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Please  read  the  following  instructions  regarding  setup,  as  imaging  and  bass  response  must  be 
optimized to your particular room. Since every listening room will have different dimensional ratios 
and  reflective/absorptive  coefficients,  each  setup  will  be  different.  A  thorough  break-in  must  be 
conducted in order to realize the full benefits of the VR’s transparency and imaging accuracy, and 
several experiments with placement must be undertaken.  In situations where these instructions are 
not  followed,  you  may  not  achieve  the  ultimate  sound  the  VR-4SR  Mk2  can  offer;  optimum 
performance is only attainable by using the following instructions! 
 
When unpacking the VR's, please note any hidden shipping damage. If you find damage, please notify 
the freight company who will then send an inspector. Do not discard the boxes or otherwise alter the 
contents, as the inspector will want to see the damage as you found it. Since Von Schweikert Audio 
has no control over the shipping companies or their damage claim policies, it is imperative that you 
follow  the  instructions  from  the  freight  company  agent  explicitly.  Additionally,  please  retain  all 
packing materials for later use in the event of a move. 

 

 

BREAK-IN

 

The VR-4SR Mk2’s use proprietary drivers custom made for this system; stiff suspensions were 
designed to control the cone motion and will require several hundred hours before the suspensions 
become compliant.  Since the crossover networks were designed using “aged” transducers with 300 
hours of music played at 93dB (fairly loud), you will need to play the speakers for 300 hours before 
the transducers and crossovers “work” together properly. Since the fluidity and dynamic range of the 
speaker depends on free movement, you may notice a slight “brightness” in the midrange/treble area 
and mechanical “heaviness” in the bass for the first 100 hours. The sound engineered into the VR's 
will take approximately 100-300 hours to achieve, so we recommend that you not make a critical 
judgment of their sound until break-in is accomplished.  
 
Break-in is best done by playing loud rock or jazz music for several days straight. We suggest placing 
the speakers face to face, with one speaker system wired out of phase. Quilts may be placed over the 
speakers to reduce the radiated sound. This trick will cancel a lot of the sound that may disturb others. 
However,  please  make  sure  that  you  are  not  driving  the  amplifier  into  clipping  or  distorting the 
speaker, since sustained high volume playback at clipping will burn the speaker’s voice coils.  Make 
sure that you set the volume level 

before

 putting one of the speakers out-of-phase and installing the 

quilts. Note that low powered amplifiers will burn the voice coils much faster than high powered 
amps due to the onset of early clipping in low powered amplifiers. Use caution when breaking in your 
new speakers; clipping is easy to hear and sounds metallic, harsh, or “buzzy.”  If you get to this point, 
you’ll need to turn down the volume a couple of notches to avoid burning the voice coils. If you 
choose not to break in the speakers before setting them up, note that it may take several months or 
longer to break the speakers in if only quiet music is played at background levels. Classical music 
played quietly does not contain enough bass or dynamics (in most cases) to do a proper job, so we 
suggest using a CD player on repeat, using a loud rock album as the source. If you have a “clean” 
amplifier with 100-200 watts of power, you will be able to play the VR-4SR Mk2's loudly over a long 
period of time without damaging the voice coils. 

 

Summary of Contents for VR-4SR Mk2

Page 1: ... IO O W WO OR RL LD D C CL LA AS SS S S SP PE EA AK KE ER R S SY YS ST TE EM MS S F FO OR R A AU UD DI IO O A AN ND D H HO OM ME E T TH HE EA AT TE ER R V VR R 4 4S SR R M MK K2 2 I IN NS ST TR RU UC CT TI IO ON N M MA AN NU UA AL L Released October 2007 ...

Page 2: ...ser performer and producer s intent In order to fully benefit from the VR 4SR Mk2 s powerful magic please read the following instructions thoroughly Although the VR series may appear to be conventional speakers they have been designed to work with the listening room Being a Room Interactive design there are certain setup procedures which must be followed The VR series are engineered to replicate t...

Page 3: ...the speaker depends on free movement you may notice a slight brightness in the midrange treble area and mechanical heaviness in the bass for the first 100 hours The sound engineered into the VR s will take approximately 100 300 hours to achieve so we recommend that you not make a critical judgment of their sound until break in is accomplished Break in is best done by playing loud rock or jazz musi...

Page 4: ...ecessary for realistic sound reproduction ROOM CONFIGURATIONS If you have a room with fairly rectangular dimensions you can place the speakers on either the long or short wall If your room is cubic you will have far better results placing the speakers diagonally See next section ON LONG WALL Placing the speakers on the long wall enables you to achieve a very large and wide sound stage In fact usin...

Page 5: ...sure but may be necessary if you wish to achieve the ultimate in accurate frequency response Diagonal placement will prevent a portion of the standing wave energy from boosting certain frequencies since the reflection patterns are broken up in this configuration The distance to each side wall is critical and experimentation will be required with placement of not only the speakers themselves but al...

Page 6: ...midrange and treble frequencies due to three connections in the signal path instead of just one BI WIRING Using two separate pairs of speaker wires to deliver the signal to the woofer and midrange tweeter modules will result in superior image depth cleaner upper midrange treble and a larger sound stage These benefits are due to the isolation of the powerful bass signals from the more delicate treb...

Page 7: ...e have tried almost thirty different brands and types of speaker cables we can only give general recommendations due to the fact that the driving amplifier has as much to do with the type of desired wire as the speakers Since there are hundreds if not thousands of available amp wire combinations we are not in the position of having heard all of these combinations However in general stranded wire u...

Page 8: ...undary surfaces such as wood plaster glass and so forth Since the VR 4SR Mk2 s are quasi omnidirectional transducers designed to be the inverse of the recording microphone their sound output will react with the listening room in a positive manner only if properly placed There are two components of sound which reach the listener s ears 1 The direct arrival or initial wavelaunch of the speaker itsel...

Page 9: ...r image focus PINK NOISE LISTENING TEST Play a pink noise source such as a CD with test tones or an FM tuner set between stations with muting turned off The goal of this test is to determine whether the room s reflection patterns are interfering with the image focus built into the VR 4SR Mk2 design You will notice one of two sonic effects when listening to pink noise and 1 is what you want 1 If th...

Page 10: ...it since the image lock in is very obvious The pink noise will become a very strong ball of sound floating in between the speakers Keep moving the speakers until you hear this ball of sound As you move the speakers either closer together or further apart and experiment with toe in you will hear changes that enable you to know if you are headed in the right direction It isn t really difficult it s ...

Page 11: ...in the form of acoustic foam and Dacron fill must be compensated in both the driver design and the cabinet tuning alignment All VR Series use custom designed drivers with very high magnetic damping low Qes and stiff suspensions high Qms The tuning ratio is derived from a proprietary over damped Theile Small alignment with a total Q of less than 0 6 while the woofers themselves have a total Q below...

Page 12: ...ponse occurs when both the speakers and listener are at opposing ends of the room directly against the wall surfaces Since against the wall placement is not a prime location for soundstage openness and imaging focus we recommend placing the speakers out into the room at least 12 from the back wall to start Then playing a repeating bass line walk around the room in the general vicinity of the inten...

Page 13: ...ze However using silver cables will also tighten the bass The best possible bass response is obtained from high current solid state amplifiers making bi amping the ideal choice for the critical audiophile who wishes to have the best sound in every part of the frequency range See the section above regarding bi amping LACK OF APPARENT BASS In some rooms especially those with soft walls such as wallb...

Page 14: ... if you find that you need specialized help either in acoustical or electronic interactions not well understood by your dealer please don t hesitate to contact the factory by emailing your request to albert vonschweikert com A qualified engineer will assist you with any problems you are experiencing in achieving world class sound BRIGHTNESS A very common problem is brightness and is wrongly attrib...

Page 15: ... and the speaker cabinets This includes the ceiling walls and floor Hard plaster ceilings will reflect treble energy back down towards the listener and should be treated with acoustic tiles the soft and porous type or damping pads made from foam or fiberglass The walls can have a decorator rug drapes or diffusers at the first reflection point and the floor can use carpeting We have used artificial...

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