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3.0  A Quick MIDI Lesson

The Xylosynth is a MIDI controller so it might be useful to include a short section on the
basics. MIDI stands for Musical Instrument Digital Interface and is a digital computer code
that all manufacturers in the music industry use.   It means that the Xylosynth and any
other MIDI device can communicate.  It has become a world wide standard so you will be
able   to   find   MIDI   equipment   that   is   compatible   with   the   Xylosynth   everywhere   (either
through '5 Pin Din Midi' or 'USB to MIDI').   There are many volumes dedicated to the
subject and to be honest all you really need to understand to use your Xylosynth are the
following five parameters:

3.1 MIDI Program Number (0-127 or 1-128)

The Program Number is the  

code number

  for the  

sound

  that comes from your sound

source.   It   instructs   the   sound   module   to   switch   to   a   particular   sound.   There   are   128
standard General Midi (GM) sounds (list on page 13) numbered 0-127 or 1-128 depending
on the source. Normally the sound source will have a name for each sound displayed on
its screen. The Xylosynth is set at 1-128 so Vibraphone is number 12. If your sound source
is numbered 0-127 then you can change the numbering of the Xylosynth to 0-127 (Global
Settings, C. MIDI Format), the Vibraphone would become 11. 

3.2 MIDI Bank Number (0-15 or 1-16)

Some sound sources have several banks of sounds with 128 different sounds in each. Our
internal sounds have just one bank of 128 sounds. We have customized our sounds into
'patch settings' and numbered the patches to correspond to the progamme numbers.

3.3 MIDI Note Number

There are 128 Note Numbers in MIDI and these define the  

pitch

  of the sound. It's like

having a keyboard with 128 keys.  An easy reference point to remember is Middle C (C4)
which is MIDI Note Number 60. Tuned A (440-442Hz) is MIDI Note Number 69. 

3.4 MIDI Velocity Number 

There are 128 levels of velocity in MIDI.   The Velocity Number defines the amount of
expression that can be applied to a MIDI sound.  For example if you play a Vibe bar really
hard the sound is very loud compared to if you give it a gentle stroke.  Basically the same
thing   applies   in   MIDI   and   is   defined   within   128   levels   from   0   to   127.  A  level   of   0   is
equivalent to a note off message. The Xylosynth actually has around 14000 levels which
are divided down to 128 before the Midi message is sent.

3.5 MIDI Channel Number (0-15 or 1-16)

There are 16 Channels in MIDI and these are the codes used to allow different MIDI
devices to talk to each other or to play different tracks within software programs. This is
mainly   relevant   to   software   based   systems.   The   Xylosynth   sends   out   messages   on
Channel 1 as a factory setting. The GM sounds are the same for all MIDI Channels except
Channel 10 which is dedicated to "percussion" sounds. 

4.0 Patches

With   the   new   Mk7   Xylosynth   we   can   create   'Patches'   by  choosing   a   programme,   for
example 12 Vibes, then altering the 'parameters' to suit ourselves and saving to use next
time. Parameters such as setting the first note (MIDI note number) for the pitch we want to
start on and setting the note length (although this can be overridden with the note length
knob) amongst other things. Basically, 'a patch is a configured sound that can be recalled
for playback'.  All 128 GM sounds have been configured into usable 'Patches' and it is the
Patch number that changes with the patch buttons/pedals.

5

Summary of Contents for Xylosynth XS7s-4

Page 1: ...Hand Built Electronic Percussion XS7s 4 Rev 008 1 2a TWYCROSS STREET LEICESTER LE2 0DU ENGLAND TELEPHONE 0116 255 6225 E MAIL info wernick net WEB SITE www wernick net VAT No 834748304...

Page 2: ...ift 6 0 Foot Pedal Controls 6 1 Jack Inputs 1 2 3 and 4 7 6 2 Jack Inputs 5 6 and 7 6 3 Sustain 7 0 Analogue Settings 7 1 Length of Note 7 2 Sensitivity 8 8 0 Display 9 0 Introduction to Programming 9...

Page 3: ...Supply Adapter 2 x 3 metre USB A A Cable 3 metre MIDI 5 Pin DIN Connector Manual Pair of Mike Balter Custom Mallets 2 0 Setting Up your Xylosynth 1 Lift the Instrument and carry slowly to a suitable p...

Page 4: ...bance if the other end is already connected to the power source 10 If you have internal sounds plug in your headphones or line out to PA and start playing Or using the supplied MIDI lead or USB cable...

Page 5: ...are 128 Note Numbers in MIDI and these define the pitch of the sound It s like having a keyboard with 128 keys An easy reference point to remember is Middle C C4 which is MIDI Note Number 60 Tuned A 4...

Page 6: ...ment s range will be dependent on the size of your Xylosynth and the patch you are in By pressing the octave shift you can shift up or down an octave 12 notes This can be in latching mode where the sh...

Page 7: ...eprogramme these inputs to operate different functions see page 9 5 Expression Pedals 6 2 Jack Inputs 5 6 and 7 These inputs are all the same and all digital The factory setting has inputs 5 and 7 as...

Page 8: ...the acoustic contact sound minimal and to protect the sensors 8 0 Display The new Mk7 Xylosynth is using the latest technology OLED display so we can show more information to the player When you are p...

Page 9: ...link A PATCH CONTROL PATCH SONG Switch the Xylosynth between incremental patch up down control or song list control There is a shortcut between these by pressing the SAVE button to the left of the dis...

Page 10: ...s 5mins J RESTORE BACKUP Overwrites the patch settings using the back up stored settings takes 5mins K FACTORY RESET Overwrites all settings to the factory default takes 5mins PRESS EXIT AT ANY TIME T...

Page 11: ...ctave Shift buttons They are numbered 1 200 0 199 The first 128 are pre programmed and named using the 128 internal GM sounds 001 ACOUSTIC GRAND PIANO A Programme 1 128 or 0 127 Selects programme numb...

Page 12: ...it in steps of 12 H Semi tone 0 11 Offset the starting MIDI Note Number of the bottom limit in steps of 1 I Layer Type OFF dead zone the overlay area does not send MIDI messages COMB instrument will o...

Page 13: ...on M Drum Trigger Sets expression input as a drum trigger allowing the drum pad to play notes which differ in settings to the base instrument Go to Q Trigg Settings to set parameters N Sensitivity Pre...

Page 14: ...pedal controlled see Patch Settings U N sensitivity 2 You could use an expression pedal see Patch Settings U Jack Input settings L CC message 7 Channel Volume not for internal sounds Or use a volume p...

Page 15: ...ass 1 40 Synth Bass 2 Strings 41 Violin 42 Viola 43 Cello 44 Contrabass 45 Tremolo Strings 46 Pizzicato Strings 47 Orchestral Harp 48 Timpani Ensemble 49 String Ensemble 1 50 String Ensemble 2 51 Synt...

Page 16: ...nnel 10 and any program number the following sounds are played when striking different keys The numbers here refer to the note numbers where 60 is middle C 35 Bass Drum 36 Bass Drum 1 37 Side Stick 38...

Page 17: ...ttom panel Make a note of the two or 3 on a 4 5 octave types of screw so you can replace them correctly 4 Lift off bottom panel 5 Locate the key to be replaced Gently pull off the white plastic housin...

Page 18: ...eave next to a radiator Do not store vertically for long periods unless in a flight case Preferably store flat to avoid key disturbance 15 0 Physical Specifications 4 Octave Overall Length 1602mm 63 F...

Page 19: ...O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Breath Controller Pedal Control Pedal Control Portamento Pedal set within Patch Channel Volume Pedal set within Patch Stereo Bala...

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