CHAPTER 5:
HOOKUP DIAGRAMS
11
In this example, a microphone is feeding into a preampfl ier, which feeds in to
the EQP-WA via a balanced XLR patch cable, which feeds in the LINE LEVEL
input of your recording interface/recorder.
Note: it is important to use a line level input on your recording
device as opposed to a microphone or instrument level input.
Preamplifi er
EQP-WA
Recording interface
HIGH FREQUENCY CONTROL
Bandwidth: this knob varies the width of the high frequency boost
from a
relatively sharp cue (aff ecting the least surrounding frequencies) to a somewhat
broader cue (aff ecting a larger area of bandwidth). A sharp cue is considered
useful for more surgical work, such as boosting or cutting a specifi c o verhead
piece or octave of an instrument; while a broader cue is more natural and
musical, for gentler tone shaping of instruments or program material.
Boost knob: This knob controls the amount of boost applied by the
high frequency boost selector, from zero (unity gain) to +18db.
Boost High Frequency Selector: This rotary switch selects
the high frequency to be boosted by the boost knob.
Cut knob: This knob controls the amount of attenuation applied by
the high frequency cut selector, from zero (unity gain) to -14db.
Cut High Frequency Selector: This rotary switch selects the
high frequency to be attenuated by the cut knob.
4
The High Frequency Control Section
To the left: Sharp cue, Bandwidth knob set to 0.
To the right: Broad cue, Bandwidth knob set to 10
ENGLISH
NOW LET’S GET STARTED
WARRANTY
TECHNICAL SPECS
A BIT OF HISTORY
WAXING PHILOSOPHICAL
HOOKUP DIAGRAMS
RECALL SHEETS
