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TECHNICIAN’S ADJUSTMENT SECTION (A Video of this setup process is linked on our website and 

on our YouTube channel. It is the same process as the Model Seven setup shown. Setup worksheets 

are also available on the website) 

 
Only a qualified technician or owner with an Analog Radio Shack S.P.L. Meter and matching test disc should 
adjust the room compensation controls. This procedure can take several hours.  PLEASE NOTE: If you are 
calibrating a single SUB THREE you will only employ tracks 1-11 with the Preamp set to Mono.  If you don’t 
have a mono setting you will need a low-cost “Y” adaptor to drive both left and right channels simultaneously, 
main speaker included. 
  
The steady state test signal can cause the SUB THREE amplifier to run warm. This disk is calibrated to the 
Radio Shack analog S.P.L. Meter. Owners take your time, it’s possible. 
 
TECHNICIAN’S GUIDE TO ADJUSTING THE ROOM COMPENSATION AND LOW-FREQUENCY LEVEL 
CONTROLS. 
 
1. Set the S.P.L Meter at the listening position at ear height. Turn on the S.P.L. Meter to the 70dB scale, “C” 
weighting, “Fast” response. 
 
2. Insert test disc into a CD Player, set the volume on the preamp to a low level. CD automatically does left 
first. 
 
3. On the SUB THREE Amplifier set the low frequency contour control to minimum (#1) and verify that all 
eleven room compensation band are set straight up (slot vertical). Set low frequency level to 0dB. 
 
4. Play tracks nine through eleven and note on paper the meter readings for all three tracks. Adjust the 
preamp volume up or down until these tracks average 70dB. Example: track nine 69dB, track ten 72dB and 
track eleven 68dB. This is your reference volume do not adjust until this entire calibration is complete for both 
speakers. 
 
5.Play track one through eleven and adjust each band to 25 to 33% of the meter reading noted in step # 4. 
 
Play tracks: 
 
Meter Reading: Noted Step # 4: 
 
Adjust Bands to approximately 33% target 
 

Track# 

2   3 

10  11 

SPL Reading  +4  +6  –3  +8  

+10  –6  +3  –3  +2  +1  +3 

Target 

+1  +2  –1  +2.5  +3 

–2  +1  -1  +.5  0 

+1 

 
Note: Do not try to adjust every peak or dip all the way to 0 dB. Our studies have shown that adjusting all the 
peak and dips to 0dB can cause a non-musical sound with audible equalization effects. Your Sub is now 
properly compensated for the room. 
 
6. To set Stereo SUBs play tracks twenty four through twenty six and note on paper the meter readings for 
these tracks. Adjust the right SUB THREE Low Frequency Level Control up or down until these three tracks 
average 70dB like the left channel. Save this last set of reading for use in step# 7. 
 
7. Play tracks sixteen through twenty six and adjust the right speaker bands as in step# 5. Note: Occasionally 
full adjustment of one or more of the bands will not adjust to the target value for the right or left SUBs, get it as 
close as possible. If one or more of the bands turned maximum up or down makes little or no difference on 
the meter, leave it adjusted straight up (slot vertical). Your speakers are now calibrated to the room. 
 
Note: The eleven bands correspond to the frequencies below: 
 

Track Number  1 

10 

11  

Frequency 

20  24  30  36  42  50  60  72  84  100  120 

 

Summary of Contents for SUB THREE

Page 1: ...main amplifier s input specifications the main speakers efficiency and the listening room requirements The innovative Q control then allows you to tailor the bass response s character to best suit yo...

Page 2: ...characteristics and to best suit your sonic tastes The Q control is from 1 to10 Position 1 provides the tightest bass and best transient response while position 10 emulates a typical home theater sub...

Page 3: ...used may vary Single Ended M5 HP Crossovers RCA input and output with eight position switch Set the Single Ended M5 HP to match the input impedance of the main amplifier Balanced M5 HPB Crossovers XLR...

Page 4: ...B THREE s inputs is connected out of phase from the other input in a mono subwoofer system the inputs will cancel With stereo subwoofers connecting one subwoofer out of phase from the other will serio...

Page 5: ...Improving the electronicsorspeakerscan benefitfromadding two more subwoofers for surround channels 4 Subwoofers Left front right front left surround and right surround When the SUB THREE S are used wi...

Page 6: ...all three tracks Adjust the preamp volume up or down until these tracks average 70dB Example track nine 69dB track ten 72dB and track eleven 68dB This is your reference volume do not adjust until thi...

Page 7: ...he level and Q controls may be necessary When you determine the best crossover selection between the preamplifier and power amplifier setting for your system you are all done SERVICE In the unlikely e...

Page 8: ...e of the SUB THREE is compromised when it is connected to the main speakersratherthandirectlytothemainamplifier Can the M5 HP crossovers be plugged into either the Inputs of the main power amplifier o...

Page 9: ...HERE THE DEFECT WILL BE REPAIRED WITHOUT CHARGE FOR PARTS OR LABOR The speaker must be packed in the original packing and returned to VANDERSTEEN AUDIO via insured freight by the consumer at his orher...

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