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7

The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the key-

board. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice
selector while holding another). The voice indicators of both selected voices will light when the DUAL mode
is active. To return to the normal single-voice play mode, press any single voice selector.

The volume levels of the two voices combined in the DUAL mode are

normally set automatically to produce a pleasing balance (see “Default Set-
tings” below). The balance can be adjusted manually by using the C2
through C4 keys on the keyboard while pressing the two voice selectors
corresponding to the voices to be combined in the DUAL mode.

The C3 key produces equal (50:50) balance between the two voices,

while keys to the left of C3 increase the volume of the left voice in relation
to the right voice, and keys to the right of C3 increase the volume of the
right voice in relation to the left voice. By “left” and “right” voice we refer
to the relative positions of the voice selectors — i.e. in a PIANO 2/
CLAVINOVA TONE combination PIANO 2 is the left voice and
CLAVINOVA TONE is the right voice.

Depending on which voices you combine using the DUAL mode, the

combination may sound better if one of the voices is shifted up an octave.
To shift the right voice, press the C5 key while pressing the two voice se-
lectors corresponding to the voices to be combined in the DUAL mode.
Press C5 again to shift the voice back to its normal range. Use the C1 key
in the same way to shift the left voice.

Default octave settings are provided for all voice combinations, as listed

in the “Default Settings” chart, below.

In a DUAL mode voice combination using STRINGS and any other

voice, it is possible to switch the STRINGS voice to a slow-attack variation
when initially selecting the voices by pressing the [STRINGS] selector
twice while holding the other voice selector. Repeat this operation to return
to the normal STRINGS voice attack.

Adjusting the Balance Be-
tween the Dual-mode Voices

PIANO 1

PIANO 2

CLAVINOVA

E. PIANO

HARPSI-

VIBES

STRINGS

ORGAN

TONE

CHORD

(CLP-155)

(CLP-155)

(CLP-154S)

(CLP-155)

PIANO 1

C3

C3

C3

C3

C3

F2

F2

E2

PIANO 2

0

C3

C3

C3

C3

F2

F2

E2

CLAVINOVA TONE

0

0

C3

C3

C3

F2

F2

F2

E. PIANO

0

0

0

C3

C3

F2

F2

E2

HARPSICHORD

0

0

0

0

C3

F2

G2

G2

VIBES 

(CLP-155)

R

R

R

R

R

B2

B2

STRINGS 

(CLP-155)

0

0

0

0

0

L

C3

ORGAN

0

0

0

0

0

L

0

Default Settings

Octave Shift

C2 … C4: Balance keys

0: Normal octave

L: Left voice up one octave

R: Right voice up one octave

Balance

Memorizing the Balance,
Strings Type 

(CLP-155)

, &

Octave Shift Settings

Press the C7 key while holding any two voice selectors to memorize all

balance, STRINGS voice attack variation (CLP-155), and octave shift settings
made since the power was turned on. The memorized settings will be retained
in memory for about one week after the power is turned off, then the default
settings will be restored. To keep the memorized settings for longer periods,
turn the power on briefly at least once a week.

If these settings are not memorized as described above, they are retained in

memory only until the Clavinova is turned off.

Shifting a Dual-Mode Voice
Up One Octave

Slow-attack Strings

 (CLP-155 only)

Equal

balance.

Left voice
maximum.

Right voice

maximum.

C

3

C

2

C

4

VINOVA

ONE

E. PIANO 

HARPSI-

CHORD

Left voice

shift up.

Right voice

shift up.

C

1

C

5

VA

E. PIANO 

HARPSI-

CHORD

PIANO 1

PIANO 2

CLAV

TO

STRINGS

ES

ORGAN

C

7

VA

E. PIANO 

HARPSI-

CHORD

Summary of Contents for Clavinova CLP-154S

Page 1: ......

Page 2: ...your purchase CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL PRODUCT SAFETY MARKINGS Yamaha electronic products may have either labels similar to the graphics shown below or molded stamped facsimiles of these graphics on the enclosure The explanation ...

Page 3: ...advanced MIDI music systems In order to make the most of your Clavinova s performance potential and features we urge you to read this Owner s Manual thoroughly and keep it in a safe place for later reference Your Clavinova is a fine musical instrument and deserves the most careful treatment Observe the following points and your Clavinova will sound and look great for many years 1 Never open the ca...

Page 4: ...emorizing the Pitch Control Setting 11 The Metronome Tempo Control 12 The Metronome 12 Metronome Volume 12 Metronome Time Signature 12 Tempo Control 12 Using the Recorder 13 Recording 13 Changing the Initial Settings 14 Erasing a Single Track 14 Playback 14 Fast Forward Playback 14 MIDI Functions 15 A Brief Introduction to MIDI 15 MIDI Messages Transmitted Received by the Clavinova 15 MIDI Transmi...

Page 5: ... C0 B 1 A 1 D6 E6 POWER MASTER VOLUME MIN MAX MIDI TRANSPOSE REVERB ROOM HALL 1 HALL 2 COSMIC PIANO 1 PIANO 2 CLAVINOVA TONE E PIANO HARPSI CHORD METRONOME RECORDER 1 2 PLAY REC DEMO BRILLIANCE MELLOW NORMAL BRIGHT STRINGS VIBES ORGAN 1 PHONES Jacks Bottom Panel Left voice shift up key See page 7 Pitch control keys See page 11 Transpose keys See page 10 Balance Depth keys See page 7 8 Right voice ...

Page 6: ...D will light to indi cate which voice is currently selected The CLP 154S 155 also has a DUAL mode in which two voices can be played simultaneously across the full range of the keyboard see page 7 for details NOTE The PIANO 1 voice is auto matically selected whenever the POWER switch is ini tially turned ON 7 METRONOME Button Turns the metronome sound on and off The TEMPO control below is used to s...

Page 7: ...aled enclosure NOTE The AUX OUT jack signal must never be returned to the AUX IN jacks either directly or through external equipment The MIDI IN connector receives MIDI data from an external MIDI device such as the DOU 10 Disk Orchestra Unit which can be used to control the Clavinova The MIDI THRU connector re transmits any data received at the MIDI IN connec tor allowing chaining of several MIDI ...

Page 8: ... Clavinova also offers keyboard touch response so the volume and timbre of notes played can be controlled according to how hard you play the keys The amount of variation available depends on the selected voice You can also change the overall tone or add reverb and or effects as de sired by using the REVERB button and the BRILLIANCE button on the CLP 155 see page 9 for BRILLIANCE button operation R...

Page 9: ...n to the normal play mode ZEngage the Demo Mode DEMO XSelect a Demo Tune CLP 154S VPlay a Different Demo CSet the Volume BStop the Demo DEMO CLP 155 PIANO 1 button Etude op 10 5 Black Keys by F F Chopin PIANO 2 button Le Rhône by K Hattori CLAVINOVA TONE button Pavane pour une infante défunte by M J Ravel HARPSICHORD button Le Coucou by L C Daquin VIBES button Schmetterling Papilions op 43 by E H ...

Page 10: ...r all voice combinations as listed in the Default Settings chart below In a DUAL mode voice combination using STRINGS and any other voice it is possible to switch the STRINGS voice to a slow attack variation when initially selecting the voices by pressing the STRINGS selector twice while holding the other voice selector Repeat this operation to return to the normal STRINGS voice attack Adjusting t...

Page 11: ...usting Reverb Depth The depth of the selected reverb effect can be adjusted for the current voice by using the C2 through C4 keys on the keyboard while holding the REVERB button The C3 key sets the normal depth for the selected effect Keys to the left of C3 decrease the reverb depth while keys to the right of the C3 key increase the reverb depth Separate reverb settings can be made for each effect...

Page 12: ...ee foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano The Pedals Pressing the soft pedal reduces the volume and slightly changes the timbre of notes played If you play a note or chord on the keyboard and press the sostenuto pedal while the note s are held those notes will be sustained as long as the pedal is held as if the damper ped...

Page 13: ...his is an ideal setting for voices which normally have no keyboard sensitivity i e harpsichord and organ To select a touch sensitivity setting press the REVERB button a few times while holding the MIDI TRANSPOSE button until the indicator corresponding to the desired setting lights MIDI TRANSPOSE REVERB ROOM HALL 1 HALL 2 COSMIC Memorizing the Touch Sen sitivity Setting Press the C7 key while hold...

Page 14: ...I FUNCTIONS page 17 Tuning Down To Restore Standard Pitch Pitch control makes it possible to tune the Clavinova over a 50 cent range in approximately 1 2 cent intervals A hundred cents equals one semitone so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone Pitch control is useful for tuning the Clavinova to match other instruments or recorded m...

Page 15: ...58 B0 60 C1 62 C 1 64 D1 66 D 1 68 E1 70 F1 72 F 1 74 Key Tempo G1 76 G 1 78 A1 80 A 1 82 B1 84 C2 86 C 2 88 D2 90 D 2 92 E2 94 F2 96 Key Tempo F 2 98 G2 100 G 2 102 A2 104 A 2 106 B2 108 C3 110 C 3 112 D3 114 D 3 116 E3 118 Key Tempo F3 120 F 3 122 G3 124 G 3 126 A3 128 A 3 130 B3 132 C4 134 C 4 136 D4 138 D 4 140 Key Tempo E4 142 F4 144 F 4 146 G4 148 G 4 150 A4 152 A 4 154 B4 156 C5 158 C 5 160...

Page 16: ...TE The track button indicators of tracks which contain previously recorded data will glow green unless the track is turned off as described below The previously recorded data on the non record track will normally be played back as you record so you can play along with a previously recorded track If you don t want to hear the previously recorded track as you record press the playback track button b...

Page 17: ...ks contain data before record ing If the green indicator lights when the corresponding track button is pressed that track contains data which will be erased and replaced by the newly recorded data If the metronome is being used during playback the metronome will stop when play back is stopped The playback data is not transmitted via the MIDI OUT connector When you want to locate a specific point i...

Page 18: ...ise which can cause data errors MIDI Messages Transmitted Received by the Clavinova Note and Velocity Data This information tells the receiving keyboard or tone generator to play a certain note specified by the MIDI note number at a certain dynamic level specified by the MIDI velocity value Note and velocity data is trans mitted by the Clavinova whenever a key is pressed and the Clavinova s intern...

Page 19: ...button XPress the key on the keyboard corresponding to the desired MIDI trans mit or receive channel CRelease the MIDI TRANSPOSE button Keys C1 through D 2 on the keyboard are used to set the MIDI transmit channel and keys C4 through D 5 are used to turn the OMNI mode OFF and set the MIDI receive channel as shown in the illustration to the left The E5 key sets the OMNI receive mode and basic recei...

Page 20: ...vinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device causing the correspondingly numbered Clavinova voice to be selected The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set u...

Page 21: ...ception transmission OFF If the CLAVINOVA TONE LED is not lit when the CLAVINOVA TONE voice selector is pressed you have turned control change re ception transmission ON CRelease the MIDI TRANSPOSE button The Multi Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers by an external MIDI device The Multi Timbre mode can be act...

Page 22: ... TRANSPOSE button press the key on the keyboard at which you want to set the split point The HARPSI CHORD LED will light continuously The split point becomes the first key of the left hand section CRelease the MIDI TRANSPOSE button VTo return to the normal full keyboard mode hold the MIDI TRANS POSE button and press the HARPSICHORD voice selector then release both buttons NOTE When the power is tu...

Page 23: ...tings when the performance is played back ZHold down the MIDI TRANSPOSE button XPress the STRINGS voice selector CRelease the MIDI TRANSPOSE button Bulk Data Dump This function is used to transmit all data stored in the Recorder memory to a MIDI data storage device such as the Yamaha DOU 10 Disk Orchestra Unit other sequence recorders or MIDI compatible computers ZHold MIDI TRANSPOSE and press the...

Page 24: ...a Reproduces Radio or TV Sound 3 Intermittent Static Noise 4 Interference Appears On Radio or TV Sets Located Near the Clavinova 5 Distorted Sound When the Clavinova is Connected to An External Amplifier Speaker System If you encounter what appears to be a malfunction please check the following points before assuming that your Clavinova is faulty Troubleshooting Options BC 8 Bench A comfortable be...

Page 25: ...old screws Lange goldene Schrauben 5 x 40 mm x 6 1 Vis longues dorées de 5 x 40 mm Tornillos dorados largo de 5 x 40 mm 4 x 25 mm round head screws Halbrundschrauben 4 x 25 mm x 4 3 Vis à tête ronde de 4 x 25 mm Tornillos de cabeza redonda de 4 x 25 mm i Zusammenbau und Aufstellung HINWEIS Wir raten davon ab das Clavinova alleine zusammenzubauen und aufzustellen Zwei Personen können diese Arbeit j...

Page 26: ...du pédalier et le dérouler Placez le pédalier sur les ferrures fixées aux panneaux latéraux D et fixez le à l aide des quatre vis à tête ronde de 6 x 18 millimètres 2 deux vis de chaque côté Veillez à ce que les pédales soient dirigées dans le même sens que les supports inférieurs NOTA No le recomendamos que intente montar la Clavinova usted solo El trabajo puede ser realizado fácilmente entre dos...

Page 27: ... and securely tighten the four 6 x 16 millimeter flat head screws 4 D B B D 4 x 25 mm round head screws 3 Halbrundschrauben 4 x 25 mm 3 Vis à tête ronde de 4 x 25 mm 3 Tornillos de cabeza redonda de 4 x 25 mm 3 iii V Schrauben Sie die Rückwand B an die beiden Seitenwände D Die Rückwand B wird mit den vier Halbrundschrauben 4 x 25 mm 3 an den Winkelblechen der Seitenwände D festgeschraubt wie in de...

Page 28: ...s ferrures des panneaux latéraux centrez égale ment le clavier de manière à avoir un jeu identique de cha que côté puis posez et serrez à fond les quatre vis à tête plate de 6 x 16 millimètres 4 V Acople el panel central B a los paneles laterales D EL panel central B debe enroscarse a las ménsulas de los paneles laterales D usando los cuatro tornillos de cabeza redonda de 4 x 25 mm 3 como se muest...

Page 29: ...g the assembly in structions given above N Schließen Sie das Pedalkabel an Sichern Sie das Pedalkabel in den beiden Kabelhaltern an den Seitenwänden Der Stecker wird an die zugehörige Buchse an der Unterseite der Tastatureinheit A ange schlossen Der Stecker paßt nur in einer Richtung in die Buchse beim CLP 155 muß die Führungsnase nach hin ten weisen und beim CLP 154S in Richtung der gegen überlie...

Page 30: ... vous utilisez l instrument vérifiez de nouveau et resserrez toutes les vis en suivant les instructions d assemblage données ci dessus N Conecte el cable de los pedales Pase el cable de los pedales a través de los dos soportes de cable del panel lateral La clavija puede enchufarse en el conector correspondiente de la parte inferior de la uni dad principal A La clavija se enchufa sólo en una direc ...

Page 31: ...H 7FH 6 0BH Expression 00000000 reception only 01101111 3dB 01111111 0dB 40H Damper Pedal 00H 7FH eight levels CLP 155 00H 3FH OFF CLP 154S 40H 7FH ON 42H Sostenuto Pedal 00H 3FH OFF 40H 7FH ON 43H Soft Pedal 00H 3FH OFF 40H 7FH ON 5BH Reverb Depth 00H 7FH 78H All Sound OFF 00H reception only 79H Reset AllController 00H 7AH Local Control ON OFF 00H OFF reception only 7FH ON 7BH All Notes OFF 00H r...

Page 32: ...H 7DH 00H 10H n channel number 53H 4BH 20H 20H SK 43H 4CH 50H 27H 39H 34H CLP 94 3xH 3yH 20H 20H 20H 20H x y version number CHECK SUM 1byte 0 53H 4BH 20H 20H F7H BULK DUMP FORMAT F0H 43H 73H 38H Product ID CLP 154S CLP 155 06H Bulk ID 02H Bulk number 0DH 00H 07H 0CH Data length wxyzH 0x683e 2 bytes BULK DATA Sequence data CHECK SUM 1byte 0 sum BULK DATA F7H CLP 154S CLP 155 KEYBOARD 88 KEYS A 1 C7...

Page 33: ... registers and other devices that produce heat should be avoided 8 This product was NOT designed for use in wet damp loca tions and should not be used near water or exposed to rain Exam ples of wet damp locations are near a swimming pool spa tub sink or wet basement 9 This product should be used only with the components supplied or a cart rack or stand that is recommended by the manufacturer If a ...

Page 34: ...in der Bundesrepublik Deutschland Bescheinigung des Importeurs Hiermit wird bescheinigt daß der die das Electronic Piano Typ CLP 155 Gerät Typ Bezeichnung in Übereinstimmung mit den Bestimmungen der VERFÜGUNG 1046 84 Amtsblattverfügung funk entstört ist Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerätes angezeigt und die Berechtigung zur Überprüfung der Serie auf Einhaltung der Bes...

Page 35: ...M D G EMI Division Yamaha Corporation 1994 VS31580 407POCP1 4 01A0 Printed in Japan ...

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