10- LOW EQ
This is the bass control. It is used to boost male voice, kick-drum or bass guitar. Your system
will sound much bigger than what it is. The gain range goes from -15 dB to +15 dB with a
center frequency of 80 Hz.
It can change the center frequency for the MID EQ filter. From this knob you can more
accurately select the band of frequency that you want to boost or cut. The ranges goes from
100 Hz to 8 kHz.
8- MID FREQ (O
MX.26/2FX)
nly for Mono Channels of
This control provides 15 dB boost or cut at 2.5 kHz on the MX.22/2FX. The MX.26/2FX has one
sweepable MID EQ controls on the mono channels and two discrete MID EQ on the stereo channels
with center frequencies at 3 kHz and 500 Hz(9'), the midrange frequencies include the upper male
and lower female vocal ranges,and the fundamentals and harmonics for many instruments.
9- MID EQ
11- AUX Send Controls
These two controls are used to adjust the level of signal sent to AUX bus 1&2, and this
adjustment doesn't effect the main mix output signal at all.
AUX SEND1 ( MON ) can be configured as PRE / POST fader via the PRE switch. Up for POST
fader, the signal is sent out after the channel fader and will be affected by the channel
fader. Down for PRE fader, the signal is sent out before the channel fader and will not be
affected by the channel fader. AUX 2 (FX) is configured as POST fader.
12- PAN/BAL
Abbreviation of PANORAMA control for mono channels,for the stereo channels, always
says, BALANCE control. You can adjust the stereo image of the signal via this control. For
mono MIC / LINE channels, keep PAN control in centre position and your signal will be
positioned in the middle of stage that is to say the mono signal appears equally in both
sides. Turn this control fully counterclockwise and the signal will be present only on the
left speaker and vice-versa. For stereo channels, by rotating the BAL control, you can
attenuate the signal of left or right. It means if turn the control to left, the right channel
will be attenuated; if turned to right, the left channel will be attenuated.
Each channel is equipped with the
MUTE switch ( in
MX.26/2FX ). Pressing this switch is equal to turning the fader down, which can mute the
corresponding channel output except for SOLO (in PFL mode), the MUTE LED will illuminate.
In
, the
MUTE / ALT3-4 ( in MX.22 / 2FX ) or
MX.22/2FX
MUTE/ALT3-4 switch can also be used for signal routing.
13- MUTE/ALT3-4 SWITCH (For MX.22/2FX) and MUTE SWITCH (For MX.26/2FX)
CONTROL ELEMENTS
7
9
10
MX.22/2FX
4
7
8
9
9
10
MX.26/2FX
MID
FREQ
8k
100
600
MID
3kHz
MID
500Hz
9'
Summary of Contents for MX.22/2FX
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