, the DTX-MULTI12 will neither transmit nor receive Start, 
Continue and Stop messages.
If the MessageType parameter from the Select Message Type page (MIDI1) is set 
to “strt”, “cont”, or “stop” for a specific pad, a Start, Continue, or Stop message 
will, upon striking of that pad, be sent via the MIDI OUT connector but not to the 
internal tone generator.

5.3 Active Sensing

Reception: If, following receipt of an Active Sensing message, no subsequent 
MIDI data is received for approximately 300 milliseconds, the DTX-MULTI12 will 
mute all voices currently playing.

Transmission: The DTX-MULTI12 regularly transmits Active Sensing messages at 
intervals within approximately 300 milliseconds.

MIDI Data Format

Summary of Contents for DTX-MULTI

Page 1: ...PERCUSSION PAD EN Table of Contents Preset Kit List 2 Voice List 10 GM Voice List 14 Preset Pattern List 14 Effect Type List 15 Effect Parameter List 16 MIDI Data Format 20 MIDI Implementation Chart...

Page 2: ...Kk 11 RX11 BD2 C A0 33 Kk 42 ElecComp2 8 A G0 31 Sn 44 RX11SnDub2 C D 1 39 EP 46 Anlg Clap1 9 A F 1 42 HH 11 RX5 Cl 10 A B0 35 Kk 12 Gate BD1 11 A A 0 34 Sn 30 Gate SD4 12 A A 1 46 HH 12 RX5 Op C F 1...

Page 3: ...A A1 45 Tm 2 OakCtm M 6 A F1 41 Tm 3 OakCtm L 7 A C1 36 Kk 1 OakCustom 8 A G0 31 Sn 4 MapleCtm 9 A F 1 42 HH 1 Brite Cl 10 A B0 35 Kk 2 OakCustmMt 11 A A 0 34 Sn 5 Maple OpRm 12 A A 1 46 HH 5 Brite Op...

Page 4: ...Op C F 1 42 HH 1 Brite Cl 17 A A 5 94 HH 6 Brite EgOp C G 5 92 HH 2 Brite EgCl FTSW A B0 35 Kk 72 Analog BD1 HHCL A G 1 44 HH 3 Brite FtCl HHSP A A5 93 HH 4 Brite FtOp 018 Toycussion Pad Layer Note C...

Page 5: ...hipSlap 17 A D 1 15 EP 25 Hi Q 1 FTSW A G 2 56 Cu 3 Cowbell2SW HHCL A G 1 44 HH 8 SR FtCl HHSP A D 2 51 Cy 39 T 8 MidCym 025 Ragga Guy Pad Layer Note Cat No Voice Name 1 A E5 88 Af 17 Djembe1 Sl 2 G2...

Page 6: ...Mt C F 1 18 In 42 KanjiraSlp 13 A G3 67 In 10 Bayan Ghe B F3 65 In 9 Bayan Ge 13R1 A C4 72 In 14 Tabla Tin B D4 74 In 13 Tabla Na 13R2 A A4 81 In 18 TablaTaran B B4 83 In 15 Tabla Di 14 A D 1 15 Kk 3...

Page 7: ...5 Or 35 SleighBel2 13R2 A F 1 18 Or 38 WindChimeU 14 A D 1 14 Or 39 GranCasaOp 15 A C 1 13 Or 39 GranCasaOp 16 A G 3 68 Cu 20 ResinBlk S 17 A G3 67 Cu 21 ResinBlk L FTSW G 1 44 e P 106 OrchSnRoll HHCL...

Page 8: ...W 2 A G 5 92 Or 56 ChinaGong3 C B3 71 Or 55 ChinaGong2 3 A G5 91 Or 56 ChinaGong3 C C4 72 Or 54 ChinaGong1 4 A C 5 85 Or 62 FingrCy2Op C D4 74 Or 59 FingrCy1Op 5 A D5 86 Or 62 FingrCy2Op C D 4 75 Or 5...

Page 9: ...1 Dub H 037 RX11 Dub M 038 RX11 Dub L 039 T 8 H 040 T 8 M 041 T 8 L 042 T 8 Long 043 T 9 H 044 T 9 M 045 T 9 L 046 T 9 L2 047 EthnoTom H 048 EthnoTom M 049 EthnoTom L 050 Analog1 H 051 Analog1 M 052 A...

Page 10: ...l 036 Tek Op 037 Hip Cl 038 Hip FtCl 039 Hip Op 040 Lo Fi Cl 041 Lo Fi Op 042 NeoHat Cl 043 NeoHalFtCl 044 NeoHat Op 045 Noiz Cl 046 Noiz Op1 047 Noiz Op2 EP Electric Percussion No Name No Name 000 no...

Page 11: ...m1Sl 015 Tamborm2Op 016 Tamborm2Mt 017 Tamborm2Sl 018 Agogo 1 Hi 019 Agogo 1 Lo 020 Agogo 2 Hi 021 Agogo 2 Lo 022 Cabasa 023 CabasaRoll 024 Cabasa Pan 025 Whistle S 026 Whistle L 027 Whistle Lp 028 Cu...

Page 12: ...030 TalkngDrMt 031 TalkngDrUp 032 TalkngDrSW 033 TlkDrOpBnd 034 AfricaClav 035 Darbuka Op 036 Darbuka Mt 037 Darbuka Sl 038 Daf Open 039 Daf Edge 040 Daf Slap 041 Daf Mute 042 Daholla Op 043 Daholla M...

Page 13: ...SB 0 No Name No Name 001 Vibe 065 ForPtnTrnc 002 Retro Vibe 066 ForPtnGlit 003 OrchMarimb 067 ForPtnPsyc 004 MarimVib 068 ForPtnCool 005 TublarBells 069 ForPtnRX11 006 Balafon 1 070 ForPtnOak 007 Bala...

Page 14: ...65 Guiro 002 Demo 02 066 Shaker 1 003 Demo 03 067 Shaker 2 004 80s Electo 068 Agogo 005 HouseDrums 069 Pandeiro 006 HouseConga 070 Berimbau 1 007 HouseVocal 071 Berimbau 2 008 House Arp1 072 Bahia 009...

Page 15: ...ompDistDly O WAH WAH AutoWah O WAH TouchWah O WAH TouchWahDist O REVERB REV SPX Hall O O REV SPX Room O O REV SPX Stage O O REV R3 Hall O REV R3 Room O REV R3 Plate O REV EarlyRef O REV GateReverb O R...

Page 16: ...12dB 12dB 100Hz 10 0kHz 12dB 12dB 0 1 12 0 5 SPX Flanger LFOSpeed LFODpth LFODiff L Freq L Gain H Freq H Gain M Freq M Gain M Width DlyOfst FBLevel 0 000Hz 39 70Hz 0 127 180deg 180deg 32Hz 2 0kHz 12dB...

Page 17: ...peed Bottom Top ResoOfst LFOWave Type OverDr Output 0 100Hz 20 0Hz 0 127 0 127 12 0 12 0 sin trp high mid low bass 0 0dB 40 0dB 20 0dB 10 0dB When the Value of Bottom is greater than Top the sound wil...

Page 18: ...Hz 12dB 12dB 500Hz 16 0kHz 12dB 12dB 100Hz 10 0kHz 12dB 12dB 0 1 12 0 mono stereo RotarySp SpeedCtrl S FTmRotor S FTmHorn RotorS HornS RotorF HornF MicAngl DriveRotor DriveHorn Rotor Horn L Freq L Gai...

Page 19: ...743 0ms 0 1ms 743 0ms 63 63 0 1 1 0 32Hz 2 0kHz 12dB 12dB 500Hz 16 0kHz 12dB 12dB Category MSC Misc Isolator On Off LowLvl MidLvl HiLvl LowMute MidMute HiMute off on 64 63 64 63 64 63 off on off on of...

Page 20: ...are received but not transmitted 2 2 9 EG Sustain Level 31 EG Sustain Level messages are received but not transmitted 2 2 10 Hold 1 64 Hold 1 messages are received but not transmitted 2 2 11 Portamen...

Page 21: ...ing area the HH Func parameter on the Hi hat Function page KIT7 3 is set to MIDI and the HH MIDI Type parameter from the Hi hat MIDI Type page KIT7 5 is set to AT Channel Aftertouch messages will be s...

Page 22: ...127 x x x x o 5 x x x x o x 1 m is always treated as 1 regardless of its value 2 depend on PolyAfter setting 3 depend on HH Ctrl MIDI Type setting 4 depend on HH Ctrl MIDI Type or MIDI Other CC or MID...

Page 23: ...Changed Note ON Note OFF Key s Ch s 0 121 1 16 x o 9nH v 1 127 x 9nH v 0 o 9nH v 1 127 x 9nH v 0 o o o o 0 127 x x x o 1 o 3 o o o o x x 1 if MIDI clock out is on 2 if MIDI Sync is midi 3 if Seq Cont...

Page 24: ...e http www yamaha co jp english product drums ed Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2009 Yamaha Corporation WR854...

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