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 9 

H

ELPFUL

 

S

ET-

U

P

 

H

INTS

 

A.  To try the speakers on different walls, set your equip-

ment in the middle of the room so the speaker cables 
can reach each position. 

B.  When you change the placement of the speakers, listen 

to several different pieces of music before judging the 
results. 

C.  If you set the speakers on a wood floor, place a set of 

Spikes Shoes under the cones to prevent damage to the 
floor.  

D.  Double check the tilt and use a laser pointer on top of 

the speaker to verify they both point at the same height 
on the rear wall. 

E.  Check polarity of all the wires in the system and clean 

all connections. 

E. When you have discovered the optimum speaker posi- 
     tioning in your room, mark it with tape so you can move  
     the speakers to vacuum without loosing your placement  
     reference. 

 

F.  If the bass is ill-defined in your room regardless of  
     where you place the speakers, check your windows for  
     loose panes of glass.  Loose glass will vibrate and can  
     seriously impair the low frequency detail of the system. 

 

G. Keep notes on the sound at the different placements you     
     try.  Its easy to get mixed-up and forget which place-  
     sounded the best. 

 

H. Don’t over-analyze sound of each placement. When the  
     sound is right, it will be obvious. 

A

MPLIFIER

 

R

EQUIREMENTS

 

     The Model Treo is designed for use with amplifiers 
rated at 40 to 200 watts per channel into 8 ohms. Amplifi-
ers in this power range will provide ample power for realis-
tic listening levels in most situations. Amplifiers with less 
than 40 watts may not be able to drive the Model Treo to 
realistic listening levels without stress, while amplifiers 
with more than 200 watts must be used with caution due to 
the increased potential for speaker damage if they are mis-
used or an accident occurs. 

 

 

    The Model Treo’s are very revealing speakers and are 
easily capable of showing subtle sonic differences between 
amplifiers. They will perform well with a tube,  

transistor, or hybrid amplifier, allowing each design to real-
ize its full potential. The amplifier can be a quality re-
ceiver, integrated amplifier or separate amplifier. The sta-
ble impedance of the Model Treo reduces load induced 
amplifier problems, expanding the possible amplifier 
choices. 
     The stability of the amplifier to be used should be con-
sidered, as it will affect the current capability and therefore, 
the dynamics and realism of the music. A stable transistor 
amplifier will be able to deliver twice the wattage into 4 
ohm load as is does into an 8 ohm load. Amplifiers with 
this ability should perform well with the Model Treo. 

C

OMPONENTS

 

     To maximize the performance of your system, you 
should properly set-up your components according to the 
manufacture’s instructions. Each component should be 
placed on a piece of furniture or in a stand that is stable and 
not prone to vibration or rocking. An isolation base or iso-
lation feet will improve the sound of some electronics. 

 

     Allow sufficient air space around the electronics for 
needed air circulation. Excessive heat can both shorten the 

the life of electrical components and impair their perform-
ance. 
     Preamplifiers and CD players should be left on all the 
time. Amplifiers should be turned off when the system is 
not being used. Once broken in, modern amplifiers sound 
good after only 20 minutes of warm-up. Leaving the ampli-
fier on all of the time exposes the speakers to possible dam-
age from power line anomalies or electrical component 
failure while the system is unattended 

C

ABLES

 

     Our evaluations and tests have convinced us the inter-
connect and speaker cables should be considered an inte-
gral part of the music system. Each brand and model of 
cable has its own sonic characteristic and contributes to the 
overall presentation of the music as much as any active 
component. The Model Treo easily passes the amount of 
information required to hear these differences between ca-
bles. 
     The testing also confirmed the importance of keeping 
speaker cables as short as possible. In repeated trials, short 
runs of moderate to inexpensive speaker cable consistently 
out performed long runs of the same cable as well as much  

more expensive cable. If your speakers must be placed a 
long distance from your electronics, we recommend that 
the amplifier be placed between the speakers and long in-
terconnect cables be used between the amplifier and power 
amplifier so that short speaker cables can still be used. Cur-
rently, long interconnect cables seem to compromise the 
sound of a stereo system less than long speaker cables. 
     When you evaluate different interconnect or speaker 
cables, remember that the dielectric in most quality cables 
takes many hours to fully form. These cables will not reach 
their full potential until they have been used for several 
weeks. 

A

SSOCIATED

 E

QUIPMENT

 

Summary of Contents for TREO

Page 1: ...ient response guarantees supe rior performance from records tapes CDs and video sources Custom en gineered drivers built exclusively for Vandersteen Audio are mounted in special baffles designed to ma...

Page 2: ...tic situation dictates the use of a single ca ble per speaker you should use a multiple conductor single sheath cable to internally bi wire the speakers Some of these cables use different types of wir...

Page 3: ...h frequency oscillation brightness and higher amplifier operating temperature We only recommend bi amplification when every com ponent in the system is the best available and there is no other path to...

Page 4: ...teristics of the two wires in the middle frequencies to interfere with the proper blending of the woofer and midrange driver through the 600Hz crossover point The consistency of the sound will be seve...

Page 5: ...n many rooms by positioning the loudspeakers on the odd dimensional inter sections of the room The odd dimensional intersections are the intersections of the imaginary lines you would draw if you divi...

Page 6: ...nes will require that the listening position be offset to center it between the speakers Often the bass response of the system will be slightly more linear with the speakers placed on different width...

Page 7: ...speaker would be placed exactly at the point where the two dimensions inter sect to realize the full benefits of odd dim ensions or third dimensions placement In a real room the actual best placement...

Page 8: ...to the threaded holes on each front corner Be careful not to cross thread the cone it should go in easily By hand tighten the cone snug up against the bottom of the speaker Do not adjust right or left...

Page 9: ...he current capability and therefore the dynamics and realism of the music A stable transistor amplifier will be able to deliver twice the wattage into 4 ohm load as is does into an 8 ohm load Amplifie...

Page 10: ...and bass inputs sepa rately to determine which section of the speaker has the problem 3 Contact Vandersteen Audio Describe the problem and the steps you have taken to isolate the problem to the speake...

Page 11: ...me with ferro fluid voice coil cooling Range of operation 5kHz to 30kHz Crossover 600Hz and 5kHz First order 6dB per octave Allows bi wiring with a single amplifier or vertical bi amplification with t...

Page 12: ...ons and all the paperwork required to return the product after it is serviced The speaker must be packed in the original packing and returned to VANDERSTEEN AUDIO via insured freight by the customer a...

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