VocoPro STUDIO-C1 Owner'S Manual Download Page 5

Listening For A Lifetime

Selecting fine audio equipment such as the unit you've just purchased is only the start of your musical enjoyment. Now it's 

time to consider how you can maximize the fun and excitement your equipment offers. VocoPro and the Electronic 

Industries Association's Consumer Electronics Group want you to get the most out of your equipment by playing it at a 

safe level. One that lets the sound come through loud and clear without annoying blaring or distortion and, most 

importantly, without affecting your sensitive hearing.

Sound can be deceiving. Over time your hearing 'comfort level' adapts to a higher volume of sound. So what sounds 

'normal' can actually be loud and harmful to your hearing. Guard against this by setting your equipment at a safe level 

BEFORE your hearing adapts.

To establish a safe level:

• Start your volume control at a low setting.

• Slowly increase the sound until you can hear it comfortably and clearly, and without 

distortion.

Once you have established a comfortable sound level:

• Set the dial and leave it there.

• Pay attention to the different levels in various recordings.

Taking a minute to do this now will help to prevent hearing damage or loss in the future. After all, we want you listening for 

a lifetime.

Used wisely, your new sound equipment will provide a lifetime of fun and enjoyment. Since hearing damage from loud 

noise is often undetectable until it is too late, this manufacturer and the Electronic Industries Association's Consumer 

Electronics Group recommend you avoid prolonged exposure to excessive noise. This list of sound levels is included for 

your protection.

Some common decibel ranges:

Level

30
40
50
60
70
80

Example

Quiet library, Soft whispers      
Living room, Refrigerator, Bedroom away from traffic
Light traffic, Normal Conversation
Air Conditioner at 20 ft., Sewing machine
Vacuum cleaner, Hair dryer, Noisy Restaurant
Average city traffic, Garbage disposals, Alarm clock at 2 ft.

The following noises can be dangerous under constant exposure:

Level

90

100
120
140
180

Example

Subway, Motorcycle, Truck traffic, Lawn Mower 
Garbage truck, Chainsaw, Pneumatics drill
Rock band concert in front of speakers
Gunshot blast, Jet plane
Rocket launching pad

-Information courtesy of the Deafness Research Foundation

4

Summary of Contents for STUDIO-C1

Page 1: ...nt Transducer Element Hardened Steel Protective Grill Uni directional Polar Pattern Sensitivity 33dB 2dB Operational Frequency Response Range of 20Hz 20kHz Load Impedance of 1000O Maximum Input SPL of 135dB at 1kHz 1 THD S N Ratio of 78dB Self Noise 16dB A Includes Custom Carrying Case 48V Phantom Power Adapter Kit Shock Mount Kit O F F O N S T U D I O C 1 ...

Page 2: ...r other appliances including amplifiers that produce heat 10 Power Sources The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance 11 Grounding or Polarization Precautions should be taken so that the grounding or polarization means of an appliance is not defeated 12 Power Cord Protection Power supply cords should be...

Page 3: ... 1728 Curtiss Court La Verne CA 91750 Toll Free 800 678 5348 TEL 909 593 8893 FAX 909 593 8890 VocoPro Company Email Directory Customer Service General Information info vocopro com Tech Support techsupport vocopro com Remember Our Website Be sure to visit the VocoPro website www vocopro com for the latest information on new products packages and promos And while you re there don t forget to check ...

Page 4: ...kers 9 Microphone Basics Specifications ELEMENT PRESSURE GRADIENT TRANSDUCER POLAR PATTERN UNI DIRECTIONAL FREQUENCY 20HZ 20KHZ SENSITIVITY 33dB 2dB 0dB 1V PA AT 1KHZ OUTPUT IMPEDANCE 200 30 AT 1KHZ LOAD IMPEDANCE 1000 SELF NOISE 16dB A MAX INPUT S P L 135dB AT 1KHZ 1 THD S N RATIO 78dB OPERATING VOLTAGE DC 48V PHANTOM 5V Microphone 8 Unpacking 5 Getting Connected Shock Mount Assembly 6 48V Phanto...

Page 5: ...ial and leave it there Pay attention to the different levels in various recordings Taking a minute to do this now will help to prevent hearing damage or loss in the future After all we want you listening for a lifetime Used wisely your new sound equipment will provide a lifetime of fun and enjoyment Since hearing damage from loud noise is often undetectable until it is too late this manufacturer a...

Page 6: ...ke sure that you have all of the box contents located and ready It is also recommended to keep the original packaging material in the case that re shipping is necessary You should have received the following accessories with your new STUDIO C1 5 Parts 1 XLR to 1 4 Microphone Cable 1 XLR M to XLR F Cable 1 Windscreen 2 Elastic Tension Bands 1 Shock Mount 1 AC Power Cable 1 STUDIO C1 Condenser Micro...

Page 7: ...ure proper suspension Once one of the elastic tension bands detaches from just one hook not only does shock mount become imbalanced but it also increases the likelihood that other hook attachments are soon to detach Connecting the 48V Phantom Power Adapter All condenser microphones utilize a capacitor that requires an external power feed to function While some condenser mics utilize a battery powe...

Page 8: ...ing the tips below If your standard or boom style mic stand has an adjustable upper tube loosen that tubes tension device and while aligned with the mic connector turn the tube instead of the shock mount to thread the two together to minimize movement to the shock mount When feasible always extend a stands support legs if present to their widest range for optimal stability especially with a boom s...

Page 9: ...d mostly in the 100Hz range by 6dB to 10dB Simply out when a sound source is less than a from the microphone the sound will be boosted with a stronger and richer bass tone than if the sound source was farther away from the microphone While the proximity effect can intentionally be used as an advantage to enhance ones voice it can also unintentionally be used as a disadvantage by mudding up ones vo...

Page 10: ... frequency bands in which the feedback occurs Microphone Placement and Tone Quality Lead and Backup Vocals When singing lead or backup vocals it is recommended for the lips to be less than 3 from the microphone It is also common to be very close to even touching a microphone s windscreen on an axis Doing this creates a robust sound emphasizes bass and provides maximum isolation from other sources ...

Page 11: ...C Vocopro 2004 V 1 0 WWW VOCOPRO COM ...

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