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XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual

SERIAL NUMBER

Please note the important information on the serial number given in 

chapter 1.3.3.

6.  Installation

6.1  Rack mounting

The packaging of your mixing console contains two 19" rack mounts for 

installation on the side panels of the console.
Before you can attach the rack mounts to the mixing console, you need to remove 

the screws holding the left and right side panels. Then, use these screws to 

fasten the two rack mounts, each specifically to one side. With the rack mounts 

installed, you can mount the mixing console in a commercially available 19" rack. 

Be sure to allow for proper air flow around the unit, and do not place the mixing 

console close to radiators or power amps, so as to avoid overheating.

◊ 

Only use the screws holding the mixing console side panels to fasten 
the 19" rack mounts.

6.2  Cable connections

You will need a large number of cables for the various connections of the console. 

The illustrations below show the wiring of these cables. Be sure to use only high-

grade cables.

strain relief clamp
sleeve

tip

sleeve

pole 1/ground

tip

pole 2

The footswitch connects both poles momentarily

¼" TS footswitch connector

Fig. 6.1: Foot switch connector

6.2.1  Audio connections

Please use commercial RCA cables to wire the 2-track inputs and outputs.
You can, of course, also connect unbalanced devices to the balanced input/

outputs. Use either mono plugs, or use stereo plugs to link the ring and shaft (or 

pins 1 & 3 in the case of XLR connectors).

output

For unbalanced use, pin 1 and pin 3 

have to be bridged

1 = ground/shield

2 = hot (+ve)

3 = cold (-ve)

input

1

2

3

1

2

3

Balanced use with XLR connectors

Fig. 6.2: XLR connections

◊ 

Caution! You must never use unbalanced XLR connectors (PIN 1 and 
3 connected) at the MIC input jacks if you want to use the phantom 
power supply.

strain relief clamp

sleeve

tip

sleeve

(ground/shield)

Unbalanced ¼" TS connector

tip

(signal)

Fig. 6.3: ¼" mono plug

strain relief clamp
sleeve
ring
tip

sleeve

ground/shield

For connection of balanced and unbalanced plugs,

ring and sleeve have to be bridged at the stereo plug.

Balanced ¼" TRS connector

ring

cold (-ve)

tip

hot (+ve)

Fig. 6.4: ¼" stereo plug

Summary of Contents for X2442 USB

Page 1: ...User Manual X2442 X2222 X1832 X1622 Premium 24 22 18 16 Input 4 2 3 2 and 2 2 Bus Mixer with XENYX Mic Preamps Compressors British EQs 24 Bit Multi FX Processor and USB Audio Interface...

Page 2: ...the latest digital technology these best in class consoles combine the advantages of both analog and digital technology Table of Contents Thank you 2 Important Safety Instructions 3 Legal Disclaimer...

Page 3: ...inchedparticularlyatplugs conveniencereceptacles andthepointwheretheyexitfromtheapparatus 11 Useonlyattachments accessoriesspecifiedby themanufacturer 12 Useonlywiththe cart stand tripod bracket ortab...

Page 4: ...erefore this mixing console is ideally suited for use as a karaoke machine This feature is also an optimal solution for singers who need accompanying music for their rehearsals CAUTION We should like...

Page 5: ...1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid over heating please do not place your mixing console on high temperature devices such as ra...

Page 6: ...mark This way you have a vast amount of drive headroom for use with very dynamic signals The CLIP display should light up only rarely preferably never While fine tuning the equalizer should be set to...

Page 7: ...and 4 panning hard left will route the signal to group output 3 only and panning hard right will route to group output 4 only MUTE The MUTE switch breaks the signal path pre channel fader hence muting...

Page 8: ...SOLO switch SUB and MAIN switches and channel fader 2 3 Interface panel and main section Where it was useful to trace the signal flow from top to bottom in order to gain an understanding of the chann...

Page 9: ...is is that you can now use that channel s EQ on the effects return signal In this instance the FX control of the channel being used as an effects return should be turned fully counterclockwise otherwi...

Page 10: ...n the X2442USB you can select which subgroup the signal is assigned to switches 1 2 3 4 to the right of MAIN MIX TO SUBS SOLO RETURNS Additionally this model allows you to route the aux returns togeth...

Page 11: ...L ROOM OUT and phones SUB 3 4 The SUB 3 4 switch performs a similar function for subgroup 3 4 X2442USB only MAIN MIX The MAIN MIX switch sends the main mix to the CONTROL ROOM OUT and the PHONES outpu...

Page 12: ...isplayed at a lower volume than in the PFL function As a rule solo signals are monitored via the control room outputs and headphones jack and are displayed by the level meters If a solo switch is pres...

Page 13: ...ple a vocal track enhanced with reverb in parallel to a dry vocal track when doing the mix down later on you can freely determine the amount of reverb added The X2442USB has the effect output on the r...

Page 14: ...input output The XENYX mixer line has built in USB connectivity allowing stereo signals to be sent to and from the mixer and a computer The audio sent from the mixer to a computer is identical to the...

Page 15: ...below show the wiring of these cables Be sure to use only high grade cables strain relief clamp sleeve tip sleeve pole 1 ground tip pole 2 The footswitch connects both poles momentarily TS footswitch...

Page 16: ...tance 131 dB 133 3 dB A weighted 150 source resistance 129 dB 130 5 dB A weighted Frequency response 10 Hz 150 kHz 1 dB 10 Hz 200 kHz 3 dB Gain range 10 to 60 dB Max input level 12 dBu 10 dB Gain Impe...

Page 17: ...dB X1622USB Main mix 0 dB 81 dB Channel fader 0 dB 80 dB X2442USB 83 dB X1622USB Power Supply Mains voltage 100 to 240 V 50 60 Hz Power consumption 50 W X2442USB 50 W X2222USB 50 W X1832USB 50 W X162...

Page 18: ...no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equ...

Page 19: ...We Hear You...

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