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CARPETED FLOORS

:  Install the spikes after break in – this is easily accomplished with two people, 

one tipping the speaker back while the other installs the spikes. 

Be careful not to let the M/T unit fall 

off the woofer module!  If one person installs the spikes, remove the M/T modules before attempting 
to install the spikes.

  Make sure that you level the speakers so they don’t rock, and use the locking 

nuts to make sure the spikes won’t vibrate loose. You will be amazed at the improvement to both the 
bass response and the image focus after installation of the spikes. 

 

WIRING

 

The VR-5 system was designed to accept bi-wire speaker cables, so you will find two pairs of binding 
posts on the back of each speaker system: one pair on the woofer module and another pair on the 
midrange/tweeter module. See below for information on what bi-wiring can do for you. 
 
SINGLE CABLE: 
Connect the speaker cable to the binding posts 

on the upper midrange/tweeter unit,

 then connect a 

“jumper” wire

 

to deliver the signal

 

downwards to the woofer module.  You can have a jumper wire 

constructed  from  the  same  type  and  brand  of  speaker  cable  that  you  are  using,  contact  the 
manufacturer of the cable.  If this is not an option, then use a piece of high quality speaker cable to 
connect the binding posts together, using the bare wire ends inserted into holes in the side posts of the 
binding posts.  If you wish, you can solder banana plugs onto the jumper wires for a cleaner fit. 
 
NOTE:  we recommend using this only as a temporary solution, as we designed the speakers expressly 
for bi-wiring. 

DO NOT connect the main speaker cable to the woofer module, as you will be able to 

hear a loss of clarity in the midrange and treble frequencies due to extra  connections in the signal 
path and the effects of the jumper wire. 

 
BI-WIRING:  This is the recommended wiring mode and VSA now offers speaker cables designed 
expressly for bi-wiring our speaker systems.  Please email for information and prices. 
 
THEORY OF BI-WIRING: 
Using two separate pairs of speaker wires to deliver the signal to the woofer and midrange/tweeter 
modules will result in superior image depth, cleaner upper midrange/treble, and a larger sound stage. 
These benefits are due to the isolation of the powerful bass signals from the more delicate treble 
frequencies as the signal travels up the speaker cables. Since there is generally ten times more voltage 
present in the bass signal, the generation of a magnetic field in the positive and negative conductors 
will interfere with the more delicate treble signals. This magnetic modulation is easy to hear on a high 
resolution speaker like the VR-5 Anniversary but may not be as audible on lesser speakers. Using two 
separate conduction paths will enable the bass frequencies to be separated from the treble frequencies 
due to the high impedance “seen” by the signals due to the internal crossover networks. In other 
words, since there is a “high impedance” (to low frequencies) in the midrange/tweeter crossover, bass 
frequencies WILL NOT travel from the amplifier up to the midrange/tweeter unit, even though both 
speaker cables are connected to the same binding posts on the amplifier! The opposite effect occurs in 
the woofer cables, where no midrange/tweeter frequencies will travel due to the high impedance 
“seen” as the result of the woofer crossover.  Crossover filters work due to the reactances supplied by 
the inductors and capacitors; inductors generate a “high impedance” to midrange/treble frequencies 

Summary of Contents for ANNIVERSARY VR-5

Page 1: ...O OR RL LD D C CL LA AS SS S S SP PE EA AK KE ER R S SY YS ST TE EM MS S F FO OR R A AU UD DI IO O A AN ND D H HO OM ME E T TH HE EA AT TE ER R V VR R 5 5 A AN NN NI IV VE ER RS SA AR RY Y I IN NS ST TR RU UC CT TI IO ON N M MA AN NU UA AL L Released October 2007 ...

Page 2: ...r s intent In order to fully benefit from the VR 5 s powerful magic please read the following instructions thoroughly Although the VR series may appear to be conventional speakers they have been designed to work with the listening room Being a Room Interactive design there are certain setup procedures which must be followed The VR series are engineered to replicate the recording microphone s signa...

Page 3: ... the dynamic range of the speaker depends on free movement you may notice a slight brightness in the midrange treble area and mechanical heaviness or even perhaps lean bass for the first 100 hours The sound engineered into the VR s will take approximately 200 300 hours to achieve so we recommend that you not make a critical judgment of their sound until break in is accomplished Break in is best do...

Page 4: ...ese two considerations as both are necessary for realistic sound reproduction ROOM CONFIGURATIONS If you have a room with fairly rectangular dimensions you can place the speakers on either the long or short wall If your room is cubic you will have far better results placing the speakers diagonally See next section ON LONG WALL Placing the speakers on the long wall enables you to achieve a very lar...

Page 5: ...ure but may be necessary if you wish to achieve the ultimate in accurate frequency response Diagonal placement will prevent a portion of the standing wave energy from boosting certain frequencies since the reflection patterns are broken up in this configuration The distance to each side wall is critical and experimentation will be required with placement of not only the speakers themselves but als...

Page 6: ...le to hear a loss of clarity in the midrange and treble frequencies due to extra connections in the signal path and the effects of the jumper wire BI WIRING This is the recommended wiring mode and VSA now offers speaker cables designed expressly for bi wiring our speaker systems Please email for information and prices THEORY OF BI WIRING Using two separate pairs of speaker wires to deliver the sig...

Page 7: ... still continue to work Although it is true that louder treble output can be obtained byhigh pass filtering the tube amp the loss of transparency is usually not worth it The clean volume obtainable without a high pass crossover will be usually satisfying for anyone but a metal head You will need a preamp that has twin outputs but if you have only one set use high quality Y jacks available from you...

Page 8: ...ng to the distances involved from the speaker to the boundaries then back to the listener It is important for the reflected sound field to integrate properlywith the initial wave launch since out of phase reflections will interfere with both flat frequency response and image focus It is not difficult to determine where the best placement will be in any given room since you will be using a pink noi...

Page 9: ...s the center image will be strong this is the so called phantom center image The sound from the speakers themselves will seem slightly detached from the pink noise ball and slightly softer in volume level The center ball of sound will be very strong and you will be able to detect that the ball of sound is round with depth to the image This is a locked in image with correct focus 2 If you are not s...

Page 10: ...n Of course experimenting with several types of placement schemes is valuable for it will teach you how the speakers interact with your particular room Only by careful experimentation will you find that magic sweet spot for your new VR 5 Anniversary system REAR AMBIENCE DRIVER ADJUSTMENT The VR design has a rear firing ambience driver which adds depth enhancement and 360 degree timbre fill in When...

Page 11: ... and the cabinet tuning alignment All VR Series use custom designed drivers with very high magnetic damping low Qes and stiff suspensions high Qms The tuning ratio is derived from a proprietary over damped Theile Small alignment with a total Q of less than 0 6 while the woofers themselves have a total Q below 0 3 By using an over damped alignment maximum tightness is assured due to oversized magne...

Page 12: ...we recommend placing the speakers out into the room at least 12 from the back wall to start Then playing a repeating bass line walk around the room in the general vicinity of the intended listening position If you find that the smoothest bass response does not occur where you would like to place the listening seat you can use the Law of Reciprocity to find the optimum spot The physics of bass resp...

Page 13: ...arent bass It will be necessary in some cases to reposition the speakers in order to allow the room to boost the bass by using the natural gain of the boundary reflections Simply move the speakers closer to the rear wall or side wall in small increments until the bass sounds right ANCILLARY EQUIPMENT The VR 5 Anniversary is far more transparent than any other competing design including electrostat...

Page 14: ...dealer for cleaners 8 Cold Equipment The entire system must be left on excluding tube amplifiers continuously for best sound quality Cold equipment especially transistor preamps and DAC s sound thin sterile and lack depth and dimensionality Cold transistor amplifiers sound harsh lacking depth Most experts recommend leaving the equipment on to avoid the damage associated with cold turn on since the...

Page 15: ...n on room treatment If your budget allows contact us to design your listening room Our company designs recording studios concert halls and home listening rooms to professional standards Many audiophiles who continue to change components looking for that elusive sound of live music have not adequately addressed their listening rooms Please optimize your room before making a judgment call on the sou...

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