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the “in” position and lifts the signal when “out”. Signal to the headphone switch is 

CONTROLS AND CONNECTIONS

always on.

1.

Channel Volume Pots control input signals 

over a range of

7.

Master Volume Pots 

determine the amount of signal from the summing amps 

that is fed to the output drivers and the meters. These also have a gain range of -60 to 

6OdBm attenuation at full off to 2OdBm of gain at full on.

i-2OdBm.

2. Pan Pots are 

dual pots with center detent, offering over 65dB of stereo isolation 

8. LED dB Indicators 

are precisely calibrated at 3dB increments and span a range 

from left to right channel. The center detent allows convenient and accurate setup, 

of -15 to +l2dBm measured unbalanced at the 1/4” output. The output of the XLR, 

feeding signal equally to both channels.

with the switch in Line mode, is 6dB greater.

3.

Low frequency 

Cut Switch 

for reduction of wind noise, etc. The cutoff 

9. Stereo Peak Limiter 

is pre master fader and is switchable in or out of the signal 

frequency is 120Hz with a 24dB slope.

path. Threshold is set at 0dB and limiting up to 15dB is possible. The left and right 

LEDs on the front panel illuminate when the limiter is working and get brighter as 

limiting increases. Attack time is fast and the ratio is approximately 4:1.

4. OL (Over Load) LED 

illuminates when the level is 3dB below distortion. The 

clip circuit senses the signal level at the input diff amp and after the channel gain.

10. Stereo Headphone Circuit 

consists of a source select switch, a volume 

control, a 1/4” TRS headphone jack and will drive any headphones with 20 ohms or 

5. Aux 1 Input Pot 

controls the rear panel RCA jacks. Aux I is a stereo unbalanced 

greater impedance. The volume control has a gain range of -60 to +20db. The select 

circuit feeding the left and right busses. This control has a gain range of -60 to -~-

switch feeds either the prefader stereo master signal or the aux 2 postfader signal to 

20dB.

the headphone amplifier.

6. Aux 2 Input Pot 

controls the rear panel stereo 1/4” TRS balanced jacks through 

a gain range of -60 to +20dB. Postfader signal is fed to the headphone select switch 

11.

LED Indicators 

for 

Phantom Power 

and 

Unit Power 

illuminate 

“mon' position allowing aux 2 to become an external input to the headphone circuit. 

when rear panel switches are activated. 

The main/off switch routes the aux 2 input signal to the left and right stereo busses in 

Summary of Contents for Mix 6

Page 1: ...er recommend that you save your packaging material for use in the unlikely design features the Mix 6 has a working signal to noise ratio S N of 92db event that you need to return your equipment for service with 22dB headroom at unity gain At 40dB of gain the Mix 6 holds a working S N of 85dB making it ideally suited for production with digital recording media The Mix 6 can provide up to 76dB of ga...

Page 2: ...in at 3 O clock The 60db of attenuation in the off position allows the Mix 6 to adequately turn off line level signals Maximum signal level through the Mix 6 at clipping is The limiter section of the Mix 6 is pre master fader allowing versatility in selection of output 28dBm balanced and 22dBm unbalanced The sonic figures apply to both the input and the levels while the peak limiter is active The ...

Page 3: ...right LEDs on the front panel illuminate when the limiter is working and get brighter as limiting increases Attack time is fast and the ratio is approximately 4 1 4 OL Over Load LEDilluminates when the level is 3dB below distortion The clip circuit senses the signal level at the input diff amp and after the channel gain 10 Stereo Headphone Circuit consists of a source select switch a volume contro...

Page 4: ...and the front panel LED indicates that the unit is working Both sides of the 15 Left and rightBalanced 1 4 TRS Jacksfor aux2 input AC line are switched and a mains fuse is located on the circuit board inside the unit 16 Output Mic Line Switches affect only the XLR output jacks by inserting a 20dB pad across pins 2 and 3 in the Mic position 22 Power Cord has a standard 15 amp plug for l2OVAC and ha...

Page 5: ...ESIDUAL NOISE 10 Line 0 12 101 91 0 Line 0 22 91 91 0 Line 10 12 92 82 10 Line 20 12 82 72 10 Line 30 2 82 62 20 Line 33 9 72 59 20 Mic 36 6 105 89 30 Mic 36 16 95 89 40 Mic 40 22 85 85 40 Mic 50 12 86 76 50 Mic 50 22 76 76 50 Mic 60 12 76 66 60 Mic 60 22 66 66 60 Mic 70 12 68 58 ...

Page 6: ...AC Nominal Aux 1 2 22 dBm unbalanced 28 dBm balanced Internal Mains Fuse 25 Amps Slo Blo 3AG Input Impedance 4k Ohm Size Single space standard E I A Spec 19 0 482 6mm Width 6 0 152 4mm Depth Aux 2 Input Impedance 4k Ohm 1 75 44 45mm Height Maximum Output Level Shipping Weight 9 lbs 4 08kg Balanced 28dBm Unbalanced 22dBm Unit Weight 7 lbs 3 18kg Output Impedance XLRs Line mode 100 Ohms Mic mode 200...

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