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10- LOW EQ

This is the bass control. It is used to boost male voice, kick-drum or bass guitar. Your system
will sound much bigger than what it is. The gain range goes from -15 dB to +15 dB with a
center frequency of 80 Hz.

It can change the center frequency for the MID EQ filter. From this knob you can more
accurately select the band of frequency that you want to boost or cut. The ranges goes from
100 Hz to 8 kHz.

8- MID FREQ (O

MX.26/2FX)

nly for Mono Channels of

This control provides 15 dB boost or cut at 2.5 kHz on the MX.22/2FX. The MX.26/2FX has one
sweepable MID EQ controls on the mono channels and two discrete MID EQ on the stereo channels
with center frequencies at 3 kHz and 500 Hz(9'), the midrange frequencies include the upper male
and lower female vocal ranges,and the fundamentals and harmonics for many instruments.

9- MID EQ

11- AUX Send Controls

These two controls are used to adjust the level of signal sent to AUX bus 1&2, and this
adjustment doesn't effect the main mix output signal at all.
AUX SEND1 ( MON ) can be configured as PRE / POST fader via the PRE switch. Up for POST
fader, the signal is sent out after the channel fader and will be affected by the channel
fader. Down for PRE fader, the signal is sent out before the channel fader and will not be
affected by the channel fader. AUX 2 (FX) is configured as POST fader.

12- PAN/BAL

Abbreviation of PANORAMA control for mono channels,for the stereo channels, always
says, BALANCE control. You can adjust the stereo image of the signal via this control. For
mono MIC / LINE channels, keep PAN control in centre position and your signal will be
positioned in the middle of stage that is to say the mono signal appears equally in both
sides. Turn this control fully counterclockwise and the signal will be present only on the
left speaker and vice-versa. For stereo channels, by rotating the BAL control, you can
attenuate the signal of left or right. It means if turn the control to left, the right channel
will be attenuated; if turned to right, the left channel will be attenuated.

Each channel is equipped with the

MUTE switch ( in

MX.26/2FX ). Pressing this switch is equal to turning the fader down, which can mute the
corresponding channel output except for SOLO (in PFL mode), the MUTE LED will illuminate.
In

, the

MUTE / ALT3-4 ( in MX.22 / 2FX ) or

MX.22/2FX

MUTE/ALT3-4 switch can also be used for signal routing.

13- MUTE/ALT3-4 SWITCH (For MX.22/2FX) and MUTE SWITCH (For MX.26/2FX)

CONTROL ELEMENTS

7

9

10

MX.22/2FX

4

7

8

9

9

10

MX.26/2FX

MID

FREQ

8k

100

600

MID

3kHz

MID

500Hz

9'

Summary of Contents for MX.22/2FX

Page 1: ...USER S MANUAL NF03522 1 0 ...

Page 2: ......

Page 3: ...TABLE OF CONTENTS 1 INTRODUCTION 1 2 FEATURES 1 4 CONTROL ELEMENTS 3 6 WIRE CONNECTIONS 15 3 USEFUL DATA 1 5 INSTALLATION TIPS 14 7 BLOCK DIAGRAM 16 8 TECHNICAL SPECIFICATION 18 9 GUARANTEE 20 ...

Page 4: ...jack 2 4 for MX 26 2FX stereo inputs with Balanced TRS jack GAIN control and 48V phantom power for mono inputs 3 band EQ plus 75Hz low cut filter on all mono channels For MX 22 2FX 3 band EQ with sweepable MID plus 75Hz low cut filter on all mono channels and 4 band EQ on stereo channels For 2 AUX sends AUX1 with PRE POST fader switch for monitoring AUX2 POST fader for effect sends can be changed ...

Page 5: ...RELESS MICROPHONE CD PLAYER 1 ACTIVE SPEAKERS DAT RECORDER MONO IN STEREO OUT BEVER OPTIONAL 3 MX 26 2FX POWER MAIN OUTS BAL UNBAL CHANNEL INSERTS 1 4 2 TIP SEND RING RTN CTRL RM OUT L R SUB OUTS AUX SEND 1 2 1 2 PHONES FOOTSW R L SERIAL MODEL L R MONO L R AUX RETURN 75Hz GAIN 75Hz GAIN 75Hz 75Hz GAIN GAIN 4 10 4 10 FX RETURN 4 10 LINE MP3 00 03 08 MP3 USB REP ALL USB PLAYER Push Hold POWER TAC MP...

Page 6: ...his GAIN control is used to control the input sensitivity of the MIC and LINE inputs The adjustable range goes from 0 dB to 50 dB 5 4 10 Switch 4 10 switches are used to select the input sensitivity of the line inputs on the stereo channels 4 dBu is suitable for professional audio devices and 10 dBv is suitable for general devices If not sure to use which setting try 4 dBu first then change it to ...

Page 7: ...ed by the channel fader Down for PRE fader the signal is sent out before the channel fader and will not be affected by the channel fader AUX 2 FX is configured as POST fader 12 PAN BAL Abbreviation of PANORAMA control for mono channels for the stereo channels always says BALANCE control You can adjust the stereo image of the signal via this control For mono MIC LINE channels keep PAN control in ce...

Page 8: ...h these switches you can operate the SUB1 2 faders as a master control for assigning the SUB 1 2 to MAIN MIX Engage the LEFT switch to send the corresponding sub signal to MAIN MIX L and the RIGHT switch for MAIN MIX R When engaging the both switches the signal will be sent to L R of MAIN MIX 17 SUB ASSIGN TO MAIN MIX Switches MX 26 2FX only for CONTROL ELEMENTS L L R R SUB ASSIGN TO MAIN MIX 17 1...

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