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WORNG Electronics SoundStage manual 

 

Thanks for purchasing a WORNG Electronics SoundStage module, we 
hope it breathes new life into your system! 
 

The SoundStage is the essence of a 
stereo mixer distilled into a 
powerful efficient package. It 
includes twenty-one inputs which 
pass through a combination of 
twenty resonant analogue filters 
for tonal control and mix down to a 
voltage controllable stereo output 
stage.  
 
SoundStage forgoes level controls 
on each input as this can be done 
with the VCA stage of the voices it’s 
being fed. Rather than having a pan 
control per input, each input is 
placed in the stereo field according 
to its position left to right on the 

panel. The horizontal rows indicate how the inputs are filtered into 
overlapping Low, Low-mid, Mid, High-mid and High bands. The Depth 
control allows you to control the depth of the filtering, from unfiltered 
on the left to hard filtered on the right. Like the stereo output level, 
Depth can be controlled with a CV. 
 
The ideas behind the SoundStage have been developing for a few years 
now. Before founding WORNG Electronics I worked for many years as a 
sound engineer and learned a lot of tricks for getting sounds to fit 
together in a mix. Early on I learnt that panning is a powerful tool for 
separating instruments in a mix, likewise filtering instruments to they 
sit in their own space in the frequency spectrum.  
 

Summary of Contents for SoundStage

Page 1: ...s placed in the stereo field according to its position left to right on the panel The horizontal rows indicate how the inputs are filtered into overlapping Low Low mid Mid High mid and High bands The...

Page 2: ...les in the spectral field so tracks made with that machine already start to sound mixed straight out of the machine These ideas have come together into the module you ve now got in front of you we hop...

Page 3: ...e energy to reproduce from your speakers so are panned more centrally Also for people putting their material out on vinyl it helps to have low frequency elements panned centrally to stop the needle be...

Page 4: ...of them also the way a guitar or bass amp shapes the spectrum of the signal being fed into it in a way which lets them sit together in a mix in a natural way Lastly the old mix trick of using EQ duri...

Page 5: ...ve uses of the SoundStage s filters for example rhythmic chopping of the spectrum by controlling filter depth with gates or LFOs or more extreme effects such as patching bass voices to the upper input...

Page 6: ...f Maths to the Level CV input and use the channel 2 pot to set your threshold turning clockwise to increase the threshold You ll have to apply more output level on the SoundStage to make up for the le...

Page 7: ...ith crossing over the left and right signals and feeding back to their opposite sides because SoundStage is 100 analogue there is no latency so stereo feedback of signals is possible and sounds natura...

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