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Effect Type List

EFFECT TYPE

Display

Description

Distortion

Distortion

Advanced distortion. Mainly used for direct connection to guitar 
amp’s front input. 

Digital Distortion

DigiDistortion

Distortion effect. Mainly used for direct connection to guitar amp’s 
front input.

Amp Simulator

AmpSimulator

DG Series amp sound. Mainly used for direct connection to power 
amp. Speaker simulator allows direct recording.

Chorus

Chorus

Chorus effect.

Symphonic

Symphonic

Symphonic effect.

Flange

Flange

Flange effect.

Vintage Flange

VintageFlanger

Flanger produced by utilizing VCM (Virtual Circuitry Modeling) tech-
nology.

Phaser

Phaser

Maximum 16-stage phaser.

Mono Vintage Phaser

MonoVntagPhaser

Monaural phaser produced by utilizing VCM (Virtual Circuitry Model-
ing) technology.

Stereo Vintage Phaser

StreoVintPhaser

Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) 
technology.

Tremolo

Tremolo

Tremolo effect.

Auto Pan

Auto Pan

Autopanner.

Rotary

Rotary

Rotary speaker simulator.

Ring Mod.

RingMod.

Ring modulator.

Mod. Filter

Mod.Filter

Modulation filter.

Compressor

Compressor

Compressor.

M.Band Dyna.

MultiBandDyna.

3-band dynamics processor.

Dyna. Filter

Dyna.Filter

Filter effect. The effect changes according to input level.

Dyna. Flange

Dyna.Flange

Flanger effect. The effect changes according to input level.

Dyna. Phaser

Dyna.Phaser

Phaser effect. The effect changes according to input level.

Tape Echo

TapeEcho

Vintage tape echo.

Mono Delay

MonoDelay

Basic monaural delay.

Stereo Delay

StereoDelay

Basic stereo delay.

Mod. Delay

Mod.Delay

Basic repeat delay with modulation.

Delay LCR

DelayLCR

3-tap delay (left, center, right).

Echo

Echo

Stereo delay with crossed feedback loop.

8 Band Parallel Delay

8BandParaDelay

8-band modulation delay connected in parallel.

8 Band Series Delay

8BandSeriDelay

8-band modulation delay connected in series.

4 Band 2 Tap Mod. 
Delay

4Band2TapModDly

4-band delay connected in parallel w/2 multi-tap modulation delays.

2 Band 4 Tap Mod. 
Delay

2Band4TapM.Dly

2-band delay connected in parallel w/4 multi-tap modulation delay.

8 Multi Tap Mod. Delay

8MultiTapM.Dly

8 Multi tap modulation delay.

2 Band Long + 4 Short 
Mod. Delay

2Lng4ShrtM.Dly

2 band parallel 2 multi tap + 4 band short modulation delay.

Short + Long 
Mod. Delay

S.M.L.ModDly

3 band multi tap delay w/3 delay times.

Reverb

Reverb

Hall, room, stage, and plate reverb simulations, all with gates.

Early Ref.

Early Ref.

Early reflections.

Summary of Contents for Acoustic

Page 1: ...EFFECT LIST...

Page 2: ...iBandDyna 3 band dynamics processor Dyna Filter Dyna Filter Filter effect The effect changes according to input level Dyna Flange Dyna Flange Flanger effect The effect changes according to input level...

Page 3: ...effect consisting of Comp Amp Simulator Chorus Delay Reverb Mainly used for direct connection to power amp Speaker simulator allows direct recording Amp Multi Flange AmpMulti Flng Multi effect consist...

Page 4: ...4 Gain EQ4G 12 0 to 12 0 dB Specifies the post effect EQ4 gain EQ 4 Q EQ4Q 0 100 to 20 0 Specifies the post effect EQ4 Q bandwidth Pre EQ Level PELV 0 0 to 10 0 Specifies the pre effect EQ level Pre E...

Page 5: ...d N G Hold NGHL 0 02 to 2040 ms Time noise gate stays open N G Decay NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh old Parameter Display Range Description...

Page 6: ...Modulation speed Depth DPTH 0 0 to 10 0 Modulation depth Manual MANU 0 0 to 10 0 Adjusts flanger s delay time Feedback FB 0 0 to 10 0 Feedback gain Spread SPRD 0 0 to 10 0 Left and right flange sprea...

Page 7: ...EQ peaking type bandwidth HSH Freq HSHF 50 0 Hz to 16 0 kHz High shelving filter frequency HSH Gain HSHG 12 0 to 12 0 dB High shelving filter gain Parameter Display Range Description Wave WAVE Sine T...

Page 8: ...d Depth DPTH 0 to 100 Modulation depth Phase PHAS 0 00 to 354 38 degrees Left channel modulation and right channel modulation phase differ ence Offset OFST 0 to 100 Filter frequency offset Resonance R...

Page 9: ...Expander threshold Exp Ratio ERAT 1 1 to 1 Expander ratio Exp Release EREL 6 to 11500 ms Expander release time Lim Bypass LIM Off On Limiter bypass Lim Threshold LIMT 12 0 to 0 0 dB Limiter threshold...

Page 10: ...ay feedback level Level LEVL 0 0 to 10 0 Delay level Parameter Display Range Description Delay TIME 0 0 to 2730 0 ms Delay time FB Gain FB 99 to 99 Feedback gain plus values for normal phase feedback...

Page 11: ...feedback minus values for reverse phase feedback High Ratio HRAT 0 1 to 1 0 High frequency feedback ratio High Pass Filter HPF Thru 21 2 Hz to 8 00 kHz High pass filter cutoff frequency Low Pass Filt...

Page 12: ...ferent bands set to any number other than the band number of the current band it will syn chronize with that band If set to the same number as the current band it will not synchronize Parameter Displa...

Page 13: ...to synchronize the modulation of different bands set to any number other than the band number of the current band it will syn chronize with that band If set to the same number as the current band it...

Page 14: ...nd it will syn chronize with that band If set to the same number as the current band it will not synchronize Parameter Display Range Description Wave Form W F Triangle Saw Up Saw Down Selects the modu...

Page 15: ...SPDn 0 0 to 10 0 Modulation speed modulation phase if the band is synchronized with another band Depth DPTn 0 0 to 10 0 Modulation depth Pan PANn L10 0 to R10 0 Position in the stereo field of the de...

Page 16: ...eedback gain Room Size SIZE 0 1 to 20 0 Reflection spacing Liveness LIVE 0 to 10 Early reflections decay characteristics 0 dead 10 live Diffusion DIFF 0 to 10 Reflection diffusion left right reflectio...

Page 17: ...99 Channel 2 feedback gain plus values for normal phase feedback minus values for reverse phase feedback Pitch 1 PIT1 24 to 24 semitones Channel 1 pitch shift Fine 1 FIN1 50 to 50 cents Channel 1 pitc...

Page 18: ...Reverb Time RT 0 3 to 99 0 s Reverb time High Ratio HRAT 0 1 to 1 0 High frequency reverb time ratio Diffusion DIFF 0 to 10 Left and right reverb spread Density DNST 0 to 100 Reverb density High Pass...

Page 19: ...lay MDT 0 0 to 500 0 ms Modulation delay time FB Gain FB 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback Reverb Time RT 0 3 to 99 0 s Reverb time H...

Page 20: ...DNST 0 to 100 Reverb density High Pass Filter HPF Thru 21 2 Hz to 8 00 kHz High pass filter cutoff frequency Low Pass Filter LPF 50 0 Hz to 16 0 kHz Thru Low pass filter cutoff frequency Reverb Balan...

Page 21: ...ms Feedback delay time FB Gain FB 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback Delay High HRAT 0 1 to 1 0 Delay high frequency feedback ratio H...

Page 22: ...B 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback Freq FREQ 0 05 to 40 00 Hz Modulation speed Drive DRV 0 to 100 Distortion drive Master MSTR 0 to...

Page 23: ...te to close after signal goes below thresh old Comp Threshold CTHR 54 0 to 0 0 dB Level at which compressor activates Comp Ratio CRAT 1 1 to 1 Compression ratio Comp Attack CATT 0 to 120 ms Time requi...

Page 24: ...goes below thresh old Comp Threshold CTHR 54 0 to 0 0 dB Level at which compressor activates Comp Ratio CRAT 1 1 to 1 Compression ratio Comp Attack CATT 0 to 120 ms Time required for compressor to pea...

Page 25: ...NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh old Comp Threshold CTHR 54 0 to 0 0 dB Level at which compressor activates Comp Ratio CRAT 1 1 to 1 Compress...

Page 26: ...e gate to close after signal goes below thresh old Comp Threshold CTHR 54 0 to 0 0 dB Level at which compressor activates Comp Ratio CRAT 1 1 to 1 Compression ratio Comp Attack CATT 0 to 120 ms Time r...

Page 27: ...Pre EQ 3 Gain PE3G 12 0 to 12 0 dB Specifies the pre effect EQ3 gain Pre EQ 3 Q PE3Q 0 100 to 20 0 Specifies the pre effect EQ3 Q bandwidth Comp Threshold CTHR 54 0 to 0 0 dB Level at which compresso...

Page 28: ...12 0 to 12 0 dB Specifies the pre effect EQ3 gain Pre EQ 3 Q PE3Q 0 100 to 20 0 Specifies the pre effect EQ3 Q bandwidth Comp Threshold CTHR 54 0 to 0 0 dB Level at which compressor activates Comp Ra...

Page 29: ...00 k to 10 0 kHz Specifies the pre effect EQ3 frequency Pre EQ 3 Gain PE3G 12 0 to 12 0 dB Specifies the pre effect EQ3 gain Pre EQ 3 Q PE3Q 0 100 to 20 0 Specifies the pre effect EQ3 Q bandwidth Comp...

Page 30: ...frequency Pre EQ 3 Gain PE3G 12 0 to 12 0 dB Specifies the pre effect EQ3 gain Pre EQ 3 Q PE3Q 0 100 to 20 0 Specifies the pre effect EQ3 Q bandwidth Comp Threshold CTHR 54 0 to 0 0 dB Level at which...

Page 31: ...0 kHz Frequency for extremely high frequency EQ Limiter LMSW Off On Limiter switch Chorus Delay ETYP Off Chorus Delay Effect type Reverb Type RTYP Off Hall Room Plate Reverb type Limiter Level LIM 0 0...

Page 32: ...Printed in China WD92180...

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