Last
update:
2018/05/09
12:03
torpedo_reload:torpedo_reload_user_s_manual http://wiki.two-notes.com/doku.php?id=torpedo_reload:torpedo_reload_user_s_manual
http://wiki.two-notes.com/
Printed on 2018/06/02 13:16
4.5.1 Silent REPLAY™
We shall assume here that the DI setup presented above (“3 Di recording”) is already operational. On
track 1 of your sequencer you have recorded the sound sample of a dry guitar signal.
Route Track 1 so its output is sent to your audio interface’s output 3, if 1 & 2 are used as Master
1.
output. It is important you use a different output from the Master one. This way you can hear
the replayed track on the Master output, while sending the dry track to another output. If you
only have 2 outputs, you can use output 1 to send track 1 and output 2 to hear the newly
recorded replayed signal.
Connect the interface’s output 3 into the REPLAY™ input.
2.
Connect the REPLAY™ output to your amplifier’s input.
3.
Connect your amplifier’s output to the Torpedo Reload’s speaker input.
4.
Connect the Torpedo Reload’s Loadbox to your second microphone preamplifier (or channel 2 of
5.
the mixer, preamp 2 on the audio interface).
Connect the preamplifier to the Line channel input 2 on your audio interface.
6.
Activate Track 2 for recording & live monitoring, select channel 2 as an input
7.
You can insert Torpedo Wall of Sound on the track so you can perform (non-destructive) miking
8.
while recording the dry signal of the amplifier.
Start recording!
9.
4.5.2 The full setup: DI + L miking
In the previous setup we decided to achieve a silent REPLAY™, but you can perform some traditional
miking at the same time, with a controlled sound level thanks to the Torpedo Reload’s power
attenuator.
Connect a cabinet to the Torpedo Reload’s speaker output, set the appropriate volume for the
1.
cabinet using the SPEAKER potentiometer. Plug a microphone to your third preamplifier
