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Microgroove (LPs and 45 rpm)
SYSTEM
Treble t/o
Bass t/o
Lower bass t/o Cut at 10 kHz Boost at 50 Hz
ffrr LP 1953
3 .00kHz
450 Hz
100 Hz
11 dB
12.5 dB
CCIR
3.18 kHz
500 Hz
50 Hz
10.5 dB
17 dB
NAB
1.60 kHz
500 Hz
16 dB
16 dB
RIAA
2.125 kHz
500 Hz
50 Hz
13.6 dB
17 dB
Use ffrr LP 1953 for early Decca LPs and for pre 1955 HMV and English Columbia LPs.
CCIR is used by European labels for early LPs and EPs
.
Use NAB (NARTB) for some early American LPs. Use NAB together with the first order 80 Hz bass cut filter
for American Columbia LPs.
RIAA is the universal standard (in theory) of all EP/LPs after 1955
.
REPRODUCTION OF PATHÉ AND EDISON VERTICAL CUT RECORDS
Normally mono recordings are lateral, which means ”side to side” in the groove wall. But some of the first
recordings were vertically cut, also named as ”hill and dale” recordings. Because of that, a mono cartridge
is not able to reproduce a vertical groove signal. But a stereo record is a combination of a lateral cut and
a vertical cut record. That’s why you can use a stereo cartridge. You will get the best result with a special
costum made stylus for this purpose.
Ask your ”Cartridge Man” for purchasing the right stylus.
For reproduction of Pathé and Edison vertically cut records, activate the ”VERTICAL” switch.
Further references
* International Association of Sound and Audiovisual Archives
http://www.iasa-web.org/
* Audio Engineering Society
http://www.aes.org/
* Association for Recorded Sound Collections
http://www.arsc-audio.org/
* European Broadcast Union
http://www.ebu.ch/en/index.php
* Society of American Archivists
http://www.archivists.org/
* Grammy Foundation Grants
http://www2.grammy.com/GRAMMY_Foundation/Grants/
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