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XENYX 1622FX/1832FX/2222FX/2442FX

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If  you  want  to  monitor  the  signal  of  just  one  AUX

bus,  none  of  the  other  SOLO  SWITCHES  should  be

pressed and the MODE switch should be in the SOLO

position  (not  depressed).

2.3.2 Aux send jacks

Fig.  2.8:  Aux  send  jacks

AUX SEND jacks

The 

AUX SEND 

jack should be used when hooking up a monitor

power amp or active monitor speaker system. The relevant aux

path should be set pre-fader.

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On  the  2222FX,  aux  send  1  is  hard  wired

as  pre-fader  and  hence  called  MON.  Model  1832FX

has  a  dedicated  monitor  output  (MON  OUT  jack),  cf.

chapter  2.3.4.

As already mentioned, the aux sends in the channels—if set

post-fader—can be used to connect to external effects devices.

AUX SEND (FX)

The

 AUX SEND (FX)

 jack carries the master aux mix (from the

channel’s  FX  controls).  You  can  connect  this  to  an  external

effects device to process the FX bus. The processed signal can

then be brought from the effects device back into the STEREO

AUX RETURN jacks.

2.3.3 Stereo aux return connectors

Fig.  2.9:  The  aux  return  connectors

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On the 2222FX, 1832FX and 1622FX the STEREO AUX

RETURN  jacks  are  located  on  the  front  panel  of  the

unit.

STEREO AUX RETURN

The 

STEREO AUX RETURN 1

 jacks generally serve as the

return  for  the  effects  mix  (created  using  the  post-fader  aux

sends) by connecting the output of an external effects device. If

only the left jack is connected, the AUX RETURN is automatically

switched  to  mono.

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You  can  also  use  these  jacks  as  additional  line

inputs.

All stereo aux returns are balanced, but can of course also be

used  with  unbalanced  connectors.  If  you  use  an  aux  send  for

monitoring,  the  associated  unused  stereo  aux  returns  are

available for other line level signals (e.g. keyboards).

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A  signal  fed  into  the  stereo  return  jacks  can  be

output  via  an  aux  send  jack.  More  information  on

this  can  be  found  in  chapter  2.3.5  “STEREO  AUX

RETURN 1/2 (TO AUX SEND)”.

STEREO AUX RETURN FX

The 

STEREO AUX RETURN FX

 jacks accept the effects mix

2.2.4 Routing switch, solo and channel fader

Fig. 2.6: Balance control and mute switch

BAL

The 

BAL

(ANCE) control has a similar function to the PAN control

in the mono channels.

The balance control determines the levels of the left and right

input signals relative to each other before both signals are routed

to the left/right main mix bus (or odd/even subgroup).

The remaining control elements in the stereo channels perform

the same functions as their counterparts in the mono channels

(MUTE switch, MUTE and CLIP LEDs, SOLO switch,  SUB and

MAIN  switches  and  channel  fader).

2.3 Interface panel and main section

Where it was useful to trace the signal flow from top to bottom

in order to gain an understanding of the channel strips, we now

look at the mixing console from left to right. The signals are, so to

speak,  collected  from  the  same  point  on  each  of  the  channel

strips and then routed to the main section all together.

2.3.1 MON control, aux sends 1, 2 and 3 (FX)

Turning up the AUX 1 control in a channel routes the signal to

the aux send bus 1.

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As the 1832FX is equipped with an additional monitor

path,  its  first  aux  control  in  the  channel  strips  is

named  MON.  The  console  also  has  a  dedicated

master  fader  (MON  SEND)  for  this  aux  path.

AUX SEND 1, 2 and 4

The 

AUX SEND 1

 control governs the master send level of the

mix created by the individual channel AUX 1 sends.

Likewise, the 

AUX SEND 2

 contol is the master control for the

aux 2 bus, and 

AUX SEND 4

 controls the AUX 4 bus.

Fig. 2.7: The AUX SEND controls of the main section!

AUX SEND 3 (FX)

The 

FX

  control  determines  the  signal  level  for  effects

processing, i.e. regulates the level to an external (or the inter-

nal)  effects  device.

1622FX  and  1832FX:  On  these  consoles,  this  function  is

performed by the AUX SEND 2 control (FX).

SOLO

You can use the SOLO switch to separately monitor the aux

sends  via  the  CONTROL  ROOM/PHONES  outputs  and  check

these with the level meters.

2. CONTROL ELEMENTS AND CONNECTORS

Summary of Contents for 1622FX

Page 1: ...Version 1 0 January 2006 User s Manual XENYX 1622FX 1832FX 2222FX 2442FX...

Page 2: ...ty purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the...

Page 3: ...s to the quality and ease of use of your new XENYX mixing console you ll soon come to appreciate that I both personally and in my capacity as musician and sound engineer put you the end user first and...

Page 4: ...d using the aux sends monitor mix Similarly for example signals for recording equipment power ampli fiers headphones and 2 track outputs can also be taken 1 INTRODUCTION Congratulations In purchasing...

Page 5: ...that all units must be properly grounded For your own safety you should never remove any ground connectors from electrical devices or power cables or render them in operative Please ensure that only q...

Page 6: ...the console TRIM Use the TRIM control to adjust the input gain This control should always be turned fully counter clockwise whenever you connect or disconnect a signal source to one of the inputs The...

Page 7: ...mix 2 2 Stereo channels 2 2 1 Channel inputs Fig 2 5 The various stereo channel inputs Each stereo channel has two balanced line level inputs on jacks for left and right channels Channels 9 10 and 11...

Page 8: ...TURN 1 2 TO AUX SEND STEREO AUX RETURN FX The STEREO AUX RETURN FX jacks accept the effects mix 2 2 4 Routing switch solo and channel fader Fig 2 6 Balance control and mute switch BAL The BAL ANCE con...

Page 9: ...ould be set at 100 effect Fig 2 12 Stereo aux return and stereo aux return to aux send controls STEREO AUX RETURN 1 2 TO AUX SEND The two right hand STEREO AUX RETURN controls have a special function...

Page 10: ...bled disabled with the XPQ TO MAIN switch This is a built in effect that widens the stereo width thus making the sound more lively and trans parent Use the SURROUND control to determine the intensity...

Page 11: ...signals e g kick drum Due to their inertia VU meters tend to display too low a signal level at frequencies above 1 kHz You should only drive instruments such as a Hi Hat as far as 10 dB Snare drums s...

Page 12: ...ject sound in the direction of microphones Therefore you can also use the FBQ Feedback Detection for monitors by placing the equalizer in the monitor bus see MAIN MIX MONITOR 4 DIGITAL EFFECTS PROCESS...

Page 13: ...ecord several tracks simultaneously With an 8 track recorder use Y cables and wire the inputs of your machine so that you have 2 x 4 tracks available e g channel 1 to track 1 and 2 etc In the first pa...

Page 14: ...re you activate the phantom power supply After switching on wait approx one minute to allow for system stabilization Caution Please also note the information given in chapter 6 2 1 Audio connections S...

Page 15: ...15 XENYX 1622FX 1832FX 2222FX 2442FX Fig 6 4 1 4 stereo plug Fig 6 5 Insert send return stereo plug Fig 6 6 Stereo plug for headphones connection 6 INSTALLATION...

Page 16: ...1622FX only 1 4 TS connector unbalanced Impedance approx 240 W symm 120 W unbalanced Max output level 28 dBu 22 dBu 1622FX Control room outputs Type 1 4 TS connector unbalanced Impedance approx 120 W...

Page 17: ...ER see enclosed list during normal business hours BEFORE returning the product All inquiries must be accompanied by a description of the problem BEHRINGER will then issue a return authorization number...

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