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Trident 68

 Owners Manual

7

Trident 68

 Input Channel Equaliser

HIGH Frequency 

Section

Adjusts the high frequency shelving 

EQ response. The  Level control ad-

justs the cut/boost b/- 15dB 

of the selected “knee” frequency, this 

frequency is selectable between 1KHz 

and 15KHz. The centre “0” position of 

the Level control has a detent to in-

dicate that it is having no effect on 

the associated channel signal. Cut 

or boost of the high frequency level 

control is usually used for minor tonal 

adjustments.

LOW Frequency 

Section

Adjusts the low frequency shelv-

ing EQ response. The  Level control 

adjusts the cut/boost b/- 

15dB of the selected “knee” frequen-

cy, this frequency is selectable be-

tween 40Hz and 650Hz. The centre 

“0” position of the Level control has 

a detent to indicate that it is having 

no effect on the associated channel 

signal. Cut or boost of the low fre-

quency level control is usually used 

for minor tonal adjustments.

INSERT ON

When depressed, this switch places the 
rear panel channel insert path to the 
Insert Send and back from the Insert 
Return in line with the signal path. This 
insert point by default is after the chan-
nel EQ. By routing the signal through 
this connector, the insert may be used 
for applications such as an effect that 
can be switched in/out. In the event the 
user wants to patch in his/her favourite 
external EQ, it can be connected with 
its input fed from the Insert Send and its 
output feeding the Insert Return, this 
path being activated with this switch. 
It could be used in conjunction with or 
without the Trident EQ.

Channel Equaliser

A three band Trident EQ with 

overlapping frequency ranges is provided 

along with a switchable high pass filter. The

 HIGH and LOW sections of the equaliser

 have a shelving response  and the

 MID has a peaking (bell) response with 

two selectable bandwidth settings.

HPF

When selected this applies a high-pass 
(or Low- Cut) filter with a corner fre-
quency 50Hz and a roll off rate of 18dB 
per octave into the signal path. This 
control is used to remove unwanted 
signal content below 50Hz. The result 
is usually improved signal quality of the 
associated input signal while decreas-
ing the low frequency amplification 
demand of the audio systems amplifier 
and speaker combination. Mainly for 
use with microphones, this helps re-
move low frequency rumble and han-
dling noise.

EQ IN

This switch inserts the 3-band EQ and 
High Pass Filter into the channel/mon-
itor (see EQ TO MON switch descrip-
tion below) signal path. When not in 
use, it is suggested that the EQ be kept 
in the OUT position for best phase per-
formance.

MID Frequency Section

Adjusts the mid frequency EQ peaking 
response. The Frequency control se-
lects the centre frequency of the fil-
ter (between 200Hz and 3kHz) and 
the Level control adjusts the cut/
boost b/- 15dB. The centre 
“0” position of the Level control has 
a detent to indicate that it is having 
no effect on this frequency band. The 
bandwidth of this filter is approxi-
mately one octave. With the addition 
of the Q switch, the bandwidth can 
be reduced to 1/3 octave. The high-
mid frequency controls are used for 
minor tonal adjustment.

Summary of Contents for 68 console

Page 1: ......

Page 2: ......

Page 3: ...tor Pin Out 20 Warranty 23 Signal Flow Diagrams 24 Cautions 27 Recall Sheets 28 Register your Trident 68 at tridentaudiodevelopments com product registration MONITOR LEVEL LEVEL 5 0 5 10 15 20 25 30 40 SOLO ACTIVE 2TRK 1 2TRK 2 STEREO IN ALT MON OUT SUM MONO DIM TB LEVEL TB MIC TALK TO GROUPS TALK TO AUXES MONITOR INPUTS LEVEL HEADPHONE SOLO MASTER LEFT RIGHT INSERT ON ...

Page 4: ...20dBu input 0 003 Line Input to any Output 0 003 Monitor Tape Return Input to any Output 0 003 Noise Mic EIN 20 20KHz 150Ω source 60dB gain 128 dBu Stereo residual Bus Noise Output fader at min 95 dBu Stereo Bus Noise 40 inputs continually assigned 80 dBu 24 Input Mon Tape Returns 8 Stereo EFX Returns and 8 Master Tape Returns Bus Noise 24 inputs routed equiv to 72 Inputs 75 dBu Crosstalk Adjacent...

Page 5: ... the flexibility of the module Each module incorporates a monitor section which is used to monitor a replay channel from a multi track recording device This is in effect a separate signal path which ultimately feeds the master Left Right main outputs By switching the channel EQ and Auxiliary sends 5 6 to this path this becomes an extremely versatile feature of the console When monitoring the outpu...

Page 6: ...rophones require phantom power NOT to be activated or they may be damaged I P REV The Input Reverse switch when de pressed flips the Line Input signal and the Monitor Input signals In effect this switch determines the Line input source that is available to the channel Combining this with the Line Switch above allows the user to source the channel signal from the associated channel Monitor Return p...

Page 7: ...itch determines the signal source for Aux 2 bus between Post Up or Pre Down Channel fader AUX 3 Pre Switch This switch determines the signal source for Aux 3 bus between Post Up or Pre Down Channel fader AUX 4 Pre Switch This switch determines the signal source for Aux 4 bus between Post Up or Pre Down Channel fader AUX 5 6 Pre Switch This switch determines the signal source for Aux 5 and Aux 6 bu...

Page 8: ...th being activated with this switch It could be used in conjunction with or without the Trident EQ Channel Equaliser A three band Trident EQ with overlapping frequency ranges is provided along with a switchable high pass filter The HIGH and LOW sections of the equaliser have a shelving response and the MID has a peaking bell response with two selectable bandwidth settings HPF When selected this ap...

Page 9: ... control blends the channel post fader post mute signal between any of the assigned bus pairs L R Mix Group 1 2 Group 3 4 Group 5 6 and Group 7 8 located by the channel fader at the base of the module When at the centre detented position both sides are fed equal amounts of signal each down by 3dB MON PAN Monitor Pan Control This control blends the post moni tor level signal between the Left and Ri...

Page 10: ...ment In a multi track studio environment this L R assignment and the Channel Monitor Input allow the user to have two separate external inputs Chan nel Mic Line and Monitor return that can be sent to the Left and Right mix busses effectively doubling your in puts on mixdown Remix AFL PFL Select Selects the channel source feed that will be fed to solo bus when the Channel SOLO is pressed UP solo sy...

Page 11: ...itor level control they can be used to create a sep arate auxiliary mix independent of the monitor level Individual monitor source switches MONITOR RETURN make it possible to select either the group output or the associated balanced line Group Monitor Input into the monitoring system The 12 segment bargraph metering and Auxiliary sends follow this switch so that they auto matically switch accordin...

Page 12: ...e lease It is very useful when used with complex dynamic waveforms and able to display sharp transient responses and greatly assist the engineer when it comes to avoiding distortion during recording AUX MASTER LEVEL This control adjusts the Aux bus mix level that appears on the associated Aux Output pins of the DSUB on the rear panel NOTE Since there are only Six Auxil iary sends on this console t...

Page 13: ...ert path to the Insert Send and back from the In sert Return in line with the signal path This insert is directly after the Group mix stage and before the Group Fader and allows the user to con nect an external device in series with the Group signal and to be able to switch it in out from the front panel EFX LEVEL Control Adjusts the Stereo Effects Return signal level to the Left Right bus EFX RTN...

Page 14: ...When depressed DOWN the signal fed is derived from the associated rear MONITOR RETURN pins on the DSUB connector on the rear panel MONITOR SOLO AFL When pressed routes the Monitor signal post level and pan to the Solo bus Additionally this switches the Main Monitor Output normally being fed the Left Right Mix to source the signal from the AFL PFL Master Lev el in the Master section as well as to t...

Page 15: ...llows the engineer to monitor the console only on headphones if required A separate stereo volume control is provided so that the head phones can be adjusted independently from the main monitor control level A stereo master SOLO level control is also provided so that the volume of the AFL PFL system can be adjusted into the control room monitor speakers This comes com bined with an indicator LED t...

Page 16: ... room monitors also if 2 TRK 2 switch is depressed below this kills the 2 TRK 1 signal to the con trol room monitors For monitoring signals into control room monitors the Priority is SOLO mix Ú 2 TRK 2 Ú 2 TRK 1 ÚMain Left Right mix 2 TRK 2 When depressed this selects the sig nal from the stereo 2 TRK 2 Return pins of the DSUB on the rear mas ter connector panel to the control room monitors This s...

Page 17: ... behind this location is situ ated the internal high quality elec trets microphone TALKBACK LEVEL CONTROL This control adjusts the level of the talkback microphone to the talkback destinations below TALK TO GROUPS Momentary switch which when de pressed assigns the talkback signal post the talkback LEVEL Control to the all the group buses Addition ally when depressed the signal to the control room ...

Page 18: ...Trident 68 Owners Manual 19 Trident 68 Rear Connections Power Supply Input Connector C M Y CM MY CY CMY K Composite C M Y CM MY CY CMY K Master Connector Power Supply ...

Page 19: ... Send 7 Send 6 Send 5 Send 4 Send 3 Send 2 Send 1 Group Return Return 8 Return 7 Return 6 Return 5 Return 4 Return 3 Return 2 Return 1 Group O Ps O P 8 O P 7 O P 6 O P 5 O P 4 O P 3 O P 2 O P 1 Group Monitor Input Input 8 Input 7 Input 6 Input 5 Input 4 Input 3 Input 2 Input 1 Master Ext Mic Input Spare 2TRK1 2TRK1 2TRK2 2TRK2 Master Right Master Left Inputs for TR 78 only Right Left Right Left Re...

Page 20: ... Center must be in the original packing accompanied by the issued Repair Authorisation and must be shipped to the address specified on the Return Authorisation via insured freight at the customer s own expense Factory original packaging can be ordered from Trident Audio Inc Customer will be charged for new factory original packaging if customer fails to ship product to Trident Audio in the origina...

Page 21: ...Trident 68 Owners Manual 24 Trident 68 Input Module Flow Diagram ...

Page 22: ...Trident 68 Owners Manual 25 Trident 68 Group Module Flow Diagram ...

Page 23: ...Trident 68 Owners Manual 26 Trident 68 Master Module Flow Diagram ...

Page 24: ... products which are covered by the European Union s Removal of Hazardous Substances directive 2002 95 EC roHS This directive seeks to eliminate toxic substances from the manufacturing process such that when equipment is disposed of at the end of its life cycle thematerials it contains do not contaminate the environment and pose health risks Banned substances are lead mercury cadmium hexavalent chr...

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