manualshive.com logo in svg

VocoPro DTX-9909K, User Manual

Share
Download
VocoPro DTX-9909K User Manual Download Page 6

3AFETY)NSTRUCTIONS

#!54)/.

2)3+/&3(/#+

%#76+106QTGFWEGVJGTKUMQHGNGEVTKEUJQEM

FQPQVTGOQXGEQXGTQTDCEM0QWUGT

UGTXKEGCDNGRCTVUKPUKFG1PN[TGHGTUGTXKEKPIVQ

SWCNKHKGFUGTXKEGRGTUQPPGN

7!2.).'

6QTGFWEGVJGTKUMQHHKTGQTGNGEVTKEUJQEMFQ
PQVGZRQUGVJKUWPKVVQTCKPQTOQKUVWTG

%XPLANATIONOF'RAPHICAL3YMBOLS

6JGNKIJVPKPIHNCUJCTTQYJGCF

U[ODQNYKVJKPCPGSWKNCVGTCNVTKCPING

KUKPVGPFGFVQCNGTV[QWVQVJG

RTGUGPEGQHFCPIGT

6JGGZENCOCVKQPRQKPVYKVJKPCP

GSWKNCVGTCNVTKCPINGKUKPVGPFGFVQCNGTV

[QWVQVJGRTGUGPEGQHKORQTVCPV

QRGTCVKPICPFUGTXKEKPIKPUVTWEVKQPU

2EAD)NSTRUCTIONS

#NNVJGUCHGV[CPFQRGTCVKPI

KPUVTWEVKQPUUJQWNFDGTGCFDGHQTGVJGCRRNKCPEGKU

QRGTCVGF

2ETAIN)NSTRUCTIONS

6JGUCHGV[CPFQRGTCVKPI

KPUVTWEVKQPUUJQWNFDGTGVCKPGFHQTHWVWTGTGHGTGPEG

(EED7ARNINGS

#NNYCTPKPIUQPVJGCRRNKCPEGCPFKP

VJGQRGTCVKPIKPUVTWEVKQPUUJQWNFDGCFJGTGFVQ

&OLLOW)NSTRUCTIONS

#NNQRGTCVKPICPFWUG

KPUVTWEVKQPUUJQWNFDGHQNNQYGF

!TTACHMENTS

&QPQVWUGCVVCEJOGPVUPQV

TGEQOOGPFGFD[VJGRTQFWEVOCPWHCEVWTGTCUVJG[OC[

ECWUGJC\CTFU

7ATERAND-OISTURE

&QPQVWUGVJKUWPKVPGCTYCVGT

(QTGZCORNGPGCTCDCVJVWDQTKPCYGVDCUGOGPVCPF

VJGNKMG

#ARTSAND3TANDS

6JGCRRNKCPEGUJQWNFDGWUGF

QPN[YKVJCECTVQTUVCPFVJCVKUTGEQOOGPFGFD[VJG

OCPWHCEVWTGT

!

#PCRRNKCPEGCPFECTVEQODKPCVKQP

UJQWNFDGOQXGFYKVJECTG3WKEMUVQRU

GZEGUUKXGHQTEGCPFWPGXGPUWTHCEGUOC[

ECWUGCPQXGTVWTP

6ENTILATION

6JGCRRNKCPEGUJQWNFDGUKVWCVGFUQKVU

NQECVKQPFQGUPQVKPVGTHGTGYKVJKVURTQRGTXGPVKNCVKQP(QT

GZCORNGVJGCRRNKCPEGUJQWNFPQVDGUKVWCVGFQPCDGF

UQHCTWIQTUKOKNCTUWTHCEGVJCVOC[DNQEMVJG

XGPVKNCVKQPUNQVU

(EAT

6JGCRRNKCPEGUJQWNFDGUKVWCVGFCYC[HTQO

JGCVUQWTEGUUWEJCUTCFKCVQTUJGCVTGIKUVGTU

UVQXGUQTQVJGTCRRNKCPEGUKPENWFKPICORNKHKGTU

VJCVRTQFWEGJGCV

0OWER3OURCES

6JGCRRNKCPEGUJQWNFDG

EQPPGEVGFVQCRQYGTUWRRN[QPN[QHVJGV[RGFGUETKDGF

KPVJGQRGTCVKPIKPUVTWEVKQPUQTCUOCTMGFQPVJG

CRRNKCPEG

'ROUNDINGOR0OLARIZATION

Ō2TGECWVKQPUUJQWNFDG

VCMGPUQVJCVVJGITQWPFKPIQTRQNCTK\CVKQPOGCPUQH

CPCRRNKCPEGKUPQVFGHGCVGF

0OWER#ORD0ROTECTION

Ō2QYGTUWRRN[EQTFU

UJQWNFDGTQWVGFUQVJCVVJG[CTGPQVNKMGN[VQDGYCNMGF

QPQTRKPEJGFD[KVGOURNCEGFWRQPQTCICKPUVVJGO

RC[KPIRCTVKEWNCTCVVGPVKQPVQEQTFUCVRNWIU

EQPXGPKGPEGTGEGRVCENGUCPFVJGRQKPVYJGTGVJG[GZKV

HTQOVJGCRRNKCPEG

#LEANING

Ō7PRNWIVJKUWPKVHTQOVJGYCNNQWVNGV

DGHQTGENGCPKPI&QPQVWUGNKSWKFENGCPGTUQT

CGTQUQNENGCPGTU7UGCFCORENQVJHQTENGCPKPI

0OWERLINES

Ō#PQWVFQQTCPVGPPCUJQWNFDG

NQECVGFCYC[HTQORQYGTNKPGU

.ONUSE0ERIODS

Ō6JGRQYGTEQTFQHVJGCRRNKCPEG

UJQWNFDGWPRNWIIGFHTQOVJGQWVNGVYJGPNGHVWPWUGF

HQTCNQPIRGTKQFQHVKOG

/BJECTAND,IQUID%NTRY

Ō%CTGUJQWNFDGVCMGPUQ

VJCVQDLGEVUFQPQVHCNNCPFNKSWKFUCTGPQVURKNNGFKPVQVJG

GPENQUWTGVJTQWIJQRGPKPIU

$AMAGE2EQUIRING3ERVICE

Ō6JGCRRNKCPEGUJQWNF

DGUGTXKEGFD[SWCNKHKGFUGTXKEGRGTUQPPGNYJGP

#6JGRQYGTUWRRN[EQTFQTRNWIJCUDGGPFCOCIGFQT

$1DLGEVUJCXGHCNNGPKPVQVJGCRRNKCPEGQT

%6JGCRRNKCPEGJCUDGGPGZRQUGFVQTCKPQT

&6JGCRRNKCPEGFQGUPQVCRRGCTVQQRGTCVGPQTOCNN[

QTGZJKDKVUCOCTMGFEJCPIGKPRGTHQTOCPEGQT

'6JGCRRNKCPEGJCUDGGPFTQRRGFQTVJGGPENQUWTG

FCOCIGF

3ERVICING

Ō6JGWUGTUJQWNFPQVCVVGORVVQUGTXKEG

VJGCRRNKCPEGDG[QPFVJCVFGUETKDGFKPVJGQRGTCVKPI

KPUVTWEVKQPU#NNQVJGTUGTXKEKPIUJQWNFDGTGHGTTGFVQ

SWCNKHKGFUGTXKEGRGTUQPPGN

.OTE

6Q%#68U[UVGOKPUVCNNGTŏU75#6JKUTGOKPFGTKU

RTQXKFGFVQECNNVJG%#68U[UVGOKPUVCNNGTŏUCVVGPVKQPVQ

#TVKENGQHVJG0'%VJCVRTQXKFGUIWKFGNKPGUHQT

RTQRGTITQWPFKPICPFKPRCTVKEWNCTURGEKHKGUVJCVVJG

ECDNGITQWPFUJCNNDGEQPPGEVGFCUENQUGVQVJGRQKPVQH

ECDNGGPVT[CURTCEVKECN

Summary of Contents for DTX-9909K

Page 1: ...O W N E R g S M A N U A L 4 3 2g3 5 4 4 5 3 48 48 7 8 3URROUND 3OUND 2ECEIVER WITH 0ROFESSIONAL ARAOKE ND 3OUND 2ECEIVER WITH 0ROFESSIONAL ARAOKE 30 0ROCESSING 30 0ROCESSING...

Page 2: ......

Page 3: ...ETTING ONNECTED 3PEAKERS NPUTS ICROPHONES EADPHONES ESCRIPTIONS AND UNCTIONS RONT 0ANEL 2EAR 0ANEL 2EMOTE ONTROL ISPLAY Y ASIC UNCTIONS 4UNER PERATIONS 3PEAKER 3ETTINGS ENU ARAOKE ODE 2EFERENCE 3URRO...

Page 4: ...JG HKPGUV RGTHQTOCPEG RNGCUG TGCF VJKU OCPWCN ECTGHWNN GGR KV KP C UCHG RNCEG HQT HWVWTG TGHGTGPEG PUVCNN QWT WPKV KP C EQQN FT ENGCP RNCEG CYC HTQO YKPFQYU JGCV UQWTEGU CPF VQQ OWEJ XKDTCVKQP FWUV OQ...

Page 5: ...RXQG OHYHO 6HW WKH GLDO DQG OHDYH LW WKHUH 3D DWWHQWLRQ WR WKH GLIIHUHQW OHYHOV LQ YDULRXV UHFRUGLQJV 7DNLQJ D PLQXWH WR GR WKLV QRZ ZLOO KHOS WR SUHYHQW KHDULQJ GDPDJH RU ORVV LQ WKH IXWXUH IWHU DOO...

Page 6: ...T QVJGT CRRNKCPEGU KPENWFKPI CORNKHKGTU VJCV RTQFWEG JGCV 0OWER 3OURCES 6JG CRRNKCPEG UJQWNF DG EQPPGEVGF VQ C RQYGT UWRRN QPN QH VJG V RG FGUETKDGF KP VJG QRGTCVKPI KPUVTWEVKQPU QT CU OCTMGF QP VJG C...

Page 7: ...3 3 423 1 2 3 2 3 6 5 423 1 2 15 3 24 13 1 22 2 1 8 3 22 23 8 4 6 3 8 41 2 5 1 5 2 3 3 1 3 1 8 4 6 413 22 413 1 3 3 0 1 5 1 0 3 24 13 5 1 1 41 2 3 241 3 5 2 3 3 1 6 2 3 222 1 1 3 3 23 1 3 6 1 4 32 2 1...

Page 8: ...ODER s HANNEL 3TEREO ODE s HANNEL 3TEREO YPASS ODE s 30 MODES HURCH ISCO ALL AZZ IVE 3TADIUM AND 4HEATER ONNECTIONS s 3TEREO 2 2 s IGITAL OAXIAL s IGITAL PTICAL 6 i s 2 6IDEO s 3 6IDEO s OMPONENT 6IDE...

Page 9: ...3 96 6 9 6 6 9 6 4 4 6 8 3 96 6 9 6 6 9 6 6 9 6 9 6 5 6 6 9 7 7 7 6 6 6 f f 6 9 77 5 8 8 3 26 9 6 96 6 3 6 9 6 5 2 0 7 7 5 f 2 7 8 0 7 7 5 7 0 7 7 6 7 7 8 8 7 7 0 f f 2 0 7 7 6 7 7 8 8 8 7 0 2 4 37 7...

Page 10: ...0 0 3 0 5 0 0 0 5 1 10 10 10 10 5 0 0 1 4 0 0 5 5 1 1 4 0 0 5 5 5 1 4 5 5 5 0 0 2 04 5 5 1 5 0 5 5 5 0 0 5 5 5 1 10 10 5 5 0 0 0 5 5 1 4 5...

Page 11: ...EANS THAT THE BATTERIES ARE LOW AND MUST BE CHANGED 2EPLACE BOTH BATTERIES WITH NEW ONES ATTERY OTES s 5SE BATTERIES s E SURE THE POLARITIES ARE CORRECT 3EE THE ILLUSTRA TION INSIDE THE BATTERY COMPAR...

Page 12: ...MPEDANCE SWITCH IS LOCATED ON THE REAR PANEL 0 3 4 6 Z 6 Z 8 7 4 3 5 4 37 4 6 4 MPEDANCE 3WITCH s EFORE CONNECTING THE SPEAKERS MAKE SURE THAT THE 48 IS DISCONNECTED FROM THE POWER SOURCE s O NOT LET...

Page 13: ...STRIPES GROOVES RIDGES ETC CABLE TO THE h v BLACK TERMINAL ON THE SPEAKER SPEAKER WIRES 48 CONNECTORS iV i i i i ONNECT A PAIR OF FRONT POSITIONED SPEAKERS TO THE h v AND h v 2 4 TERMINALS ON THE REA...

Page 14: ...MENT SETUPS THAT HAVE DIFFERENT THINGS PLAYING IN DIFFERENT ROOMS AT THE SAME TIME 4 ONE DOES NOT INCLUDE ANY OF THE DIGITAL INPUT CHANNELS OPTICAL COAXIAL SURROUND SOUND 4HE 2 RED AND WHITE 2 02 OUTP...

Page 15: ...UT THE TYPE OF VIDEO SIGNAL RECEIVED FROM THE CORRESPONDING INPUT IT DOES NOT CONVERT A LESSER SIGNAL TO A GREATER SIGNAL T IS RECOMMEND ED YOU USE THE SAME TYPE OF VIDEO OUTPUT CONNECTION USED ON THE...

Page 16: ...T s 2 VIDEO CABLE YELLOW ONNECT ONE END OF THE 2 VIDEO CABLE TO THE 2 VIDEO 54 JACK ON THE 48 REAR PANEL ONNECT THE OTHER END OF THE 2 VIDEO CABLE TO THE 2 VIDEO INPUT ON THE 46 6IDEO MONITOR AKE SURE...

Page 17: ...SURE THE CORRECT ONE IS SELECTED i iV i V iV V i i 0RESS THE 054 BUTTON ON THE 48 FRONT PANEL UNTIL THE CORRECT INPUT CHANNEL IS DISPLAYED ON THE SCREEN i i 0RESS THE CORRESPONDING INPUT BUTTON ON TH...

Page 18: ...ON THE 48 4 OF THE 6 INPUT CHANNELS HAVE OM PONENT VIDEO INPUTS 6 58 AND 58 SO MAKE SURE THE CORRECT ONE IS SELECTED i iV i V iV V i i 0RESS THE 054 BUTTON ON THE 48 FRONT PANEL UNTIL THE CORRECT INP...

Page 19: ...APE PLAYER i iV i V iV V i i 0RESS THE 054 BUTTON ON THE 48 FRONT PANEL UNTIL THE CORRECT INPUT CHANNEL IS DISPLAYED ON THE SCREEN i i 0RESS THE CORRESPONDING INPUT BUTTON ON THE REMOTE CONTROL TO ACC...

Page 20: ...IN MOST HOME THEATER AND SET UPS iV i V 4HERE ARE IGITAL PTICAL AUDIO INPUTS ON THE 48 4 REAR PANEL 04 AND 04 7HAT YOU WILL NEED s 0LAYER WITH A IGITAL PTICAL OUTPUT s IGITAL PTICAL CABLE ONNECT ONE...

Page 21: ...LAYER S AUDIO TO THE 8 INPUT MAKE SURE THAT PLAYER S VIDEO IS CONNECTED TO ONE OF THE VIDEO INPUTS ON THE 6 INPUT CHANNEL 8 18 7HEN CONNECTING A PLAYER S AUDIO TO THE 8 INPUT MAKE SURE THAT PLAYER S V...

Page 22: ...PHONES WITH A v JACK ONNECT THE v HEADPHONE CABLE TO THE HEADPHONE INPUT JACK ON THE 48 FRONT PANEL i i i s O NOT PLAY THE HEADSET AT A HIGH VOLUME EARING EXPERTS ADVISE AGAINST CONTINUOUS EXTENDED PL...

Page 23: ...A CHANNEL SOURCE SUCH AS A 6 2 PLAYER ETC N ARAOKE ODE USE THIS BUTTON TO LOWER THE KEY OF THE DISC MUSIC L i i V i 4HE 48 AUTOMATICALLY ENTERS ARAOKE ODE WHEN A MICROPHONE IS CONNECTED TO EITHER OF T...

Page 24: ...T LEFT RIGHT ENTER 3 32 SIDE LEFT SIDE RIGHT CENTER 2 LEFT RIGHT AND CENTER 4 WHEN USING EITHER THE CHANNEL OR IC HANNEL MODES YOU MUST HAVE SPEAKERS CONNECTED TO THE RED BLACK SURROUND SPEAKER OUTPUT...

Page 25: ...SE BUTTONS TO SELECT DIFFERENT PRESET VOCAL TONE AND EFFECT CONFIGURATIONS L i i V i 4HE 48 AUTOMATICALLY ENTERS ARAOKE ODE WHEN A MICROPHONE IS CONNECTED TO EITHER OF THE MICROPHONE INPUTS ON THE FRO...

Page 26: ...T THAT IS ON THE 58 INPUT CHANNEL 6 i 6 2 VIDEO INPUT FOR THE 46 INPUT CHANNEL ONNECT HERE USING AN 2 VIDEO YELLOW CABLE 4 F A PLAYER S VIDEO IS CONNECTED TO THIS INPUT MAKE SURE ITS AUDIO IS CONNECTE...

Page 27: ...EO IS CONNECTED TO THIS INPUT MAKE SURE ITS AUDIO IS CONNECTED TO AN AUDIO INPUT THAT IS ON THE 58 INPUT CHANNEL 18 i 6 i 9 L L OMPONENT 6IDEO INPUT FOR THE 58 INPUT CHANNEL ONNECT TO A 46 WITH OMPONE...

Page 28: ...TS VIDEO IS CONNECTED TO A VIDEO INPUT 2 3 6IDEO OR OMPONENT THAT IS ON THE 58 INPUT CHANNEL 18 i i 3TEREO 2 INPUTS FOR THE 58 INPUT CHANNEL ONNECT HERE USING STEREO 2 AUDIO RED WHITE CABLES 7HEN USIN...

Page 29: ...TO THE 04 INPUT CHANNEL 4 F A PLAYER S AUDIO IS CONNECTED TO THIS INPUT MAKE SURE ITS VIDEO IS CONNECTED TO A VIDEO INPUT 2 3 6IDEO OR OMPONENT THAT IS ON THE 58 INPUT CHANNEL 8 IGITAL OAXIAL AUDIO IN...

Page 30: ...TROL CHANGES THE KEY OF MU SIC BUT WILL NOT AFFECT THE MICROPHONE VOCALS x V i vviV i L 7HEN IN ARAOKE ODE USE THESE BUTTONS TO SELECT DIFFERENT PRESET VO CAL TONE AND EFFECT CONFIGURATIONS V L N ARAO...

Page 31: ...NALOG INPUT CHANNELS 6 58 58 58 46 4UNER 4 0 AND i 8 L 4OGGLES BETWEEN THE 4 0 AND 8 INPUT CHANNELS 7HEN THE 48 IS SET TO ONE THIS BUTTON WILL ONLY ACCESS THE 4 0 INPUT CHANNEL AS THE DIGITAL COAXIAL...

Page 32: ...A 6 2 PLAYER ETC L YCLES THROUGH THE VIRTUAL 1 SETTINGS 52 3 6 34 5 4 4 2 AND 3ELECT THE ONE THAT BEST FITS THE MOVIE OR MUSIC YOU ARE LISTENING TOO 4 4HIS OPTION IS NOT AVAILABLE ON THE NPUT CHANNEL...

Page 33: ...INPUT x v 3HOWS THE NAME OF THE CURRENT SOUND FIELD PROGRAM AND OTHER INFORMATION WHEN ADJUSTING OR CHANGING SETTINGS i i V 3HOWS WHICH SPEAKER OUTPUTS ARE BEING USED RONT EFT CHANNEL RONT ENTER CHANN...

Page 34: ...NNELS ARE NOT AVAILABLE IN ONE ONE IS RESERVED FOR ANALOG OUTPUT 2EMOTE ONTROL 5SE THE NPUT 3ELECT BUTTONS TO SELECT AN INPUT CHANNEL RONT 0ANEL NPUT DJUST CONTROL KNOB 5SE THIS KNOB TO CYCLE THROUGH...

Page 35: ...TALLY 0 ORRS DQWHQQD LQFOXGHG PERATING THE UTO 4UNER 0RESS THE 45 2 54 BUTTON ON THE REMOTE CONTROL OR 054 BUTTON ON THE FRONT PANEL TO SELECT 45 2 AS THE INPUT SOURCE 0RESS THE 45 2 54 BUTTON ON THE...

Page 36: ...H i i 0RESS THE 45 2 54 BUTTON ON THE REMOTE CONTROL TO SELECT OR 3ELECT A RADIO STATION USING THE 3 OR 3 BUT TONS ON THE REMOTE CONTROL 0RESS THE 29 BUTTON ON THE REMOTE CONTROL 4HE 29 INDICATOR ON T...

Page 37: ...OR THE AND BUTTONS ON THE REMOTE CONTROL TO SELECT THE PARAMETER Vi i i F YOUR MAIN SPEAKERS HAVE A HIGH ABILITY FOR BASS REPRODUCTION N THIS POSITION FULL RANGE SIGNALS PRESENT IN THE MAIN CHANNELS A...

Page 38: ...E NPUT DJUST KNOB ON THE FRONT PANEL OR THE AND BUTTONS ON THE REMOTE CONTROL TO ADJUST THE LEVEL i i i 4URN THE NPUT DJUST KNOB ON THE FRONT PANEL CLOCK WISE OR PRESS THE BUTTON ON THE REMOTE CONTROL...

Page 39: ...ADJUST THE DELAY TIME i i x 4URN THE NPUT DJUST KNOB ON THE FRONT PANEL CLOCK WISE OR PRESS THE BUTTON ON THE REMOTE CONTROL TO INCREASE THE DELAY TIME 4URN THE NPUT DJUST KNOB ON THE FRONT PANEL COUN...

Page 40: ...TON ON THE FRONT PANEL OR THE ENU BUTTON ON THE REMOTE CONTROL WHILE THE 48 IS IN ARAOKE ODE 4HE SETTINGS WILL APPEAR ON THE 48 S DISPLAY SCREEN i i i i i 0RESS THE AIN ENU BUTTON ON THE FRONT PANEL O...

Page 41: ...NT PANEL COUNTER CLOCKWISE OR PRESS THE BUTTON ON THE REMOTE CONTROL DECREASE THE BASS U V i iL i i i i 5SE THIS SETTING TO ADJUST THE AMOUNT OF TREBLE THAT IS PRES ENT IN THE MICROPHONE CHANNELS AND...

Page 42: ...HE 30 MICROPHONE REVERB EFFECT 4 4HE 30 EFFECT VOLUME MUST BE SET LOUD ENOUGH IN ORDER TO HEAR THE EFFECT 5SE THE NPUT DJUST KNOB ON THE FRONT PANEL OR THE AND BUTTONS ON THE REMOTE CONTROL TO ADJUST...

Page 43: ...S BEHIND THE LISTENING POSITION FACING SLIGHTLY INWARDS APPROXIMATELY M ABOVE THE mOOR V i i 4HE 3URROUND ACK SPEAKERS SUPPLEMENT THE SURROUND SPEAKERS AND PROVIDE FOR MORE REALISTIC FRONT TO BACK TRA...

Page 44: ...4 OT ALL LISTENING MODES WILL BE AVAILABLE FOR EVERY TYPE OF DISC s 90 33 34 2 s 34 2 s 9 4 s 9 4 8 s 9 02 6 s 9 02 53 s 43 s 43 3 s 43 s EO s EO 53 L i i i ELOW ARE LISTS OF THE AVAILABLE LISTENING...

Page 45: ...THE DIGITAL OR HIGH FREQUENCY EQUIPMENT s 4HE VIDEO SOURCE USES SCRAMBLED OR ENCODED SIGNALS TO PREVENT DUBBING s 4HE VIDEO SIGNAL IS NOT CONNECTED TO THE CORRECT SOURCE s 4HE VIDEO CABLE IS BAD s 4H...

Page 46: ...LIGHTING FROM AN INVERTER TYPE OF FLUORESCENT LAMP ETC IS STRIKING THE REMOTE CONTROL SENSOR ON THE 48 s 4HE BATTERIES ARE WEAK s O BATTERIES ARE INSTALLED OR THEY ARE INSTALLED IN THE WRONG POLAR DIR...

Page 47: ...LOW THE INSTRUCTIONS BELOW 4HIS PROCEDURE COMPLETELY RESETS PARAMETERS AND SETTINGS E SURE THE POWER IS 0RESS AND HOLD THE 054 BUTTON ON THE FRONT PANEL THEN PRESS THE 0 7 2 BUTTON ON THE FRONT PANEL...

Page 48: ...NITOR ONNECTING TO A 46 6IDEO ONITOR US ING THE 3 6IDEO UTPUT 9 3PEAKER IGITAL EY ONTROL ISPLAY ISPLAY BBREVATIONS ISPLAY SCREEN OLBY 9 OLBY IGITAL OLBY IGITAL OLBY 8 BUTTON OLBY IGITAL 3URROUND 8 9 8...

Page 49: ...4 26 6 5 3 6IDEO OUTPUT JACK 3CAN AND 3ELECTING AN NPUT HANNEL 3ELECTING THE ORRECT INPUT CHANNEL 3ELECTING THE CORRECT INPUT CHANNEL 3LEEP BUTTON 3PEAKER UTPUT EVELS 3PEAKER 3ETTINGS ENU 3PEAKER 4ON...

Page 50: ...4 3...

Page 51: ......

Page 52: ...5 4 3h4 6 5 5 0 5 3 gMMNM 190 4 5 07 1 1 41 FNNL 8ETN 999T81 1241T 1...

Reviews:

No comments

Brands by name

Popular brands

Load more brands