Waves X-FDBK User Manual Download Page 10

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CHAPTER 3: HOW TO USE X-FDBK

When to Use X-FDBK

X-FDBK is designed for “ringing out” monitor or PA speakers before soundcheck. We don’t recommend using the plugin’s SETUP

function during a live show. X-FDBK has the “smarts” to differentiate between complex harmonic sounds and actual feedback.

But it cannot distinguish between, let’s say, the electric guitar feedback that guitarists love so much, and undesired feedback

from a vocal mic. If the detection engine is active during the show, X-FDBK might be triggered by sounds that you do want
people to hear.

Basic Workflow 

X-FDBK is usually inserted on the L/R Master OUT if used for FOH, and on AUX outs if used for monitors.

1. Set up the basic gain structure: Establish the proper relationship between microphone gain, aux send, channel fader,

master out, aux out, and amplifiers.

2. Set the microphone as loud as you can before the system begins to feed back.
3. Activate SETUP on X-FDBK. This activates the detection engine.
4. Boost X-FDBK’s GAIN OUT. Slowly. As you boost the volume, feedback will begin to occur at certain frequencies.
5. X-FDBK will start cutting the ringing frequencies by engaging filters.
6. Add 4-6 filters. Stop the detection engine and restore the GAIN OUT to its default position. Most likely your gain before Feedback

or Headroom will be increased by 3 to 5 dB.

7. Listen to your microphone chain and test it. From there, adjust to your liking.

You can add more filters by running SETUP again or clicking and holding the ADD button to activate the detection engine.  
This adds a single filter to the existing curve. You can manually adjust a filter’s parameters — Cut, Frequency and Q — using the +/- 
controls. You can also turn a filter On/Off or delete it altogether.

Summary of Contents for X-FDBK

Page 1: ...FEEDBACK ELIMINATOR USER GUIDE...

Page 2: ...Table of Contents Chapter 1 Introduction 3 1 1 Welcome 3 1 2 About X FDBK 3 1 3 Components 3 Chapter 2 Interface and Controls 4 2 1 Interface 4 2 2 Controls 5 Chapter 3 How to Use X FDBK 10...

Page 3: ...nnoying process It requires identifying feedback sensitive frequencies and then cutting them from the stage monitors or PA In most cases it s difficult to precisely identify an offending frequency and...

Page 4: ...ows Filter Controls 6 Filter Indicators 7 ON 8 CUT 9 FREQ 10 Q 11 NEW 12 DEL Graphs 13 Input Analyzer Curve 14 Filters Curve 15 Cursor Global 16 Q 17 AMP 18 LINK 19 GAIN Meters 20 Input meter 21 Outpu...

Page 5: ...the bottom of the frame When feedback is detected the engine will add a filter at the exact feedback frequency The filter will be added with appropriate Q and amplitude as needed to stop the feedback...

Page 6: ...t filter when adjusted with a mouse Filter Controls Filter Indicators There can be up to twenty filters Indicators will light as filters on the graph are engaged A selected filter has a yellow rim Dou...

Page 7: ...sts Q of the selected filter Click the or buttons for incremental changes or enter a value manually by double clicking the text window Range 0 5 20 Default 2 5 Steps 0 1 NEW Add a new filter manually...

Page 8: ...rols Q Adjusts the Q globally for all existing filters When not set to its default value the control will have a red rim Q will be reset to the default value every time you activate SETUP Range 0 2 10...

Page 9: ...g to control Range 24 to 24 dB Default 0 dB Steps 0 1 dB Meters Input Output meters I O meters feature peak indicators for observing the gain structure Reset the peak indicator by clicking on it Meter...

Page 10: ...ne gain aux send channel fader master out aux out and amplifiers 2 Set the microphone as loud as you can before the system begins to feed back 3 Activate SETUP on X FDBK This activates the detection e...

Page 11: ...headroom which under proper gain structure translates to around 6 filters with cuts of up to 8 dB and Q of up to 2 0 Normally these moderate settings will eliminate feedback But you are probably aski...

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