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9

 
For example, suppose you connect an 8-ohm speaker to the Main speaker jack, and 
connect another 8-ohm speaker to the Extension speaker jack.  When you connect two 
8-ohm speakers in parallel, the total combined impedance is 4 ohms, so you would set 
the Impedance switch to 4 ohms.  
 

    
Calibration (test jacks, screen adj, bias adj)

Calibration (test jacks, screen adj, bias adj)

Calibration (test jacks, screen adj, bias adj)

Calibration (test jacks, screen adj, bias adj)    

 
The test jacks and calibration trimmers in this section of the back panel are used to 
calibrate the screen grid voltage and the bias current of the output tubes.  The 
calibration procedure is described in detail in its own section of this manual 

    
Effects Loop (Send, Receive)

Effects Loop (Send, Receive)

Effects Loop (Send, Receive)

Effects Loop (Send, Receive)    

 
The effects loop is a tube-buffered series loop.  It is designed to be used with either 
standard footpedals or rack mount effects.   The front panel “FX Bypass” switch can be 
used to bypass the loop, and should be set in the Bypass position if you are not using 
the loop.   
 
The “Send” jack should be connected to the Input of your effects device.  The “Receive” 
jack should be connected to the Output of your effects device.  Both connections should 
be made with a ¼” mono instrument cable.   
 
For best results, you should only use effects such as (delay, chorus, phaser, reverb, 
flanger) in the effects loop.  Any type of overdrive or distortion effect will work best  
when connected between the guitar and the Instrument input jack of the amp (not in 
the loop). 
 
Your chain of effects is expected to have unity gain (meaning that the output level is the 
same as the input level).   The effects devices must NOT add or subtract gain, or the 
balance of gain within the amp will be changed, and the sound of the amp will be 
compromised.  When using the effects loop, try toggling the FX BYPASS switch on the 
front panel back and forth, and adjusting your effects devices so that the signal level 
remains the same when enabled as when bypassed.  

    
Line Out (Output, Level)

Line Out (Output, Level)

Line Out (Output, Level)

Line Out (Output, Level)    

 
The line-out signal is generated from the speaker output, and is conditioned so that the 
signal level is appropriate for driving the a line level input such as a mixing board, 
computer sound card, headphone amplifier, or the input of another guitar amplifier.   
 
Because it is generated from the speaker output, it retains the sound of the amplifier 
quite well.   
 
It is possible to operate the amp without a speaker connected, and to use only the 
signal coming from the line-out jack.  In order to do this, simply turn the attenuation 
control (on the front panel) to the –36db setting, and unplug all speakers from the 
speaker jacks.  It is perfectly safe to operate the amplifier like this.  The output stage 
will be properly loaded by the reactive load circuit of the attenuator, and there is no risk 
of damaging the amplifier in any way.   

Summary of Contents for Majesty 15

Page 1: ...ty 15 Tone King Majesty 15 User s Manual User s Manual User s Manual User s Manual 1 0 3 13 2014 Tone King Amplifiers A division of Premier Builders Guild LLC 4401 Eastern Avenue Bldg 46 3G Box 38 Bal...

Page 2: ...an idealized version of those iconic tones we all know and love I made no attempt to duplicate the design or construction of the originals since my goal was to go beyond the limitations of those clas...

Page 3: ...at the point where they exit from the apparatus 8 Only use attachments accessories specified by the manufacturer 9 Unplug this apparatus during lightning storms or when unused for long periods of time...

Page 4: ...the Attenuator 7 3 Back Panel Controls 8 AC Power 8 Fuse Mains 8 Fuse Plate 8 Power Switch Standby Switch 8 Speaker Jacks Impedance Switch 8 Calibration Test Jacks Screen Bias Adj 9 Effects Loop Send...

Page 5: ...gle Volume knob Presence Presence Presence Presence The Presence knob adjusts the level of very high frequencies those above the range of the Treble control and does it in a way that is slightly diffe...

Page 6: ...te overdriven and distorted tones as a low volume For example master volume circuits or a power reduction scheme such as London Power Scaling have both been used successfully on various amp models of...

Page 7: ...try changing each control in turn to note its effect Volume Treble Midrange Bass Presence 5 5 5 5 5 I find that I set the controls of the Majesty to the settings above almost all the time no matter w...

Page 8: ...el you want For clean tones there are some additional things to consider You might start out by setting the attenuator to 0db bypassed and dialing in the volume level you want with the Volume control...

Page 9: ...uld start with the Power switch OFF and the Standby switch in the STANDBY position First turn on the Power switch This will apply power only to the tube filaments only After turning on the Power switc...

Page 10: ...langer in the effects loop Any type of overdrive or distortion effect will work best when connected between the guitar and the Instrument input jack of the amp not in the loop Your chain of effects is...

Page 11: ...the screen voltage before setting the bias current to ensure that it hasn t drifted from the value it was set at originally You may also want to change the screen voltage setting to dial in a differen...

Page 12: ...Technical Details Inside the Majesty there is a 1 ohm resistor connected between the cathode of the output tubes and ground The bias test points on the back panel of the amp allow you to measure the v...

Page 13: ...mode and re set the bias current as described in the previous section Target Value as read on the meter connected as shown above 2 08V Technical Details The voltage you measure at the Screen Voltage...

Page 14: ...as current will increase as you increase the screen voltage so you will need to re calibrate the bias current every time you change the screen voltage If you are significantly increasing the screen vo...

Page 15: ...e g Imperial Sky King Falcon etc Whereas Tone King s American voiced amps still more or less retain their intended sonic characteristics with just about any brand of preamp tube a lot of the Majesty s...

Page 16: ...t would seem that the obvious solution would be to use new old stock tubes that were made back in the glory days when tubes were very well made However I ve lately been finding that much of the availa...

Page 17: ...er s in this amplifier has have been selected for use only with this amplifier If the speaker s of this amplifier is are connected to an amplifier other than the intended amplifier any warranty of thi...

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