Valeton GP-200LT User Manual Download Page 48

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The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. 

The trademarks were used merely to identify the sound character of the products

E ect List

DLY

FX Title

Type

Description 

Parameter Description

Ambience 1 Delay

This model is a multi-tap delay that brings 

you expanded sound spaciousness. 1, 2 

stands for di erent tonal variations

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time 

Level: Controls the e ect output

Mod: Controls the e ect modulation amount

Tone: Controls the e ect tone

Sync: Switches Tap Tempo sync on/o

Trail: Switched e ect trail on/o  when the e ect is bypassed

Ambience 2 Delay

Pure

Delay

Produce pure, precised delay sound

Mix: Controls the wet/dry signal ratio

Time: Controls the delay time 

Feedback: Controls the amount of feedback

Sync: Switches Tap Tempo sync on/o

Trail: Switched e ect trail on/o  when the e ect is bypassed

Analog

Delay

Produciing warm delay sound with analog 

feel

Tape

Delay

Simulates solid-state tape echo sound

Ping Pong Delay

A ping-pong delay producing stereo feedbadk 

bounces back and forth between left and 

right channels

Slapback

Delay Simulates the classic slapback echo e ect

Mix: Controls the delay wet/dry signal ratio

Time: Controls the delay time 

Feedback: Controls the amount of feedback

Trail: Switched e ect trail on/o  when the e ect is bypassed

Sweep Echo Delay

Producing a delay e ect with sweeping filter 

modulated repeats

Mix: Controls the wet/dry signal ratio

Time: Controls the delay time 

Feedback: Controls the amount of feedback

Sweep Depth: Controls the sweep filter depth

Sweep Rate: Controls the sweep filter speed

Sweep Sync: Switches sweep filter Tap Tempo sync on/o

Time Sync: Switches delay Tap Tempo sync on/o

Trail: Switched e ect trail on/o  when the e ect is bypassed

Ring Echo Delay

Producing a delay e ect with ring modulated 

repeats

Dly Mix: Controls the delay wet/dry signal ratio

Time: Controls the delay time 

Feedback: Controls the amount of feedback

Ring Mix: Controls the ring mod wet/dry signal ratio

Freq: Controls the ring mod frequency 

Tone: Controls the ring mod tone

Sync: Switches Tap Tempo sync on/o

Trail: Switched e ect trail on/o  when the e ect is bypassed

Tube

Delay

Simulates tube-driven tape echo sound

Mix: Controls the wet/dry signal ratio

Time: Controls the delay time 

Feedback: Controls the amount of feedback

Sync: Switches Tap Tempo sync on/o

Trail: Switched e ect trail on/o  when the e ect is bypassed

Summary of Contents for GP-200LT

Page 1: ...appearances packaging design manual content accessories size parameters and display screen are subject to change without prior notice Please check with local supplier for exact o ers Speci cations an...

Page 2: ...isplay 15 Auto CAB Match 15 Global Eq 16 About 17 Factory Reset 17 Compatible software 18 Application Scenarios 19 With full range speaker devices 19 With guitar amps INPUT jack 19 With guitar amps us...

Page 3: ...oth Alterations Do not open the unit Do not attempt to service the unit yourself Operation of this unit within signi cant electromagnetic elds should be avoided AC Adapter Operation Always use a DC9V...

Page 4: ...units GP 200LT will t into any scenario to become your go to gear GP 200LT also o ers 180 second looper 100 high quality drum patterns and the editor software of Windows Mac or directly plays as an au...

Page 5: ...n Press to enter the Global Setting menu where you can edit the global parameters of the GP 200LT 8 DRUM Button Press to play the drum Hold to enter the Drum Machine Edit menu where you can edit the d...

Page 6: ...n pedal footswitch controller 13 INPUT Jack 1 4 TS input connection for guitar or other instruments 14 FX LOOP SEND RETURN Jack These 1 4 TS jacks can be used as FX loop for inserting external stompbo...

Page 7: ...tch volume EXP pedal state Patch state DRUM state Current footswitch setting Quick adjust paras TUNER In tuner mode the LED screen will display the tuning interface When you pluck a string the note wi...

Page 8: ...equired you can select up to 180s recording time Sync Synchronize the drumbeat to the timeline of the looper When activating the looper and playing the drum the audio will adjust in a brief period of...

Page 9: ...ing parameters of your current MIDI setting group The icon will light blue when the corresponding the footswitch pedal is pressed Note Only in this interface for using GP 200LT to control external MID...

Page 10: ...ates that the parameters of current patch is changed If without saving the change will be removed by changing the patch Editing a Module Choose a module in the Edit Menu using PARA knob and click it t...

Page 11: ...send node to avoid the squealing sound Send Position 5 Return Position 7 Send Level Patch Settings Patch VOL 50 EXP 1 A BPM 120 EXP 2 ON Knob 1 3 EXP Settings CTRL Settings FX Loop Patch Settings Pat...

Page 12: ...ter signals in the signal chain When set to Series internal e ect chain will be temporarily paused only signals from external e ect chains will be sent to the latter signals in the signal chain In thi...

Page 13: ...can easily achieve monitor wet record dry The default is wet Display Rec Level Rec Mode L Wet Rec Mode R 0dB Auto CAB Match USB Audio EXP Calibrate Footswitch Input Output EXP 2 Footswitch GLOBAL SET...

Page 14: ...an record them in the track now Global Settings 12 BANK FS 1 2 FS 2 3 FS 3 4 Reset FS Settings Footswitch Patch Stomp User FS 1 FS 2 FS 3 FS 4 Tap Hold Tap LOOPER TAP None TUNER PATCH PATCH PATCH PATC...

Page 15: ...of EXP 1 MIDI Enter the MIDI function interface BYPASS Enter the bypass state TUNER Enter the tuner CTRL 1 Execute CTRL 1 s function CTRL 2 Execute CTRL 2 s function CTRL 3 Execute CTRL 3 s function...

Page 16: ...r setting up the channel of the USB input and the MIDI messages input and output Input Channel USB Output Channel TRS Output Channel USB Clock Source Internal Only receiving from the internal clock TR...

Page 17: ...e s status Brightness 50 Display Time Always Language EXP 2 Footswitch Display Global EQ Factory Reset Auto CAB Match About GLOBAL SETTINGS English ON OFF ON EXP 2 Footswitch Display Global EQ Factory...

Page 18: ...ult 0 71 Width To adjust the width of the formant slope of the lter the larger the number the steeper the slope Band 1 4 Gain 20dB 20dB Default 0dB Adjust the lter gain High Cut 20Hz 20000Hz OFF Defau...

Page 19: ...settings only Reset factory patches 01 A 25 D Reset all data All user data will be lost When selecting one of them there will be another window for con rming When clicking OK the factory reset will b...

Page 20: ...indows and MacOS platforms Please download the software at www valeton net support 18 When it is all set the screen will suggest the resetting is complete Click OK to return to the Main Display menu N...

Page 21: ...long distance signal transmission If there is only one speaker please select the L MONO rst To get the best tonal performance keep the AMP and CAB modules ON and keep the No CAB mode o In this section...

Page 22: ...to avoid adverse e ects on the tone With guitar amps using FX Loop to post position the GP 200LT In this scenario all modules before the AMP including the AMP module will be muted and the e ect chain...

Page 23: ...AMP and CAB modules o to avoid any adverse e ect on the tone Also note that please set the FX Loop at Series mode in the Patch Settings FX Loop Parallel Series to Series INPUT SEND RETURN With other...

Page 24: ...to a cell phone an additional OTG adapter cable may be required When under Windows system prior to Windows 10 it needs to be used with the ASIO driver available for downloading on the Valeton o icial...

Page 25: ...atio Micro Boost Boost Based on the legendary MXR M133 Micro Amp pedal Providing up to 20dB of gain the Micro Boost elevates your amp sound without changing its tonal character Gain Controls the gain...

Page 26: ...coustic sound Shape Controls the detailed effect character AC Sim Acoustic Acoustic guitar simulator designed for guitars Its prototype comes from a classic acoustic guitar analog stompbox Body Contro...

Page 27: ...al to get the e ect Range Controls the pitch shifting range Harmony Switches Harmony mode dry and wet signals output simultaneously on o Volume Controls the e ect output volume Position Control the ch...

Page 28: ...lter frequency range Q Controls the wah resonance lter Q Volume Controls the e ect output When using the EXP pedal as a wah pedal remember to rst assign the position parameters then turn on and press...

Page 29: ...g the inherent characteristics and tone of the guitar being used It features a special bipolar power supply that powers the internal circuitry with boosted voltage providing a wider dynamic range than...

Page 30: ...Timmy OD OD Paul Cochrane Timmy overdrive was one of the original boutique overdrive pedals generating a dedicated following based on its open un compressed drive tone and good EQ options Gain Control...

Page 31: ...plasticity making it a favorite of many musicians Gain Controls the distortion amount Filter Counterclockwise controls the e ect tone Volume Controls the e ect output Famous users Je Beck Kurt Cobain...

Page 32: ...Darkglass Microtubes B7K Takes the powerful dynamic saturation circuit and adds a four band equalizer and a balanced line driver for even greater versatility Designed for both studio and live use it...

Page 33: ...d EQ that controls the e ect tone Bright Switches extra brightness on o DST FX Title Type Description Parameter Description P Boost Boost Based famous on Xotic RC Booster provides you with super trans...

Page 34: ...des because the Dual Tone s volume knob is turned beyond noon a fat and compressed clean tone evolves into an immediately recognizable grind that remains articulate and listenable even when turned up...

Page 35: ...Star CH1 The preamp circuit has extraordinary expressive power the comprehensive timbre and intuitive operation are indicative of Mesa Boogie s far superior technical capabilities An engaging and liv...

Page 36: ...ghts CL Clean Based on Grindrod Pendragon PG20C Normal channel bright on If you re a big fan of British sound overdrive this is a sound you can t miss It can bring the pure British style sound full of...

Page 37: ...ls the output volume post gain Bass Middle Treble 3 band EQ that controls the e ect tone UK 50 Drive Based on Marshall JMP50 Jump connection Through the adjustment of JTM45 s recti er tube the power w...

Page 38: ...Drive Based on Mesa Boogie Mark II C Lead channel with 2 di erent onboard switch combinations In the 1980s Mark II C established the position of Mesa Boogie metal style and its voice appeared in the a...

Page 39: ...sed on Peavey 5150 LEAD channel Guitarist Eddie Van Halen who began working with Peavey in the 1980s loved the sound and took the album s title 5150 to the world with its metallic sound Gain Controls...

Page 40: ...63 the Beatles was in urgent need of a bass speaker with a volume greater than that of the club s crazy shouting and the AC 100 came into being With 100W power and 4x12 box it has successfully become...

Page 41: ...enter frequency from 680Hz to 11kHz EQ Q Controls the EQ bandwidth EQ Gain Controls the EQ boost cut amount set to 50 to keep neutral 39 The manufacturers and product names mentioned above are tradema...

Page 42: ...Marshall Basketweave 4x12 cabinet UK MD 4 x 12 Custom modi ed Marshall 4x12 cabinet UK GRN 2 4 x 12 Vintage Marshall 4x12 cabinet with Celestion Greenback speakers UK 75 4 x 12 Marshall 4x12 cabinet...

Page 43: ...5 SWR 1x15 bass cabinet Workman 2 4 x 10 SWR Workingman s 4x10 bass cabinet US BASS 2 x 10 Mesa Boogie 2x10 bass cabinet MATT 2 x 10 Mark Bass 2x10 bass cabinet F TOP 1 x 15 Ampeg PF 115HE 1x15 bass c...

Page 44: ...n Parameter Description Guitar EQ 1 EQ Equalizer designed for guitars Band 1 125Hz Band 2 400Hz Band 3 800Hz Band 4 1 6kHz Band 5 4kHz Use the ve bands above to control the EQ level Volume Controls th...

Page 45: ...on a BBD based blue vibrato pedal producing natural analog vibrato sound Depth Controls the vibrato depth Rate Controls the vibrato rate Sync Switches Tap Tempo sync on o G Roto Vibrato Based on the l...

Page 46: ...Demeter TRM 1Tremulator o ering classical opto tremolo sound In 1982 rock pioneer Ry Cooder approached James Demeter to ask whether the tremolo sound of the Fender twin series speakers could be made i...

Page 47: ...f a BBD based analog delay machine that is warm smooth rounded due to the limitation of BBD chips Mix Controls the wet dry signal ratio Feedback Controls the amount of feedback Time Controls the delay...

Page 48: ...and forth between left and right channels Slapback Delay Simulates the classic slapback echo e ect Mix Controls the delay wet dry signal ratio Time Controls the delay time Feedback Controls the amount...

Page 49: ...on on Delay repeats gorgeous warm organic delay tone Famous users Pink Floyd Vintage Rack Delay Reproduces the sound of a vintage 1980 s rack mount delay machine with slightly sample reduced feedback...

Page 50: ...ring reverb module coming from a combo amp Mix Controls the wet dry signal ratio Pre Delay Controls the amount of time between the dry signal and the audible onset of early re ections and the reverb t...

Page 51: ...4 Hard Rock 3 3 4 Post Rock 1 5 4 Post Rock 2 4 4 Post Rock 3 4 4 Garage Rock 4 4 Prog Rock 4 4 Surf Rock 4 4 Punk 1 4 4 Punk 2 4 4 Punk 3 4 4 Punk 4 4 4 Post Punk 1 4 4 Post Punk 2 4 4 Heavy Metal 1...

Page 52: ...Pop 1 4 4 Pop 2 4 4 Pop 3 4 4 Hip Hop 1 4 4 Hip Hop 2 4 4 Hip Hop 3 4 4 Hip Hop Rock 4 4 Pub 4 4 Jazz Jazz 1 4 4 Jazz 2 4 4 Jazz 3 4 4 Jazz 4 4 4 Bossanova 1 4 4 Bossanova 2 4 4 Fusion 4 4 Electronic...

Page 53: ...4 4 Beguine 4 4 Ska 4 4 Polka 2 4 Waltz 3 4 Reggae 1 4 4 Reggae 2 4 4 Mazuke 3 4 Musette 4 4 March 1 4 4 March 2 4 4 March 3 4 4 New Age 1 4 4 New Age 2 4 4 World 4 4 Metro 1 4 1 4 2 4 2 4 3 4 3 4 4...

Page 54: ...ep 22 0 127 BANK initial mode 23 0 127 BANK initial mode 24 0 127 Patch 25 0 127 Patch 26 0 127 BANK wait mode 27 0 127 BANK wait mode 28 0 127 BANK wait mode 48 0 127 PRE Module on o 0 63 o 64 127 on...

Page 55: ...e 67 0 100 Looper Playback Volume 68 0 127 Looper Placement 0 63 Rear 64 127 Front 69 0 127 CTRL 1 70 0 127 CTRL 2 71 0 127 CTRL 3 72 0 127 CTRL 4 73 0 1 Tempo MSB Used with Cc74 74 0 127 CC73 0 CC74...

Page 56: ...gs Make sure your input device is not muted Noise Make sure your cables are connected properly Check your instrument output jack Check if you re using the correct power adapter If the noise is coming...

Page 57: ...eadphone Output 1 8 Stereo TRS impedance 22 Digital Connections USB Port USB 2 0 Type C Port Power Requirements DC 9V 1000mA center negative USB Recording Speci cation Size and weight Sample Rate 44 1...

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